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Output Type
Story Work for a Just Future: Exploring the Plurality of Knowledge and Method within the Digital Storytelling Community
Washington, DC: Smithsonian Institution Scholarly Press (2025), xiii, 227 pp.
"[...] new digital formats require people to craft their stories in new ways while capturing the emotion, nuance, and themes of what they remember and what they believe to be significant. They must learn through reflection, questioning, consideration, trial, revision, and feedback—and chapters in
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La novela gráfica como medio de formación histórica, política y estética: Intersecciones entre texto, imagen y educación
Berlin: De Gruyter (2025), viii, 230 pp.
"La presencia del pasado histórico como expresión de la memoria de quienes vivieron los hechos en persona, heredaron relatos o profundizaron en ellos ha entrado, como signo inequívoco de nuestro tiempo, en la novela gráfica. Como medio de expresión artística en auge, la novela gráfica ha dado
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Von Hashtags und Geschichte: Vergangenheitsbezogene Hate Speech und ihre Multimodalität auf TikTok
Publizistik, volume 70 (2025), pp. 261-287
"Die audiovisuelle Plattform TikTok bildet mittlerweile einen relevanten Aushandlungsort für soziale Gruppen aller Art. User*innen bietet sich die Möglichkeit, eigene Räume für Vernetzung zu schaffen und Identitätsmanagement zu betreiben. Aufgrund der Plattformaffordanzen – vor allem Multimod
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Televisión con memoria: Entrevistas a creadores de ficción histórica en Chile y Colombia
Berlin; Bogotá: Laboratorio de Investigación de la Memoria y Métodos Digitales (GUMELAB); Friedrich-Ebert-Stiftung (FES); FES Comunicación (2025), 395 pp.
"La televisión latinoamericana no solo entretiene, también recuerda. En Chile y Colombia, series y telenovelas han hecho de la pantalla un espacio donde se discute la historia reciente, la dictadura, el conflicto armado, el narcotráfico, la corrupción. En Televisión con memoria, la historiadora
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Latin America's Contested Pasts in Telenovelas and TV Series: History as Fuel for Entertainment
Deep Insights
Berlin: De Gruyter (2025), xxii, 381 pp.
"In Latin America, the production of telenovelas and TV series about the region's recent and traumatic past has grown considerably in the last 20 years, affecting societal perceptions of the past, historical consciousness, and political culture. While these TV products are usually perceived as trivi
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Transformative Archive: Ansätze und Perspektiven für die (historisch-)politische Bildung
Bonn: Bundeszentrale für politische Bildung (bpb) (2025), 211 pp.
"Inwieweit kann das Dokumentieren, Archivieren und Bereitstellen von marginalisiertem (Geschichts-)Wissen Räume eröffnen, in denen Neues gedacht werden kann und dekoloniale Optionen in der erinnerungspolitischen Landschaft Deutschlands und darüber hinaus besprechbar werden können? Welche Formen
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History’s Future: EVZ Foundation Shapes Digital Culture of Remembrance
Berlin: Foundation Remembrance, Responsibility and Future (EVZ) (2024), 20 pp.
"Forward-looking EVZ projects in the spirit of Culture of Remembrance 4.0 use innovative tools and techniques at sites of remembrance and persecution to link the digital with the analog space. This can open historical layers, make the invisible visible, and appeal to new user groups. Digital exhibit
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War(s) in Europe. Shared experience, collective memory? A toolbox with methods tested in Germany, France, Bosnia and Herzegovina
Berlin: Franco-German Youth Office (FGYO); Stiftung Erinnerung, Verantwortung und Zukunft (EVZ Foundation) (2024), 56 pp.
"Whether as a central theme or a reflection on current events, the issue of war is very important in international youth exchanges. This publication aims to provide guidance on how to talk about war in such contexts. Key questions that have been examined include the occurrence of past and current wa
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Appropriating History: The Soviet Past in Belarusian, Russian and Ukrainian Popular Culture
Bielefeld: transcript Verlag (2024), 316 pp.
"Popular media play an important role in reconstructing collective imaginations of history. Dramatic events and ruptures of the 20th century provide the material for playful as well as neo-imperialist and nationalist appropriations of the past. The contributors to the volume investigate this phenome
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Latin American History Goes to the Movies: Understanding Latin America's Past through Film
Deep Insights
London: Routledge, 2nd ed. (2024), xiii, 264 pp.
"This new edition of Latin American History Goes to the Movies uses a variety of feature films as a method of studying key historical themes in Latin America, from pre-Columbian cultures to contemporary debates. The book provides historical context as a way of interpreting Latin American filmography
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La historia oral en Argentina y Latinoamérica
Mar del Plata: Facundo Felipe De Feudis Taboada; Teseopress (2024), 653 pp.
"Este libro reúne un conjunto de investigaciones que desde diferentes perspectivas, problemáticas y objetos de estudio hacen uso de la oralidad para la escritura de la historia. Es fruto del trabajo realizado en el XV Encuentro Nacional y IX Congreso Internacional de Historia Oral. Pasado, present
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How Pharaohs Became Media Stars: Ancient Egypt and Popular Culture
Oxford: Archaeopress Publishing (2024), vi, 250 pp.
"The appearance of new media and its enormous diffusion in the last decades of the 20th century and up to the present has greatly increased and diversified the reception of Egyptian themes and motifs and Egyptian influence in various cultural spheres. So-called popular or pop culture (cinema, genre
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"During the country's most recent civic-military dictatorship (1976–1983), 30,000 people were disappeared or killed by the state. Over the decades, vernacular and professional photographs have been central to the Argentine struggle for justice. They were used not only to protest the disappearances
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Remembering Mass Atrocities: Perspectives on Memory Struggles and Cultural Representations in Africa
Cham: Palgrave Macmillan (2024), xvii, 303 pp.
"This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book
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Memoria como recurso en la transformación de conflictos: El papel de medios y periodistas en la construcción de paz. Congreso Internacional, Septiembre 19 al 21 de 2023, Universidad de Los Andes, Bogotá - Colombia
Bogotá: Instituto Colombo-Alemán para la Paz (CAPAZ) (2024), 69 pp.
"Más allá de ser meramente intermediarios, medios de comunicación, periodistas, comunicadoras y comunicadores sociales construyen narrativas de la memoria y del pasado a través de su labor y prác ticas cotidianas. A través de su trabajo dan contexto a los acontecimientos en perspectiva histór
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Geteilte Geschichte_n – Plurale Solidaritäten: Diskussionen zur Verbindung von verflechtungsgeschichtlichen Ansätzen und community-übergreifenden Unterstützungsstrukturen
Bonn: Bundeszentrale für politische Bildung (bpb) (2024), 163 pp.
"Im Sammelband werden Denkanstöße für Möglichkeiten der Pluralisierung und Demokratisierung von Erinnerung und Geschichte gegeben sowie hieran anknüpfende aktuelle Diskurse besprochen und reflektiert. In diesem Zusammenhang wird mit Beiträgen unterschiedlicher transdisziplinärer Autorinnen un
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Gewalt und Gedächtnis: Globale Erinnerung im 21. Jahrhundert
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2024), 236 pp.
"Wie prägen Erfahrungen von Gewalt gesellschaftliche Diskurse? Mirjam Zadoff nähert sich der Frage, welchen Stellenwert kollektive Gewalterfahrungen im Gedächtnis verschiedener Gesellschaften einnehmen und wie diese Erfahrungen bewältigt werden. Sie gibt Einblicke in europäische und außereurop
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Narratives Crossing Boundaries: Storytelling in a Transmedial and Transdisciplinary Context
Bielefeld: transcript Verlag (2023), 280 pp.
"As the dominant narrative forms in the age of media convergence, films and games call for a transmedial perspective in narratology. Games allow a participatory reception of the story, bringing the transgression of the ontological boundary between the narrated world and the world of the recipient in
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Cem anos da revolução de 1923: História, mídia e cultura
Porto Alegre: Editora Meridional (2023), 139 pp.
Really?! Sophie Scholl on Instagram: An Analysis of the Journalistic Discourse
Journalism Research, volume 6, issue 1 (2023), pp. 6-31
"This paper examines the journalistic discourse on the Instagram project @ichbinsophiescholl, initiated by Südwestrundfunk (SWR) and Bayerischer Rundfunk (BR). The project is based on a fictional premise in which the resistance fighter Sophie Scholl uses the social media platform Instagram during t
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