"Our remit was to look for innovative media outlets that are producing high-quality news, that are technologically innovative and that might actually survive financially. Accordingly, we spent three months interviewing media innovators around the world and reading what others have written on the sub
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ject. This report is divided into seven sections: 1) this introduction, 2) our main findings, 3) two sets of recommendations, one for the media development community and another set for people starting a media outlet, 4) an “Innovation Index” listing practices that we found around the world, 5) a description of our methodology, 6) a review of practitioner reports we read, 7) write-ups describing 35 media outlets, based on interviews we conducted [...] We were inspired and encouraged by what we saw. All over the world, independent media outlets are innovating and overcoming obstacles. Globally, start-ups are demonstrating the drive to take risks for the sake of a good idea. The challenges facing these outlets—and the innovations employed to tackle them—broadly fall into four categories: editorial, business, distribution and security. Operating with agility, media start-ups are finding creative ways to gather and disseminate information. In India, Gram Vaani uses a mobile phone social network to connect the rural poor and circumvent legislative prohibitions on radio broadcasting. In Zimbabwe, The Source survives in the repressive media climate by focusing on business journalism. Oxpeckers in South Africa uses geomapping to report on rhino poaching. Crikey in Australia has built a successful business model based on soliciting tips and scandal from the same audience it reports on and Kenya’s African SkyCAM deploys drones to avoid negotiating with police for access to disaster zones [...] Instead of finding a clear model for what works, we found confirmation of many things we knew or suspected. Independent media outlets vary in size, ambition and model. Few have fully succeeded, while many do one thing well, which typically reflects the founder’s particular strength—usually in journalism or technology [...] Most media outlets we found are small, run by a few full-time staff supplemented by volunteers and freelancers, and supported by a combination of grants, donations and haphazard business endeavors. The leaders at most organizations we interviewed were motivated by a desire to produce high-quality journalism rather than meet particular financial or audience goals." (Executive summary, page 5-7)
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"Marie-Soleil Frère propose une analyse de l'identité professionnelle des journalistes en RDC, au Burundi et au Rwanda. Partant d'une perspective historique, elle montre comment la profession a évolué dans les trois pays, de la période du monopole étatique à celle du pluralisme médiatique et
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à l'éclatement des conflits, suivis des processus de paix. Elle souligne comment les journalistes ont tenté, depuis une dizaine d'années, de redéfinir eux-mêmes leur identité professionnelle, tâchant de tenir l'Etat à l'écart de la question, mais aussi comment leurs nouvelles pratiques ont entraîné l'émergence d'attentes particulières, vis-à-vis des médias, de la part des publics de la région." (Introduction, page 11)
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"Un des arguments prioritaires du don de livre en Afrique, c’est qu’il n’y a pas (ou pas assez) de livres. C’est en fait, peut-être, l’inverse: il y a un monopole du livre étranger qui ne permettrait pas au livre africain de rayonner suffisamment pour être connu/reconnu dans le monde. L
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e don serait donc la ‘fin de chaine’ d’un processus de minorisation: il contribuerait à la sous-représentation documentaire, voire à la dévalorisation des productions africaines, véhiculant l’image d’un continent de friche éditoriale… Mais tout comme cette vision est simplificatrice, il est réducteur de limiter le don à un processus strictement inégalitaire et partie prenante d’un système économique et idéologique de domination culturelle: c’est précisément cette diversité du don qui en rend l’analyse passionnante. Dans cet article, je propose une analyse des pratiques de don et de ses différents visages en Afrique francophone. Comme je le montre, son évolution est intrinsèquement liée à une histoire institutionnelle et aux relations de coopération développées entre États africains et bailleurs internationaux, depuis le matin même des Indépendances (fin des années 50/début des années 60). Celles-ci ont tout d’abord concerné séparément les développements structurel et culturel, avant que ne commence à naitre une idée de culture comme condition du développement économique." (Résumé)
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"This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don't conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Ro
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mania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the "other," anthropomorphism, and colonialism." (Publisher description)
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"In the process of drafting new media laws for states emerging from violent confl ict, or transitioning towards more democratic governments, the role of customary law is often overlooked. While “best practices” or international standards draw on widely accepted norms of international human right
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s law, they also focus on the experience of media regulation that has emerged in Western countries promoted by non-governmental organizations (NGOs) and international actors in the name of “freedom of expression.” The adoption of these norms and regulatory institutions is encouraged, often wholesale, with little attention to the local context." (Page 237)
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"Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture in turmoil. Birgit Meyer captures the dynamic process of popular filmmaking in Ghana as a new medium for the imagination
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and tracks its interlacing of technological, economic, social, cultural, and religious elements. Filling the void left by the defunct state film industry, video movies negotiate the imaginaries deployed by state cinema on the one hand and Christianity on the other. Exploring the format of "film as revelation"—and the debt these films owe to religious notions of divination and revelation—Meyer elucidates the affinity between cinematic and popular Christian modes of looking and demonstrates the transgressive potential that haunts images of the occult." (Back cover)
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"Entertainment-education for Health Behaviour Change: Issues and Perspectives in Africa is a collection of essays from some of the leading scholars in entertainment-education, including writers from South Africa, Nigeria, and the United States. Chapters cover a wide range of application and strategi
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es for entertainment-education, from mass media campaigns to participatory communication for behaviour change in health interventions including polio eradication and HIV/AIDS. Through reviews of past programmes and discussions of areas of potential research, these scholars highlight an emerging approach that is set to change health education and behaviour change strategies around the world." (Publisher description)
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"By October 2015, the TMF project will have transitioned from being a donor initiative to a new legal entity. Since 2008, the TMF project has been using grants as a way to increase quality content in as well as to strengthen the Tanzanian media landscape. This new strategic plan, which outlines the
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new TMF’s vision and work from October 2015 to December 2018, continues with this approach. It draws heavily on the experience gained during the implementation of the TMF project from 2008 until May 2015 and particularly on inputs from the 2014 TMF external review and consultations with various media stakeholders [...] This process of engaging with the context and honing in on TMF’s comparative advantage led to the decision to focus on two basic objectives: increasing quality, quantity and diversity of Investigative Journalism (IJ) and Public Interest Journalism (PIJ) products in the media sector; Increasing the professional capacity of participating media organisations and stakeholders. Going forward, the new TMF will also be concerned with ensuring its sustainability. As part of this process, this Strategic Plan outlines major changes that will continue to take place to strengthen TMF as an organisation." (Executive summary)
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"This chapter explores the South African experience in attempting to achieve a more diverse and representative media that articulate the aspirations of the country, after decades of apartheid which skewed the media towards white people. South Africa has not developed a diversity measurement tool, su
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ch as the one developed for the European Commission to assess risks to media plurality in member states.1 A key problem the country faces in tracking the extent of concentration and diversity is that it has no ‘objective’2 means of assessing the extent of diversity, which up to this point has simply been ‘read off’ the number of existing media outlets. While a plurality of outlets may arguably be a necessary condition for diversity, it is by no means a sufficient condition." (Abstract)
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"This report, which has been produced by a group of distinguished journalists and their supporters, examines the broad scope of the crisis. It covers countries where media are on the frontline of tough political battles, such as Egypt and Turkey. In Ukraine, for instance, the practice of paid-for jo
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urnalism is a tool routinely used by politicians at election time. The same is true in India. In other countries, including Nigeria, Philippines, and Colombia the precarious working conditions of news staff provide fertile conditions for corruption and “brown envelopes” or under-the-table cash payments to reporters and editors which are a routine feature of journalistic work. The struggles facing journalists in settled democracies, such as the United Kingdom and Denmark, are less brazen, but no less challenging and in a range of countries across the Western Balkans with a shared and painful history, media corruption hinders aspirations to break free from the legacy of war, censorship and political control during decades of communist rule. The story is of an uphill struggle. Everywhere there is a crisis of confidence inside newsrooms caused by crumbling levels of commitment to ethics, a lowering of the status of journalistic work and a pervasive lack of transparency over advertising, ownership and corporate and political affiliations. Government control over lucrative state advertising, which is often allocated to media according to their political bias, remains widespread. At the same time, the elimination in most countries of the invisible wall separating editorial and advertising has created a surge of so-called “native advertising,” hidden advertorials and paid-for journalism. It was this conflict of interest that plunged the crisis-prone UK press into a new bout of handwringing in February 2015 when Peter Oborne, a leading political journalist, quit his job at the Daily Telegraph accusing the management of censoring stories about HSBC bank, a leading advertiser caught up in a tax scandal. These reports tell essentially the same story of deep cuts in editorial investment, undue pressure on newsrooms, and media increasingly dependent upon atypical models of ownership in which media have become the trophy possessions of powerful figures and institutions in pursuit of wider corporate and political objectives." (Introduction, page iii-iv)
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"Growing evidence indicates that the diffusion of information and communication technologies (ICTs) can substantially alter the contours of collective violence in developing nations. However, empirical investigations of such effects have generally been hampered by an inability to systematically meas
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ure geographic variation in ICT penetration, across multiple technologies and multiple countries. In this article, I show that geo-referenced household surveys can be used to estimate subnational differences in the spatial reach of radio and cellular communications infrastructures in 24 African states. By combining these estimates with geo-referenced measures of the location of disaggregated events of collective violence, I show that there are important differences between centralized ‘mass’ communication technologies – such as radios – that foster vertical linkages between state and society, and decentralized ‘social’ communication technologies – such as cell phones – that foster horizontal linkages between the members of a society. The evidence demonstrates that the geographic reach of mass media penetration generates substantial pacifying effects, while the reach of social media penetration generates substantial increases in collective violence, especially in areas lacking access to mass media infrastructure. I argue that these findings are consistent with a theory of ICT effects which focuses on the strengthening and weakening of economies of scale in the marketplace of ideas." (Abstract)
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"Edwin Okoth, a business journalist at the Daily Nation in Kenya, has examined whether the recent boom in vernacular radio stations in his country has improved the livelihoods of ordinary citizens. In his research paper Edwin uses a case study of how one vernacular radio station called Ramogi FM, wh
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ich broadcasts in the Dholuo language, has grown from a regional to a national reach and is now able to reach Dholuo speakers in the diaspora with online availability. He concludes that the gradual growth of the vernacular media has had various positive impacts on the household economy of its audiences who have for a long time been excluded from news items, commercial advertisements and other programmes with the potential for positive changes in their economic lives. Partly based on interviews with producers at Radio Ramogi and their listeners, Edwin finds that many of the positive impacts come from the broadcasting of educative programmes related to economics and business, talk shows with accomplished entrepreneurs, and promotions that create cash prizes never accessible previously to this new audience. Edwin concludes that ‘vernacular radio is pulling these people to the same level as others – from being locked out of crucial information, they are now becoming better citizens able to make informed choices. They are also enabling them to make better economic decisions, expand businesses and generally raise standards of living; but the move is gradual because poor penetration of electricity still means that using dry cells is a new burden to keep the radios on." (https://reutersinstitute.politics.ox.ac.uk)
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"We asked writers and researchers to examine the quality of coverage and to highlight reporting problems as well as good work. The conclusions from many different parts of the world are remarkably similar: journalism under pressure from a weakening media economy; political bias and opportunism that
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drives the news agenda; the dangers of hate-speech, stereotyping and social exclusion of refugees and migrants. But at the same time there have been inspiring examples of careful, sensitive and ethical journalism that have shown empathy for the victims. In most countries the story has been dominated by two themes – numbers and emotions. Most of the time coverage is politically led with media often following an agenda dominated by loose language and talk of invasion and swarms. At other moments the story has been laced with humanity, empathy and a focus on the suffering of those involved." (Introduction, page 5-6)
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"This is a book about free speech narratives. Stories about how imagination and rational thinking in wildly different cultures capture, imagine, and conceptualize what freedom of speech means. 1989 and 2011 are only two recent (in historic perspective) turning points when freedom of speech and freed
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om of the press emerged, or at least powerful efforts were made to support its emergence, although disheartening backlashes followed in several countries. This book also tells many other free speech narratives that emerged, or evolved outside the frames of 1989 and 2011, also with several troublesome repercussions. The fall of the Berlin wall in 1989, the year of largely velvet revolutions (in the words of Vaclav Havel), brought freedom of speech to Central Europe and Eastern Europe. It also increased the hope that freedom of speech and democracy can prevail in more and more countries on the earth. This book examines, in some historic perspective, to what extent this hope has become reality since and prior to 1989, also in light of the Arab revolutions of 2011." (Introduction, page 1)
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