"Coping in an era of information flows, of virtual relationships and breakneck change poses challenges to one and all. In Theories of the Information Society Frank Webster makes sense of the information explosion, taking a sceptical look at what thinkers mean when they refer to the 'Information Soci
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ety' and critically examines the major post-war theories and approaches to informational development. This third edition brings the book right up to date with both new theoretical work and, social and technological changes (such as the rapid growth of the Internet and accelerated globalization), reassessing the work of key theorists in light of these changes. This book is essential reading for students of contemporary social theory and anybody interested in social and technological change in the post-war era. It addresses issues of central concern to students of sociology, politics, communications, information science, cultural studies, computing and librarianship." (Publisher description)
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"Dieses Buch ist ein „Praxisbuch“ im wahrsten Sinne des Wortes. Es soll Forscherinnen und Forschern, die sich bei ihrer empirischen Forschungsarbeit sozialwissenschaftlicher Befragungen bedienen wollen, Hilfestellung geben bei der Entwicklung ihrer Fragebogen, ganz konkret und im Detail. In dem
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Buch wird Fragebogenberatung simuliert, wie sie der Autor viele Jahre lang am Zentrum für Umfragen, Methoden und Analysen (ZUMA) in Mannheim durchgeführt hat, sehr praktisch und so geschrieben, dass die Leserinnen und Leser damit arbeiten können, wenn sie einen Fragebogen entwickeln, mit vielen Beispielen, wie man etwas falsch und wie man es richtig machen kann. Nach einer kurzen Einführung in die kognitionspsychologischen und kommunikativen Grundlagen der Befragung werden eine Vielzahl methodischer Aspekte eines Fragebogens abgearbeitet, von Arten von Fragen, Arten von Skalen und der Formulierung von Fragebogenfragen bis hin zu einer guten Titelseite, zu Befragungshilfen und zum Layout von Fragebogen, alles illustriert durch Beispiele aus der Umfragepraxis." (Verlagsbeschreibung)
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"The research is based on a survey of 45 industry professionals from 15 countries [...] The principal finding is that there is a de facto global consensus on how media organizations understand the manipulation ofimages. Manipulation is seen as involving material changes to an image through the addit
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ion or subtraction of content, and is always deemed unacceptable for news and documentary pictures. Manipulation is therefore a specific form of processing, where the material change to the image through the addition or subtraction of element(s) is designed to deceive or mislead the reader/viewer. Adjustments (such as limited cropping, dodging and burning, toning, color adjustment, conversion to grayscale) to photographs are accepted. These are usually described in terms of“minor“changes being permitted while “excessive“ changes are prohibited." (Executive summary)
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"Journalists who regularly cover science, health, environment and technology in Africa and the Arab world face a number of difficulties: Lack of elementary resources for journalistic research, and newsroom environments that are not always supportive of specialised reporting. Also a need for capacity
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to cover science is often bemoaned as well as difficulties in interactions between journalists and scientists. The evaluation of the world's largest support initiative for science journalism in developing countries, the SjCOOP mentoring programme, shows that some of these problems can be mitigated through a variety of support programmes, especially ‘distance mentoring’. The article analyses ways of building capacity and offering general support with the help of ICTs. Organisational structures for specialised reporting in 40 newsrooms are compared. Cases of structural advancement and innovation for science journalism are discussed." (Abstract)
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"This article explores the factors surrounding the introduction of television broadcasting in Kenya, and those issues that have historically instigated how television producers in Kenyan television conceptualise audiences. It highlights that the political economic legacy of the beginnings of broadca
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sting in Kenya continues to influence the processes involved in the production of television programmes, and therefore how producers view the audiences of these programmes." (Abstract)
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"The collection covers a wide range of topics: the emergence and evolution of the field; issues and challenges in cross-cultural and intercultural inquiry; cultural wisdom and communication practices in context; identity and intercultural competence in a multicultural society; the effects of globali
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zation; and ethical considerations. Many readings first appeared outside the mainstream Western academy, and offer diverse theoretical lenses on culture and communication practices in the world community." (Publisher description)
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"La cultura es la riqueza de los pueblos que defienden su identidad y que tratan de reinventarse en un mundoglobalizado, multicultural y diverso. Es imprescindible, pues, impulsar la reflexión sobre el papel de la cultura en su desarrollo. Esta segunda edición del estudios "Cultura y desarrollo ec
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onómico en Iberoamérica" aborda el efecto de la cultura en el desarrollo económico de nuestros paíse, y llega a una conclusión impactante: los aportes de la cultura al desarrollo económico de los países son muy superiores a los presupuestos que los mismos países beneficiados invierten en el desarrollo de la cultura. Finalmente, el estudio pon en relieve que aún falta mucho camino por recorrer para que todos los países lleguen a destinar al menos el 1% de su presupuesto a la inversión cultural, tal como se aprobó en la Conferencia de Ministros de Cultura celebrada en Chile, en Julio de 2007." (Tapa posterior)
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"Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, Uncommon Grounds evaluates the prominent role that new media has come to play in artistic practices – and social movements – in the Arab world today. Analysing alternative forms of c
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reating, broadcasting, publishing, distributing and consuming digital images, this book also enquires into a broader global concern: does new media offer a ‘democratisation’ of – and a productive engagement with – visual culture, or merely capitalise upon the effect of immediacy at the expense of depth? Featuring full-colour artists’ inserts, this is the first book to extensively explore the degree to which the grassroots popularity of Twitter and Facebook has been co-opted into mainstream media, institutional and curatorial characterisations of ‘revolution’ – and whether artists should be wary of perpetuating the rhetoric and spectacle surrounding political events." (Publisher description)
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"This article examines the discourse surrounding Kibera, a highly populated low-income community in Nairobi, Kenya. Based on 11 months of fieldwork and interviews with 56 Kibera residents, this article discusses the disconnect between the lives experienced by residents and the hyperbolic and essenti
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alised discourse that depicts Kibera as a community defined by sickness, crime and despair. While residents do not deny many of the hardships that are central to the Kibera discourse, they articulate maisha mtaani [life in the neighbourhood] as complex, diverse and contextual. Sadly, several groups that claim to serve the good of Kibera are partially responsible for perpetuating this harmful discourse. In fact, some NGOs, journalists and residents benefit from reproducing a discourse that actively marginalises Kibera and its people." (Abstract)
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"There is a growing concern about the decline and possible extinction of the Igbo language. The Igbo are primarily located in the south-eastern part of Nigeria. This study analysed four interviews on Igbo Radio, an Igbo Internet radio station, to ascertain how Internet radio is being utilized in dis
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cussing the decline of the Igbo language. Drawing on ethnolinguistic vitality theory, this qualitative study triangulates four selected interviews on Igbo Radio, the website, and personal observations for the analysis. Three salient themes emerged: (1) decline and challenges of the Igbo language, (2) second-generation immigrants and the Igbo language, and (3) sustaining the Igbo language. The findings suggest that Igbo parents appear to have less vitality; as a result, they tend not to teach their children Igbo." (Abstract)
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"This study (a) investigates the complex set of emergent meanings from Al-Jazeera's visual narratives about itself, and (b) analyzes how Al-Jazeera's visual texts articulate a broader set of nationalist meanings concerning Qatar, its home country. Rather than a content analysis of language, visual e
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lements are emphasized, which transcend the news story or program content. The "content" here involves not just events themselves but the metatextual meanings emerging from the images woven among programs, promotional videos, and commercial advertisements." (Abstract)
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"Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur cultu
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re. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-mémoires, and works of pirated pastiche. Together, they bear witness to the emergence of a new Chinese cinema characterized by digital and, trans-media representational strategies, the blurring of private/public distinctions, and dynamic reinterpretations of the very notion of 'cinema' itself." (Publisher description)
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"Wie sieht ein guter Fragebogen in der Sozialforschung aus? Thomas Petersen kennt aus seiner Praxis als Projektleiter am Institut für Demoskopie in Allensbach alle Anforderungen, aber auch die Tücken. Ausführlich geht er auf Fragetypen und -techniken, Fragebogenlogik und -sprache sowie auf die Dr
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amaturgie des Interviews ein. Außerdem zeigt er, wie man die Befragten ggf. sogar dazu bringt, Dinge zu sagen, die sie eigentlich lieber verschweigen würden." (Verlagsbeschreibung)
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"Entertainment Media Use in the Middle East is the result of survey research in six Arab nations involving more than 6,000 face-to-face interviews in nationally representative samples—citizens and expatriates alike—and conducted in Arabic, English and French. The result is a portrait of how peop
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le in the six countries, selected to represent the larger Arab world, make use of entertainment media in their daily lives and what they think about it." (Introduction)
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"Proposing the novel concept of the "literary NGO," this study combines interviews with contemporary East African writers with an analysis of their professional activities and the cultural funding sector to make an original contribution to African literary criticism and cultural studies." (Publisher
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description)
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"The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military o
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dds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), ‘failed states’ (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination." (Publisher description)
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"After years of marginalization by academics in the Western world, Indian cinemas have moved from the periphery to the center of world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for thi
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s remarkable journey. Combining an historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting-edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood." (Publisher description)
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