"Unruly Speech explores how Uyghurs in China and in the diaspora transgress sociopolitical limits with "unruly" communication practices in a quest for change. Drawing on research in China, the United States, and Germany, Saskia Witteborn situates her study against the backdrop of displacement and sh
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ows how naming practices and witness accounts become potent ways of resistance in everyday interactions and in global activism. Featuring the voices of Uyghurs from three continents, Unruly Speech analyzes the discursive and material force of place names, social media, surveillance, and the link between witnessing and the discourse on human rights. The book provides a granular view of disruptive communication: its global political moorings and socio-technical control. The rich ethnographic study will appeal to audiences interested in migration and displacement, language and social interaction, advocacy, digital surveillance, and a transnational China." (Publisher description)
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"Öffentlichkeit ist der zentrale Begriff in Diskussionen über Demokratie und politische Partizipation. Johanna Montanari erweitert den Öffentlichkeitsbegriff postkolonial, indem sie den globalen Süden nicht als defizitären Raum "nachholender Modernisierung" beschreibt, sondern die Anstrengungen
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um die Herstellung von Öffentlichkeit unter eingeschränkt demokratischen Bedingungen ernst nimmt. Anhand der journalistischen Praxis einer englischsprachigen Tageszeitung in Jordanien [Jordan Times] zeigt sie, dass Öffentlichkeit immer kuratiert wird und sich universal verstandene Versprechen der Moderne lokal aneignet. Ihre Ergebnisse fordern zur Reflexion der Auslassungen westlicher Diskurse auf." (Verlagsbeschreibung)
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"Theorising Media and Conflict is the result of a joint and interdisciplinary effort to set the theoretical and empirical agenda in theorising upon the complex relationship between media and conflict. By considering the theorisation work accomplished by the ‘Anthropology of Media’ series forerun
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ner Theorising Media and Practice (edited by Bräuchler and Postill), it takes the notion of media (as) practice to new terrain. It thus counters studies that display Western biases, normative assumptions and unsubstantiated claims about ‘media effects’ in conflict situations. Through ground-up theorising, careful contextualisation, comparative perspectives, ethnographic and other qualitative methods, it provides evidence for the co-constitutiveness of media and conflict, and contributes to the consolidation of media and conflict as a distinct area of scholarship. While the contributions to this book deal with different kinds of media and conflict situations in distinct world regions and examine various aspects of media use, they all engage with media and conflict dynamics from a participant’s perspective as well as from an analytical perspective. Such an approach allows for the theorisation of media and conflict beyond a particular type of media, conflict or region." (Preface, page ix-x)
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"Anthropologists began to study media relatively late in the history of the discipline. Research on media - in particular, mass media - tended to be associated with the societies most anthropologists came from, and thus with the self rather than the other, and except for a few rare exceptions, it wa
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s not until the late 1980s that anthropologists began to turn systematic attention to media as a social practice. This was true even for older media, such as songs, dance and theater, since those topics were associated with the other late research focus of urban anthropology." (Introduction)
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"The author demonstrates how core concepts from anthropology—participant-observation, reciprocity, and community—apply to sociality on YouTube. Lange’s book reconceptualizes and updates these concepts for video-sharing cultures. Lange draws on 152 interviews with YouTube participants at gather
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ings throughout the United States, content analyses of more than 300 videos, observations of interactions on and off the site, and participant-observation. She documents how the introduction of monetization options impacted perceived opportunities for open sharing and creative exploration of personal and social messages. Lange’s book provides new insight into patterns of digital migration, YouTube’s influence on off-site interactions, and the emotional impact of losing control over images. The book also debunks traditional myths about online interaction, such as the supposed online/offline binary, the notion that anonymity always degrades public discourse, and the popular characterization of online participants as over-sharing narcissists. YouTubers’ experiences illustrate fascinating hybrid forms of contemporary sociality that are neither purely mediated nor sufficient when conducted only in person. Combining intensive ethnography, analysis of video artifacts, and Lange’s personal vlogging experiences, the book explores how YouTubers are creating a posthuman collective characterized by interaction, support, and controversy." (Publisher description)
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"This chapter introduces some of the theories, insights, and methodologies of media anthropology. At the heart of media anthropology is the assertion that media practices are not universal. Whether we are discussing how television is viewed, how public relations coordinators negotiate corporate hier
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archies, how Facebook statuses are created and circulated, or how cellular towers are built, the local cultural context plays an important role." (Pages 1-2)
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"With the increase of digital and networked media in everyday life, researchers have increasingly turned their gaze to the symbolic and cultural elements of technologies. From studying online game communities, locative and social media to YouTube and mobile media, ethnographic approaches to digital
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and networked media have helped to elucidate the dynamic cultural and social dimensions of media practice. The Routledge Companion to Digital Ethnography provides an authoritative, up-to-date, intellectually broad, and conceptually cutting-edge guide to this emergent and diverse area. The Features include: a comprehensive history of computers and digitization in anthropology, exploration of various ethnographic methods in the context of digital tools and network relations, consideration of social networking and communication technologies on a local and global scale and in-depth analyses of different interfaces in ethnography, from mobile technologies to digital archives." (Publisher description)
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"Historical photographs taken in Latin America have now become key sites for memory politics, ethnographic imagination, and the negotiation of identity. This volume opens up a set of questions relating to the contemporaneous agency of images as well as their current appropriation via new technologie
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s. Case studies of pictures taken in Mexico, Colombia, Peru and Brazil analyze these processes by tracing how the images have been resignified over time and space. The contributions examine photographs that have been recently rediscovered by such diverse actors as European museums, human rights organizations, anthropologists, shamans, local historians, and communities of internet users." (Publisher description)
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"Contemporary anthropology is done in a world where social and digital media are playing an increasingly significant role, where anthropological and arts practices are often intertwined in museum and public intervention contexts, and where anthropologists are encouraged to engage with mass media. Be
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cause anthropologists are often expected and inspired to ensure their work engages with public issues, these opportunities to disseminate work in new ways and to new publics simultaneously create challenges as anthropologists move their practice into unfamiliar collaborative domains and expose their research to new forms of scrutiny. In this volume, contributors question whether a fresh public anthropology is emerging through these new practices." (Publisher description)
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"In this paper I address the question of how to study media and social change ethnographically. To do so I draw from the relevant media anthropology literature, including my own research in Malaysia and Spain. I first sketch a history of media anthropology, identifying a number of key works and them
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es as well as two main phases of growth since the 1980s. I then argue that anthropologists are well positioned to contribute to the interdisciplinary study of media and social change. However, to do so we must first shift our current focus on media and ‘social changing’ (i.e. how things are changing) to the study of media in relation to actual social changes, e.g. the suburbanisation of Kuala Lumpur in the 1970s to 2000s, or the secularisation of morality in post-Franco Spain. This shift from the ethnographic present continuous to the ethnographic past simple (how things changed from A to B) – a move from potential to actual changes – does not require that we abandon our commitment to ethnography in favour of social history. Rather, it demands new forms of ‘diachronic ethnography’ that can handle the biographical logic of actual social changes." (Abstract)
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"Although conflict is a normal aspect of human life, mass media technologies are changing the dynamics of conflict and shaping strategies for deploying rituals. Rituals can provoke or escalate conflict; they can also mediate it. Media representations have long been instrumental in establishing, main
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taining, and challenging political and economic power, as well as in determining the nature of religious practice. This collection of chapters emerged from a two-year project based on collaboration between the Faculty of Religious Studies at Radboud University Nijmegen in the Netherlands and the Ritual Dynamics Collaborative Research Center at the University of Heidelberg in Germany. Here, chapters locate, describe, and explore cases in which media-driven rituals or ritually saturated media instigate, disseminate, or escalate conflict. Each chapter, built around global and local examples of ritualized, mediatized conflict, is multiauthored. The book’s central question is: when ritual and media interact (either by the mediatizing of ritual or by the ritualizing of media), how do the patterns of conflict change?" (Publisher description)
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"Focuses on Nkhani Zam'maboma, a popular Chichewa news bulletin broadcast on Malawi’s public radio. The program often takes authorities to task and questions much of the human rights rhetoric that comes from international organizations. Highlighting obligation and mutual dependence, the program ex
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presses, in popular idioms and local narrative forms, grievances and injustices that are closest to Malawi’s impoverished public. Harri Englund reveals broadcasters’ everyday struggles with state-sponsored biases and a listening public with strong views and a critical ear." (Back cover)
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"The translation of films from languages such as English, Hindi/Urdu or Chinese into Swahili is a phenomenon that has quickly grown into a successful business in Tanzania in the last couple of years. The films are mainly products of the USA, of India and China, but also of countries such as Thailand
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, Malaysia or Nigeria. The pirate copies that reach Tanzania, however, seem to be primarily imported from China (Interview with DJ Mark, 2009). In Tanzania, the films are subject to a series of transformations that help to increase the appeal of these films to their predominantly youthful Tanzanian audience. This essay focuses on these transformation processes and aims to show how films are shaped by the work of the translators (“watafsiri”), but also by the people who work in the video parlours (“vibanda vya video”), the places where these films are usually consumed. It is based on research that was carried out in Masasi (Mtwara region) and Nachingwea (Lindi region) in February 2009 and in Dar es Salaam, Morogoro (Morogoro region) and Bagamoyo (Tanga region) in September 2009." (Pages 138-139)
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"Although practice theory has been a mainstay of social theory for nearly three decades, so far it has had very limited impact on media studies. This book draws on the work of practice theorists such as Wittgenstein, Foucault, Bourdieu, Barth and Schatzki and rethinks the study of media from the per
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spective of practice theory. Drawing on ethnographic case studies from places such as Zambia, India, Hong Kong, the United States, Britain, Norway and Denmark, the contributors address a number of important themes: media as practice; the interlinkage between media, culture and practice; the contextual study of media practices; and new practices of digital production. Collectively, these chapters make a strong case for the importance of theorising the relationship between media and practice and thereby adding practice theory as a new strand to the study of anthropology of media." (Publisher description)
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"News stories provide an essential confirmation of our ideas about who we are, what we have to fear, and what to do about it: a marketplace of ideas, shopped by rational citizen decision makers but also a shared resource for grounding our contested narratives of identity in objective reality. News a
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s a fundamental social process comes into being not when an event takes place or when a report of the event is created but when that report becomes news to someone. As it moves off the page into the community, news discovers - through its interpretations - its reality in the lives of the consumers. This book explores the path of news as it moves through the tangled labyrinth of social identities and asserted interests that lie beyond the page or screen. The language and communication-oriented study of news promises a salient area of investigation, pointing the way to an expansion, if not a redefinition of basic anthropological ideas and practices of ethnography, participant observation, and “the field” in the future of anthropological research." (Publisher description)
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"This book offers a view of the cultural, family, and interpersonal consequences of mobile communication across the globe. Scholars analyze the effect of mobile communication on all parts of life, from the relationship between literacy and the textual features of mobile phones to the use of ringtone
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s as a form of social exchange, from the “aspirational consumption” of middle-class families in India to the belief in parts of Africa and Asia that mobile phones can communicate with the dead. The contributors explore the ways mobile communication profoundly affects the tempo, structure, and process of daily life around the world. The book discusses the impact of mobile communication on social networks, other communication strategies, traditional forms of social organization, and political activities. It considers how quickly miraculous technologies come to seem ordinary and even necessary; and how ordinary technology comes to seem mysterious and even miraculous. The chapters cut across social issues and geographical regions; they highlight use by the elite and the masses, utilitarian and expressive functions, and political and operational consequences. Taken together, the chapters demonstrate how mobile communication has affected the quality of life in both exotic and humdrum settings, and how it increasingly occupies center stage in people’s lives around the world." (Publisher description)
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"Ängste und Hoffnungen verbinden sich mit den jungen Menschen, die in der arabischen Welt zwei Drittel der Bevölkerung ausmachen. Wie reagieren die Jugendlichen auf die Herausforderungen einer globalisierten Welt? Anhand der Internetnutzung marokkanischer Jugendlicher und den damit verbundenen Ane
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ignungspraktiken lässt diese Studie die Ambivalenz von Globalisierungsprozessen in der arabischen Welt sichtbar werden. In der kommunikativen Entgrenzung wird die eigene strukturelle Begrenzung deutlich: Geographische, soziale und kulturelle Grenzen werden hinterfragt, verschoben und überwunden – aber auch fixiert." (Verlagsbeschreibung)
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"While much has been written about the growing influence of television and the Internet on modern warfare, little is known about the relationship between media and nation building. This book explores, for the first time, this relationship by means of a paradigmatic case of successful nation building
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: Malaysia. Based on extended fieldwork and historical research, the author follows the diffusion, adoption, and social uses of media among the Iban of Sarawak, in Malaysian Borneo and demonstrates the wide-ranging process of nation building that has accompanied the Iban adoption of radio, clocks, print media, and television. In less than four decades, Iban longhouses ('villages under one roof') have become media organizations shaped by the official ideology of Malaysia, a country hastily formed in 1963 by conjoining four disparate territories." (Publisher description)
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"In this groundbreaking work, Brian Larkin provides a history and ethnography of media in Nigeria, asking what media theory looks like when Nigeria rather than a European nation or the United States is taken as the starting point. Concentrating on the Muslim city of Kano in the north of Nigeria, Lar
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kin charts how the material qualities of technologies and the cultural ambitions they represent feed into the everyday experiences of urban Nigeria. Media technologies were introduced to Nigeria by colonial regimes as part of an attempt to shape political subjects and create modern, urban Africans. Larkin considers the introduction of media along with electric plants and railroads as part of the wider infrastructural project of colonial and postcolonial urbanism. Focusing on radio networks, mobile cinema units, and the building of cinema theaters, he argues that what media come to be in Kano is the outcome of technology's encounter with the social formations of northern Nigeria and with norms shaped by colonialism, postcolonial nationalism, and Islam. Larkin examines how media technologies produce the modes of leisure and cultural forms of urban Africa by analyzing the circulation of Hindi films to Muslim Nigeria, the leisure practices of Hausa cinemagoers in Kano, and the dynamic emergence of Nigerian video films. His analysis highlights the diverse, unexpected media forms and practices that thrive in urban Africa." (Publisher description)
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