"Con el presente volumen quisimos reunir trabajos que presentan diversos aspectos tanto de la producción historietística en la América hispanohablante, como de la representación de la Historia en este medio. Tan diversos como los países son los cómics aquí analizados, lo cual demuestra a nues
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tro parecer la diversidad de la producción cultural en el continente." (Página 15)
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"The 43 country reports included in this year’s Global Information Society Watch (GISWatch) capture the different experiences and approaches in setting up community networks across the globe. They show that key ideas, such as participatory governance systems, community ownership and skills transfe
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r, as well as the “do-it-yourself” spirit that drives community networks in many different contexts, are characteristics that lend them a shared purpose and approach. The country reports are framed by eight thematic reports that deal with critical issues such as the regulatory framework necessary to support community networks, sustainability, local content, feminist infrastructure and community networks, and the importance of being aware of “community stories” and the power structures embedded in those stories." (Back cover)
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"Reúne los relatos sobre el devenir de la investigación en comunicación en América Latina que se presentaron en el coloquio homónimo el cual, dirigido a participantes del XIII Congreso de la Asociación Latinoamericana de Investigadores de la Comunicación, se realizó en la UNAM en octubre de
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2016. En palabras de su coordinadora Delia Crovi Druetta, se trata de un tejido común "armado a partir de fibras particulares, de experiencias diversas, de condiciones histórico-sociales disímiles, en las que a pesar de todo existen rasgos y retos comunes [...] Identificamos similitudes y diferencias, pero emerge la necesidad de seguir invirtiendo esfuerzos conjuntos sobre el pasado, el presente y el futuro de la investigación en comunicación en América Latina, su organización, sus protagonistas y los temas que interesan o preocupan". (Descripción de la casa editorial)
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"Gender-based violence (GBV) continues to be a serious problem in Jamaica and the wider Caribbean region. Jamaicans have increasingly adopted information and communication technologies (ICTs) over the last two decades. In the era of ICTs, new forms of online GBV are evolving, and ICTs also offer a m
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eans of facilitating and escalating offline forms of GBV. Unfortunately, there is very little research in the region to date examining the relationship between GBV and ICTs, apart from anecdotal reports into forms of GBV where ICTs are a factor including stalking, harassment, invasion of privacy, and revenge porn’. This article draws on one of the very few research studies undertaken in Jamaica so far into online abuse and harassment of women, and the role that ICTs play in offline GBV against women in Jamaica. The research suggests that more needs to be done by different actors – including government and civil society – to recognise and respond to GBV and ICTs. esponses should include both specific policy reforms and targeted educational/awareness programmes." (Abstract)
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"Narrativas del miedo: Terror en obras literarias, cinemáticas y televisivas de Latinoamérica es una colección de ensayos escritos en inglés y en español en los que se analizan distintas representaciones del miedo como un elemento estructural y simbólico en obras literarias, teatrales y visual
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es de Argentina, Chile, Brasil, Colombia, Costa Rica, República Dominicana y Venezuela. Este libro ofrece una coherente y comprensiva visión de conjunto que abre una discusión sobre una de las más problemáticas consecuencias de la violencia: el miedo. A los largo de los últimos dos siglos, los países de América Latina han experimentado numerosos conflictos tales como guerras, revoluciones, dictaduras, narcotráfico, desplazamientos, exilios, etc. Existen abundantes estudios críticos sobre estas problemáticas, así como también sobre sus representaciones literarias y cinematográficas. Sin embargo, es muy poco lo que se ha dicho sobre el miedo que distintos tipos de violencia infligen en la sociedad, los individuos y sobre cómo estos fenómenos condicionan las representaciones artísticas y literarias. El valor y la originalidad de este volumen yace en el hecho de que enfoca su atención en esta fuerza emocional tan profundamente integrada en la producción de novelas, cuentos, teatro, películas y cómics en América Latina." (Descripción de la casa editorial)
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"This edited collection provides a unique survey of the ways in which news media organizations across Latin America and the Caribbean cover global, regional and local environmental issues and challenges. There is growing recognition within academia, governments, industries, NGOs and civil society ab
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out the importance of strategic communication and the news media in informing current societal and policy discussions about environmental issues. With this in mind, this volume explores the content of reporting as well as the structural and individual contests faced by media organizations and journalists, with a focus on the very unique political, social, cultural and environmental conditions that affect the countries individually. The book provides a survey of the most relevant and current environmental issues that have attracted public attention across the region and within countries in Latin America and the Caribbean in the first part of the 21st century." (Publisher description)
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"Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally
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, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas." (Publisher description)
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"Most Western-driven theories do not have a place in Black communicative experience, especially in Africa. Many scholars interested in articulating and interrogating Black communication scholarship are therefore at the crossroads of either having to use Western-driven theory to explain a Black commu
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nication dynamic, or have to use hypothetical rules to achieve their objectives, since they cannot find compelling Black communication theories to use as reference. Colonization and the African slave trade brought with it assimilationist tendencies that have dealt a serious blow on the cognition of most Blacks on the continent and abroad. As a result, their interpersonal as well as in-group dialogic communication had witnessed dramatic shifts. Black/Africana Communication Theory assembles skilled communicologists who propose uniquely Black-driven theories that stand the test of time. Throughout the volume's fifteen chapters theories including but not limited to Afrocentricity, Afro-Cultural Mulatto, Venerative Speech Theory, Africana Symbolic Contextualism Theory, HaramBuntu-Government-Diaspora Communications Theory, Consciencist Communication Theory and Racial Democracy Effect Theory are introduced and discussed." (Publisher description)
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"The book develops the analytics of grievability as an analytical framework that unpacks the ways in which news about death constructs grievable death and articulates relational ties between spectators and sufferers. The book employs the analytics of grievability in a comparative manner and analyses
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the coverage of three different case studies (terror attack, war and natural disaster) by two transnational news networks (BBC World News and Al-Jazeera English). This comparative analysis showcases the centrality of news media in selectively cultivating a sense of cosmopolitan solidarity in a global age." (Publisher description)
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"Governments around the world have dramatically increased their efforts to manipulate information on social media over the past year. The Chinese and Russian regimes pioneered the use of surreptitious methods to distort online discussions and suppress dissent more than a decade ago, but the practice
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has since gone global. Such state-led interventions present a major threat to the notion of the internet as a liberating technology. Online content manipulation contributed to a seventh consecutive year of overall decline in internet freedom, along with a rise in disruptions to mobile internet service and increases in physical and technical attacks on human rights defenders and independent media. Nearly half of the 65 countries assessed in Freedom on the Net 2017 experienced declines during the coverage period, while just 13 made gains, most of them minor. Less than one-quarter of users reside in countries where the internet is designated Free, meaning there are no major obstacles to access, onerous restrictions on content, or serious violations of user rights in the form of unchecked surveillance or unjust repercussions for legitimate speech." (Page 1)
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"The article discusses the film 'Last Station Before Hell' by Pierre-Olivier François. United Nations' Peacekeepers known as the Blue Helmets, are often the subject of criticism and negative press reports. Most notably they have been blamed for transmitting cholera to the victims of the earthquake
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that struck the island nation of Haiti in 2010. The UN reluctantly admitted its role in bringing the Peacekeepers who brought the disease to the island, and has finally agreed to compensate the people of Haiti. Based on his experience at the United Nations in New York as a press attaché in charge of the General Assembly and the Security Council, filmmaker Pierre-Olivier François was asked to make a film about the United Nations peacekeeping forces for the seventieth anniversary of the world body. In this chapter, François discusses the making of the documentary, and he details the challenges posed by the mostly negative media frames applied to UN Peacekeepers." (Introduction to part 7, page 381)
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"Internews’ Humanitarian Information Service in Haiti, which ran from October 2016 to February 2017, was a DFID funded humanitarian project with the goal to improve the quality of timely and actionable information exchanges with Haitian communities affected by Hurricane Matthew. Internews’ two-w
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ay communication model relied on gathering feedback from affected populations in order to directly address the issues that concern them the most, and to help humanitarian partners integrate their concerns into their programming and interventions. Through partner coordination and training, on-the-ground teams conducted data gathering and rumor tracking for feedback-based publications targeted to the affected population and for a humanitarian audience." (www.internews.org)
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"This paper aims to understand the motivations, decision-making processes, and missions of the producers of new Cuban media using interviews with journalists recruited from the wider group of twenty non-governmental publications. In ten semi-structured interviews, participants described their person
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al and professional motivations and their understandings of the missions of their publications. Through conversations with participants, I also investigated the problem of operating media on the margins of legality in Cuba, and how this influences decisions about management, agenda setting and news coverage. Ultimately, the visions of new media producers about what they are doing and why they are doing it sometimes overlap, and at other times, contradict one another. However, to understand Cuba’s emerging new media landscape, it is important to understand the plurality of visions among the risk-taking innovators who produce new media content for Cuban citizens. I interviewed ten individual producers working for independent new media publications in the spring of 2017." (Methodology, page 5)
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"CTA’s ICT4Ag project (2014–15) enabled seven organisations in Africa and the Caribbean to develop, test and promote information services for smallscale farmers and fishers, traders and lobbying groups. Key recommendations: Understanding users’ needs requires intensive interaction with potenti
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al clients before designing the app. Pilot testing can fine-tune the app and introduce it to the users. Simple or fancy? Many users still lack a smartphone needed to display graphics, but have a “feature phone” that can send and receive text messages. Offering a text-based service is cheaper and easier than developing and maintaining a graphical interface. Face-to-face promotion and training familiarise users with the app and help build a large client base. In the medium term, however, user fees are unlikely to sustain such services; they will still depend on other sources of income, espcially donor funds. Partnerships are vital – both as a source of data to analyse and disseminate, and for support in promoting the app among clients." (Page 1)
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"Drawing on 15 months of ethnographic research in one of the most under-developed regions in the Caribbean island of Trinidad, this book describes the uses and consequences of social media for its residents. Jolynna Sinanan argues that this semi-urban town is a place in-between: somewhere city dwell
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ers look down on and villagers look up to. The complex identity of the town is expressed through uses of social media, with significant results for understanding social media more generally. Not elevating oneself above others is one of the core values of the town, and social media becomes a tool for social visibility; that is, the process of how social norms come to be and how they are negotiated. Carnival logic and high-impact visuality is pervasive in uses of social media, even if Carnival is not embraced by all Trinidadians in the town and results in presenting oneself and association with different groups in varying ways. The study also has surprising results in how residents are explicitly non-activist and align themselves with everyday values of maintaining good relationships in a small town, rather than espousing more worldly or cosmopolitan values." (Back cover)
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"Why do women respond so differently to becoming a mother in England from the way they do in Trinidad? How are values such as carnival and suburbia expressed visually? Based on an examination of over 20,000 images, the authors argue that phenomena such as selfies and memes must be analysed in their
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local context. The book aims to highlight the importance of visual images today in patrolling and controlling the moral values of populations, and explores the changing role of photography from that of recording and representation, to that of communication, where an image not only documents an experience but also enhances it, making the moment itself more exciting." (http://www.ucl.ac.uk/ucl-press)
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"Este libro presenta y analiza el estado de los medios de comunicación y del ejercicio periodístico en la República Dominicana. Es el resultado de un proceso de investigación que abarcó dos encuestas nacionales: una en 1,200 hogares de todo el territorio nacional para medir el grado de credibil
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idad de los medios y la importancia que la población le atribuye a éstos; otra entre 330 periodistas de distintos medios sobre el rol de su profesión en la construcción de la democracia y sobre las condiciones socio-laborales en que se desenvuelven. El estudio también consultó a ejecutivos de medios, a investigadores y expertos del área, a funcionarios gubernamentales del sector comunicación, a representantes de la sociedad civil y dirigentes de los principales gremios periodísticos." (Reverso)
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"This chapter aims to introduce the concept of an information intervention as an example of humanitarian action. Typically associated negatively with government efforts to incite conflict and tension, two case studies are explored-Haiti and Syria-to better understand how state-led information interv
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entions can contribute to the restoration of normalcy (Haiti) and the development of community-led civil society (Syria). Of course, both Haiti and Syria remain in flux, making it difficult to draw firm conclusions on the efficacy of these efforts. That said, in both cases, there is evidence of effectiveness. Reports from Haiti indicate that the information intervention provided a crucial backbone for additional humanitarian relief, without which Haitians would have faced far worse devastation. In Syria, the emergence of a robust civil society sector, despite the fact that nearly half of Syrians are now internally or externally displaced, speaks to the capacity for open communications mediums and technologies to facilitate productive storytelling and information sharing." (Conclusion)
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"Latin American comics and graphic novels have a unique history of addressing controversial political, cultural, and social issues. This volume presents new perspectives on how comics on and from Latin America both view and express memory formation on major historical events and processes. The contr
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ibutors, from a variety of disciplines including literary theory, cultural studies, and history, explore topics including national identity construction, narratives of resistance to colonialism and imperialism, the construction of revolutionary traditions, and the legacies of authoritarianism and political violence. The chapters offer a background history of comics and graphic novels in the region, and survey a range of countries and artists such as Joaquín Salvador Lavado (a.k.a Quino), Hector G. Oesterheld, and Juan Acevedo. They also highlight the unique ability of this art and literary form to succinctly render memory. In sum, this volume offers in-depth analysis of an understudied, yet key literary genre in Latin American memory studies and documents the essential role of comics during the transition from dictatorship to democracy." (Publisher description)
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