"Visual anthropology has proved to offer fruitful methods of research and representation to applied projects of social intervention. Through a series of case studies based on applied visual anthropological work in a range of contexts (health and medicine, tourism and heritage, social development, co
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nflict and disaster relief, community filmmaking and empowerment, and industry) this volume examines both the range contexts in which applied visual anthropology is engaged, and the methodological and theoretical issues it raises." (Publisher description)
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"The book traces the impact of the cell phone from personal issues of loneliness and depression to the global concerns of the modern economy and the trans-national family. As the technology of social networking, the cell phone has become central to establishing and maintaining relationships in areas
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from religion to love. The Cell Phone presents the first detailed ethnography of the impact of this new technology through the exploration of the cell phone's role in everyday lives." (Publisher description)
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"Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to thi
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s field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching." (Publisher description)
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"Media Anthropology represents a convergence of issues and interests on anthropological approaches to the study of media. The purpose of this reader is to promote the identity of the field of study; identify its major concepts, methods, and bibliography; comment on the state of the art; and provide
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examples of current research." (Publisher description)
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"Global Media Studies explores the theoretical and methodological threats that are defining global media studies as a discipline. Emphasizing the connection of globalization to local culture, this collection considers the diversity of modes of reception, reception contexts, uses of media content, an
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d the performative and creative relationships that audiences develop with and through the media. Through ethnographic case studies from Brazil, Denmark, the UK, Japan, Lebanon, Mexico, South Africa, Turkey and the United States, the contributors address such questions as: what links media consumption to a lived global culture; what role cultural tradition plays globally in confronting transnational power; how global elements of mediated messages acquire class; and regional and local characteristics." (Publisher description)
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"This book combines bibliographic essay and theory construction to provide a perspective on ritual as a special and powerful form of communication. Part one is a critical review of definitions of ritual from anthropology, sociology, communication studies and other literature, ending with a theoretic
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al essay on the contributions of communication theory to understanding ritual. Part two is a critical review of the uses of the term ritual in communication studies literature, covering mediated rituals and ceremonies, ritualistic media uses and audience activities, political, rhetorical and civic rituals, rituals of everyday interaction, rituals of organizational life and finally a conception of communication as ritual." (Publisher description)
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"Zwei Aspekte stehen im Mittelpunkt der Beiträge von insgesamt zwölf Autoren: der Film als eine Methode der ethnologischen Forschung und der ethnologische Film als Forschungsgegenstand. Behandelt werden u.a. verstecktes und offenes Filmen, Verhältnis zu den Gefilmten, gegenseitige Beeinflussung,
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Schnitt und Materialauswahl, Drehplan." (commbox)
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"Dieses Buch ist keine ethnologische Studie, und der Ethnologe wird in ihm kaum wesentlich neue Fakten entdecken. Dem Verfasser ging es hauptsächlich darum, ähnlich wie auf dem Gebiet der christlichen Publizistik der Entwicklungsländer, auch hier eine erste Erkundung zur Publizistik schriftloser
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Kulturen anzustellen. Es ging also darum, aus der Sicht eines umfassenden Publizistikbegriffes heraus schriftlose Kulturen nach ihrer zwischenmenschlichen Kommunikation, deren Mitteln und Methoden zu befragen. Daß dieses Vorhaben zwei Schwierigkeiten enthält, die kaum im ersten Zugriff gelöst werden können, liegt auf der Hand: Einmal gibt es von publizistik-wissenschaftlicher Seite bisher keine Vorstudien irgendwelcher Art, die das Anliegen des Verfassers hätten fundieren können, und er war deswegen mehr oder weniger auf Daten angewiesen, die die Ethnologie in ihrer Weise eruiert hat. Zum anderen ist sowohl das Gesamtgebiet primitiver Publizistik als auch die gesellschaftliche Eingebundenheit des einzelnen publizistischen Geschehens in den schriftlosen Kulturen so groß, daß eine lückenlose Gesamtdarstellung ohne entsprechende Einzeluntersuchungen einfach noch nicht möglich ist. So versteht sich diese Arbeit als eine wirkliche erste Erkundung." (Vorbemerkung, Seite 12)
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