"Soziale Medien haben die Verbreitung von Antisemitismus revolutioniert. Algorithmisch verstärkt verbreitet sich Antisemitismus auf den Plattformen in Sekundenschnelle, kostenlos und global. Die daraus resultierende Gefahr für Jüdinnen*Juden ist eine große gesellschaftliche Herausforderung. Das
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Buch gibt Einblicke in Fallstudien auf verschiedenen Plattformen und zeigt, wie soziale Medien durch die Verbreitung antisemitischer Inhalte von politischem Akteur*innen instrumentalisiert werden. Es werden innovative Methoden und Tools (CrowdTangle oder Voyant Tools) und neue Konzepte (Social Media Literacy, tertiärer Antisemitismus, antisemitische Eskalation) vorgestellt und Strategien, um Antisemitismus auf den Plattformen zu bekämpfen, kritisch evaluiert. Dieses Buch bietet eine umfassende Einführung für alle, die sich mit der Problematik Antisemitismus in den sozialen Medien auseinandersetzen wollen." (Verlagsbeschreibung)
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"Plattformen konstruieren kulturelle Räume aus Kanälen, Memes, Videos, ‚lo-fi‘ Remixen, Cumbias und ‚piñatas‘. Diese Räume werden in der vorliegenden Studie literatur-, kultur- und medienwissenschaftlich betrachtet, wodurch sich transkulturelle und -mediale Perspektiven auf Konzepte wie
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Kultur und Nation eröffnen. Es werden Dynamiken und Akteure analysiert, welche die Räume der Plattformen auf der Ebene der Infrastruktur gestalten, und solche, die (web)-sprachlich-kulturell Communities und Genres produzieren. Sie reichen von bekannten Politikern und YouTubern bis hin zu indigenen Bewegungen in Mexiko. Die Akteure werden über die Figur des ‚señor YouTube‘, als anthropomorphisierter Uploadfilter, gefasst und als Repräsentationsformen untersucht. Die verschiedenen Dimensionen konvergieren in dieser Figur als gesellschaftliche Diskurse, soziokulturelle Räume und informationstechnische Systeme sowie lokalisieren Mexiko in den Welten der Plattformen." (Verlagsbeschreibung)
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"O artigo a se propõe a investigar os sentidos das novas formas de religiosidade secularizadas, tomando como objeto o movimento religioso Nova Era e seus produtos midiáticos no YouTube. O texto objetiva analisar como religiosidade e autoajuda entrelaçam seus discursos em uma ambiência midiatizad
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a, marcada pela diversidade, pela bricolagem religiosa e pelo imperativo da felicidade. Através de procedimentos metodológicos da análise de discurso de linha francesa, observam-se quais os sentidos que emergem do discurso de vídeos do canal Gisela Vallin no YouTube, que apresentam uma mística inspirada em variadas vertentes religiosas, inserindo-se no panorama do movimento Nova Era. Os vídeos são apresentados pela terapeuta holística Gisela Vallin, que traz temáticas de autoajuda lançando mão de ensinamentos de coaches e uma pluralidade de entidades religiosas como Osho, Buda, Jesus Cristo e espíritos mentores." (Resumo)
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"This book addresses the issues raised by digital platforms in the Global South, with an emphasis on the cultural stakes involved. It brings together an interdisciplinary team of researchers - including political economists, socio-economists, geographers, media sociologists or anthropologists - who
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each explore these issues through an insightful case study at a local, national, regional or international scale. While studying the strategies of some of the main US-based Big Tech platforms or video streaming platforms towards the Global South, the chapters also consider the often-neglected active role local or regional actors play in the expansion of those Western digital players, and highlight the existence of a constellation of local or regional platforms that have emerged in Africa, Asia, Latin America or the Middle East. In addition to analysing the complex relationships of competition, collaboration or dependence between these diverse actors, this volume examines the ways in which the rise of these digital platforms has generated new forms of cultural entrepreneurship and participated in the reconfiguring of the conditions in which cultural contents are produced and circulated in the Global South." (Publisher description)
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"Journalisme et science peuvent-ils s'entendre ? Leurs rythmes sont différents, comme leur rapport à la vérité. Quel est le rôle des journalistes, comment parlent-ils de la science, quelle image se font-ils de la science et de ceux qui la produisent ? La science pour le journaliste, c'est aussi
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le discours que les scientifiques adressent aux médias quand ils espèrent que leurs recherches seront partagées. Ce livre explore le journalisme scientifique dans sa diversité, la manière de produire l'information et de rendre compte de l'actualité scientifique. Il dresse un panorama des enjeux récents soulevés par l'intérêt grandissant des médias pour la science, à l'heure des crises sanitaires et du réchauffement climatique." (Description de la maison d'édition)
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"The Internet and social networks have enabled the appearance of new Catholic preachers with intense activity and a high number of followers on their channels. YouTube has been no exception to this communication trend. Some of the religious communicators who use this social network have in fact beco
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me the natural heirs to the former TV preachers, or televangelists. Others have adapted their religious discourse to the narratives of these channels, addressing young audiences who are familiar with the new languages. Still others have launched channels on YouTube in order to broaden the audience of their usual liturgical and clerical activities. They are the new influencers in the religious realm, capable of multiplying audiences, establishing dialogues with them, and generating engagement. This article shows the results of an analysis of the Spanish-speaking Catholic communicators with the largest number of followers on YouTube. Based on a sample of videos with the most views, conclusions have been drawn about profiles, followers, subjects, production, positioning, generating engagement, and relationships with audiences." (Abstract)
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"In a cross-platform analysis of Google Web Search, Facebook, YouTube, Reddit, Twitter, Instagram, 4chan and TikTok, we found that hyperpartisan web operators, alternative influencers and ambivalent commentators are in ascendency. The book can be read as a form of platform criticism. It puts on disp
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lay the current state of information online, noting how social media platforms have taken on the mantle of accidental authorities, privileging their own on-platform performers and at the same time adjudicating between claims of what is considered acceptable discourse." (Publisher description)
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"YouTube, Instagram, Facebook, Vimeo, Twitter, etc. have their own logics, dynamics and different audiences. This book analyses how the users of these social networks, especially those of YouTube and Instagram, become content prescribers, opinion leaders and, by extension, people of influence. What
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influence capacity do they have? Why are intimate or personal aspects shared with unknown people? Who are the big beneficiaries? How much is vanity and how much altruism? What business is behind these social networks? What dangers do they contain? What volume of business can we estimate they generate? How are they transforming cultural industries? What legislation is applied? How does the legislation affect these communications when they are sponsored? Is the privacy of users violated with the data obtained? Who is the owner of the content? Are they to blame for "fake news"? In this changing, challenging and intriguing environment, The Dynamics of Influencer Marketing discusses all of these questions and more. Considering this complexity from different perspectives: technological, economic, sociological, psychological and legal, the book combines the visions of several experts from the academic world and provides a structured framework with a wide approach to understand the new era of influencing, including the dark sides of it." (Publisher description)
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"This article explores the use of YouTube in the increasing practice of vlogging in Zimbabwe. Vlogging counters authoritarian media policies that restrict the entry of new media players and democratic participation in existing traditional media. This dearth of public debate on traditional media has
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created a window of opportunities for social media as alternative voices through YouTube ‘televisions’. We consider this a metaphorical yearning for alternative television stations in the mainstream media-dominated context of Zimbabwe. Employing the theoretical concept of counterpublics, this article presents a thematic analysis from three selected YouTube channels: Bustop TV, Goldgator TV and TV 7. The findings reveal that although authoritarian media laws are a huge setback to freedom of expression, YouTube empowers non-professional journalists to challenge those who possess political power. The article establishes that authoritarian media laws are no longer as effective in stifling dissent. We argue new thinking towards a liberal trajectory is called upon." (Abstract)
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"This report explores how the Chinese party-state's globally focused propaganda and disinformation capabilities are evolving and increasing in sophistication. Concerningly, this emerging approach by the Chinese party-state to influence international discourse on China, including obfuscating its reco
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rd of human rights violations, is largely flying under the radar of US social media platforms and western policymakers." (Executive summary, page 3)
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"Drawing on an original dataset of survey responses collected in the summer of 2022 across four countries - Brazil, India, the UK, and the US - they examine the relationship between trust in news and how people think about news on digital platforms, especially Facebook, Google, WhatsApp, and YouTube
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, some of the most widely used platforms around the world. What they find is somewhat nuanced; how people think about information on platforms varies considerably. It depends on the platform, it depends on the country, it depends on the audiences within those countries, and it depends on the kinds of news those audiences are encountering in these varying spaces." (Executive Summary and Key Findings, page 3)
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"Combating illegal parking and drinking in public is the raison d’être of Russia’s best-known law-and-order youth initiatives, StopKham and Lev Protiv. These initiatives enforce and promote neotraditional morals amongst young people by challenging alleged offenders on camera and uploading the e
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ntertaining, humorous and often violent video clips to YouTube. I argue that their practices encapsulate flexible authoritarianism, in which the regime incentivises citizens to take initiative while expanding repressive measures against dissenters. Not only do these enterprises reflect the regime’s goals back at itself, they also popularise a new ideal of heroic masculinity that fuses patriotism with entrepreneurialism." (Abstract)
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"This study aims to measure the effects of exposure to a YouTube platform, the Moshaya Family Channel, on the socialization of children. We monitored the content provided by the channel and how children are affected by it in terms of moral and behavioral aspects, specifically the impacts of their re
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peated exposure to the programs on their life satisfaction. This needed to be studied due to the increase in views and subscriptions to the channel, and children’s level of attachment to the presented content. This research uses the survey method. An online questionnaire was used to obtain information from a study sample of 338 Saudi mothers whose children are watching “The Moshaya Family Channel.” Children’s ages ranged from 5 to 13 years old. The most important result is that a big proportion of children have the awareness of terms like subscribe, share, like and views. The reason for that is due to their being influenced by the idea of popularity and their desire to make their own YouTube channel. The research also found that a big proportion of children preferred prank content in the channel and described it as interesting, which pushed them to imitate these pranks in their lives. The research found that most mothers don’t like their children to watch the channel because it incites the child to prank others and prompts buying behavior in children. This confirms the role played by new media platforms, especially YouTube, which result in children acquiring values not only for entertainment, but also a tool for learning, communication and entertainment." (Abstract)
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"This study employed three machine learning algorithms, Naïve Bayes, SVM, and a Balanced Random Forest to build a sentiment model that can detect Muslim sentiment about Muslim clerics’ anti-misinformation campaign on YouTube. Overall, 9701 comments were collected. An LDA-based topic model was als
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o employed to understand the most expressed topics in the YouTube comments. Results: The confusion matrix and accuracy score assessment revealed that the balanced random forest-based model demonstrated the best performance. Overall, the sentiment analysis discovered that 74 percent of the comments were negative, and 26 percent were positive. An LDA-based topic model also revealed the eight most discussed topics associated with ten keywords in those YouTube comments. Practical implications: The sentiment and topic model from this study will particularly help public health professionals and researchers to better understand the nature of vaccine misinformation and hesitancy in the Muslim communities." (Abstract)
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"The spread of disinformation about science in social media has been a major concern worldwide, especially at a time of crisis in which all institutions that produce knowledge and truth, including science, are delegitimized or discredited by society. Given this, the purpose of this research is to ma
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p the circulation of information on the most frequent conspiracy theories in Brazil, seeking to identify actors, discourses, and interactions on different digital platforms. Using a mixed methodology for identifying informational flows among supporters of conspiracy theories on Facebook, WhatsApp, and YouTube, the results show that, even though there is distrust about the relationship between science, government and industry, scientific authority is a symbolic capital of extreme importance for the circulation of information on conspiracy theories related to science." (Abstract)
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"Our search identified 31 systematic reviews, of which 17 were published. The proportion of health-related misinformation on social media ranged from 0.2% to 28.8%. Twitter, Facebook, YouTube and Instagram are critical in disseminating the rapid and far-reaching information. The most negative conseq
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uences of health misinformation are the increase of misleading or incorrect interpretations of available evidence, impact on mental health, misallocation of health resources and an increase in vaccination hesitancy. The increase of unreliable health information delays care provision and increases the occurrence of hateful and divisive rhetoric. Social media could also be a useful tool to combat misinformation during crises. Included reviews highlight the poor quality of published studies during health crises. Conclusion: Available evidence suggests that infodemics during health emergencies have an adverse effect on society. Multisectoral actions to counteract infodemics and health misinformation are needed, including developing legal policies, creating and promoting awareness campaigns, improving health-related content in mass media and increasing people’s digital and health literacy." (Abstract)
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"In the late 2010s, the Internet overtook television as the most popular media format in Russia. It was also the time when Russian-speaking YouTube went political: well-known bloggers started producing political content, opposition politicians became the most popular YouTubers, and finally mainstrea
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m journalists migrated to the platform, a move precipitated by Covid-19 isolation when the demand for Russian-speaking content on YouTube skyrocketed. Therefore, it came as no surprise that when the war started it was YouTube that became the main battlefield for independent Russian journalists, including those who had moved out of the country. However, YouTube was also used by Russian propaganda for years with great effect. For that reason, the Russian government was hesitant to block YouTube, unlike other global platforms that Kremlin censors blocked immediately after the war started. That provided time for Russian users to adapt and install censorship circumvention tools. The other platform that was not immediately blocked was Telegram, and Russian journalists didn’t miss that opportunity to talk to their audience either." (Summary, page 4)
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"Amid the proliferation of a range of new and ubiquitous online platforms, YouTube, a video-based platform, remains a key driver in the democratisation of creative, playful, vernacular, intimate, as well as political expressions. As a critical node of contemporary communication and digital cultures,
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its steady uptake and appropriation in a social media-savvy nation such as the Philippines requires a critical examination of its role in the continued reconstruction of identities, communities, and broader social institutions. This book closely analyses the diverse content and practices of amateur Filipino YouTubers, exposing and problematising the dynamics of brokering the contested aspirational logics of beauty and selfhood, interracial relationships, world-class labour, and progressive governance in a digital sphere." (Publisher description)
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"Has Russia abandoned its atheist past and embraced Orthodox Christianity as its new moral guide? The reality is more complex and contradictory. Digital sources provide evidence of rising domestic criticism of the Russian Orthodox Church and its leadership. This book offers a nuanced understanding o
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f contemporary Russian Orthodoxy and its changing role in the digital era. Topics covered within this book include: Mediatization theory; Church reforms under Patriarch Kirill; Church-state relations since 2009; Russian Orthodox Church's media policy; Anticlericalism vs. Church criticism; religious, secular and atheist critiques of the Church in digital media." (Publisher description)
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"Double-digit annual growth has taken the global social media user figure to 4.62 billion, and current trends indicate that it will equal 60 percent of the world’s total population within the next few months. COVID-19 continues to hamper research into internet adoption though, resulting in reporti
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ng delays that have kept overall growth in internet user figures down for the second year in a row. Despite these challenges, however, the latest data reveal that the number of people who don’t use the internet has now fallen below 3 billion, marking another important milestone on our journey towards equal digital access for all. Meanwhile, at 4.95 billion, we’re also tantalisingly close to reaching a global total of 5 billion internet users, and I’m looking forward to celebrating that particular milestone with you in one of our upcoming Statshot reports. As always, the data in this year’s reports goes well beyond user numbers though, and our latest collection offers some especially interesting insights into the world’s evolving online behaviours. For example, TikTok users spent an average of 48 percent more time using the platform’s mobile app over the past 12 months compared with the previous year, while YouTube users now spend almost a full day each month watching videos in the platform’s app." (Page 3)
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