"Each year the Bologna Book Fair, the leading international showcase for children’s book publishing, honours a different “guest country” and its illustrators through special exhibits and events. At the 1999 Fair it was the turn of Africa, and this coincided with a competition and exhibition of
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the work of African illustrators. To mark the occasion, the French book promotion organization that co-ordinated the event, Les Amis de la Joie par les Livres – now La Joie par les Livres. Centre National du Livre pour Enfants – published a most attractive exhibition catalogue entitled Amabhuku (which means “books” in Zulu). The handsomely produced catalogue, in addition to containing full colour illustrations of the work of 34 African book illustrators, also includes a useful directory of 176 African illustrators with their full names and contact addresses, together with a directory of African publishers producing children’s books, arranged by country. In an introductory section (with text in French and English), three prominent African authors – Francis Bebey, Charles Mungoshi, and Véronique Tadjo – reflect on their experience of, and what it means to them, writing for children, and the six members of the jury also provide their own perspective on the topic of writing and illustrating for children." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1543)
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"A collection of essays on an important ongoing debate, the publication of material in indigenous languages. Three African publishers – Dumisani Ntshangase (Juta Publishers, South Africa), Victor Nwankwo (Fourth Dimension Publishing Company, Nigeria), and Mamadou Aliou Sow (Les Editions Ganndal, C
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onakry, Guinea) – two African writers-editors/academics M. Mulokozi (Tanzania) and Damtew Teferra (Ethiopia); a woman publisher from India, Urvashi Butalia (Kali for Women, New Delhi), and Thomas Clayton, an American academic, look at the situation of indigenous language publishing in Africa, analyzing the problems, and offering possible prescriptions for advancing the cause of publishing in African languages. The contributors examine the situation in the various countries and regions covered, including issues such as colonial heritage, lack of national publishing policies, ambiguities towards the use of mother tongue in education beyond the first few years of primary school, forbidding economics of minority language publishing, as well as other aspects such as orthography, and technical issues related to management of the publishing and printing industries. The papers provide informative overviews of publishing in indigenous languages in African countries and elsewhere." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2084)
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"This international survey of literature on women an mass communications focuses on the 1990s and continues where the first volume (1991) left off. Some pre-1990 works that were omitted in the first volume are included here as well. The work is organized by continents and regions. The first chapter
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provides a global perspective, and the following chapters are divided topically. All genres of publications, such as books, periodicals, dissertations, and conference papers, are examined." (Catalogue Greenwood Publishing 2000)
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"Dans des paysages institutionnels en mutation, la régulation des relations entre acteurs constitue un enjeu majeur. En Afrique, la création d’instances nationales de régulation en réponse à la multiplication de nouveaux médias l’illustre bien. Dans quelles conditions un arbitrage légitim
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e peut-il émerger ? Sur quelles bases institutionnelles ? Avec quelles fonctions ? Comment appuyer la consolidation de telles instances en échappant au transfert des modèles (CSA ou autres) ? Telles sont les questions qui ont été abordées lors du séminaire organisé par le GRET en mars 1999. Le débat s’est organisé en trois temps : l’évolution du paysage des médias, la question de la régulation et ses enjeux, le projet d’appui au réseau des instances africaines de régulation des médias accompagné par le GRET." (Description de la maison d'édition)
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"This handbook is not only a very useful reference tool for writers, but also presents something of a benchmark volume on the sensitive and sometimes hotly debated issue of author-publisher relations. The book aims to provide all the answers African writers will want to know about publishing, how to
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break into print, publishing agreements, authors’ rights, and how to find resources. The book contains contributions by many distinguished African authors writing about their experience in getting published and their relations with publishers, and there are also several articles providing the publisher’s perspective. Additionally, the book includes a vast array of practical information on, e.g. book prizes and awards, writers’ organizations, magazines, self-publishing, literary agents, book fairs and book launches, together with an annotated directory of publishers with African literature lists, resources for writers on the Internet, an author’s bookshelf, and more. The book is the outcome of an African Writers-Publishers seminar jointly organized by the African Books Collective and the Dag Hammarskjöld Foundation held in Arusha, Tanzania, in February 1998. The seminar concluded with a statement issued by participants “Arusha III. A ‘New Deal between African Writers and Publishers”, which is included in the handbook." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2507)
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"The primary objective of this research has been to review the experiences and analyse the role of the mainline churches in advocacy in support of human rights, democracy and poverty alleviation in Africa. It has set out to identify what is the particular contribution that churches can bring to such
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advocacy, and what opportunities exist for mutual support from other organisations involved in campaigning for human rights and democratic development. In particular the relationship between church-related NGOs in Europe and the mainline churches in Africa for advocacy work is examined. The analysis is based on an examination of three issues that are considered to be critical to the effective involvement of churches in advocacy: the external linkages and relationships of the church to other groups in society; the organisational implications of engaging in advocacy; and thirdly the ideological and theological positioning of the Church. Case studies were conducted on: the role of the National Council of Churches in Kenya (NCCK) in advocating for human rights and democracy; the role of the churches in Malawi in the transition to a multi-party democracy, and the role of the churches in advocating on economic issues in Zambia." (Abstract)
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"From outbreaks of the flesh eating viruses Ebola and Strep A, to death camps in Bosnia and massacres in Rwanda, the media seem to careen from one trauma to another, in a breathless tour of poverty, disease and death. First we're horrified, but each time they turn up the pitch, show us one image mor
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e hideous than the next, it gets harder and harder to feel. Meet compassion fatigue--a modern syndrome, Susan Moeller argues, that results from formulaic media coverage, sensationalized language and overly Americanized metaphors. In her impassioned new book, Compassion Fatigue, Moeller warns that the American media threatens our ability to understand the world around us. Why do the media cover the world in the way that they do? Are they simply following the marketplace demand for tabloid-style international news? Or are they creating an audience that as seen too much--or too little--to care? Through a series of case studies of the Four Horsemen of the Apocalypse--disease, famine, death and war--Moeller investigates how newspapers, newsmagazines and television have covered international crises over the last two decades, identifying the ruts into which the media have fallen and revealing why. Throughout, we hear from industry insiders who tell of the chilling effect of the mega- media mergers, the tyranny of the bottom-line hunt for profits, and the decline of the American attention span as they struggle to both tell and sell a story. But Moeller is insistent that the media need not, and should not, be run like any other business. The media have a special responsibility to the public, and when they abdicate this responsibility and the public lapses into a compassion fatigue stupor, we become a public at great danger to ourselves." (Publisher description)
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