"Ce glossaire critique explore les relations qui lient la diversité culturelle et le numérique. Il aborde une soixantaine de termes, d'« agrégateur » à « virtuel » et propose des définitions des pratiques avec leurs usages. Véritable outil d'aide à la réflexion et à la décision, il s'a
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dresse à la fois au grand public et à l ensemble des acteurs et décideurs concernés par les questions de culture et d éducation, et plus largement de gouvernance du numérique." (Description de la maison d'édition)
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"Es lässt sich also feststellen, dass der Dokumentarfilm der Demokratie insofern zuträglich ist, da er seinen Schwerpunkt auf der Gewährleistung der Validierungs-, Orientierungs-, Informations-, Bildungs- und Sozialisationsfunktion hat, während das citizen journalism footage sich insbesondere da
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durch auszeichnet, dass es der Beobachter-, Informations-, Artikulations- und Kritik- und Kontrollfunktion verstärkt gerecht wird. Indem also das citizen journalism footage durch professionelle Instanzen in eine den gängigen Konventionen entsprechenende Form des etablierten Dokumentarfilms gebracht wird, können so die demokratieförderlichen Attribute ,alter‘ und ,neuer‘ Medien ergänzend kombiniert werden." (Conclusio, Seite 75-76)
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"The paper synthesises findings from quantitative and qualitative data from across African, Asian and Middle Eastern countries. The second section draws on baseline data from Bangladesh, Burma, Kenya, Nepal, Nigeria, Palestinian Territories and Sierra Leone to explore the media and governance contex
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ts in the countries where we work. The third part then summarises what we are learning about who is being reached by BBC Media Action interventions. The fourth section, firstly, reports regression analysis conducted on baseline data from Sierra Leone and midline data from Kenya to build up evidence on the impact of debate and discussion programmes on audiences’ political knowledge and participation. Then findings are presented from a qualitative study assessing how Nigerian drama Story Story is promoting dialogue as a means of reducing conflict. Comparing findings across countries is helping us to learn more about the governance and media contexts in which we work and inform programming. A first glance at key governance outcomes across countries attests to the centrality of country context in shaping how political knowledge, discursive participation, political participation and interest in politics relate to each other. Disaggregating these outcomes by demographic variables underlines the importance of gender in structuring them, with women reporting lower levels of political knowledge and interest in politics, and discussing and participating in politics less than men. However, disaggregating political participation by income reveals less consistent results: in Nigeria and Bangladesh, those with more resources are more likely to participate, whereas in Kenya and Sierra Leone, those with more resources and less likely to participate." (Executive summary)
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"The report focuses on good practices for introducing digital radio; however, there is no one-size-fits-all solution. Consequently, it describes various ways to handle the main digitization issues by highlighting 30 factors that contribute to positive acceptance of digital radio by listeners. Each o
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f these key success factors is illustrated with a specific national example." (Introduction)
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"In the late 1990s and 2000s, a number of calls were made by scholars to "internationalize" or "dewesternize" the field of media and communication studies. I argue that these approaches have indirectly silenced a much longer disciplinary history outside "the West" that has not only produced empirica
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l knowledge but has also actively challenged Western epistemologies. This article seeks to reinscribe the epistemological and historical foundations of media and communication studies in Africa. By framing the research of African media and communication scholars within the changing nature of knowledge production, shifting power relations between African nations, and the evolving role of African universities, I demonstrate how academic knowledge production is frequently driven and constrained by particular dominant social, political, and economic interests." (Abstract)
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"This chapter will focus on the theorizing of communication and social change. It will argue that theory must enable people to know the world. It will also argue the limits to token participation and the unsustainability of "behavioral change communication'' that is theorized outside of structures,
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power flows, and cultures. Using the Right to Information movement in India as a case study, this chapter will explore grounded meanings of "voice" and "participation'' and will argue the need for a theory of communication for social change that is informed by people's needs and struggles. If theory is a set of principles informed by and drawn from observations of everyday needs and practice, its explanatory power is bound to remain consistent over time. Theory offers us a framework for knowing the world and the validation of concepts that are critical to apprehending and making sense of reality. I argue in this chapter that the Right to Information movement in India gives opportunities to explore communication and social change theory from the bottom up." (Abstract)
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"Este libro propone un recorrido histórico y, al mismo tiempo, actual de la radio ecuatoriana, que va desde sus inicios en 1926, cuando hubo algunos experimentos de emisión de señales sonoras en varias provincias de Ecuador, hasta la radiodifusión por Internet. En ese itinerario, Hernán Yaguana
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y Washington Delgado presentan una caracterización de las emisoras experimentales y comerciales, un registro del desarrollo de los contenidos radiales en distintos formatos, una visión de la radio ecuatoriana desde sus consumidores en Quito y Guayaquil, y las tendencias de la radio digital en Ecuador. También, ambos autores incluyen los nombres de personas e instituciones que han sido parte de los principales acontecimientos radiales del país." (Contratapa)
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"The paper focuses on exploring the application of the following ICTs: mobile technology, social media, big data, the digitization of surveys, and tools to better visualize data. Each section outlines a series of resources and some advantages and drawbacks to utilizing the new technology for M&E pur
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poses. When appropriate, examples and case studies have been included." (Document summary)
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"Shaman, paragon, God-mode: modern video games are heavily coded with religious undertones. From the Shinto-inspired Japanese video game 'Okami' to the internationally popular 'The Legend of Zelda' and 'Halo', many video games rely on religious themes and symbols to drive the narrative and frame the
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storyline. 'Playing with Religion in Digital Games' explores the increasingly complex relationship between gaming and global religious practices. For example, how does religion help organize the communities in MMORPGs such as 'World of Warcraft'? What role has censorship played in localizing games like 'Actraiser' in the western world? How do evangelical Christians react to violence, gore, and sexuality in some of the most popular games such as 'Mass Effect' or 'Grand Theft Auto'?" (Publisher description)
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"Radio and online audio-formats are valuable instruments for international cultural work, and for education and development programmes. However, political developments following the end of the Cold War and the rise of satellite TV and online media have brought with them far-reaching cuts in the radi
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o programming of international broadcasters, and led to fundamental changes in the way radio and audio programmes are produced and distributed. Major western broadcasters, such as BBC World Service, BBG, RFI and DW, have limited their shortwave services to a small selection of countries, mainly in Africa and parts of Asia, where the infrastructure does not offer real alternatives for addressing the respective target groups. In these regions, radio still plays a vital role, not only for reasons related to infrastructure, but also because a great number of illiterate listeners can access information, knowledge and education best via audio. Traditional radio production and terrestrial transmission are also useful and efficient tools in media development work, as they can reach out into remote or rural areas and empower people to strengthen their community and cultural identity. But radio’s relevance goes beyond the local needs of regions that have not kept pace with the rate of recent technological change and media innovation. Radio has been at the core of international broadcasting right from the start, and now that it has become one element in a new mix of media, it turns out that there are some attractive core qualities of radio and audio that remain. These qualities are: 1. the direct and emotional impact of the human voice, 2. radio’s well-established culture of dialogue, 3. its potential to involve listeners as coproducers, 4. the flexibility, mobility and comparatively low production costs of audio, 5. its ability to subvert censorship." (Conclusions and Outlook for the Future, page 20)
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"Im Kontext einer nord-süd-politisch relevanten Information interessiert besonders die Frage der Repräsentation, der Klischeebildung, der Ermächtigung. Ein Foto kann empathisch aufmerksam machen oder zur Schau stellen, aber auch Nähe erzeugen, berühren. Nicht immer folgt auf eine gute Absicht e
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ine gute Praxis. Entwürdigende Fotografie ist, wenn Menschen stilisiert oder als Platzhalter eingesetzt werden. Das kommt in der Fair-Trade-Werbung vor (S.25). Oder wenn sie – wie häufig in der Spendenwerbefotografie von Hilfswerken – viktimisiert werden. Das Foto einer Person kann etwas sehr Privates weltweit und öffentlich kundtun. So zum Beispiel das Foto eines Mädchens ohne Kleider, das – mit Entsetzen im Gesicht – vor dem Napalmangriff südvietnamesischer Flieger weg- und einem Pressefotografen entgegenläuft. Und damit den Augen von Millionen BetrachterInnen in der westlichen Welt, nachdem das Bild mit der Vergabe des World Press Photo Awards 1972 schließlich zum Symbol für die Grausamkeit des Vietnamkrieges wurde. Ein Foto kann Gewalt sichtbar machen. So vermag ein Bild von Gefangenen die Willkür ihrer Peiniger ausdrücken. Der Blick in eine Fabrikhalle mit einem Nähmaschinenpark kann den vernichtenden Charakter eines Systems darstellen. Ein Foto kann vom unmenschlichen Grauen erzählen. Oder es kann Verstoßene rehabilitieren; etwa wenn Personen ihre Versehrungen zeigen (S.17) und dabei Momente des Vertrauens und des Glücks zum Ausdruck bringen. Ein Foto kann Zuversicht schaffen. Der abgelichtete Moment eines Handschlages – wie zwischen Nelson Mandela und F.W. De Klerk – hat ein Zeitalter der Hoffnung auf das Ende der Apartheid eingeläutet. Ein Foto kann ermächtigen. Die Porträts von Trans-Personen der Aktivistin Zanele Muholi sind wie eine Ausstellung der Existenz des Schönen, der Liebe und des Menschseins gegen eine homophobe Stimmung (S.30). Die Kraft eines Fotos im emanzipatorischen Sinn – liegt oft in der Irritation. Ein kleiner Zweifel, ein kurzer Knacks im herrschenden Diskurs. Fotografie kann – das klingt schlicht – Sichtbarkeit schaffen. Die Fotos der Gruppe Lampedusa in Hamburg Professions (S.31), erinnern daran, dass hierzulande viele Menschen eine Vorliebe dafür hegen, sich über ihren Beruf in Wert zu setzten, anderen diese Repräsentation aber gerne aberkennen." (Editorial)
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"Exploring the developments that have occurred in the practice of oral history since digital audio and video became viable, this book explores various groundbreaking projects in the history of digital oral history, distilling the insights of pioneers in the field and applying them to the constantly
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changing electronic landscape of today." (Publisher description)
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