"Latin America's proposal for thinking about media practices is focused on popular subjects and communities; on what people do with the media; on the expressive and political use of media resources to gain visibility and public voice; on the intercultural dialogues always present in the negotiation
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between media and people's lives; on the expansion of media communication to music, food, festivals and rituals of identity. We propose seeing media practices as a critical dialogue between knowledges and cultures (Freire); as mediations between popular culture, the cultural industry, and political power (Martín-Barbero); as media-aided cultural migraations (Monsiváis); as heterogeneity of temporalities and practices (García Canclini); as insurrection performed by women, youth, indigenous people, Afro-descendants, and the digital world (Reguillo); as baroque aestheitcs (Echeverría); as a bastard experience of 'coolture' (Rincón); as a field where communication for good living is possible (Contreras)." (Conclusions, page 53)
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"This book traces the trajectory of the community archives movement, expanding the definition of community archives to include sites such as historical societies, social movement organisations and community centres. It also explores new definitions of what community archives might encompass, particu
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larly in relation to disciplines outside the archives. Over ten years have passed since the first volume of 'Community Archives', and inspired by continued research as well as by the formal recognition of community archives in the UK, the community archives movement has become an important area of research, recognition and appreciation by archivists, archival scholars and others worldwide. Increasingly the subject of papers and conferences, community archives are now seen as being in the vanguard of social concerns, markers of community-based activism, a participatory approach exemplifying the on-going evolution of 'professional' archival (and heritage) practice and integral to the ability of people to articulate and assert their identity." (Publisher description)
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"The Internet Myth retraces and challenges the myth laying at the foundations of the network ideologies – the idea that networks, by themselves, are the main agents of social, economic, political and cultural change. By comparing and integrating different sources related to network histories, this
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book emphasizes how a dominant narrative has extensively contributed to the construction of the Internet myth while other visions of the networked society have been erased from the collective imaginary. The book decodes, analyzes and challenges the foundations of the network ideologies looking at how networks have been imagined, designed and promoted during the crucial phase of the 1990s. Three case studies are scrutinized so as to reveal the complexity of network imaginaries in this decade: the birth of the Web and the mythopoesis of its inventor; and the histories of two Italian networking projects, the infrastructural plan Socrate and the civic network Iperbole, the first to give free Internet access to citizens." (Publisher description)
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"This book deals with literary representations of the genocide against the Tutsi in Rwanda. Its focus is a transnational, polyphonic writing project entitled Rwanda: écrire par devoir de mémoire (Rwanda: Writing by Duty of Memory), undertaken in 1998 by a group of nine African authors. Anna-Marie
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de Beer's study emphasizes the Afropolitan cultural frame in which the texts were conceived. Instead of using Western and Eurocentric tropes, this volume looks at an African conflict situated in a collectivist society and written about by writers of African origin. This approach enables a situated study, in which it becomes possible to draw out local notions of ubuntu, oral testimonies, mourning traditions, healing and storytelling strategies, and the presence of the 'invisible'. These texts are written in French and to date not all of them have been translated into English. The book assists in connecting English-speaking readers not only to a set of texts written in French with significant literary and cultural value, but also to francophone trauma studies research." (Publisher description)
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"El texto está escrito a tres voces: la realizadora del programa, quien hace uso de la pregunta para ampliar y profundizar en el tema, de tal manera que se logre la conexión con las realidades del entorno; el invitado que responde las preguntas apoyado en su formación profesional, en la experienc
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ia de trabajo con las parejas y en su capacidad de traducir el lenguaje técnico en un lenguaje coloquial para favorecer la interpretación de los contenidos por la audiencia; y la voz principal, correspondiente a los oyentes, ellos crearon nuevas conversaciones, de allí la importancia de poder escuchar las inquietudes, las apreciaciones y los testimonios de vida que posibilitaron una cocreación en palabras, que son el reflejo de la vida cotidiana. La obra está contenida en cinco capítulos; en el capítulo 1: Ser pareja, encontraremos apartados que describen las maneras para elegir, constituirse y otras tareas que se cumplen una vez conformada la pareja. El capítulo 2: Aprendiendo a vivir en pareja, hace referencia a la convivencia que requiere un cuidado permanente en los modos de relacionarse. El tercer capítulo: Los celos no son amor, nos permite ampliar la visión de una problemática, que tal vez ha llegado a convertirse en una epidemia de salud pública en nuestro contexto. Por supuesto un tema que no podía faltar se concreta en el capítulo 4: Se nos rompió el amor, en el cual se presentan los cambios relacionales, legales por la separación y el divorcio luego de la ruptura del vínculo afectivo. Finalmente, un aporte significativo es el capítulo 5 con cuatro investigaciones que exponen las realidades contemporáneas sobre los cambios y transformaciones en la vida de pareja." (Página 11-12)
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"This guide is aimed at the management of broadcasting organisations in areas of policy making as well as in programme making and technical planning. It explains in some detail the advantages gained by radio broadcasters introducing the DRM® Digital Radio Mondiale™ technology and some of the tech
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nical and commercial considerations they need to take into account in formulating a strategy for its introduction. The guide is a development of the previous ‘Broadcast User Guide’ and includes information on latest system and regulatory aspects for the introduction of the various DRM system variants. It also includes links to reports and articles on an extensive range of highly successful real-life trials. Digital Radio Mondiale (DRM) is the universal, openly standardised digital broadcasting system for all broadcasting frequencies up to 300 MHz, including the AM bands (LF, MF, HF) and VHF bands I, II (FM band) and III. DRM is greener, clearer, wider, bigger, better quality & audio content and cost efficient than analogue radio; it provides digital sound quality and the ease-of-use that comes from digital radio, combined with a wealth of enhanced features such as, Surround Sound, Journaline text information, Slideshow, EPG, and data services. DRM enables digital radio transmissions in the former AM bands (short, medium and long wave, i.e. broadcasting bands up to 30 MHz), providing large coverage areas and low power consumption, as well as in the VHF bands above 30 MHz up to around 300 MHz (including the FM band) for local and regional digital radio services. Irrespective of the transmission frequency, DRM uses the same audio coding, data services, multiplexing and signalling schemes; only the transmission mode parameters (i.e. modulation or baseband parameters) are optimised for the respective frequency band." (Introduction)
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"This book examines transformations in the production and domestic and international reception of Iranian cinema between 2000 and 2013 through the intersection of the political markers - the presidential terms of Reformist president Mohammad Khatami and his successor, the conservative Mahmoud Ahmadi
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nejad - and filmic markers, particularly Jafar Panahi's The Circle (2000) and Asghar Farhadi's About Elly (2009). Through extensive field and media research, the book considers the interaction of a range of factors including government policy, Iranian national cinema genres and categories, intended audience, funding source, and domestic and international reception, to demonstrate the interplay between filmmakers and the government over these two successive presidencies. While the impact of politics on Iranian filmmaking has been widely examined, this work argues for a more nuanced understanding of politics in and of the Iranian cinema than has generally been previously acknowledged." (Publisher description)
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"Die Studie verknüpft Daten einer Onlinebefragung mit qualitativen Einzelinterviews. Das Instrument des Emotional Branding Monitor (EBM) wurde erstmalig auf Mediengattungen angewendet. Bei der Nutzung von Audio wird im Vergleich zu den anderen Medien die positivste emotionale Grundstimmung erzeugt.
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Mit Radio und Audio digital werden Harmonie und Lebensfreude überdurchschnittlich stark assoziiert. Audio bietet damit beste Wirkungsvoraussetzungen für eine positive Wahrnehmung dort platzierter Werbung." (Kurz und knapp, Seite 636)
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"Over the last 20 years, the power of cultural and creative industries (CCIs) as enablers and drivers of sustainable development has been broadly recognised. They are viewed as critical to social cohesion, social and economic transformation, and political stability. For this reason, it is important
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to explore and analyse what kind of CCIs supporting strategies, programmes and projects are in place in SubSaharan Africa, how they are working and their practical impacts. Furthermore, to deeply understand these dynamics and be able to provide accurate recommendations, this research looked not only at the practical cases of programmes developed multilaterally by the EU but also those developed individually by European countries’ cultural institutions. The authors show how, where and why CCIs programmes are implemented and put forward a case for more sustainable projects with a stronger focus on local ownership." (Back cover)
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"Media Culture in Transnational Asia: Convergences and Divergences examines contemporary media use within Asia, where over half of the world's population resides. The book addresses media use and practices by looking at the transnational exchanges of ideas, narratives, images, techniques, and values
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and how they influence media consumption and production throughout Asia, including: Sri Lanka, Bangladesh, South Korea, Singapore, Vietnam, Afghanistan, Iran and many others. The book's contributors are especially interested in investigating media and their intersections with narrative, medium, technologies, and culture through the lenses that are particularly Asian by turning to Asian socio-political and cultural milieus as the meaningful interpretive framework to understand media." (Publisher description)
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"Proposal 1: Bring democracy support and protection to the core of EU external action and implement this strategic priority in EU foreign relations with Africa (and worldwide). Proposal 2: Develop a new narrative and more strategic approach to democracy support in a geopolitical context where democr
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acy is increasingly being undermined from within in (former) democratic countries and challenged from the outside by powerful authoritarian regimes. Proposal 3: Address the impacts of demographic change, urbanisation, digitalisation and climate change on political regimes through EU democracy support. Proposal 4: Invest more in intermediary organisations (media, parties, CSOs, trade unions, business councils) and in the democratic accountability of sectoral policies. Proposal 5: Intensify support for civic education and launch new initiatives to strengthen transnational relations between African and European societies. Proposal 6: Engage more strategically in contexts where authoritarian regimes suddenly open up or where electoral autocracies gradually close political spaces. Proposal 7: Continue and deepen cooperation with African regional organisations and put more emphasis on joint learning and practices for defending democracy. Proposal 8: Create a different institutional set-up that allows the EU to engage more strategically in democratic reforms. Proposal 9: Increase the capacities of the European External Action Service (EEAS) and the Directorate-General for International Cooperation and Development (DEVCO) to work on democracy support. Proposal 10: Develop a joint European approach towards democracy support that is sustained by all European countries." (Executive summary)
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"Una antigua canción de 1979 (Video killed the radio star de The Buggles) decía en su título que el video había matado a la radio. Quizás esa fue la percepción que se tuvo por un momento debido al surgimiento de fenómenos sociales como MTV (una cadena de televisión que sólo transmitía vide
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os musicales) en 1981, pero la verdad es que 40 años después de esta corriente se puede afirmar que en el Perú la radio sigue siendo el canal principal para escuchar música." (Página 1)
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"Ce livre aborde de manière originale les difficiles relations interculturelles, plus particulièrement les questions du vivre ensemble dans le contexte actuel où le numérique est omniprésent et la diversité culturelle de plus en plus grande. Les deux auteures ont pu constater, à partir de leu
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r expérience dans le domaine de la pratique interculturelle, à quel point la fragilisation des liens sociaux affecte les relations et crée des tensions qui aboutissent souvent en des conflits allant jusqu'à la rupture de la communication entre les personnes. Les chapitres présentent des situations concrètes vécues et proposent des solutions innovatrices pour dénouer des situations interculturelles difficiles." (Description de la maison d'édition)
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"Ocho de cada diez personas en Lima tienen por lo menos una cuenta en una red social." (Página 1)
"This book provides students and researchers a hands-on introduction to the principles and practice of data visualization. It explains what makes some graphs succeed while others fail, how to make high-quality figures from data using powerful and reproducible methods, and how to think about data vis
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ualization in an honest and effective way. Data Visualization builds the reader's expertise in ggplot, a versatile visualization library for the R programming language. Through a series of worked examples, this accessible primer then demonstrates how to create plots piece by piece, beginning with summaries of single variables and moving on to more complex graphics. Topics include plotting continuous and categorical variables; layering information on graphics; producing effective "small multiple" plots; grouping, summarizing, and transforming data for plotting; creating maps; working with the output of statistical models; and refining plots to make them more comprehensible." (Publisher description)
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