"Welchen Einfluss haben Gesinnungen der Gewalt auf die gesellschaftlichen Entwicklungen in Afghanistan? Die internationalen Beiträger*innen richten ihren Blick auf linke, dschihadistische sowie talibanistische Ideologien und Praktiken in der jüngeren afghanischen Geschichte. Multiperspektivisch ze
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ichnen sie den Verlauf der letzten 20 Jahre nach und fokussieren dabei vor allem auf den dramatischen Wandel, den die afghanische Bevölkerung in Bezug auf Kultur, Frauenrechte und Medien durchlebt: Einstige Sehnsüchte und die Hoffnung auf eine offene Gesellschaft verwandeln sich durch ein Wiedererstarken der Taliban in Alpträume." (Verlagsbeschreibung)
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"Since its publication in 2004, Hallin and Mancini's model has become a pioneer in understanding the dynamics of media systems in different national contexts. Many studies related to politics that identify the patterns, trends, and variations used by communication systems in different countries and
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historical moments follow this seminal study to evaluate the formation of public opinion and the quality of democracy. For this article, we obtained 3,455 articles published in Web of Science within the Social Sciences Citation. Index using the open-source software Science Mapping Analysis Tool, which we chose as a bibliometric technique for its feasibility in providing a conceptual structure through the spatial representation and disciplinary interrelation with fields like specialization, studies, and authors. By analyzing the co-occurrence of keywords, we drew scientific maps that enable the analysis of their conceptual and social evolution over consecutive periods. The results provide up-to-date information on the state of the model and its relevance in the field of communication and policy today, its strengths, limitations, and potential areas of development. The findings identify less studied areas in the field, drawing inspiration from the Mancini model. This open up a guide for future research by identifying themes and questions through bibliometric analysis." (Abstract)
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"The year 2024 marks the 20th anniversary of the publication of Comparing Media Systems (2004), by Daniel C. Hallin and Paolo Mancini, a book that established three major media models in the Western world. Subsequently, the same authors published Comparing Media Systems Beyond the Western World (201
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1), which extended the work to other countries such as Russia, Poland, and China. In both cases, the interest was in the comparative analysis using a series of variables that made it possible to classify the media structures of the countries into differential groups. For their analysis, the authors included different study categories that need to be reinterpreted considering technological evolution, changes in consumption habits, or the irruption of social networks. This thematic issue is a proposal for a review of media models in different countries and aims to be a starting point for future lines of research on this subject. A total of 10 articles are presented to address an academic debate on the scientific relevance of Hallin and Mancini's work, its contribution to comparative media studies, and its necessary re-reading in a historical-temporal framework different from the moment in which it was published." (Abstract)
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"An overview of the Armenian media system is presented from the perspective of media professionals. Interference with the media system by the political system is analysed and the health of the Armenian media system is explored in the context of its transition from a Soviet republic towards a liberal
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model. The international situation contextualises analysis (resurgence of Russia-West enmity and globalisation) as does Armenia's troubled relationship with its neighbours: with Turkey due to the 1915 genocide and with Azerbaijan because of the dispute over Nagorno-Karabakh. Relevant domestic affairs, such as the successful citizens' mobilisation and the 2018 Velvet Revolution are also considered. The methodology used is based on in-depth interviews carried out in Yerevan (09/23) with 13 key informants; their answers are explored with content analysis using Hallin and Mancini's dimensions. The study will serve to discuss how the media are used as tools of power and how the media system reproduces the political system (polarisation and individual ownership). We find that media is owned and/or controlled by political parties, and that the government controls public media but also part of the private sector through broadcasting licences and economic pressure. News media are not self-sustainable; thus, media economic dependence compromises its editorial independence, and very few media are independent. There is plurality, but highly polarised; there is no systematic censorship, but defamation fines reinforce journalists' self-censorship; internet freedom is high but generates misinformation. Even so, there is professionalism, therefore there may yet be hope for the media if peace and the economy stabilise." (Abstract)
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"This article attempts to explain the current situation of the Turkish media system through the media systems approach as a case study with special attention to the concept of media capture. We propose that the Turkish media system's shift is heavily influenced by media capture. We associate four of
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Hallin and Mancini's media systems concepts related to the effects of media capture in the Turkish media system shift: rise of political parallelism, erosion of journalistic professionalism (ethics), controlling role of the state, and government-friendly ownership concentration. In explaining the shift from a pluralist polarised to captured media in Turkey, we acknowledge the potential for new, independent, and alternative media to emerge. The article also comments that the potential reason for this shift from a captured liberal to a captured media in Turkey is the climate of fear that has allowed successive governments in Turkey to attempt media capture. In general, this article attempts to provide insight into the current relationship between media and politics in Turkey." (Abstract)
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"When Hallin and Mancini (2004) produced their watershed three models theory, South Africa was a new democracy barely a decade old. Even then, along with other countries of the Global South, the experience of a young democracy posed certain critical challenges to Hallin and Mancini's understanding o
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f the way that media and politics interrelate. Two decades later, South Africa has continued to change. There has been increased diversity in media ownership, rapid growth in community and social media, digital disruption, and significant challenges to media freedom. How does the three models theory stack up now? This article reviews scholarly critiques of Hallin and Mancini's model, including their follow-up work, Comparing Media Systems Beyond the Western World (2012), and assesses to what extent the three models is still a valid approach to understanding the connection between media and politics in the Global South. The article concludes by evaluating Hadland's (2012) Africanisation of the model in light of the complex postcolonial trajectories of South Africa, suggesting that this, along with Hallin et al.'s (2021) expanded hybridisation model, still offers a better set of variables with which to understand how the media and political systems intertwine in the postcolony." (Abstract)
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"This article endeavors to delve into the recent transformation of the Romanian media landscape, aiming to offer a nuanced comprehension of the cultural and political dynamics that have influenced journalistic practices. The Romanian media environment has undergone swift changes, transitioning from
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a monolithic structure to one increasingly driven by commercial interests, all while navigating economic and political pressures. The shift toward a free-market framework has not only reshaped the social and political fabric but has also significantly impacted the media sector. This article posits that the Romanian media landscape is shaped by the interplay of cultural, economic, and political forces, evident in journalistic outputs across both traditional and digital platforms. This assertion aligns with Hallin and Mancini's (2004) notion of parallelism between journalism and politics. Moreover, it extends this perspective to encompass cultural influences and the evolving media landscape resulting from shifts in the media market, changing consumption patterns, and the proliferation of digital media. Key indicators such as professional standards, editorial autonomy, transparency, financial sustainability, political influence, and media regulations are critically examined within the unique context of Romania, in which political interference and growing reliance on advertising revenue often curtail editorial independence. In conclusion, the article reflects on the current state of the Romanian media system and the manifold challenges it confronts amidst the changing dynamics of the media landscape." (Abstract)
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"This study explores TV in Romania and Bulgaria, both considered "emerging" media systems in post-communist studies (Sparks, 1995). It uses Hallin and Mancini's (2004) framework to analyze the central aspects regarding the configuration of commercial TV. The study offers an institutional perspective
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on TV by exploring the licensing frame and the TV offer. The interaction between commercial TV, politics, and the state underlines the intricate relations through powerful and influential networks involving the interests of a variety of individuals and groups. Currently, commercial TV is the most developed type of media in both countries. Through its empirical contribution, this study fills in the blind spot of media research, aiming to contribute to the understanding of the Romanian and Bulgarian media landscape. It offers a critical perspective on TV systems in relation to the polarized pluralist/Mediterranean model of Hallin and Mancini, considering its explanatory function within the analysis of Eastern European media systems. Elements of the national markets revealed particularities of the TV business, synchronically connected to the contemporary"hyper-television" vision (Scolari, 2009) and the "informational disorder" paradigm (Tambini, 2020)."(Absract)
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"This study investigates interactive forms of public communication in the Republic of Benin (West Africa) with a specific focus on the emergence of new media actors. Benin’s media landscape features a variety of media formats, which are constantly incorporating interactive elements. These developm
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ents result in novel roles for both media producers and audiences. This analysis examines communication processes in radio call-in shows on social issues in the Republic of Benin that utilize participatory media formats. The primary figures of interest in these shows are frequent callers who participate in grievance-oriented programmes. Known as ‘grogneurs’, these individuals have now established themselves as respected information brokers within the country. What factors contribute to their prominence, and what are the implications of their success for information practices in the region? This study is using ethnographic methods and examines the motives, skills, and strategies that underpin grogneurs’ information acquisition, networking, and legal protection. It also examines grogneurs’ relationships with journalists, authorities, and broader radio audiences. The article argues that, despite potential role overlap between journalists and grogneurs, both groups endeavour to maintain clear distinctions in their roles to safeguard their reputation and foster interactive media formats." (Abstract)
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"The appearance of new media and its enormous diffusion in the last decades of the 20th century and up to the present has greatly increased and diversified the reception of Egyptian themes and motifs and Egyptian influence in various cultural spheres. So-called popular or pop culture (cinema, genre
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fiction, TV-series, comics, graffiti, computer and video games, rock and heavy music, radio serials, among others) often makes use of narratives and motifs drawn from the observation and study of ancient Egypt, updated and reinterpreted in various ways, and which is now the subject of study by scholars of Egyptology. The present monograph seeks to provide new evidence of this interdisciplinarity between Egyptology and popular culture. It explores the conscious reinterpretation of the past in the work of contemporary authors, who shape an image of the Egyptian reality that in each case is determined by their own circumstances and contexts." (Publisher description)
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"People with mental illness struggle to find connection and community due to a combination of stigma, social isolation, and adverse social experiences. Digital games, as an immersive and interactive media, can convey aspects of mental health experiences in thoughtful ways. I considered how players c
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onnect with characters in digital games about mental health. Combining social network theories and science and technology studies, this qualitative grounded theory study of 48 people who play video games and experience mental illness found that players perceive and form bonds with characters as experientially similar to themselves. Players engaged with different commercially-available games about mental health and felt less alone in their own experiences, identified new coping strategies, and envisioned alternate self-narratives. I put forward a concept, experientially simulated others, to define the specific ways that digital games’ interactivity and immersivity enhance the impacts of connecting with shared mental health experiences." (Abstract)
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"Social media provide unprecedented opportunities for the distribution of photographs capturing experiences of conflict. Instagram in particular renders conflict photography searchable, whilst also aggregating the memories of traumatised communities. This paper adds to the nascent literature in this
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area by exploring how the photosharing app is used to share photographs of the Northern Irish ‘Troubles’, a low-intensity conflict that resulted in 3,600 fatalities and left many more bereaved, injured and traumatised. Two decades on from the Belfast Agreement, Northern Ireland remains a deeply divided society in which competing narratives over the conflict remain deeply entrenched. This study explored photographic representation of the Troubles, with a specific focus on who was represented in these images and whether they were evoke personal memories of the conflict. A content and narrative analysis of 100 historical images tagged #thetroubles was conducted in order to explore these issues. Results indicate that images showing the ‘peculiarity’ of everyday life during the conflict, such as armed British soldiers standing in close quarters to children playing in the street, were the most prominent visual representations under this hashtag. The memories evoked by such historical photographs reinforce zero-sum narratives on conflict, rather than promote new interpretations that build support for peace in ‘post-conflict’ societies." (Abstract)
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"Zwischen dem 15. und 18. Jahrhundert erlangten westeuropäische Mächte die Herrschaft über weite Teile der Welt, was mit einem Anstieg des Sklavenhandels in bis dahin unbekannte Dimensionen verbunden war. Dieses Buch verfolgt die Argumentationsfiguren, mit denen man die mit Kolonisierung und Vers
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klavung verbundene Unterdrückung und Ausbeutung zu rechtfertigen versuchte." (Verlagsbeschreibung)
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