"Esta nueva publicación compila, analiza y socializa información socio demográ ca sobre las poblaciones indígenas de los países del SICSUR. Además, contribuye a difundir las politicas culturales relativas a los pueblos indígenas, que han sido adoptadas por los diversos paises del SICSUR. El S
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istema de Información Cultural del Mercosur (SICSUR) es un espacio dedicado a la construcción de metodologías estandarizadas y datos válidos sobre el campo cultural en América del Sur." (Tapa posterior)
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"In 2014, Mexico, Brazil, Portugal, Colombia and Argentina, in that order, were the top five countries in the production of national fiction hours. Once again, Brazil and Mexico, despite the drop suffered by the latter, continued to be the largest producers of fiction in the Ibero-American region. I
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n contrast, Peru and Ecuador had the lowest offer of national fiction hours, while Uruguay did not produce hours of national fiction during 2014." (Page 39)
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"Este documento ofrece una serie de cifras y perspectivas claves para ayudar a los profesionales del sector editorial de todo el mundo a entender la transformación que está teniendo lugar en los mercados en idioma español y portugués, así como las oportunidades de negocio derivadas de dicha tra
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nsformación." (Página 3)
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"Este libro nace como una propuesta que busca dar visibilidad a una serie de iniciativas sociales e investigaciones enmarcadas en el ámbito de la comunicación, los conflictos y el cambio social, que en ocasiones no tienen los espacios ni la cobertura necesaria en los contextos académicos. Su obje
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tivo es mostrar buenas prácticas que apoyen el desarrollo de las actividades profesionales y de intervención social de los comunicadores y los activistas, además de favorecer el pensamiento crítico sobre la violencia que se transmite desde el periodismo, el cine o la publicidad, entre otros. En un escenario como el actual, en el que los medios de comunicación están sometidos a un acelerado proceso de concentración y mercantilización que daña su papel como garantes de una democracia de alta calidad, cobra más relevancia que nunca la investigación y la reflexión que favorezcan la difusión de una información plural, responsable, crítica contra las injusticias y que aborde las cuestiones centrales de interés colectivo. La comunicación para el cambio social, o los diferentes conceptos que sirven para detallar una comunicación transformadora, se posiciona como un enfoque de contrapoder que busca revertir los discursos de control. Un posicionamiento ético que incentiva la autonomía de las personas en cuanto a sus capacidades de reflexión, crítica y análisis, especialmente en relación a la violencia que margina, excluye e invisibiliza. Otro objetivo de este tipo de comunicación es promover la participación de los ciudadanos en los debates y en las decisiones comunes que impliquen una mejora de sus sociedades, en un contexto de reconocimiento mutuo." (Introducción, página 11)
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"Die Beiträge dieses Buches zeigen am Beispiel des ¡muestra! IberoAmerikanischen Filmfests in Passau, welche filmischen Schätze der Kulturraum zu bieten hat und wie diese im deutschsprachigen Raum rezipiert werden. Gleichzeitig dokumentieren sie die zwar junge, aber sehr erfolgreiche Festivalgesc
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hichte der Passauer ¡muestra!" (Buchrücken)
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"Our project used video as a tool for enabling two Indigenous Mapuche communities in Chile, and particularly their youth, to approach and analyze local development issues and bring local perspectives to the forefront of debates on biocultural diversity conservation and equitable development. The pro
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ject brought together Canadian and Mapuche research, cultural, and Indigenous organizations using an approach that breaks down disciplinary boundaries and the hierarchies that often separate Western science from Indigenous expertise, while emphasizing co-learning and the co-production and sharing of knowledge. The project had three major activity components: 1) The Mapuche School of Filmmaking and Communication offered intensive training in digital filmmaking to Mapuche youth. This training created a space for youth to explore and analyze the challenges faced by their communities, providing them the skills to represent these through short films that meet high technical and artistic standards. Youth became knowledge collectors, interpreters, and communicators, appropriating new ICTs while rooting their films in Indigenous ways of knowing and communicating, such as storytelling and conversation with Elders. The films produced are compiled as an educational tool for the promotion of biocultural diversity. 2) Collaborative research about territory, carried out by Mapuche researchers in coordination with the Canadian team, aims at restructuring existing knowledge about the geographical, social, and cultural elements of the Lake Budi territory. Information shared by traditional knowledge holders is systematized in audiovisual and written formats. 3) Indigenous youth from Chile and Québec shared videos through an online platform, creating new knowledge through co-learning, analysis of shared challenges, and intercultural exchange." (Abstract)
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"This Global Information Society Watch tracks the state of communications surveillance in 57 countries across the world – countries as diverse as Hungary, India, Argentina, The Gambia, Lebanon and the United Kingdom. Each country report approaches the issue from a different perspective. Some analy
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se legal frameworks that allow surveillance, others the role of businesses in collecting data (including marketing data on children), the potential of biometrics to violate rights, or the privacy challenges when implementing a centralised universal health system. The perspectives from long-time internet activists on surveillance are also recorded. Using the 13 International Principles on the Application of Human Rights to Communications Surveillance as a starting point, eight thematic reports frame the key issues at stake. These include discussions on what we mean by digital surveillance, the implications for a human rights agenda on surveillance, the “Five Eyes” inter-government surveillance network led by the US, cyber security, and the role of intermediaries." (GIS website)
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"La cultura es la riqueza de los pueblos que defienden su identidad y que tratan de reinventarse en un mundoglobalizado, multicultural y diverso. Es imprescindible, pues, impulsar la reflexión sobre el papel de la cultura en su desarrollo. Esta segunda edición del estudios "Cultura y desarrollo ec
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onómico en Iberoamérica" aborda el efecto de la cultura en el desarrollo económico de nuestros paíse, y llega a una conclusión impactante: los aportes de la cultura al desarrollo económico de los países son muy superiores a los presupuestos que los mismos países beneficiados invierten en el desarrollo de la cultura. Finalmente, el estudio pon en relieve que aún falta mucho camino por recorrer para que todos los países lleguen a destinar al menos el 1% de su presupuesto a la inversión cultural, tal como se aprobó en la Conferencia de Ministros de Cultura celebrada en Chile, en Julio de 2007." (Tapa posterior)
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"Media Systems and Communication Policies in Latin America proposes, tests and analyses the liberal captured model. It explores to what extent to which globalisation, marketization, commercialism, regional bodies and the nation State redefine the media's role in Latin American societies." (Publisher
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description)
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"This is the first collection to de-Westernize the scholarship on women, politics and media by: 1) highlighting the latest research on countries and regions that have not been ‘the usual suspects’; 2) featuring a diverse group of scholars, many of non-Western origin; 3) giving voice through pers
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onal interviews to politically active women, thus providing the reader with a rare insight into women's agency in the political structures of emerging democracies. Each chapter examines the complex women, politics and media dynamic in a particular nation-state, taking into consideration the specific political, historic and social context. With 23 case studies and interviews from Latin America, sub-Saharan Africa, the Middle East and North Africa, Central and Eastern Europe, Asia, Russia and the former Soviet republics, this volume will be of interest to students, media scholars and policy makers from developed and emerging democracies." (Publisher description)
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"The structure of this Yearbook is divided in three parts. The first part is an introduction chapter that makes a comparative synthesis of fiction in Obitel countries. This comparison is made from a quantitative and qualitative perspective that allows us to observe fiction development in each countr
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y, pointing out its main products as well as the topic of the year: transmedia production strategies in television fiction. The second part includes 12 chapters (one for each country) with an internal structure in which sections of the Yearbook are usually constant, although some are more specific than others." (Pages 19-20)
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"John Sinclair and Joseph D. Straubhaar provide a comprehensive account of television production, distribution and reception in Spanish- and Portuguese-speaking Latin American countries, showing how Mexican and Brazilian programmes have dominated in the region, and placing regional output in the con
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text of the global television industry." (Publisher description)
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