"Actualmente, México se compone en mayor medida de una población joven. Esto implica un beneficio considerable para el desarrollo económico del país; no obstante, la evolución hacia una sociedad encabezada por adultos mayores presenta un futuro lleno de desafíos, no solo económicos, sino publ
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icitarios, al considerar que un número importante de organizaciones enfocan sus esfuerzos publicitarios hacia sectores en edad productiva." (Página 2)
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"La selección de términos que recogemos en el Diccionario de conceptos y términos audiovisuales, necesariamente sesgada y parcial, se articula en torno a una serie de perspectivas conceptuales diferenciadas, aunque complementarias entre sí: conceptos y términos relacionados con las teorías del
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cine y las metodologías de análisis del texto filmico; conceptos y expresiones relativos a las corrientes estéticas, movimientos cinematográficos y a la historia del medio filmico; conceptos y términos relacionados con el estudio del cine desde el punto de vista industrial y de la economía del cine, lo que se conoce como el negocio del cine; conceptos y términos relacionados con la producción cinematográfica, incluyendo aspectos como los oficios del cine y la organización de la producción; conceptos y términos relacionados con el campo de la tecnología del cine, del vídeo y del sonido, considerando que el medio cinematográfico se encuentra subsumido actualmente en el mundo del vídeo digital; conceptos y términos relacionados con la enunciación filmica, que permiten asociar la práctica fílmica a sus bases de conocimiento; conceptos y términos relativos a los recursos expresivos y narrativos ligados al lenguaje audiovisual y al lenguaje filmico, desde el tratamiento del profílmico y los elementos filmográficos hasta la cadena sintagmática, esto es, el montaje y el espacio y tiempo fílmicos; finalmente, conceptos y términos relacionados con las hibridaciones y transmutaciones del cine por la imagen digital, siempre relacionados de forma directa e indirecta con el medio fílmico, desde el punto de vista de las relaciones entre el cine y la televisión, entre el cine y la publicidad, y entre el cine, los videojuegos e Internet. Por razones prácticas, todas las entradas del diccionario, más allá de la perspectiva conceptual de que se trate, están ordenadas alfabéticamente, y su extensión varía entre 500 y 1.500 palabras, aproximadamente. Buen número de estas entradas hacen referencia a otros términos cuya relevancia es menor, y que hemos definido como "secundarios" con entradas de breve definición." (Introducción, página 12-13)
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"These are the latest findings from the Ipsos Perils of Perception survey. The results highlight how wrong people across 33 countries are about some key issues and features of the population in their country. Perceptions are not reality… People generally overestimate the total household wealth tha
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t the wealthiest 1% in their country own. This is particularly true for developed countries [...] People tend to think the wealthiest 1% should own a lower proportion of their country’s total household wealth than they currently do [...] The public generally underestimate the proportion of overweight or obese people in their country [...] Across the world, people tend to overestimate the level of non-religious people in their country [...] People generally overestimate the level of immigration in their country. This is particularly true in Latin America [...] In every country across the study, people overestimate the average age within their country [...] (Slides 2-16)
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"Drawing on more than 40 years of experience conducting applied social science research and program evaluation, author Michael Quinn Patton has crafted the most comprehensive and systematic book on qualitative research and evaluation methods, inquiry frameworks, and analysis options available today.
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Now offering more balance between applied research and evaluation, this Fourth Edition illuminates all aspects of qualitative inquiry through new examples, stories, and cartoons; more than a hundred new summarizing and synthesizing exhibits; and a wide range of new highlight sections/sidebars that elaborate on important and emergent issues. For the first time, full case studies are included to illustrate extended research and evaluation examples. In addition, each chapter features an extended "rumination," written in a voice and style more emphatic and engaging than traditional textbook style, about a core issue of persistent debate and controversy." (Publisher description)
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"In Südafrika gibt es seit 120 Jahren Kino und Filmproduktionen. Die südafrikanische Filmindustrie zählt zur ältesten weltweit. Bereits 1895 zog das erste Kinetoscope in Johannesburg Zuschauer an. Jahrzehntelang von der Ideologie des burischen Nationalismus dominiert, muss sich die heutige Films
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zene Südafrikas gegen Massenware aus Hollywood behaupten." (Seite 35)
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"The history of Catholic mission in China has revealed the fact that the encounter of the Gospel with Chinese culture and people, beginning with the folk customs and the further dialogue with Buddhism, Daoism and Confucianism. The summit of Church mission is in the period of Ming Dynasty. Matteo Ric
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ci, a Jesuit missionary, is considered the apostle of China. Since then, his missionary approach – the accommodation missionary strategy affirmed by the Second Vatican Council as the model of “Inculturation” – is widely studied not only in China but the entire world. The key to understand Ricci’s missionary method is Ricci himself. It is the initial step to explore his ministry and missionary activities in history, the Ming Dynasty. Pastoral and Evangelizing communication centers on the ministers, precisely, discussing the ways and means of pastoral and evangelizing ministry of the Church ad extra and ad intra. The decisive element to foster a competent communicator requires the communicative disposition, which means to open. Pastoral and Evangelizing communication also highlights to proper use the mass means of social communication to achieve the proclamation of Christ in Chinese context. Time has changed. Today, the Church in China needs to deal with the Sino-Vatican relationship, the divisions inside the Church and the social-economic challenges. The study tries to further investigate Ricci’s Missionary activities and approaches and to analyze it from the perspective of pastoral and evangelizing communication, so as to help pastoral ministers living in the 21st century in China." (Abstract)
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"As Documentary Photographers increasingly introduce the collaborative and participatory methodologies common to socially engaged art practices into their projects (particularly those that are activist in nature, seeking to catalyse social change agendas and policies through image making and sharing
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), there is an increased tension between the process of production and the photographic representation that is created. Over the course of the last five years I have utilised these methodologies of co-authorship. This article contextualizes this kind of transdisciplinary work, and examines the ways in which the integration of collaborative strategies and co-authored practice in projects that are explicitly designed to be of benefit to a primary audience (the participants, collaborators and producers) might be usefully disseminated to a secondary audience (the general public, the ‘art world’, critics etc.) through analysis of my projects Red Light Dark Room; Sex, lives and stereotypes made in Melbourne, Australia, and The King School Portrait Project made in Portland, Oregon, America."
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"Am Beispiel des „Thesaurus für wirtschaftliche und soziale Entwicklung (TWSE)“ steht im Zentrum der Arbeit die Auseinandersetzung mit aktuellen Aspekten der Erschliessung und Recherche mittels eines Thesaurus. Dabei soll die zentrale Forschungsfrage beantwortet werden, ob Thesauri immer noch e
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in für die Wissensorganisation probates Begriffssystem darstellen. Zur Beantwortung dieser Fragen wird in einem ersten Teil der Arbeit den theoretischen Grundlagen der Begriffe „Information“ und „Wissen“, „Wissensrepräsentation“ sowie „Information Retrieval“ nachgegangen. Die verschiedenen Methoden der Wissensrepräsentation werden der Thesaurus-methode gegenübergestellt und darüber hinaus der aktuelle Stand der Wissenschaft und Technik präsentiert sowie aktuelle Trends im Zusammenhang mit Thesauri und der Wissensrepräsentation identifiziert. Aufbauend auf dieser theoretischen Grundlage werden im praktischen Teil der Arbeit mittels einer Umfrage die Bedürfnisse der primären Nutzer des TWSE abgeklärt, zur Abstützung der Erkenntnisse aus dem ersten Teil zwei Experteninterviews durchgeführt sowie weitere Abklärungen vorgestellt. Schliesslich mündet diese Analyse in praktische Vorschläge, wie die Weiterexistenz des TWSE nachhaltig gesichert werden kann." (Zusammenfassung, Seite 2)
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"Im Kontext digitaler Medienumgebungen vermischen sich bestehende werbebezogene normative Standards mit neuen, ehemals branchenfremden Standards. Dies macht auf der Ebene werblicher Medienangebote die Neudefinition ethischer Grenzlinien wahrscheinlich. Dies macht aber auch auf der Ebene der Akteure
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im Feld der Planung, Produktion und Distribution von Werbung ethische Intra und Inter-Rollenkonflikte wahrscheinlich. Darüber hinaus werfen neue Werbeformen wie personalisierte Werbung in digitalen Medienumgebungen neue ethische Probleme auf, Stichwort: Schutz sensibler Zielgruppen. Um das ethische Problempotenzial dieser Entwicklungen auszuloten, ist es erforderlich, dass die ethische Urteilsbildung sich nicht ausschließlich auf werbliche Medienangebote konzentriert, sondern auch die Werte- und Normenbezüge von Praktikern im Feld der Werbung fokussiert." (Abstract)
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"This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China’s official film and television secto
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rs, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao’s repression can be publicly aired for a small, but steadily growing, public." (Publisher description)
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"This toolkit is for organisations planning to use 'participatory video and the most significant change' (PVMSC) to evaluate their social change projects. Part one gives an overview of the key stages and things to consider when preparing for a PVMSC process and includes perspectives and feedback fro
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m partners and participants. Part two is a guide for facilitators as they carry out the games and exercises and includes case studies drawn from 10 years of InsightShare’s experience in a variety of contexts and countries." (Back cover)
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"The transparency of media market in Albania continues to be low, including both commercial operations and the state funding, despite of the existing databases. The involvement of new actors, such as advertising agencies, and sister companies of media outlets, makes it even more difficult to track s
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tate funding for the media, given in the form of advertising or funding to organise cultural events or public awareness campaigns. The fact that there is no central body to oversee and monitor the distribution of state advertising does not help. Furthermore, the absence of data from public companies that are not part of the state authorities makes it difficult to have a complete picture of the true extent of public funds allocated to the media." (Conclusions)
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"The outflow of money from state/public funds to the media has for years been unreasonable and non-transparent. Therefore, the ultimate goal of the ongoing media reforms is to introduce certain control and transparency through privatisation of state-owned media and introduce co-financing of media pr
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ojects pursuing public interest." (Conclusions)
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