"This book explores in detail new protest organisation and mobilisation strategies of young activists in the digital age with the aim to identify the tactics that worked well against those creating high risks in the context of digitally supported protests. Focusing on Egyptian protests as well as pe
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aceful protests in Syria, the book offers rich and unique data as it brings together the experiences and voices of the key figures involved in the protests, both on the ground and online. It challenges perspectives that defined the Arab uprisings as leaderless movements formed through the non-hierarchical communication of digital technologies. The author presents three kinds of leaders that shape the political communication environment in digitally supported protests and highlights the significance of their leadership skills to the movements' capacities." (Publisher description)
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"This paper examines the journalism and media education programs in three countries in the Arab region (Libya, Syria, Yemen) that have been or are still in the throes of civil wars and/or polarization along conflicting political ideologies and control of different geographical zones. Based on an onl
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ine questionnaire distributed among academics affiliated with universities in these three states, results show that the three countries suffer from an extreme lack of proper journalism and media education programs. However, online and blended education can serve as a bridge for these countries to overcome their constraints and challenges, and develop new models for their journalism and media education programs." (Abstract)
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"2018: Irakische Christen kehren in ihre Dörfer zurück, aus denen der „Islamische Staat“ sie vier Jahre vorher vertrieben hatte. Hundert Jahre zuvor hatten Christen in der Region schon einmal alles neu aufbauen müssen. Während des Ersten Weltkriegs waren in Anatolien Hunderttausende vertrieb
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en und ermordet worden. Was ist in den hundert Jahren seit dem Ende des Osmanischen Reichs passiert? Wie wirkte sich der Aufbau unabhängiger arabischer Staaten aus, wie die jüdische Einwanderung und die Gründung Israels? Welche Rolle spielt der Libanon als christlich geprägter Staat? Wie ging die laizistische Türkei mit Christen um? Welche Folgen hatte der Sturz Saddam Husseins für die irakischen Christen? Wie sehen Christen die Revolution in Ägypten, und welche Auswirkungen hat der Bürgerkrieg in Syrien für sie? Das Buch beschreibt den Weg der Christen im Nahen Osten zwischen Integration, gesellschaftlicher Teilhabe, Abgrenzung und Auswanderung sowie die Herausforderungen, vor denen sie heute stehen." (Verlagsbeschreibung)
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"This book focuses on the reporting of human rights in broadly defined times of conflict. It brings together scholarly and professional perspectives on the role of the media in constructing human rights and peacebuilding options in conflict and post-conflict environments, drawing on case studies fro
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m Europe, Latin America, the Middle East, Africa, and South Asia. It also provides critical reflections on the challenges faced by journalists and explores the implications of constructing human rights and peacebuilding options in their day-to-day professional activities." (Publisher description)
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"The book includes an extensive section on the echoes of Rwanda, which looks at the cases of Darfur, the Central African Republic, Myanmar, and South Sudan, while the impact of social media as a new actor is examined through chapters on social media use by the Islamic State and in Syria and in other
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contexts across the developing world. It also looks at the aftermath of the genocide: the shifting narrative of the genocide itself, the evolving debate over the role and impact of hate media in Rwanda, the challenge of digitizing archival records of the genocide, and the fostering of free and independent media in atrocity's wake. The volume also probes how journalists themselves confront mass atrocity and examines the preventive function of media through the use of advanced digital technology as well as radio programming in the Lake Chad Basin and the Democratic Republic of Congo." (Publisher description)
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"Menschen gemeinsamer Herkunft, die verstreut über verschiedene Staaten leben, sind Inbegriffe gelebter Transnationalität. Als Diasporagemeinschaften bilden sie globale Netzwerke. Interdisziplinäre Beiträge aus Wissenschaft und Kulturarbeit bündeln, fotografisch gestützt, die Inhalte zweier WI
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KA-Workshops anhand der Fragen: Wie können Diasporagemeinschaften als kulturelle Vermittler wirken? Welchen Schwierigkeiten sind sie ausgesetzt? Und wo liegen Potenziale/Risiken für die Außenkulturpolitik?" (Abstract)
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"Das mehrstufige Projekt ‚Syria on the Move‘ zielt darauf ab, aus Syrien geflüchteten Jugendlichen mittels Fotografie eine Stimme zu geben, Bewusstsein und Unterstützung für syrische Geflüchtete in den Aufnahmegesellschaften zu mobilisieren sowie gegenseitiges Vertrauen innerhalb der syrisch
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en Diasporagemeinschaft zu fördern. Das Projekt lädt junge Syrerinnen und Syrer ein, ihr Leben und ihre Erfahrungen im Exil zu dokumentieren sowie ihre Ideen und Vorstellungen für die Zukunft fotografisch abzubilden und mit anderen zu teilen." (Seite 191)
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"The findings of this research show that Syrians, regardless of the party in power in the area in which they reside, have a shared definition of independent media. They define it as “unbiased”, “not favouring any side”, and “credible”. Syrian audiences involved in the research emerge as
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astute consumers who expect that the media deliver balanced reporting. In addition, media are expected to play a positive and constructive role in society. According to the Syrians interviewed, this is particularly needed regarding conflict resolution and accountability of the political actors. Moreover, Syrian (both audiences and journalists) express a need not only for crisis-related news, but also stories related to everyday life. Syrian media professionals have a long way to go to fulfil the high expectations Syrians have. From the in-depth interviews it is apparent that currently Syrians are very critical – and even negative – about the role and content of media organisations." (Executive summary)
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"Since the 1970s, Syrian cinema masters played a defining role in avant-garde filmmaking and political dissent against authoritarianism. After the outbreak of violence in 2011, an estimated 500,000 video clips were uploaded making it one of the first YouTubed revolutions in history. This book is the
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first history of documentary filmmaking in Syria. Based on extensive media ethnography and in-depth interviews with Syrian filmmakers in exile, the book offers an archival analysis of the documentary work by masters of Syrian cinema, such as Nabil Maleh, Ossama Mohammed, Mohammed Malas, Hala Al Abdallah, Hanna Ward, Ali Atassi and Omar Amiralay. Joshka Wessels traces how the works of these filmmakers became iconic for a new generation of filmmakers at the beginning of the 21st century and maps the radical change in the documentary landscape after the revolution of 2011. Special attention is paid to the late Syrian filmmaker and pro-democracy activist, Bassel Shehadeh, and the video-resistance from Aleppo and Raqqa against the regime of President Bashar al-Assad and the Islamic State." (Publisher description)
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"This study presents a snapshot of the framing used in reporting on Syria. To ensure a diverse representation, the sample includes a selection of domestic (Syrian) and pan-Arab media organisations, whose alleged preferences towards the dominant parties in the Syrian conflict are mixed. The findings
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of the research show that many partisan media demonstrate significant polarising in their reporting. These media present biased, graphic and emotive images to their audiences. The black and white portrayal by these media dehumanises groups of people and has the potential to exacerbate tensions in Syria even further. Independent outlets are noticeable for their neutrality in reporting. Also, these media outlets diverge in their use of framing: rather than acting as a mouthpiece for a political actor, they follow their individual organisation’s editorial line." (Executive summary, page 3)
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"Propaganda in the Information Age is a collaborative volume which updates Herman and Chomsky’s propaganda model for the twenty-first-century media landscape and makes the case for the continuing relevance of their original ideas. It includes an exclusive interview with Noam Chomsky himself. 2018
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marks 30 years since the publication of Edward Herman and Noam Chomsky’s ground-breaking book Manufacturing Consent, which lifted the veil over how the mass media operate. The book’s model presented five filters which all potentially newsworthy events must pass through before they reach our TV screens, smartphones or newspapers. In Propaganda in the Information Age, many of the world’s leading media scholars, analysts and journalists use this model to explore the modern media world, covering some of the most pressing contemporary topics such as fake news, Cambridge Analytica, the Syrian Civil War and Russiagate. The collection also acknowledges that in an increasingly globalized world, our media is increasingly globalized as well, with chapters exploring both Indian and African media." (Publisher description)
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"Les médias reflètent-ils les sociétés telles qu’elles sont aujourd’hui ou bien ne reflètent-ils que les tendances majoritaires ? Comment mettre en lumière les différences et les particularismes sans encourager le communautarisme et contribuer aux divisions ? Le rôle des médias est-il d
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e rapporter les faits ou de contribuer activement à une certaine vision de la société ? Les critères professionnels du journalisme sont-ils suffisants pour éviter les discours de haine et les messages exacerbant les tensions communautaires ? Lancé par CFI et le centre SKeyes pour la liberté de la presse et de la culture (de la Fondation Samir Kassir), le projet Naseej – qui signifie « tissage » en arabe – s’appuie sur les médias pour restaurer et maintenir un débat équilibré autour de ces questions. En examinant ce que les médias libanais, syriens et irakiens publient et diffusent, le langage utilisé, les concepts promus, les groupes qui y sont représentés et ceux qui ne le sont pas, Naseej tente de promouvoir une vision inclusive du journalisme. L’objet n’est pas de demander aux journalistes de restaurer la paix ou d’éviter les conflits, mais de contribuer à l’émergence de conditions plus propices au dialogue à travers une meilleure qualité d’information vérifiée et professionnelle, évitant les généralisations et les stéréotypes. Il n’est pas de demander aux médias d’accorder un traitement privilégié aux minorités face à la majorité, mais de mettre en lumière les difficultés auxquelles font face les citoyens, tous les citoyens, quelles que soient leurs appartenances. Ce livret présente la synthèse d’une étude, réalisée en octobre 2017, sur la couverture médiatique de la diversité dans les médias irakiens, libanais et syriens, réalisée par la Fondation Adyan et la Fondation Samir Kassir." (Introduction)
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"Roots of the New Arab Film deals with the generation of filmmakers from across North Africa and the Middle East who created an international awareness of Arab film from the mid-1980s onwards. These seminal filmmakers experienced the moment of national independence first-hand in their youth and reta
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ined a deep attachment to their homeland. Although these aspiring filmmakers had to seek their training abroad, they witnessed a time of filmic revival in Europe - Fellini and Antonioni in Italy, the French New Wave, and British Free Cinema. Returning home, these filmmakers brought a unique insider/outsider perspective to bear on local developments in society since independence, including the divide between urban and rural communities, the continuing power of traditional values and the status of women in a changing society. As they made their first films back home, the feelings of participation in a worldwide movement of new, independent filmmaking was palpable." (Publisher description)
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"La propagande de guerre de l'EI adopte les codes des genres cinématographiques afin de fictionnaliser le fait guerrier et dissimuler l'fenvers du décors. Cette fantasmagorie surréaliste fonctionne selon un double regime de fascination et de stimulation des pulsions de mort qui ont pour effet de
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susciter des vocations djihadistes. Le pan institutionnel de la propagande de l'EI se presente plutot comme un discours rationnel en adoptant le reportage comme régime d'fecriture de la vérité. Cette caution de transparence d'fun Etat-providence, équitable et qui offre toutes les bonnes conditions de vie masque l'entreprise totalitaire et les exactions institutionnalisees de l'EI et le présente comme un espace citoyen et familial. Ces deux genres de mises en scene sont sous-tendues par des protocoles de desinformation singuliers qui confortent leur efficacité. D'abord, le jeux avec l'énonciation qui ne permet pas de déceler un message clair et principal dans les vidéos de l'EI participe de l'ambigüité foncière de son discours et permet de l'interpréter de plusieurs manières possibles. Ensuite, l'estompage des temporalités et la confusion géographique décontextualisent le propos et rendent possible la désinformation des recepteurs. En outre, la production de normes différenciées du djhad classique presente l'EI comme une nouvelle utopie et rend son idéologie extensible a de nouveaux publics. Enfin, l'association inextricable de registres disparates : le religieux et le politique, le transcendant et l'immanent, le réel et le discours sur le rél, le personnel et le collectif, etc. favorise l'identification d'un nombre plus grand de récepteurs au discours de l'EI. Tous ces procédés permettent à l'organisation de proposer des réponses adaptées à des publics dissemblables et ainsi recruter massivement. La désinformation est constitutive de tout discours de propagande mais la caractéristique inédite de celui de l'EI c'est cette hybridation des niveaux de significations hétérogènes qui rend son efficacité redoutable et qui nécessite, de ce fait, de l'examiner dans une recherche plus approfondie." (Conclusion)
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"These are the background case notes complied for MEMO 2018.1: Challenging Truth and Trust: A Global Inventory of Organized Social Media Manipulation. For details on the methods behind this content analysis please see the methodology section of the report. This document contains data from over 500 s
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ources organized by country. The sources include high quality news articles, academic papers, white papers, and a range of other grey literature. As an annotated bibliography, the country cases here make use of significant passages from these secondary sources, and every effort has been made to preserve full citation details for future researchers. The full list of references can be found in our public Zotero folder, with each reference tagged with a country name." (Page 3)
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"[This publication] seeks to create a deeper understanding of the role of media interventions as strategic drivers of impact on the ongoing Syrian crisis. In exploring the impact of media interventions in this context, we conducted a landscape scan and a review of programs and approaches conducted b
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y FilmAid, the nonprofit organization that collaborated with us on this paper. The landscape scan indicates the prevalence of awareness raising activities, with an emphasis on the goal of sustaining or increasing funding. The landscape of projects on Syria is not particularly diverse. Our analysis indicated first, a need for increased transparency in funding and program evaluation, and second, that there is a gap and opportunity in the field for community-centered and impact-driven communications. We analyzed FilmAid’s programs in Kenya and Jordan to understand how entities in the landscape might fill the market gap on community-led narrative. FilmAid’s work in Kenya is ongoing and the organization’s participatory approach has allowed the organization to build a profile as a trusted organization. By engaging the population in media creation in combination with strong media and audience-focused expertise, FilmAid has been able to increase knowledge on topics such as health, education, gender and cash-transfers. Based on interviewee insights on the use of strategic narrative interventions in conflict and crisis situations, particularly in long-term displacements and effective community- and impactdriven media interventions such as those in Kenya, we drew out guidance on what media interventions can offer to Syrian refugees as the crisis deepens and becomes a protracted complex emergency." (Executive summary)
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"The study reveals key aspects of digital connectivity in the lives of refugees at the Ritsona camp in Greece in January 2017. Of the approximately 750 residents of the camp, 135 adults were sampled and interviewed [...] Mobile phone access is 'important' to over 80% of refugees in this study. Women
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are less likely to own a mobile phone than men - 94% of men own a phone, compared to 67% of women [...] Approximately 2 of every 5 refugees participating in this study may be classified as moderately to severely depressed according to the validated depression scale used in the survey. Women have a higher probability of being moderately to severely depressed compared to men (58% v. 34%) [...] Many refugees have a unique sense of the people and platforms they would or would not trust with their sensitive information. Thirty-three percent (33%) said they have been asked to provide information about themselves that they would rather not have given. Eighty-six percent (86%) said they would not be concerned about giving their personal information to a UN official. Yet for Facebook, 30% expressed concern about giving the social media site their personal information, 52% were unconcerned, and 15% were unsure." (Key findings, page 5-6)
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"Syrian post-uprising media outlets arose during the peaceful phase of the Syrian uprising in early 2011 (Salazar-Ferro, CPJ, 2014). Fewer than 30 of these outlets, funded by Western countries, survived and gradually moved to Turkey, escaping censorship and deteriorating security in Syria. In Turkey
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, they still face challenges such as security threats and an uncertain legal status. This article focuses on the challenges that threaten refugee reporters' freedom of expression. Its aim is also to bring an understanding of the techniques refugee journalists use to mitigate these challenges, which can inform other reporters in similar conditions. This research was carried out utilising a case-studies framework and speaking to seven editors in chief of post-uprising media outlets in Istanbul. It concludes that Syrian post-uprising media face severe restrictions to their freedom of expression, but survive through a mixture of collaboration, creativity and resourcefulness." (Abstract)
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