"Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films. The filmmakers profiled here represent principal national cinemas of the Arab world―Algeria, Egypt, Lebanon, Morocco, Palestin
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e, and Syria. Although they have produced many of the region's most-renowned films and gained recognition at major international festivals, with few exceptions these filmmakers have received little critical attention. All ten share a concern with giving image and voice to people struggling against authoritarian regimes, patriarchal traditions, or religious fundamentalism―theirs is a cinéma engagé. The featured directors are Daoud Abd El-Sayed, Merzak Allouache, Nabil Ayouch, Youssef Chahine, Mohamed Chouikh, Michel Khleifi, Nabil Maleh, Yousry Nasrallah, Jocelyne Saab, and Elia Suleiman." (Publisher description)
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"Spending on media continues to shift from traditional to digital products and services at a rapid pace. By 2019, we believe digital spending will account for more than 50 percent of overall media spend. Within this, digital video spending will overtake physical spending by 2018, two years earlier t
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han we had previously forecast. Digital, consisting of Internet and mobile advertising, will become the largest advertising category by 2017, surpassing TV one year earlier than forecast, and mobile will more than double its share of the digital ad market. This rapid digital shift is being driven in part by the growing number of connected consumers, the expansion of mobile telephony, and elevated mobile broadband adoption." (Page 5)
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"Religion and popular culture is a fast-growing field that spans a variety of disciplines. This volume offers the first real survey of the field to date and provides a guide for the work of future scholars. It explores: "key issues of definition and of methodology, religious encounters with popular
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culture across media, material culture and space, ranging from videogames and social networks to cooking and kitsch, architecture and national monuments, representations of religious traditions in the media and popular culture, including important non-Western spheres such as Bollywood." (Publisher description)
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"Tracing the history of Africa's relationship to film festivals and exploring the festivals' impact on the various types of people who attend festivals (the festival experts, the ordinary festival audiences, and the filmmakers), Dovey reveals what turns something called a "festival" into a "festival
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experience" for these groups." (Publisher description)
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"Seit jeher beuten Menschen andere Menschen aus. Die Geschichte der Sklaverei – lange Zeit als Eigentum an einer anderen Person definiert – endete jedoch nicht mit ihrer rechtlichen Abschaffung. Spätestens mit der Allgemeinen Erklärung der Menschenrechte von 1948 ist das Verbot von Sklaverei z
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war eine international akzeptierte Norm, faktisch aber werden Menschen noch immer versklavt und unter schlimmsten Bedingungen ausgebeutet. Da heute nicht mehr Eigentum, sondern die tatsächliche Verfügungsgewalt über eine Person als die entscheidende Kategorie gilt, werden Fälle von Menschenhandel, Zwangsarbeit, Leibeigenschaft oder Schuldknechtschaft oft auch als „moderne Sklaverei“ bezeichnet. Je nach Definition und Erhebungsmethode sind die Zahlen über das Ausmaß moderner Sklaverei sehr unterschiedlich. Die Internationale Arbeitsorganisation (ILO) schätzt, dass weltweit derzeit knapp 21 Millionen Menschen Zwangsarbeit leisten müssen, wozu auch Menschenhandel mit dem Ziel der Arbeits- oder sexuellen Ausbeutung zählt. Andere Schätzungen liegen deutlich höher. Zwar gibt es Formen moderner Sklaverei auch in reichen Ländern wie Deutschland. Das größte Risiko, in Versklavung zu geraten, stellt jedoch Armut dar, weshalb die regionalen Schwerpunkte vor allem außerhalb Europas liegen. Zudem sind Frauen häufiger betroffen als Männer. Dass Deutschland in vielfacher Hinsicht auch in die „alte Sklaverei“ verstrickt war, also in die Wirtschafts- und Plantagensklaverei sowie den transatlantischen „Dreieckshandel“ des 17. bis 19. Jahrhunderts, dringt erst langsam ins breitere öffentliche Bewusstsein." (Editorial)
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"This article begins with a literature review of Participatory Photography (PP) that highlights how this tool has been mostly implemented for action research, advocacy, and public health purposes. It shows how scholars have only quite recently begun to recognise its ability to generate change among
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PP participants. This is followed by a description of the project that was carried out in Kenya, including its background, objectives and daily activities related to peacebuilding. Offering insight into crucial aspects of this work, examples of the photographs taken by participants and related stories are presented. The conclusion is preceded by reflections on the effectiveness, limitations and potential risks involved in carrying out PP projects in post-conflict settings." (Abstract)
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"The Business of Books 2015" looks at the developments and driving forces shaping the international book business today. The study provides data, in most cases going back between five and 10 years, to give the readers a more comprehensive understanding of today’s situation. In particular, the repo
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rt highlights book publishing in the United States of America, the United Kingdom, Germany, Spain and a number of emerging economies, notably China, Korea, Russia, Turkey, Mexico and Brazil. Furthermore, it also places the book sector in the larger context of the international content and entertainment media. In a separate chapter, one of the key trends governing the transformation of global publishing, the mounting pressure to consolidate, is quantified and analyzed for selected European markets. Altogether, the aim of the study is to put the developments of key markets into context while providing a broad perspective, based on a wide array of key market data from the best available sources." (Executive summary)
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"This investigation attempts to shed more light on current book donation practices, and provides an overview and profiles of the work of the principal book aid organizations active in the English-speaking parts of sub-Saharan Africa; describing how they differ in their approach and strategies, donat
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ion philosophy, selection policies, their methods of shipping and local distribution, the quantities of books they are shipping annually, as well as their processes of monitoring and evaluation. A total of 12 of the leading book donation organizations – in the UK, the Netherlands, the USA, and in South Africa – are individually profiled. (Organizations in Belgium and in France, operating in the francophone countries of Africa, are analysed by Raphaël Thierry in part II of this study.) A number of small-scale book donation and library support projects are reviewed separately, as are digital donations in the form of e-reading devices preloaded with e-books. The article aims to provide a balanced account, presenting a variety of viewpoints about both the benefits and the potential negative consequences of book aid. In particular, the study seeks to find out how many African-published books are included in current donation schemes. As part of a review of the recent literature on the topic, I examine the ongoing debate between the proponents of book donation schemes, and those who disapprove of the programmes; who maintain that they are not meeting the needs of the recipients and the target countries for the most part, and have an adverse impact on the local publishing industries and the book trade. The article also questions why large scale book donation programmes should continue to be necessary today, after millions of books have been shipped and donated to African libraries, schools and other recipients every year over the last three decades or more. It examines the status and role of chronically under-resourced African libraries and, in the absence of adequate government support, their continuing dependence on book donation programmes and other external assistance." (Introduction)
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"Shortwave radio cannot be easily monitored by governments. This is why shortwave radio remains a vital lifeline of information about the outside world. Censorship of shortwave radio is comparatively unsuccessful, while the Internet is often subject to total blocking." (Pages 39-40)
"How are marginalized peoples and places framed in their dominant national media? Framing theory applied through a comparative narrative analysis of 313 news articles, 291 photos and 1051 telenovela scenes allowed Brazilian media representations of a marginalized people, favelados, and marginalized,
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contested spaces, favelas, to be juxtapositioned. ‘Organizing principles’ communicated through media reports and stories of these marginalized groups operated to shape a certain social reality within the nation-state of Brazil. The salient latent frames 'Abandoned favelas and favelados' and 'Favela life is ideal father-led life' percolated from news and novela reports, respectively. That the timing of news reports and photos with telenovela production were concurrent, yet the manifest media framing of these people and places proved so radically different, makes this study interesting. More importantly, while the telenovela initially appeared as the more progressive storyteller, latent framing across media platforms harmonized hegemonically, retrogressing Brazilian storytelling to its paternalistic past." (Abstract)
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"Observing the emergence of public service broadcasting on the eve of colonialism in Botswana (early 60s to early 2000s), the central thesis of the article is that the roots of control of the media in contemporary Botswana can be traced to British anxieties about the possibility of a nationalist rev
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olution in the protectorate, following political trends of the anti-apartheid black nationalist movements in neighbouring South Africa. To understand the continuing deep-seated fear of letting go of state ownership of particularly Radio Botswana, the Botswana Daily News and Botswana Television (BTV) is to understand the fragility of Africa's postcolonial nation states, and thus its bureaucracies. Common belief has it that because Botswana is ethnically homogenous, it therefore experiences very little threat to its nation-building project, the truth is that stifling debate has been an important function of government control of the media. Even with the advent of social media platforms and their unprecedented influence in African politics (as in the Arab Spring), in Africa broadcasting will remain a vehicle for mobilising power and states seem intent on maintaining that control for the foreseeable future." (Abstract)
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"Despite the growing field of media memory studies, the impact from film and media studies has been scarce within memory studies. This unique study offers new theorizations of three crucial concepts for media memory studies: remediation, transculturality and the archive. This book takes a closer loo
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k at the media specificity of archival footage and how it is adapted, translated and appropriated. In its original approach this work reflects upon the role of documentary film images for the construction of memory. By merging film and media studies with memory studies the work offers multiple theoretical and methodological approaches for everyone interested in the heritage of audiovisual media: film and media scholars, memory scholars, historians, art historians, social scientists, librarians or archivists, curators and festival programmers alike." (Publisher description)
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"One Person Librarians sind Allrounder. Mit Fachwissen und Pragmatismus sorgen Sie dafür, dass "die Bibliothek läuft". Dieser handlungsorientierte Leitfaden soll zukünftige und erfahrene OPLs aus allen Bereichen unterstützen, das Potential ihrer Bibliothek zu erkennen und weiterzuentwickeln." (V
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erlagsbeschreibung)
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