"The popular encrypted messaging and chat app WhatsApp played a key role in the election of Brazilian President Jair Bolsonaro in 2018. The present study builds on this knowledge and showcases how the app continued to be used in a governmental operation spreading false and misleading information pop
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ularly known in Brazil as the Office of Hatred (OOH). By harnessing in-depth expert interviews with documentarians of the office’s daily operations—researchers, journalists, and fact-checkers (N = 10)—this study draws up a chronology of the OOH. Via this methodological approach, we trace and chronologize events, actions, and actors associated with the OOH. Specifically, findings (a) document the rise of antipetismo and disinformation campaigns associated with attacks on the Brazilian Worker’s party from 2012 until the election of Bolsonaro in 2018, (b) describe the emergence of the OOH at the heels of the election and subsequent radicalization in WhatsApp groups, (c) provide an overview of the types of disinformation that are spread on the app by the OOH, and (d) illustrate how the OOH operates by mapping key actors and places, communicative strategies, and audiences. These findings are discussed in light of ramifications that government-sponsored forms of disinformation might have in other antidemocratic polities marked by strongman populist leadership." (Abstract)
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"This book is about television in Latin America. Its national and regional industries create most television programming there within genres developed over time in the region. However, part of the programming has always come from the U.S., Europe and elsewhere. With cable, satellite and now streamin
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g TV, that inflow of foreign programming has increased substantially. While many in the audience still prefer national or regional programs for their cultural proximity, an increasing number among the upper-middle and middle classes, particularly the young, are turning to the new foreign services, like Netflix, Amazon and Disney for class distinction, cosmopolitanism or other motives. Among the television industries global regional and national actors are creating a variety of programs and channels (broadcast, pay-TV and streaming) to segment and appeal to different parts of the audience." (Publisher description)
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"The Routledge Handbook to the Culture and Media of the Americas charts the pervasive, asymmetrical flows of cultural products and capital and their importance in the development of the Americas. The volume offers a comprehensive understanding of how inter-American communication is constituted, fram
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ed and structured, and covers the artistic and political dimensions that have shaped literature, art and popular culture in the region. Forty-six chapters cover a range of inter-American key concepts and dynamics, divided into two parts: 'Literature and Music' deals with inter-American entanglements of artistic expressions in the Western Hemisphere, including music, dance, literary genres and developments. 'Media and Visual Cultures' explores the inter-American dimension of media production in the hemisphere, including cinema and television, photography and art, journalism, radio, digital culture and issues such as freedom of expression and intellectual property." (Publisher description)
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"Global Media Giants takes an in-depth look at how media corporate power works globally, regionally, and nationally, investigating the ways in which the largest and most powerful media corporations in the world wield power. Case studies examine not only some of the largest media corporations (News C
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orp, Microsoft) in terms of revenues, but also media corporations that hold considerable power within national, regional, or geolinguistic contexts (Televisa, Bertelsmann, Sony). Each chapter approaches a different corporation through the lens of economy, politics, and culture, giving students and scholars a thoughtful and data-driven guide with which to interrogate contemporary media industry power." (Publisher description)
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"This piece examines the historical construction of a Lusophone cultural-linguistic media space and market that spans portions of Europe, Africa, and South America. Beginning with the Portuguese colonization of Brazil and Lusophone Africa in the 17th century and continuing to the contemporary moment
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, our discussion examines how a combination of political, ideological, and economic patterns created linkages between Portugal, Brazil, and Portuguese-speaking colonies in Africa (namely Angola, Cape Verde, and Mozambique). After examining how Brazil grew to become the dominant cultural producer in this transnational matrix (most explicitly expressed through the massive exports of telenovelas and music since the late 1970s), we examine how other countries are beginning to carve out distinctive national niches, including the contemporary music scene in Cape Verde and the rise of domestically produced telenovelas in Portugal and Angola that are increasing in circulation in the contemporary transnational Lusophone media space." (Abstract)
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"Transversal dissent by communities whose actions and identities are no longer primarily state centric but, rather, have shifted to cross identity boundaries is one of the most important developments for understanding how politics is being transformed today. Burmese media groups, political activists
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, migrants, and refugees, while challenging the state of Myanmar and, at times, the sovereign state power of host states, have not yet been openly challenging the state system itself. In fact, they generally desire to rebuild a community within such a sovereign state system. Yet, the work of activists in exile offers insights into "the intrinsically co-Constitutive relation between the 'informal' and the 'formal' political spaces and how they transform each other" (O'Kane 2006)." (Concluding thoughts, page 158-159)
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"To a certain extent the field's shortcomings could be the consequence of academic work increasingly trapped in the normativity of the development industry and out of touch with the variety of agents concerned with social injustice worldwide, who are deploying communication and media strategies to a
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dvance their struggles." (Page 134)
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"John Sinclair and Joseph D. Straubhaar provide a comprehensive account of television production, distribution and reception in Spanish- and Portuguese-speaking Latin American countries, showing h
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ow Mexican and Brazilian programmes have dominated in the region, and placing regional output in the context of the global television industry." (Publisher description)
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"For decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced by US and UK markets and exported to foreign markets. Global Television Formats revolutionizes television studies by de-provincializing its approach to me
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dia globalization. It re-examines dominant approaches and their legacies of global/local and center/ periphery, and offers new directions for understanding television’s contemporary incarnations. The chapters in this collection take up the format phenomena from around the globe, including the Middle East, Western and Eastern Europe, South and West Africa, South and East Asia, Australia and New Zealand, North America, South America, and the Caribbean. Contributors address both little known examples and massive global hits ranging from the Idol franchise around the world, to telenovelas, dance competitions, sports programming, reality TV, quiz shows, sitcoms and more." (Publisher description)
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"By examining recent developments in the world system of television as well as several theories of culture, industry, genre, and audience, author Joseph D. Straubhaar offers new insights into the
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topic. He argues that television is being simultaneously globalized, regionalized, nationalized, and even localized, with audiences engaging it at multiple levels of identity and interest; therefore the book looks at all these levels of operation." (Publisher description)
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"This book is the first to offer a global perspective on the unique contemporary media phenomenon of transnational television channels. It is also the first to compare their impact in different regions of the globe. Revealing great richness and diversity across some of the world’s main geocultural
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regions (Europe, the Middle East, Africa, South Asia, Greater China and Latin America), international contributors with in-depth industry knowledge examine the place of these channels in the process of globalization, their impact on the nation-state and on regional culture and politics. The book also considers audiences and geocultural TV markets, providing new ways of thinking about the emerging transnational media order." (Publsiher)
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"The innovative and rapid growth of communication satellites and computer mediated technologies in the late 1980s and early 1990s, combined with the deregulation of national broadcasting, led many media commentators to assume that the age of national media had been lost. But what has become clear is
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that, whilst there has been a limited growth in global media, there has been an emergence of a strong localised television and communications industry. Mapping the world media market, and using examples of programming from countries as diverse as Thailand, Hong Kong, Brazil, Taiwan, Spain and Britain, this volume explores theories of media globalization, examines the local culture of television programming and analyses the blurring of distinctions between the global and the local." (Publisher description)
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