"This book responds to mounting calls to broaden the theorization of digital journalism, addressing critical questions about an emerging yet rapidly expanding area of study, and presenting multiple entry points and approaches that help us understand digital journalism better. Seeking to establish it
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self as a rich resource and a defining reference point for the evolving field, the handbook provides a critical appraisal and a useful overview of novel approaches and concepts, backed by a full breadth of dynamic and diverse interactions drawn from overlapping and critical studies by some of the leading experts on digital journalism. This handbook presents multiple methodological perspectives, reporting strategies, threats and opportunities and valuable insights on future trajectories for digital journalism practice in an era dominated by digital media technology. Split into four parts, it has been uniquely assembled to investigate and critique the full potential of digital journalism capturing broader, cross-cultural perspectives from all four corners of the world." (Publisher description)
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"Independent youtubers who create content on political, social and economic issues attract very large audiences and are increasingly the object of study for journalism scholars. This article contributes to the literature by conducting a detailed analysis of the Australian YouTube channel friendlyjor
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dies. Rather than comparing the channel to the journalistic field, this article assesses whether friendlyjordies produces journalism by applying definitions based on journalism’s democratic functions. With the democratic functions approach the critical question is not, who is a journalist? but who is performing the democratic functions of journalism? This question guides the research that combines the analysis of three friendlyjordies videos with data from an interview with a producer of the channel. From this analysis, this article argues that friendlyjordies produces platform journalism, an emerging form of journalism that applies the norms and affordances of a specific platform, in this case YouTube. Moreover, when a democratic functions approach is applied to friendlyjordies, it becomes evident that the channel engages in public interest platform journalism." (Abstract)
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"The Spinoza project aims to develop an open-source AI tool that ensures the integrity, traceability, and ownership of its data. It is co-designed with journalists and publishers and its first prototype focuses on climate change issues. The initial concept was launched by Reporters Without Borders (
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RSF), and its execution was made possible by its partner, the French press alliance l’Alliance pour la presse d’information générale (l’Alliance), which represents nearly 300 political and general news outlets in France — 120 of which participated in this experiment, sharing their reflections on how media outlets can engage with AI. Spinoza was developed through frequent professional workshops, bringing together diverse profiles from both the news media and data science sectors. Publishers, digital media managers, editorial directors, editors-in-chief, and journalists from l’Alliance-affiliated media collaborated with project managers, UX designers, and data scientists from the project’s technical partner, Ekimetrics." (Background, page 4)
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"Most scholars focus on the prevalence and democratic effects of (partisan) news exposure. This focus misses large parts of online activities of a majority of politically disinterested citizens. Although political content also appears outside of news outlets and may profoundly shape public opinion,
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its prevalence and effects are understudied at scale. This project combines three-wave panel survey data from three countries (total N = 7,266) with online behavioral data from the same participants (over 106M visits). We create a multi-lingual classifier to identify political content both in news and outside (e.g. in shopping or entertainment sites). We find that news consumption is infrequent: just 3.4% of participants’ online browsing comprised visits to news sites. Only between 14% (NL) and 36% (US) of these visits were to news about politics. The overwhelming majority of participants' visits were to non-news sites. Although only 1.6% of those visits related to politics, in absolute terms, citizens encounter politics more frequently outside of news than within news. Out of every 10 visits to political content, 3.4 come from news and 6.6 from non-news sites. Furthermore, exposure to political content outside news domains had the same – and in some cases stronger - associations with key democratic attitudes and behaviors as news exposure. These findings offer a comprehensive analysis of the online political (not solely news) ecosystem and demonstrate the importance of assessing the prevalence and effects of political content in non-news sources." (Abstract)
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"Homeless media refers to news outlets that initially distributed information solely through social media, with the majority of them now based on Instagram. Nowadays, as our findings suggest, homeless media outlets have emerged as an important source of local news, referred to for their quick update
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and locally relevant content. Using content analysis of their news, interviews with homeless media founders and personnel, and discussions with media audiences, this study attempts to understand their emergence and dynamics, how they are positioned among other actors in the contemporary Indonesian media landscape, and their prospects and issues. [...] The following are the main findings of this study:
• Homeless media outlets are mostly run informally, with only a few employees. Only one from nine we interviewed is registered as a media entity, and that was only after years of operation. There are two homeless media outlets that are only managed by one person. Others are mostly managed by two to five people. They may hire more on occasion if they need to create higher-quality content, such as endorsements.
• Four homeless media outlets we interviewed began as something entirely different, such as hobby, community, or paid Instagram promotion pages. They changed course after noticing increased engagement by providing local news, as well as citizens voluntarily sending them newsworthy incidents to be published.
• As the majority of homeless media outlets are not legally registered as a media entity, this raises concerns about governance among government officials and journalists. However, our homeless media interlocutors stated that they have implemented an internal code of conduct, particularly in terms of filtering misinformation.
• The informality of homeless media outlets provides them with advantageous flexibility, allowing them to respond to audience submissions or circulating internet content while making quick decisions about what content to publish.
• The most engaging content on homeless media is related to crime, followed by city facts, eccentric citizen behavior, city romantization, commotion among citizens, and accidents; however, they most frequently post about shopping/service recommendations, government policies, crime, culinary recommendations, and city facts.
• Homeless media outlets provide impressively specific and local news to their audiences immediately after it occurs, thanks to audience submissions and the circulating local social media content. They function as an effective local information hub.
• Nonetheless, because homeless media outlets rely on social media as a publishing platform and distribution channel, losing their accounts, whether due to a social media ban or hacking, can pose a significant risk to their operations. Our interlocutors have no plans to mitigate the risk. This happened to another account managed by @merapi_uncover personnel, and they were unable to do anything about it.
• Many of our audience interlocutors admit to being first exposed to local news through homeless media, and they actively use homeless media outlets to learn about recent events in their community, such as incidents they witnessed or traffic jams.
• Homeless media’s most engaging content—city facts and romantization—evokes a sense of connection between the audience and their city.
• Although not all, homeless media outlets may become participatory spaces, with citizens using them to draw attention to incidents or public issues, or to respond to other posts. [...]" (Executive summary, pages 3-5)
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"Digital Journalism: Perspectives from South Asia is a descriptive, exploratory book on digital journalism practices and policies followed in India, Nepal, Sri Lanka, Bangladesh, and Bhutan. It brings in-depth perspectives on content, communication, and community between communication theory and the
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digital news ecosystem rooted in a South Asia. What makes this book interesting to read is the integration of forms with manifestations on ground intersecting identities and ideologies. The book thoroughly investigates changes in the regulatory framework, regulations, policies, and code of conduct. Various chapters in the book pursue significant and exciting topics on the changing spaces of news production and consumption, the inter relationship between old and new media, everyday digital news usage and engagement, social media for news, revenue models for digital journalism among others. The highlight of this book is engaging debates on digital journalism practices modeled around mobile journalism, immersive storytelling, gamification, in the context of local and hyper local communities in South Asia. Since Digital Journalism draws extensively from algorithms, matrices and analytics, this book has exclusive chapters on data journalism, data visualization and big data." (Publisher description)
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"[...] TikTok is much more than just a social network. Increasingly, it serves as a search engine, connecting its users with trends, music, and news—the latter in a significant way. Various studies indicate that TikTok has now become the primary news source for Gen Z, with this trend on the rise.
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Thus, the platform also offers an opportunity for journalists to reach an audience less engaged with traditional news mediums such as print, broadcast, and online journalism. Jacque Manabat recognised this opportunity and became the first Southeast Asian journalist to implement TikTok as a news platform. The former TV reporter and Adenauer Fellowship Program alumna began experimenting with the platform during the pandemic, drawing inspiration from numerous successful influencers on TikTok. The experiment succeeded: today, Jacque Manabat is an independent creator on TikTok. In an interview with Vanessa Buchmann, she discusses the initial resistance she faced, and why her courage ultimately paid off. The Filipina provides insights into what makes TikTok unique as a platform, shares what she has learned about the younger generation, and demonstrates how journalists can thrive there." (https://kas-media.asia)
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"MEDIA LOVES TECH is the name and the idea behind this project that got underway in 2018. The goal is to bring together two worlds that are often too far apart: journalism and the startup community. Together with Al Khatt, a local project partner and non-governmental media organization, we wanted to
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scout, promote, develop and test innovations for the media sector. That same year, a legal support framework for startups in Tunisia came into effect, structured around a label of merit and benefits for entrepreneurs, investors and startups. Just like MEDIA LOVES TECH, it aims to support development through bold entrepreneurial spirit and innovative ideas. Since its launch, the annual MEDIA LOVES TECH incubation program, financed by the Federal Ministry for Economic Cooperation and Development (BMZ), supports eight to twelve startups. Implemented almost entirely online, and originally as a three-day mentor-supported hackathon, it has grown to become an incubation cycle that lasts three months. It promotes all phases of a startup — from the original idea to market entry.
It has been five years since the program was started and it is still going strong. This publication is an initial assessment. Does the belief that progress comes from promoting innovation hold true? Can promoting new media projects with viable business models succeed in an unstable economic or political environment? One needs to look at various aspects to find answers. It is often said that over 90 percent of startups go under in the first two years. Still, startups are often seen as a forerunner to economic development and as having a stimulating effect on the overall economy. Even if initiatives do flop, their traces can still be found in the ecosystem. When assessing the MEDIA LOVES TECH program, it is worth reflecting on what has been achieved and gaining insights for the future. Five projects are presented here. Our team has taken an in-depth look at the projects’ stories and progress and includes key performance indicators. Measuring impact in an unsteady startup environment can be a challenge, and our success stories address this. But as we at DW Akademie believe, “big changes start small,” and so do the startups presented here." (Foreword)
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"This playbook is designed for media managers and journalists who are looking to monetise their social media channels and diversify their income — particularly in countries where English is not the predominant language. It will provide you with practical strategies and tips for creating and moneti
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sing content on social media, as well as insights into the unique challenges and opportunities that come with operating in a non-English speaking environment. Whether you’re a seasoned media professional or a novice just starting out, this book is the perfect guide to help you navigate the complex world of social media monetisation and succeed in the digital age." (Introduction, page 7)
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"Since the beginning of 2020, media around the world have started and intensified their TikTok activity to gain notoriety and reach young people, their main user group. However, as with other previously popularized social media, such as Facebook or Twitter, the platform’s logic is different from t
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hat traditionally employed by the media system when developing information products. The objective of this paper is to analyze the degree of adaptation to the logic of this network for the activity developed on it by the Spanish media. For this purpose, a combined methodology of quantitative and content analysis was applied to 446 videos posted by the official user accounts of 20 Minutos, Antena 3 Noticias, El Diario, El Mundo, and El País –the five media outlets with the largest online audience in that period –from the time the accounts were created until January 31, 2022. Specifically, we studied the activity developed, the notoriety achieved, and the interaction obtained, as well as the most common formats, topics, protagonists, and brand identity elements. The results show that the main Spanish media have tried to adapt to the entertainment logic of the platform both with the use of native editing resources as well as through the creation of original materials, predominantly soft news, about entertainment, celebrities, and lifestyle. The videos that gain more notoriety are those that are more adapted to this logic. However, the Spanish media analyzed post less frequently than international media, obtain fewer views, and register lower engagement levels; in addition, they do not use their presence on this social network to promote their other editorial products." (Abstract)
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"This study investigates the use and effects of news podcasts on online and offline political participation, based on a global survey of news consumers from 38 countries. The results demonstrate that political participation, both online and offline, is directly affected by news podcast use. Online d
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iscussion around news mediated the relationship between the use of news podcasts and both online and offline political participation. Furthermore, the study found that people living in countries with lower levels of press freedom tended to use news podcasts more, and that the level of press freedom had a direct influence on both onlineand offline participation across nations. This article advances the literature on news podcasts and their role in facilitating discussions around news and political participation by contextualizing news podcast use in a global context." (Abstract)
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"Em um cenário de convergência midiática, o rádio se expande (Kischinhevsky, 2016) ao transbordar o conteúdo das ondas hertezianas para a internet e os meios digitais, passando a formar um novo ecossistema. Neste contexto, o do rádio hipermidiático (Lopez, 2009), a audiência, agora ouvinte-i
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nternauta, provoca o veículo a criar novos gêneros. Ele segue como importante fonte de informação e entretenimento, mas passa a adotar estratégias que incorporam formatos antes só vistos na televisão. Neste artigo, analisamos o fenômeno social do rádio que é ouvido, sentido e visto em Pernambuco, no Nordeste do Brasil." (Resumo)
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"El artículo plantea un estudio longitudinal de la convergencia periodística en el marco de la radio especializada deportiva española y presenta las sinergias periodísticas establecidas entre Radio Marca, el diario Marca y la web marca.com. Se trata de un análisis del único caso existente en E
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spaña en el que una radio, un periódico impreso y un medio digital se aglutinan bajo la misma marca comercial. Para el estudio se propone una combinación de técnicas cualitativas y cuantitativas que permiten obtener datos objetivos de los procesos de producción del contenido y explicaciones desarrolladas. Para ello, se recurre al análisis de contenido y a un trabajo etnográfico de observación del trabajo periodístico en la redacción de los medios, completado con una serie de entrevistas en profundidad y encuestas realizadas en dos períodos que han conformado dos muestras. Los resultados muestran que las redacciones de los tres medios establecen sinergias periodísticas facilitadas por su ubicación en un mismo espacio físico de trabajo, pero no son resultado de una estrategia empresarial." (Resumo)
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