"Probably one of the most relevant pieces of military legislation affecting the media has been the establishment and formalisation of a media regulatory authority. The Regulatory Authority for Media Broadcast Organisations (RAMBO), the predecessor of the Pakistan Electronic Media Regulatory Authorit
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y (PEMRA), was established in 2000, and one of the four components of its mandate was to ‘facilitate the devolution of responsibility and power to grassroots by improving the access to mass media at the local and community level’. This was apparently in response to specific clauses in the country’s constitution about decentralising broadcasting, and it was probably also linked to the devolution process initiated by Musharraf in 2001. In spite of what was stated by the Federal Minister for Information and Broadcasting, according to most of the people interviewed, ‘Pakistan’s mushrooming media’ is not yet manifestly ‘journeying towards maturity’. It actually suffers from an over-accelerated growth and its connected physiological pains. Rather than the perspective of within-reach maturity, what seems to emerge is a landscape filled with opportunistic and sensationalist journalism. Unrelenting growth, stimulated by commercial and political interests, seems to have marginalised the need to guarantee professional news reporting. Moreover, in this media wasteland, obscure powers have found a vast array of naive and for-sale journalists ready to produce or reproduce stories according to the dictates of their customers." (Executive summary, page 8)
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"This publication was created to serve two purposes: Firstly, it aims to provide a thorough review of the status quo of the Namibian media system. Secondly, it is the first study to apply the theory of the European-focused news value research tradition to Namibian media. Aside from literature and on
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line research, in-depth interviews with media representatives were conducted and questionnaires distributed amongst Namibian journalists and media students in 2009." (Introduction, page 9)
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"Este documento presenta un panorama general de la presencia "latina" o "hispana" y del mercado medático en español en los Estados Unidos. Además introduce brevementa a la presencia cultural de España en Estados Unidos y los resultados de dos Foros de Industrias Culturales Latinas." (commbox)
"The political landscape of individual countries, including their level of internal legitimacy and perceived vulnerability to political extremists, influences the level of media freedom enjoyed in that country at any given moment. In many MENA countries, media freedom is a privilege bestowed by mona
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rchs and dictators, not an immutable right enshrined in law, despite the existence of press freedom clauses in some constitutions. Therefore, Arab broadcast channels can be “unmade” as easily as they were made. The absence of media company consolidation in the region suggests that owners want to broadcast their own choice of content, including news content, which in turn suggests that media in the region are not viewed as a business venture but as a political tool. Television viewers in the MENA region are generally aware of broadcast ownership, particularly of the bigger stations, and expect a political slant to the news. The general expectation is that no one is broadcasting just for the sake of informing the public, so it is assumed that all the owners have agendas. Private television, whether terrestrial or satellite, is much more threatening to ruling elites than private newspapers, which are easier to censor in advance and to physically disrupt. Thus, governments have been very careful to vet owners prior to granting licenses to private television stations." (Executive summary, page 5)
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"Leading researchers from different regions of Europe and the United States address five major interrelated themes: 1) how ideological and normative constructs gave way to empirical systematic comparative work in media research; 2) the role of foreign media groups in post-communist regions and the e
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ffects of ownership in terms of impacts on media freedom; 3) the various dimensions of the relationship between mass media and political systems in a comparative perspective; 4) professionalization of journalism in different political cultures—autonomy of journalists, professional norms and practices, political instrumentalization and the commercialization of the media; 5) the role of state intervention in media systems." (Publisher description)
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"This book explores the transformation of Indian media in the context of two major developments: globalization, which has introduced what are termed as ‘foreign’ elements to Indian culture, and the opening of the floodgates for foreign media to enter the country. It discusses both theoretical co
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nsiderations and empirical studies related to the role of Indian media. Indian Media in a Globalised World adopts a multi-disciplinary approach and looks at the role of media in purveying political, economic, and cultural identities. It brings to light the current definitions of ‘we’ and ‘they’, the ‘other’, and how the ‘other’ is sought to be perceived in contemporary India. The discussions cover all forms of media, that is, newspaper, films, radio, television and online media, along with media policy and the challenges facing the media." (Publisher description)
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"There is a lack of comparative statistics on media and communication, and this is a fundamental problem. National media statistics are very poor in many countries. But some comparative statistics already available within different international and regional organisations and institutions could be m
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uch more elaborated. Still, compiling comparative media and communication statistics is not an easy task. Despite the challenges, Nordicom has made an attempt – though on a very limited scale – and the results are presented in the current publication. Nordicom has collected and compiled statistics from a large number of sources in order to provide a more comprehensive overview of international media and communication statistics, primarily concerning television and the Internet." (Foreword, page 7)
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"[...] ist es nicht weiter erstaunlich, dass das Königreich auf der Rangliste zur Medienfreiheit der Reporter ohne Grenzen im vergangenen Jahr Platz 163 von 175 untersuchten Ländern belegte.2 Dass Saudi-Arabien in der arabischen Medienlandschaft aber dennoch ein Spieler der allerersten Liga ist, i
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st überraschend. Kein Land hat es geschafft, die arabischen Medien in einem Maße zu gestalten wie die Golfmonarchie. Saudische Unternehmen setzten sich an die Spitze der arabischsprachigen Medien und stehen auch im internationalen Vergleich den Größen der Medienwelt in nichts nach. Die Erfolgsgeschichte der saudischen Medien war jedoch ein steiniger Weg. Nicht nur konservative Religionsgelehrte, auch die Königsfamilie trat Entwicklungen im Medienbereich mit großer Skepsis gegenüber, erkannte aber zugleich das Potential, das in den Medien steckt. Als der Ölboom der siebziger Jahre dem Königreich enormen Reichtum bescherte, nutzten einzelne Mitglieder der Königsfamilie die Einnahmen als Startkapital und investierten massiv in die Medien. Es entwickelte sich ein Mediensystem, das mit den politischen Entscheidungsträgern eng verstrickt ist und dessen Besitzstrukturen bis auf den heutigen Tag stark von der Königsfamilie geprägt sind. Aus diesem Grund ist die Entwicklung des saudischen Mediensystems ohne die Kenntnis grundlegender innenpolitischer Strukturen Saudi-Arabiens und der Beziehungen innerhalb der Königsfamilie nicht nachvollziehbar." (Seite 107-108)
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"Picking up where the IPI Report series left off in 2000, “Brave News Worlds” explores what the next 10 years hold for the news and journalism industry and offers insight into how journalists and non-journalists alike can take advantage of changes in the media and technology to make the future o
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f news a bright one." (Preface)
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"Das durch die Digitalisierung mögliche Zusammenwachsen der Medien – z.B. von Fernsehen und Internet – hat ein wesentliches und entscheidendes Merkmal hervorgebracht: die Interaktivität. Mit neuen Medienformaten und Distributionskanälen wird interaktiver Medienkonsum möglich und bietet den K
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onsumenten, den Anbietern und der Werbeindustrie viele neue Möglichkeiten. In einer vergleichenden Analyse werden diese Entwicklungen in Deutschland und Russland unter besonderer Berücksichtigung der sehr unterschiedlichen Rahmenbedingungen diskutiert. In dem Buch sind die wichtigsten Beiträge von zwei wissenschaftlichen Kongressen in Moskau zusammengetragen worden. Die Analyse umfasst zwei Teilbereiche: Im ersten Teil werden die länderspezifischen Erkenntnisse über die Digitalisierung und die Zukunft der Medien erörtert, während im zweiten Teil eine umfassende Bewertung der Auswirkungen der Krise für die Medienlandschaft folgt." (Verlagsbeschreibung)
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"[...] this book provides a concise and thorough overview of the field, looking back at newspapers’ history, and forward to their future – and insisting there will be one. The authors, former journalists who now teach the subject, review the practices of the profession – from defining news to
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examining who owns newspapers, from newspaper readership to the new media environment. Written in an accessible style, this comprehensive text is well suited for a range of courses on newspapers." (Publisher description)
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"Los principales temas considerados fueron el país de origen y géneros radiales y televisivos, la clasificación de la programación, y el análisis de la presencia de violencia, sexualidad, lenguaje inapropiado, contenido educativo y conductas disruptivas en la radio y televisión. En televisión
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, se analizaron siete canales de señal abierta (utilizando la señal recibida en Lima): Frecuencia Latina, América TV, Panamericana TV, TV Perú, ATV, RBC y Red Global [...] En total, se analizaron 1027 emisiones de programas. En radio se analizaron 19 programas de siete emisoras de radio en señal abierta (utilizando la señal recibida en la ciudad de Lima): Radio Moda, Radio Programas del Perú (RPP), Cadena Peruana de Noticias (CPN), Radio Capital, Studio 92, Radio Okey y Radio La Mega." (Website CONCORTV)
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