"This topical volume illuminates ethical issues brought to the fore by the COVID-19 pandemic. Drawing on a broad range of case studies from different regions, it provides insights into the multiple and complex ways in which the pandemic has shaped media ethics. Chapters employ a wide range of innova
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tive theoretical and methodological approaches to dissect enduring and emerging ethical questions during the pandemic, providing lucid accounts of axiological dimensions in pandemic discourses, ethics of emotional mood, ethical challenges and dilemmas in news reporting, propaganda, misinformation, disinformation, and Othering. While the case studies in this book are unique, the authors have extrapolated common strands from their analysis of ethical issues applicable to any other country or region during the pandemic, contributing unique perspectives on how media ethics are circumscribed by global health pandemics." (Publisher description)
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"Since the beginning of 2020, media around the world have started and intensified their TikTok activity to gain notoriety and reach young people, their main user group. However, as with other previously popularized social media, such as Facebook or Twitter, the platform’s logic is different from t
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hat traditionally employed by the media system when developing information products. The objective of this paper is to analyze the degree of adaptation to the logic of this network for the activity developed on it by the Spanish media. For this purpose, a combined methodology of quantitative and content analysis was applied to 446 videos posted by the official user accounts of 20 Minutos, Antena 3 Noticias, El Diario, El Mundo, and El País –the five media outlets with the largest online audience in that period –from the time the accounts were created until January 31, 2022. Specifically, we studied the activity developed, the notoriety achieved, and the interaction obtained, as well as the most common formats, topics, protagonists, and brand identity elements. The results show that the main Spanish media have tried to adapt to the entertainment logic of the platform both with the use of native editing resources as well as through the creation of original materials, predominantly soft news, about entertainment, celebrities, and lifestyle. The videos that gain more notoriety are those that are more adapted to this logic. However, the Spanish media analyzed post less frequently than international media, obtain fewer views, and register lower engagement levels; in addition, they do not use their presence on this social network to promote their other editorial products." (Abstract)
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"Populists and the Pandemic examines the responses of populist political actors and parties in 22 countries around the globe to the Covid-19 pandemic, in terms of their attitudes, rhetoric, mobilization repertoires, and policy proposals. The responses of some populist leaders have received much publ
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ic attention, as they denied the severity of the public health crisis, denigrated experts and data, looked for scapegoats, encouraged protests, questioned the legitimacy of liberal institutions, spread false information, and fueled conspiracies. But how widespread are those particular reactions? How much variation is there? What explains the variation that does exist? This volume considers these questions through critical analysis of countries in the Americas, Europe, Asia, and Africa, by leading experts with deep knowledge of their respective cases. Some chapters focus on populist parties, others on charismatic populist leaders. Some countries examined are democracies, others autocracies. Some populists are left-wing, others right-wing. Some populists are in government, others in opposition. This variation allows for a panoramic consideration of factors that systematically influence or mediate populist responses to the pandemic. The book thus makes a unique contribution to our understanding of the intersection between two of the most pressing social and political challenges of our time. The book will be of interest to all those researching populism, extremism, and political parties, and those more broadly interested in political science, public policy, sociology, communications, and economics." (Publisher description)
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"El artículo plantea un estudio longitudinal de la convergencia periodística en el marco de la radio especializada deportiva española y presenta las sinergias periodísticas establecidas entre Radio Marca, el diario Marca y la web marca.com. Se trata de un análisis del único caso existente en E
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spaña en el que una radio, un periódico impreso y un medio digital se aglutinan bajo la misma marca comercial. Para el estudio se propone una combinación de técnicas cualitativas y cuantitativas que permiten obtener datos objetivos de los procesos de producción del contenido y explicaciones desarrolladas. Para ello, se recurre al análisis de contenido y a un trabajo etnográfico de observación del trabajo periodístico en la redacción de los medios, completado con una serie de entrevistas en profundidad y encuestas realizadas en dos períodos que han conformado dos muestras. Los resultados muestran que las redacciones de los tres medios establecen sinergias periodísticas facilitadas por su ubicación en un mismo espacio físico de trabajo, pero no son resultado de una estrategia empresarial." (Resumo)
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"The Routledge Handbook of Collective Intelligence for Democracy and Governance explores the concepts, methodologies, and implications of collective intelligence for democratic governance, in the first comprehensive survey of this field. Illustrated by a collection of inspiring case studies and edit
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ed by three pioneers in collective intelligence, this handbook serves as a unique primer on the science of collective intelligence applied to public challenges and will inspire public actors, academics, students, and activists across the world to apply collective intelligence in policymaking and administration to explore its potential, both to foster policy innovations and reinvent democracy." (Publisher description)
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"This book focuses on the politics, ethics and stereotypical pitfalls of representational practices surrounding Gender-Based Violence (GBV) from a global perspective. The originality of the volume is linked to its cross-disciplinary perspective as the topic of representing GBV is analyzed across the
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domains of philosophy/epistemology, fiction and the arts (including literature, film, television series and music) and non-fictional representations in the media (including broadcast media, online/print journalism, transmedia activism). The volume identifies contemporary representational practices and the theoretical and critical responses, examining various aspects of popular culture from around the world. In doing so, the editors put feminism in conversation with global trends to identify its cultural frontline." (Publisher description)
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"Las conclusiones generales y aplicables a toda la muestra, independientemente de su edad, sexo y comunidad autónoma, son: 1. TikTok se posiciona como la red social en donde los menores siguen a más influencers, seguida de YouTube e Instagram. 2. El tipo de influencer más seguido son los gamers,
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y aquellos que hacen contenido de entretenimiento y humor. 3. El 70 % es consciente de que la publicidad de los influencers tienen como finalidad que ellos compren el producto anunciado. 4. El 42,4 % de los menores declara recibir publicidad sobre alimentación y aspecto físico a través del móvil. 5. El 44,5 % de los entrevistados afirma que recibe publicidad de alimentos poco saludables. 6. La publicidad sobre cuidado del cuerpo que los menores reciben con mayor frecuencia es: moda (48,7 %), cosmética y belleza (33,1 %), fitness y gimnasio (23,2 %) y procedimientos estéticos (13,5 %). 7. Cuando los adolescentes ven publicaciones de influencers colaborando con productos de alimentación y aspecto físico: el 27,8 % siente frecuente o muy frecuentemente que un cuerpo bello es un cuerpo delgado y tonificado; el 26,2 % siente frecuente o muy frecuentemente que el aspecto físico determina mucho cómo te valoras a ti mismo; el 13,9 % de los menores siente frecuente o muy frecuentemente que no está a la altura y que su presencia física no cumple con el estándar; el 13,8 % establece metas para conseguir un cuerpo perfecto frecuente o muy frecuentemente. 8. El aspecto físico figura como un indicador importante para la socialización en los menores: alrededor del 50 % de los menores señala que tener un buen físico ayuda a ser más aceptado/a." (Conclusiones)
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"This second volume builds on the initial groundwork laid by Ecocinema Theory and Practice by examining the ways in which ecocritical cinema studies have matured and proliferated over the last decade, opening whole new areas of study and research. Featuring fourteen new essays organized into three s
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ections around the themes of cinematic materialities, discourses, and communities, the volume explores a variety of topics within ecocinema studies from examining specific national and indigenous film contexts to discussing ecojustice, environmental production studies, film festivals, and political ecology. The breadth of the contributions exemplifies how ecocinema scholars worldwide have sought to overcome the historical legacy of binary thinking and intellectual norms and are working to champion new ecocritical, intersectional, decolonial, queer, feminist, Indigenous, vitalist, and other emergent theories and cinematic practices. The collection also demonstrates the unique ways that cinema studies scholarship is actively addressing environmental injustice and the climate crisis." (Publisher description)
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"Covid Conspiracy Theories in Global Perspective examines how conspiracy theories and related forms of misinformation and disinformation about the Covid-19 pandemic have circulated widely around the world. Covid conspiracy theories have attracted considerable attention from researchers, journalists,
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and politicians, not least because conspiracy beliefs have the potential to negatively affect adherence to public health measures. While most of this focus has been on the United States and Western Europe, this collection provides a unique global perspective on the emergence and development of conspiracy theories through a series of case studies. The chapters have been commissioned by recognized experts on area studies and conspiracy theories. The chapters present case studies on how Covid conspiracism has played out (some focused on a single country, others on regions), using a range of methods from a variety of disciplinary perspectives, including history, politics, sociology, anthropology, and psychology. Collectively, the authors reveal that, although there are many narratives that have spread virally, they have been adapted for different uses and take on different meanings in local contexts." (Publisher description)
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"In a new communication context, factors such as the rise of hate speech, disinformation, or a precarious financial and employment situation in the media have made discursive menaces gain increasing significance. Threats of this kind challenge the legitimacy of institutional news media and professio
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nal journalists. This article contributes to the existing literature on the legitimization of journalism and boundary work through a study that seeks to understand the perceptions of Southern European journalists of the threats that they encounter in their work and the factors that help explain them. To this end, a survey of 398 journalists in Spain, Italy, and Greece was conducted to learn what personal or professional factors influenced their views and experiences of discursive and non-discursive menaces. Results show that discursive threats, such as hateful or demeaning speech and public discrediting of one’s work, are the most frequent to the safety of journalists, while expressions of physical violence are less common. Younger and more educated journalists tended to perceive themselves as having been victims of discursive menaces more often, although not many significant differences were observed between different groups of journalists. Even though it could show a worrying trend, this finding can also indicate a growing awareness about menaces of this kind." (Abstract)
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"De hecho, según los últimos datos del Ministerio del Interior3 en 2022 se presentaron 954 denuncias por delitos sexuales cibernéticos4 que tenían como víctima a un niño, niña o adolescente, de las cuales 64,6% eran chicas. Las denuncias que tienen como víctima a la infancia y adolescencia r
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epresentan el 84% del total de este tipo de delitos. Así, como veíamos en nuestro informe “Violencia viral” tener entre 10 y 17 años y ser niña o chica adolescente aumenta la vulnerabilidad ante los delitos cibernéticos. Por ello, hemos querido reflejar también el abuso sexual infantil en internet, conocido como online grooming. Por todo ello, hemos analizado 33 sentencias5 correspondientes a 61 casos que corresponden a online grooming y hemos visto algunas diferencias respecto al abuso sexual infantil "físico." (Introducción)
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"This book showcases the online activism of women's groups around the world in the post-#MeToo era, and presents an overview of the diversity of its current expressions. The focus of this book extends beyond campaigns against rape culture to include women's struggles on other political and environme
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ntal issues, such as the campaign against the radical right-wing in Austria. Moreover, the book's chapters highlight the genuine complexity of the efforts of women activists who are not only challenging the patriarchal order within male-controlled digital platforms but are also challenging the hegemonic voices within the women's movements. The book's case studies attest to the proliferation of digital campaigns aimed not only against discrimination of women but against discrimination based on their color, age, ethnicity, and nationality. The internet helps them to voice their agenda and strive for social change as well as to create both connective and collective identities." (Publisher description)
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"Hate speech is more complex and diverse on social media. It spreads at high speed and can impact behaviors beyond the borders where it originates. Hate is ubiquitous, interactive, and multimedia. It is available 24/7, reaching a much larger audience. On social media, haters can be anonymous and fin
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d support from individuals with the same aggressive mindset. This is just a brief characterization and certainly presents many theoretical gaps that need improvement. This book explores the nature of hate speech on social media. Readers will find chapters written by 21 authors from 18 universities or research centers. It includes researchers from 11 countries, prioritizing a diversity of approaches from the Global North and Global South – Brazil, Cyprus, Ethiopia, Germany, Nigeria, Portugal, South Africa, Spain, Switzerland, Turkey, and the USA. The analyses herein involve the realities in an even larger number of countries, given the transnational approach of some of these studies." (Preface, page 13)
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"Probablemente, el indicador más elocuente del descenso en la producción es que, sumados, los mismos países produjeron en 2022 un 54% de lo que producían en 2012. El gráfico 3 muestra las caídas ocurridas en cada país. A nivel agregado, los niveles de producción de 2012 son similares a los
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de 2017, pero a partir de ahí empieza una disminución que se agudiza durante la pandemia, se recupera parcialmente en 2021 y vuelve a caer en 2022. A los factores ya mencionados como algunas de las posibles causas de la caída, el descenso inversión publicitaria y desplazamiento de hacia las plataformas, cabe considerar otros dos que apuntan a la sustitución: la ya consolidada presencia de telenovelas turcas y de otros orígenes incipientes y también la competencia de las reposiciones. La brecha en la calidad visual de las realizaciones de fines de los años 90 en adelante, respecto de las actuales, es baja. Telenovelas históricas como Terra Nostra, Betty la Fea o Pasión de Gavilanes se reprograman y son consumidas de un modo parecido a las actuales.
Un elemento recurrente entre los capítulos nacionales de este informe es relevar la importancia de la reposición de materiales ya exhibidos. Los intercambios de contenidos audiovisuales entre países iberoamericanos han estado presentes por décadas, pero hay fuertes diferencias en las cantidades de producciones que cada país importa o exporta. Asimismo, también hay diferencias en la variedad de orígenes desde los que se importan contenidos.
En los capítulos nacionales se muestra la cantidad de títulos y horas de ficción televisiva de estreno iberoamericana de exhibida en el país durante 2022. Vistas individualmente, muestran los consumos locales. Sin embargo, al combinarlas, revelan los flujos de intercambios de producciones entre países.Eso es lo que se muestra en la tabla 3, usando las horas como unidad de medida. La tabla 3 puede leerse vertical y horizontalmente. Leída verticalmente, muestra el origen de la ficción televisiva de estreno exhibida en cada país. Horizontalmente, muestra los distintos países en que se exhibió ficción televisiva originada en un país [...]
La tabla 3 muestra que el principal país exportador de ficción televisiva en Iberoamérica es México, al igual que en los años anteriores. En 2022 vendió contenidos a todos los países, salvo Portugal, siendo además, con la excepción del cono sur, el principal exportador hacia cada uno de los países de la región. En segundo lugar, tanto en volumen como en cantidad de países a los que exportó, está Brasil. Un caso llamativo es Colombia: no sólo redujo sus exportaciones en casi un 60%, sino que su producción se redujo en un 53%, fundamentalmente por la reducción en la producción de telenovelas. Los casos de España y Portugal son interesantes en 2022 por la misma razón que lo fueron en 2021. Su volumen de producción los ubica sólo por debajo de Brasil o México y muy por encima de todos los demás países. La factura de sus realizaciones es de alto estándar. Sin embargo, sus niveles de exportaciones no alcanzan al 5% de lo producido." (Páginas 26-28)
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"The Bloomsbury Handbook of Radio presents exciting new research on radio and audio, including broadcasting and podcasting. Since the birth of radio studies as a distinct subject in the 1990s, it has matured into a second wave of inquiry and scholarship. As broadcast radio has partly given way to po
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dcasting and as community initiatives have pioneered more diverse and innovative approaches so scholars have embarked on new areas of inquiry. Divided into seven sections, the Handbook covers: communities; entertainment; democracy; emotions; listening; studying radio; futures." (Publisher description)
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"In some of the countries, to a greater extent Spain and the Hispanic USA, fiction consistently occupies at least 40% of the programming time. This occurs in countries that, due to income levels, should be those with a higher degree of access to other sources of fiction audiovisual content, such as
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pay TV or streaming platforms. In contrast to these cases, we can observe Argentina, Brazil and Mexico, where fiction barely exceeds 15% in the years of greatest participation and is close to 10% in others. Paradoxically, both Brazil and Mexico are fiction producers and exporters to the rest of the region. Halfway between both extremes, Chile, Colombia, Peru, Portugal, Uruguay and Venezuela can be observed in the years in which it has been possible to observe their behavior. Since open television is a system of contents structured in schedules associated with household routines, it is worth asking about differences in roles and uses of television by audiences or the eventual substitution of these roles by alternative media or genres. The second aspect is one of trends. Except for the case of Spain, the general trend seems to be towards a decrease in the involvement of fiction in programming. And, although the Top 10 most watched fiction productions offer a very partial view of the whole, they also show a decrease in time of the audience levels reached." (Pages 24-25)
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