"In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: paradigms of gl
...
obal entertainment media such as cultural imperialism and cultural globalization; the business of entertainment media: the structure of capitalist culture/creative industries (financers, producers, distributors and exhibitors) and trends in the global political economy of entertainment media; the "governance" of global entertainment media: state and inter-state media and cultural policies and regulations that govern the production, distribution and exhibition of entertainment media and enable or impede its cross-border flow; the new international division of cultural labor (NICL): the cross-border production of entertainment by cultural workers in asymmetrically interdependent media capitals, and economic and cultural concerns surrounding runaway productions and co-productions; the economic motivations and textual design features of globally popular entertainment forms such as blockbuster event films, TV formats, glocalized lifestyle brands and synergistic media; the cross-cultural reception and effects of TV shows and films; the World Wide Web, digitization and convergence culture." (Publisher description)
more
"Since China implemented animation control policies in 2004, foreign animation programmes have almost disappeared from Chinese television. At the same time, the Chinese government has invested enormous amounts of money in developing the animation industry as a creative industry. A questionnaire surv
...
ey was conducted to explore how the Chinese audience views domestic and foreign animation programmes. The results indicate that pirated Japanese animation is widely viewed via the Internet by adolescents; on the other hand, domestic animation is popular only among children. Preferences for domestic animation correlate positively with age and patriotism but negatively with Internet use, while preferences for Japanese animation correlate negatively with age and patriotism but positively with Internet use. These results show that nationalistic sentiments are associated with preferences for either domestic or foreign animation programmes. However, preferences for Japanese animation are not significantly associated with anti-government attitudes." (Abstract)
more
"Aquí está la historia de medio siglo de la televisión mexicana, desde su primera transmisión una misa, hasta los líos familiares para hacerse de su control. Por sus páginas desfilan lo mismo comediantes, cantantes, productores de telenovelas, conductores de noticieros, que presidentes de la R
...
epública, gobernadores, jefes policiacos. Nación TVcuenta la historia de la televisión y del poder, sea éste partidista, presidencial, religioso o económico. Medio siglo de una televisión monopolizada cuyo espíritu se mantuvo inamovible: "entretener a los jodidos". Esta novela es, también, una reflexión sobre las relaciones entre padres e hijos, de tres generaciones de Azcárraga que quisieron imprimirle a su herencia un estilo personal para adueñarse de México." (Editorial)
more
"This article looks critically at the systems approaches in comparative media studies when applied to studying the relationship between media and politics in Central and Eastern Europe (CEE). It introduces a concept of methodological systematization consisting of four different components: (1) the r
...
elationship between a political and a media system (methodological politicization); (2) the relationship between democracy and a media system (methodological democratization); (3) the relationship between a nation-state and a media system (methodological nationalism); and (4) the relationship between culture and a media system (methodological structuralism). The article concludes that these system approaches should not be taken as a naturalized starting point for comparative research when studying media and politics in CEE." (Abstract)
more
"This edition is “special” as it provides a rich body of evidence demonstrating local creative economy decision makers and stakeholders in action that did not exist before. The evidence and analysis are presented in two formats: in this printed report and in a new webdocumentary that accompanies
...
this publication, capturing the dynamism of the creative economy in developing countries. Case studies are provided across the global South from the Asia and the Pacific region to the Arab world, from Africa to Latin America and the Caribbean. This is strengthened by the first portfolio analysis of the impact of initiatives funded through the UNDP-Spain Millennium Development Goals Achievement Fund Thematic Window on Culture and Development and the UNESCO International Fund for Cultural Diversity demonstrating that local decisions makers are shaping their own creative economy development pathways." (Foreword, page 10-11)
more
"Seit 2012 fördert Oikocredit in Kambodscha eine landesweite Radiosendung, die der ländlichen Bevölkerung Grundkenntnisse in Finanzfragen vermitteln und zugleich nachhaltige Unternehmenspraktiken fördern soll. Finanzielle Grundbildung ist für Oikocredit das entscheidende Instrument, um die Hera
...
usforderungen des wachsenden Mikrofinanzsektors in Kambodscha zu bewältigen. Sie ermöglicht es den Menschen, fundiertere Entscheidungen treffen und die Risiken zu hoher Kredite besser zu verstehen. Überschuldung bei Mikrokreditkundinnen und -kunden zu vermeiden, ist Teil der sieben Kundenschutzrichtlinien, deren Umsetzung Oikocredit vorantreibt." (Seite 8)
more
"In diesem Band wird sowohl das Gefangenenbüchereiwesen in Deutschland als auch international vorgestellt. Neben der Geschichte der Gefangenenbüchereien werden die Gesetzesgrundlagen und unterschiedliche Bibliotheksangebote für Menschen in Haft erstmalig in einem Band zusammengefasst." (Verlagsbe
...
schreibung)
more
"Mottonyms are both inscriptions, based on people’s experiences, on Ghanaian commercial vehicles and ‘names’ by which drivers of such vehicles are called. Prior research on mottonyms implicitly affirms how these inscriptions are embedded in human interpersonal relationships and on careful refl
...
ection, in personal social experience. Guided by a phenomenological perspective, I explore, through interviews with vehicle owners, the specific life experiences that spurred them to coin these mottonyms. Overall, I analyze two major themes about drivers’ incentives for their inscriptions: innuendo mottonyms and philosophical mottonyms. Through this research, I respond to recent calls for a phenomenological approach to investigate media uses in everyday life (Moores 2009). This approach provides a grounded understanding into “embodied sets of activities that humans perform with varying degrees of regularity, competence and flair” (Postill 2010: 1). Thus, it helps us understand how cultural forms are not just “mental, meaningful circulation of ideas” (Zito 2008: 71) but concrete mediated practices. Furthermore, the paper responds to scholars’ advocacy for a broader understanding of ‘media’ that transcend narrowly defined traditional mass media formats (Downing 1996), and novel ways of examining such formats (Moores, 2009; Meyer, 2009)." (Abstract)
more