"The study seeks to understand consumers’ and decisionmakers’ perspectives on how current entertainment media treats themes of faith, religion and spirituality in its narratives and characters, if there is a market for more accurate and diverse representation of faith, and what opportunities exi
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st for improving these portrayals. HarrisX surveyed nearly 10,000 entertainment consumers across 11 countries as well as 30 in-depth interviews with entertainment industry leaders. Consumers say they learn about other religions through entertainment and see the potential for faith-inclusive content to create understanding and dialogue in society. Yet, respondents share that when they see their religion or faith - and others - included in mainstream entertainment, they feel it’s often sensationalized or that the portrayal leans on stereotypes. Similarly, entertainment industry professionals also highlighted an opportunity to reach and connect with an underserved audience. They noted that producing this content not only represents a good business opportunity, but also provides the opportunity to demystify what consumers know about other faiths and create understanding between people of different belief systems." (Introduction)
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"Cartooning for Peace is an international network of committed press cartoonists who use humour to fight for respect for cultures and freedoms: 344 cartoonists in 78 countries [...]
Our values. Cartooning for Peace is attached to the respect for pluralism of cultures and opinions. In the events we
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organize, exhibitions, publications and international meetings, we are mindful to show the diversity of cartoonists’ perspectives on a given subject. Cartooning for Peace fights against prejudice and intellectual conformism. Towards extremism, we denounce the excesses, we mock the false certainties, counteract odium and strive to dismount impostures. Cartooning for Peace is respectful in disrespect. We do not seek to humiliate the beliefs and opinions. We circumvent interdicts with humour. Cartooning for Peace takes into account the risk that a cartoon published on the Web can appear out of context, within seconds, in every corner of the globe. Our organization is vigilant to prevent press cartoon from becoming an aggravating factor of conflicts. Cartooning for Peace offers editorial content. Convinced that cartoonists often foretell acutely before everyone, the stirrings of society which will make news tomorrow, we strive to bring forward debates that our societies are not even yet aware of.
Our actions. Cartooning for Peace allows cartoonists to interact with each other and to confront their different ideological opinions. Our network provides visibility and support for those who are unable to work freely or whose freedom is threatened. Cartooning for Peace uses the educational value of press cartoon to denounce intolerances. Our organization gives young people a voice and raises their awareness on major societal problems. Cartooning for Peace brings press cartoon closer to the public. We organize meetings between cartoonists and the public, and set up thematic exhibitions showing a critical look of society. We also publish press cartoons, in paper or digital form. Cartooning for Peace is a tool serving freedom of expression: a forum and a meeting place for all those who challenge intolerance and all forms of dogmatism." (https://www.cartooningforpeace.org/en/presentation)
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"This book explores how television in the global South is 'future-proofing' its continued relevance, addressing its commercial, social and political viability in a constantly changing information ecosystem. The chapter contributions in the book are drawn from countries in East, South and West Africa
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, the Middle East and Latin America, specially selected for their illustrative potential of the key issues addressed in the book. Scholarly attention on television in the global South has largely been limited to studying evolving television formats with broader structural issues covered almost entirely by industry reports. Major gaps remain in terms of understanding how television in the global South is changing within the context of the significant technological developments and what this means for television's future(s). The chapters reflect on these futures, not in the sense of predicting what these might be, but rather anticipating important areas of intellection. The contributors contend that much of the scholarship on the global South, by scholars from the South, is often stilted by a reluctance to anticipate. This failure leads to a largely reactionary scholarship, constantly oppositional, and unable to recentre conversations on the South. This volume finds intellectual incentive in this urgent need to anticipate, hence its particular focus on television futures." (Publisher description)
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"This paper has used a series of historical sources, mainly in the Persian language, to explore the one-century history of Afghanistan’s media. The country has 150 years of media history, of which a century has occurred during the monarchy's political system. This study explains the chronological
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order and structure of the media from the first newspaper, Shams-u-Nahar, which was founded in 1873 during the reign of Amir Shir Ali Khan. In addition, it explains the press's role in the war for the independence of Afghanistan. It also explores the media’s situation during King Zaher Shah’s (1933-1973) reign, when a diverse media environment emerged; simultaneously, systematic political repression was carried out and derailed the diversity. Taking the length of this centenary history into account, it seems that an article might not be enough to cover such a topic. However, so far, the researchers have not found an academic paper that has studied this era in English. Hence, this paper will be the first of its kind to cover this issue in detail to fill this gap and pave the way for researchers to know more about Afghanistan's media history." (Abstract)
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"Television has a prime role to play in the formation of discursive domains in the everyday life of South Asian publics. This book explores various television media practices, social processes, mediated political experiences and everyday cultural compositions from Bangladesh, India, Nepal, Pakistan
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and Sri Lanka. With the help of country-specific case studies, it captures a broad range of themes which foreground the publics and their real-life experiences of television in the region. The chapters in this book discuss gendered television spaces, women seeking solace from television in pandemic, the taboo in digital TV dramas, television viewership and localizing publics, changing viewership from television to OTT, news and public perception of death, redefining ‘the national’, theatrical television and post-truth television news, among other key issues." (Publisher description)
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"This book analyses a South-to-South connection between media activists and artivists – artists who are activists – in the Global South. The authors, Andrea Medrado and Isabella Rega, emphasise the urgent need to engage in South-to-South dialogues in order to create more sustainable connections
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between Global South communities and as an essential step towards identifying and facing global problems, such as state repression, social inequality and climate crises. Medrado and Rega analyse the characteristics of this connection, identify its unique contributions to the study of media and social change and discuss its long-term sustainability. They do so by focusing on instances when media narratives in countries of different Global South(s) intertwine and transform each other; specifically, the exchanges between Latin America (Brazil) and Africa (Kenya). They explore how media activism and artivism can be used as tools for global movement building and to challenge colonial legacies. They also discuss how to connect people with varied skill sets in different Global South contexts, promoting South-to-South solidarity, in a cross-continental challenge to marginalisation." (Publisher description)
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"In Türkiye, communication science falls under the category of social sciences and is regarded as an interdisciplinary scientific field focused on empirical research. The field is influenced by communication science developments of the West in terms of developing theories and methodology, and it fa
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ces challenges when it comes to the systematisation of theories and research methods created by different research traditions; their critical evaluation, development, and the failure to put theories to practical use. In order to ascertain the present condition of the field, this article explores the institutionalisation of communication science at universities and its potential tendencies as an academic field of study, its research trends, and the characteristics of communication science studies." (Abstract)
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"This book observes and analyses transnational interactions of East Asian pop culture and current cultural practices, comparing them to the production and consumption of Western popular culture and providing a theoretical discussion regarding the specific paradigm of East Asian pop culture. Drawing
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on innovative theoretical perspectives and grounded empirical research, an international team of authors consider the history of transnational flows within pop culture and then systematically address pop culture, digital technologies, and the media industry. Chapters cover the Hallyu—or Korean Wave—phenomenon, as well as Japanese and Chinese cultural industries. Throughout the book, the authors address the convergence of the once-separated practical, industrial, and business aspects of popular culture under the influence of digital culture. They further coherently synthesize a vast collection of research to examine the specific realities and practices of consumers that exist beyond regional boundaries, shared cultural identities, and historical constructs." (Publisher description)
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"This article discusses the emergence of Turkish serial dramas as a site for contestation over the impact of Islamic modernity on Malay women in contemporary Malaysia. Despite its popularity among Malay women, Turkish serial drama has been criticized for misleading and confusing the audience about I
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slamic history, faith, culture and civilization. The controversy over this television genre raises the question of how Malay women, constrained within their position of being female subjects of the state, manage to circumvent the authorities and watch this Turkish serial drama. They are not supposed to challenge social norms, moral propriety, cultural identity and the state vision of modernity. Therefore, this article argues that although Malay women exhibit excitement towards this television genre, they consistently use Islamic knowledge to develop watching skills and become more sceptical as well as competent in interpreting popular Islamic texts. The findings also show that Islam in the Malay world is culturally diverse, progressive and flexible." (Abstract)
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"The Bloomsbury Handbook of Radio presents exciting new research on radio and audio, including broadcasting and podcasting. Since the birth of radio studies as a distinct subject in the 1990s, it has matured into a second wave of inquiry and scholarship. As broadcast radio has partly given way to po
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dcasting and as community initiatives have pioneered more diverse and innovative approaches so scholars have embarked on new areas of inquiry. Divided into seven sections, the Handbook covers: communities; entertainment; democracy; emotions; listening; studying radio; futures." (Publisher description)
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"Hay que agradecer al profesor Andrés Cañizález el esfuerzo de haber hecho una selección y curaduría de un conjunto de textos del pensamiento del rector Francisco José Virtuoso, SJ, sobre el proceso político vivido en Venezuela desde finales de la década de los 80 hasta alcanzar el período
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de autoritarismo vigente en el país [...] Mientras fue director del Centro Gumilla se preocupó por desarrollar la dimensión investigativa de ese centro social, a la vez que su incidencia en comunidades populares y el seguimiento de la realidad política del ya convulso contexto político venezolano. El desarrollo de una línea de investigación sobre la participación a través de las organizaciones nóveles creadas por el gobierno de Hugo Chávez Frías, como eran los Consejo Comunales y las cooperativas, el seguimiento del derecho a la participación política y los procesos electorales a través de “ojo electoral” o el trabajo comunitario en la zona de Catuche, que luego se extendió a acciones de formación en varias partes del país, son apenas una muestra de lo que luego desarrollaría de manera más profunda como Rector de la UCAB.
La investigación ENCOVI ha sido, sin duda, el signo distintivo de la agenda que impulsó el rector Virtuoso para comprender, desde los excluidos, cómo este proceso de autoritarismo ha generado una grave estructura de pobreza, pero a la vez la misma contiene un conjunto de sugerencias que permitirían restablecer políticas públicas vitales para la recuperación de las condiciones de la población, impulsando la búsqueda de acuerdos desde la sociedad civil con los partidos políticos a través de lo que se llamó Frente Amplio Venezuela Libre, sin mencionar los múltiples encuentros en los que se vio envuelto para lograr algún entendimiento. Uno de los últimos proyectos que intento impulsar fue el llamado Vénesis, en el cual se expresan un conjunto de propuestas para abrir nuevos horizontes para el país." (Prólogo, página 9-10)
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"Fotografie ist das Individual- und Massenmedium unserer Zeit. Durch die Digitalisierung hat es für die Bildungsarbeit zusätzliche Relevanz erhalten. Mit dieser Publikation wird Fotopädagogik im Kontext von Kultureller Bildung entlang der Schlüsselbegriffe Subjektorientierung, Teilhabe, wertsch
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tzende Lernkultur, Diversität, multimodales und digitales Lernen theoretisch begründet. Die Beiträge und Praxisbeispiele veranschaulichen die neuen Potenziale des Bildungsmediums Fotografie für die kreative Arbeit und bieten Argumente für dessen kritische Reflexion." (Verlagsbeschreibung)
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"The book Videogames in the Indian Subcontinent. Development, Culture(s) and Representations is the first ever comprehensive presentation and discussion of material spanning over all nations of South Asia, including Bangladesh, Bhutan, India, the Maldives, Nepal, Pakistan, and Sri Lanka. Discussed b
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y the leading expert on the theme, it offers both an overview of as well as numerous detailed examples of both, historical and contemporary developments. Appropriately, this work also situates the regional characteristics in larger global contexts and cultural flows, and contemporary developments in historical contexts." (Review by Xenia Zeiler, CyberOrient, Vol. 17, Iss. 1, 2023, pp. 70-73)
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"This paper discusses the challenges and opportunities of using instant messaging (IM) technologies for diary studies. The discussion shows that IM as well as diary methods are both highly adaptable and flexible tools for qualitative data collection. In combination, they allow for innovative designs
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that might overcome limitations of more widely used data collection methods. The paper presents in detail and reflects upon a mixed online and offline design of an audio diary method with ‘hard-to-reach’ research participants in Burkina Faso. It ends with discussing further methodological and ethical aspects such as reach, temporalities, media formats, conversation styles, confidentiality / anonymity, technical aspects, as well as interaction and power sharing between the researcher and participants in order to spark methodological reflections when designing an IM diary study." (Abstract)
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"Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries related to China. It is revealed how these wo
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rks witness, reflect and interact with social transitions in all aspects of a modernizing China, as well as how documentary production struggles among and mediates between technology, market, ideology, social forces and professionalism. In terms of future prospects of documentary in an era when media convergence is burgeoning, the author explores feasible paths to further promotion of cross-cultural communication and China’s national image, by analyzing documentary aesthetics and representative cases of documentary practice." (Publisher description)
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"Am 10. Mai 1933 ließen die Nationalsozialisten in rund 20 deutschen Universitätsstädten die Bücher „undeutscher“ Autoren verbrennen. Besonders öffentlichkeitswirksam inszeniert wurde die Büchervernichtung unter tatkräftiger Beteiligung Studierender und in Anwesenheit von Joseph Goebbels
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auf dem Berliner Opernplatz. Dort war der Schriftsteller Erich Kästner als einziger der Verfemten Augenzeuge der Verbrennung seiner Werke. Die vier Texte „Über das Verbrennen von Büchern“ sind Zeitdokumente: Kästner seziert mit zeitlos gültiger Klarheit Wurzeln und Folgen des Ansinnens, die Freiheit des geschriebenen Wortes zu vernichten." (Verlagsbeschreibung)
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"This collection considers how digital images and social media reconfigure the way conflicts are played out, represented and perceived around the globe. Devoted to developing original theoretical frameworks and empirical insights, the volume addresses the role of user images and social media in rela
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tion to urgent subjects such as public opinion and emotion, solidarity, evidence and verification, censorship and fake news, which are all central to the ways current conflicts are represented and unfold. Essays include a unique range of case studies from different regional and political contexts (Middle East, Europe, Asia, North America) and in connection with different conflict types (war, terror, riots, everyday resistance, etc.). They also consider performative genres such as memes, selfies and appropriations as well as images conforming to the realism and authenticity of conventional photojournalism. In this way, the collection responds to the challenges of swiftly evolving image genres as well as to the continually shifting policies and algorithms of commercial digital platforms." (Publisher description)
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