"The media play a key role in post-apartheid South Africa and is often positioned at the centre of debates around politics, identity and culture. Media, such as radio, are often said to also play a role in deepening democracy, while simultaneously holding the power to frame political events, shape p
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ublic discourse and impact citizens' perceptions of reality. Broadcasting Democracy: Radio and Identity in South Africa provides an exciting look into the diverse world of South African radio, exploring how various radio formats and stations play a role in constructing post-apartheid identities. At the centre of the book is the argument that various types of radio stations represent autonomous systems of cultural activity, and are 'consumed' as such by listeners. In this sense, it argues that South African radio is 'broadcasting democracy." (Back cover)
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"When Jennifer Bakody steps off the plane in the Democratic Republic of the Congo in 2004, she walks right into the hardest and most inspiring job an idealistic young journalist from Nova Scotia could ever imagine. Six years of war involving eight countries and several million deaths have just ended
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in a ceasefire. A week later, Bakody finds herself two thousand kilometres up the Congo River in the heart of the jungle, managing a small UN-backed radio station. Welcome to Radio Okapi Kindu. Welcome, too, to its team of hard-working local reporters determined to cover the country's rapid march towards elections. One day rebel soldiers are walking out of the jungle and handing in their weapons; the next the station is airing comedy sketches and messages asking after missing people. When a public lynching is followed by an outbreak of violence, Bakody begins to realize how little she understands Congolese politics–and how little she has at stake compared to her colleagues, several of whom will die in the next decade. Maintaining the rigour of Radio Okapi's editorial line suddenly seems like a matter of life and death. Can one small station known as the "frequency of peace" stand the strain? Radio Okapi Kindu is a touching memoir of a young journalist's coming of age and a love song to a poor but astonishingly beautiful country recovering from six years of war." (Publisher description)
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"The trade publishing sector in South Africa produces books primarily in English and Afrikaans, which is not representative of the spread of languages spoken in the country. In particular, there are very few books published for general readers in the local African languages. The Indigenous Language
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Publishing Programme (ILPP) is a government-sponsored initiative that aims to improve this situation. This article assesses the impact and sustainability of the ILPP as an attempt to represent the official languages more equally in the publishing industry. Our study, based on an analysis of documents and interviews, found that the national language and book policies have not been well implemented, which is a failure in terms of reaching constitutional ideals. Moreover, despite the ILPP being an attempt at creating language equality, the initiative seems not to be sustainable because it is reliant on external funding. The Department of Arts and Culture (DAC) is not willing to fund such a project on an ongoing basis, which puts the programme’s longevity at risk. As a result, the ILPP’s influence remains limited. The minority languages remain under-represented and this raises questions about whether there is in fact a viable market for books in all of the South African languages." (Abstract)
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"More than 20 years into democracy, the South African media landscape, although free and moderately pluralistic, still does not represent fairly the diversity of viewpoints held in the country. Yet, the South African media debate on transformation has been dominated by the ANC’s continued focus on
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media accountability. This has silenced a more constructive debate on how to foster media diversity. In the wake of a review of the MDDA (Media Development and Diversity Agency) Act, this paper seeks to reignite this debate by investigating different types of print media regulation and support in Scandinavia, Latin America and West Africa. It argues, firstly, that print media regulation and support is crucial to foster and maintain democratic debate, which is endangered if the media market is left to its own devices. Secondly, government support to print media has been much more common around the globe than often assumed, especially in the Scandinavian countries, which have invested heavily and successfully in the sector. Thirdly, an analysis of national contexts of print media support highlights the perpetual danger of governments exerting censorship or control. However, as is demonstrated in the paper’s final section, a multiplicity of mechanisms of support exist that could be adapted to the South African context, whilst seeking to minimise state control." (Abstract)
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"This research looks at the information needed by in-country development stakeholders with an emphasis on accountability actors including civil society organizations, charities, government workers, and the media. To collect this information, semi-structured interviews were conducted in Sierra Leone
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and Liberia. The majority of interviewees wanted information about financial resources and the channels they flowed through, and all respondents wanted information on the services provided and where the work was happening subnationally, suggesting that these two sets of information may be the most important. Unfortunately, information on subnational locations and services provided is infrequently available through open aid data portals, implying a need to update what aid information is shared." (Page 1)
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"It has become a pattern to find academics, professionals and students of journalism bragging with the scope, techniques and dilemmas of investigative journalism. But there is one gaping hole: nowhere was information collated about the heroic contributions, and often the sacrifices, that were made f
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or the profession by African investigative journalists across Africa. Writing a history or complete account of African investigative journalism is outside the scope of this article. But I am trying to offer here a series of contributions – some current, some historical – on the topic of safety of journalists, that will, hopefully, lay the foundations for further research, and also lay to rest decisively the myth that journalism which exposes social problems and criticizes the powerful is ‘un-African’." (Abstract)
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"Le colloque poursuivait les objectifs suivants : dresser un état des lieux de l’édition et de la politique du livre en langues nationales dans les pays participants au colloque; exposer et discuter de la pertinence, de l’utilisation, et de la portée de certains alphabets introduits dans les
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langues guinéennes (adlam pular, icra n’ko, caractères latins harmonisés, etc.); analyser et catégoriser les approches et stratégies porteuses développées dans la sous-région en matière de production et de promotion du livre et de la lecture dans les langues nationales; formuler des recommandations en vue du développement et de la promotion des livres en langues africaines, aussi bien en Guinée que dans la sous-région (comme pour les langues transfrontalières)." (Page 6)
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"This publication takes a look at current developments in the field of audience research in media development and presents three case studies testing innovative methods that can be of use for research, monitoring, and evaluation. They are meant as an orientation and inspirational source for future p
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rojects in this domain. Based on the information assembled in this study we make the case that media development needs audience research to improve its projects. Media development actors need to know more about the impact on their final beneficiaries if they want their work to be truly successful. However, it does not always make sense for media development actors to conduct or commission expensive and broadly representative research. Budgets and project sizes are limited, and often the results of market or academic research efforts are only of very general use to a particular media development project in question. Therefore ways have to be found to conduct focused audience research in media development – in order to gain specific and relevant knowledge directly related to the interventions. The three case studies we present in this publication are directly related to ongoing media development projects. They apply tailor-made approaches to a particular setting. On top of this, we have assembled more general knowledge from the literature and past studies in audience research that are of relevance here." (Executive summary)
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"To support joint efforts to protect journalism, there is a growing need for research-based knowledge. Acknowledging this need, the aim of this publication is to highlight and fuel journalist safety as a field of research, to encourage worldwide participation, as well as to inspire further dialogues
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and new research initiatives. The contributions represent diverse perspectives on both empirical and theoretical research and offer many quantitatively and qualitatively informed insights. The articles demonstrate that a new important interdisciplinary research field is in fact emerging, and that the fundamental issue remains identical: Violence and threats against journalists constitute an attack on freedom of expression." (Back cover)
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"The article discusses the significance of the past in the planning of media policies in two neighbouring countries in Africa, namely Kenya and Tanzania. The theoretical frame is composed of four concepts: social imaginary, collective memory, domestication, and liminality. The scrutiny starts from t
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he last years of colonialism and ends with the present-day situation with online media. In both countries, the basic media approach is still distinctly top-down and focuses on authorities—either the state or market elites. Kenya appears as a representative of continuity, while the media history of Tanzania is filled with jerky turns. However, the Tanzanian mediascape comes closer to the ordinary person, thanks to the use of Kiswahili and colloquial vocabulary, while the press in Kenya remains very elite oriented. The far more advanced Kenyan information and communications technology (ICT) situation does not change the situation much, because at the citizen level, the emphasis in ICT development is on services, not citizens’ voices. The shadow of the state is strong." (Abstract)
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"The present research examines media agenda setting effects in a Kenyan context in 2013 and 2014. Specifically, focusing on the first level of agenda setting, the study investigates whether two national daily newspapers influenced public opinion on six issues of national importance: corruption, devo
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lution, economic crisis, insecurity, poverty, and unemployment. Moreover, the study examines whether the newspapers’ agendas are related in connection to the coverage of the six issues. Findings indicate that the two newspapers had little influence on the opinion of the Kenyan public regarding the six issues. This is based on a low correlation of +.30 between the two newspapers’ agendas and the public agenda. However, the agendas of the two publications were strikingly similar—yielding a perfect correlation of + 1. This means in their news coverage, the newspapers gave similar weight to the six issues." (Abstract)
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"This edited collection argues that the connective and orientation roles ascribed to diasporic media overlook the wider roles they perform in reporting intractable conflicts in the Homeland. Considering the impacts of conflict on migration in the past decades, it is important to understand the capac
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ity of diasporic media to escalate or deescalate conflicts and to serve as a source of information for their audiences in a competitive and fragmented media landscape. Using an interdisciplinary perspective, the chapters examine how the diasporic media projects the constructive and destructive outcomes of conflicts to their particularistic audiences within the global public sphere. The result is a volume that makes an important contribution to scholarship by offering critical engagements and analyzing how the diasporic media communicates information and facilitates dialogue between conflicting parties, while adding to new avenues of empirical case studies and theory development in comprehending the media coverage of conflict." (Publisher description)
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"Heather Bourbeau finds that in a crisis, media professionals and humanitarian aid providers negotiate a delicate balance between thorough and consistent coverage, and coverage that sensationalizes a crisis and leads to hysteria, misery, and fatigue. In "F" Bourbeau compares the media coverage of th
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e Ebola crisis in Liberia to reporting on the Second Congo War in the DRC. She finds that when the topic is a contagious disease outbreak, media themes can swing the international community into action, but can also create unnecessary fear in countries far from the affected areas. By contrast, ongoing conflicts such as the war in the DRC often become background noise relegated to the back pages of major newspapers, if covered at all by the international press. She concludes that without continued media interest and informed coverage the international community's response becomes dulled or muted and atrocities can be overlooked despite a continuous need for assistance and diplomatic efforts." (Introduction to part 4, page 186)
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"Suzanne Franks discusses how the visually dominated storytelling of famines in Africa distorted the causes of famine and therefore obscured the most effective solutions. As journalists struggled to document the depths of human suffering, humanitarian communication in these early stages raised compa
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ssion, concern, and actions of all sorts, but also helped to extend the conflicts and misled global publics by offering simple explanations for complex circumstances. In addition, it left in its wake a legacy, and a visual convention of stereotypic imagery, of The Starving African; anonymous, vulnerable, powerless, and forever waiting for food from the West." (Introduction to part 4, page 186)
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"L’auteure considère que des stratégies d’acteurs sont observables au coeur de la filière en construction de l’information en ligne et qu’il existe une redéfinition des rôles autour de la production, de la diffusion et de la consommation de l’information en ligne. L’ouvrage envisage
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ces stratégies d’acteurs comme participant à une reconfiguration de l’espace médiatique numérique, avec des éditeurs de presse qui tâtonnent dans leur positionnement, des autoéditeurs orignaux dans leur démarche mais qui peinent à trouver un modèle économique viable et des infomédiaires, dominé par les portails, aux stratégies relativement offensives. Le terrain investi est celui de l’Afrique de l’Ouest francophone en l’occurrence le Burkina Faso, la Côte d’Ivoire et le Sénégal. Grâce aux travaux universitaires existants et à une démarche empirique éprouvée, l’auteure présente les spécificités des médias en ligne africains parfois éloignées des références reconnues dans le domaine." (Dos de couverture)
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