"Traces of audience responses to propaganda in the Third Reich are particularly sparse given that the public sphere was so highly regulated. By taking an interdisciplinary and innovative approach to found historical sources of audiences' responses, the contributions to Audiences of Nazism critically
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approach the effectiveness of the Nazi media. The volume presents a comprehensive array of case studies including, but not limited to, Jewish responses to anti-Semitic media, personal reports from Nazi party rallies, responses to "degenerate art" exhibitions, and the afterlife of visual documentations of Nazi crimes. It uncovers the target groups of certain Nazi media products; how effective these products were in disseminating propaganda; and their chances to win over readers, listeners, and spectators not yet convinced of Nazism." (Publisher description)
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"Should the media stand by refugees or maintain deliberate ‘neutrality’? Should the media dehumanize the refugees further in their humanitarian conditions? Are the media entitled to publish photographs of refugees without informed consent? Should the media stand by the state being responsible fo
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r generating refugee crisis or should the state be accountable for rendering its people refugees? What effective roles can media play in redressing the refugee ‘crisis’ in the world? The book brings together scholars across disciplines and continents who reflect on the nexus between media and refugees in contexts around the world." (Publisher description)
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"Digital Religion refers to the contemporary practice and understanding that religion takes place in both online and offline contexts, and how these contexts intersect with each other. Scholars in this growing field of Digital Religion studies recognize that religion has been influenced by its engag
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ement with computer-mediated digital spaces, including not only the Internet, but other emerging technologies, such as mobile phones, digital wearables, virtual reality, and artificial intelligence. The Oxford Handbook of Digital Religion provides a comprehensive overview of religion as seen and performed through various platforms and cultural spaces created by digital technology. The text covers religious interaction with a wide range of digital media forms (including social media, websites, gaming environments, virtual and augmented realities, and artificial intelligence) and highlights examples of technological engagement and negotiation within the major world religions (i.e., Buddhism, Christianity, Hinduism, Islam, and Judaism). Additional sections cover the global manifestations of religious community, identity, ethics, and authority, with a final group of chapters addressing emerging technologies and the future of the field." (Publisher description)
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"This book explores how journalism is practiced around the world and how there are multiple factors at the structural and contextual level shaping journalism practice. Drawing on case studies of how conflicts, pandemics, political developments, or human rights violations are covered in an online-fir
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st era, the volume analyzes how journalism is conducted as a process in different parts of the world and how such knowledge can benefit today's globally connected journalist. A global team of scholars and practicing journalists combine theoretical knowledge and empirically rich scholarship with real-life experiences and case studies to offer a storehouse of knowledge on key aspects of international journalism. Divided into four sections – journalistic autonomy, safety, and freedom; mis(information), crises, and trust; technology, news flow, and audiences; and diversity, marginalization, and journalism education – the volume examines both trends and patterns, as well as cultural and geographical uniqueness that distinguish journalism in different parts of the world." (Publisher description)
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"Investigative journalism is expensive. Partnerships and grants can help but can also introduce conditions or stall proceedings. Could crowdfunding, where audience members donate to support an investigation, offer an alternative? “Crowdfunding serves as a crucial revenue source in investigative jo
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urnalism, enabling funding for stories that might otherwise remain uncovered,” says Tanja Aitamurto, the author of “Crowdfunding for Journalism” and an assistant professor in communication at the University of Illinois Chicago. “These crowdfunded stories often emerge outside mainstream media and large newsrooms, contributing significantly to journalism by diversifying producers and voices.” To explore the opportunities and challenges of crowdfunding investigations, GIJN spoke with three newsrooms pioneering the model: Noteworthy in Ireland, a community-led newsroom where readers pitch and fund investigation proposals, and Portuguese investigative podcast Fumaça and Brazil’s Agência Pública, which both operate membership models and have experimented with crowdfunding campaigns." (Introduction)
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"Radio B92 was an iconic independent media institution in Serbia. Founded in 1989, B92 provided Belgrade listeners with subversive rock music, high-quality journalism, and independent perspectives on politics in the former Yugoslavia. An early adapter to the internet, B92 has been credited with spar
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king the many demonstrations that took place in Belgrade during the 1990s. While the role of Radio B92 during the turbulent days of the Yugoslav Wars is well known, less known is the role of its first CEO and news director in the creation of what would become the Media Development Investment Fund (MDIF). Drawing on semi-structured interviews with journalists, scholars, funders, diplomats, and media observers conducted in Belgrade in 2022, this study argues that much can be learned from the case of Radio B92 and the short history of independent media in Serbia. Although B92 ultimately met a tragic death at the hands of privatization and “market censorship,” the “impact investment” model of media development it sparked lives on. Combining affordable loan and equity financing with technical assistance and advisory services, MDIF’s model helps struggling news organizations avoid dependency on grants. Although the 2022 reelection of President Aleksandar Vucic demonstrates his party’s successful state capture of Serbian news media, a look back at the case of Radio B92 has implications for the broader question of what works in international media assistance and why." (Abstract)
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"This volume addresses the various historical, philosophical, political and cultural parameters of censorship and freedom of expression as well as current debates involving technology, journalism and media regulation. Geographically, temporally and culturally diverse accounts of censorship and freed
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om of expression are discussed through a broad range of perspectives and case studies. This Companion covers core principles and concerns in addition to more specialist and controversial debates, including those surrounding hate speech, holocaust denial, pornography and so-called “cancel culture”. The collection pays particular attention to the role of the media in both facilitating and suppressing freedom of expression." (Publisher description)
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"Este manual es una obra colectiva escrita por numerosos profesionales del periodismo, cada uno espeaializado en una materia, que tratan de explicar la mejor manera de comunicar temas de gran actualidad. En esta ocasión tratan el tema de la vulnerabilidad de distintos grupos, como puede ser la vuln
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erabilidad de las personas con discapacidad, de los niños, adolescentes, mujeres, etc." (Descripción de la casa editorial)
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"This book examines how civil society engages with transitional justice in Russia, demonstrating a broad range of roles civil society can undertake while operating in a restrictive political context. Based on sociolegal research, the study focuses on three types of civil society groups dealing with
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the legacies of the Soviet repression in Russia – a prominent organisation that works on recovering historical truth, the International Memorial; a parish of the Orthodox Church of Russia operating at a former mass execution and mass burial site, the Church at Butovo; and contentious groups that could hinder attempts at reckoning and promote state narratives built on the Stalinist and WWII victory myths. This book explores an often-overlooked case of Russia’s transitional justice ‘from below.’ It provides insights into how even in authoritarian contexts, civil society can adopt imaginative, piecemeal, and at times unconventional ways of seeking justice outside and in the absence of official and institutionalised transitional justice measures." (Publisher description)
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"Through the prism of the first comprehensive account of RT, the Kremlin's primary tool of foreign propaganda, Russia, Disinformation and the Liberal Order sheds new light on the provenance and nature of disinformation's threat to democracy. Interrogating the communications strategies pursued by aut
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horitarian states and grassroots populist movements, the book reveals the interlinked nature of today's global media-politics pathologies. Stephen Hutchings, Vera Tolz, Precious Chatterje-Doody, Rhys Crilley, and Marie Gillespie provide a systematic investigation into RT's history, institutional culture, and journalistic ethos; its activities across multiple languages and media platforms; its audience-targeting strategies and audiences' engagements with it; and its response to the war in Ukraine and associated bans on the network. The authors' analysis challenges commonplace notions of disinformation as something that Russia brings to the West, where passive publics are duped by the Kremlin's communications machine, and reveals the reciprocal processes through which Russia and disinformation infiltrate and challenge the liberal order. Russia, Disinformation and the Liberal Order provides provocative insights into the nature and extent of the challenge that Russia's propaganda operation poses to the West. The authors contend that the challenge will be met only if liberals reflect on liberalism's own internal tensions and blind spots and defend the values of open-minded impartiality." (Publisher description)
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"In the second decade of the 21st century, Bulgaria earned the unsavory reputation of having the least media freedom in the EU’s (Reporters Without Borders). This paper examines the current state of Bulgarian media based on two research concepts: for instrumentalization, respectively the capture o
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f media. The latter, especially when talking about the specifics and consequences of political-oligarchic pressure on media, is more appropriate for countries with serious deficits in their democratic development. The main purpose of the paper is to study media capture in Bulgaria at a structural level: regulatory capture, control of public service media, use of state financing as a control tool, ownership takeover (based on concepts by Dragomir, 2019, IPI, n. D.), including appropriate cases. The analysis makes use of material from to scientific articles, media publications, other publicly available sources, expert interviews." (Abstract)
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"This chapter concludes multiyear research on journalists’ safety and well-being in Estonia and focuses on summarizing journalist experiences with and reactions to hostility. In addition to categorizing and describing the problems, the chapter also provides insight into what journalists expect fro
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m the newsroom's working conditions. In the center of the chapter are four studies relying on research carried out among print and online journalists in Estonia from 2020 to 2023. One of the overarching issues that the studies show is the versatility of how hostility reaches, indicating that there is nowhere journalists can hide from it. The reactions to hostility in the newsroom differ severely and bring along disagreements. The problem lies in the lack of consensus on how it is appropriate in the newsroom to react to hostility and what to expect from the organization." (Abstract)
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"Während innerhalb Russlands das Verbot kritischer Medien und die Gleichschaltung der verstaatlichten Sender eine beinahe karikaturhafte Erzählung über traditionelle Werte und die Notwendigkeit der "Militärischen Spezialoperation" hervorbringen, arbeiten sorgfältig geplante Propagandaaktionen i
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m Rest der Welt an der Destabilisierung demokratischer Gesellschaften. Ein planmäßiger Wahnsinn überzieht das Land. Er zeigt sich in inflationär gebrauchten Euphemismen und Hassrede, als Denunziation und in einem bis ins Subtilste durchdachten Strafregime. Und es ist ein Wahnsinn mit Geschichte. Denn die Gewalt, die die russische Gesellschaft unerbittlich im Griff hat, ist eine Fortführung der paranoiden Suche nach Feinden, der nächtlichen Verhaftungen, Durchsuchungen und Folterungen sowie der Gulags aus dem Sowjetregime - in grellem, neuem Gewand und verschmolzen mit dem Gangstertum der Neunzigerjahre. "Der Comic in der Mitte zeugt von bitterem Humor. Der Ernst der Lage zeigt sich im Text, der so einige Rätsel löst, die sich seit dem russischen Überfall auf die Ukraine angestaut haben. Irina Rastorgueva seziert die Gesellschaft, indem sie die Sprache analysiert. Was sie Pop-up-Propaganda nennt, ist eine Art LTI für Putins Russland, eine Bestandsaufnahme diktatorischen Sprechens in dem Sinne, wie Victor Klemperer es einst tat" (Verlagsbeschreibung)
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"Our richly illustrated volume takes a multifaceted approach to the giant continent of Africa, transcending prejudices and stereotypes through cultural history and contemporary art, constant shifts in perspective, and artistic diversity: human history encounters the colonial past and the omnipresenc
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e of Africa in countless regions of the world. On the one hand, surprising views of Africa are presented from Europe. On the other hand, works and installations created locally by Africans or members of the diaspora present ideas, impulses, and identities that all mean Africa. The texts illuminate the broad temporal arc from the first humans to Pan-Africanism and Afrofuturism and also offer literary and philosophical narratives. Artists: Dele Adeyemo, John Akomfrah, James Gregory Atkinson, Sammy Baloji, Arébénor Basséne, Memory Biwa, María Magdalena Campos-Pons, Catpc, Omar Victor Diop, Sokari Douglas Camp, William Kentridge, Kongo Astronauts, Susana Pilar Delahanta Mantienzo, Roméo Mivekannin, Zanele Muholi, Josèfa Ntjam, Kaloki Nyamai, Emeka, Ogboh, Zineb Sedira, Sandra Seghir, Yinka Shonibare, The Singh Twins, Géraldine Tobe, Kara Walker, Carrie Mae Weems." (Publisher description)
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"Political technology' is a Russian term for the professional engineering of politics. It has turned Russian politics into theatre and propaganda, and metastasised to take over foreign policy and weaponise history. The war against Ukraine is one outcome. In the West, spin doctors and political consu
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ltants do more than influence media or run campaigns: they have also helped build parallel universes of alternative political reality. Hungary has used political technology to dismantle democracy. The BJP in India has used it to consolidate unprecedented power. Different countries learn from each other. Some types of political technology have become notorious, like troll farms or data mining; but there is now a global wholesale industry selling a range of manipulation techniques, from astroturfing to fake parties to propaganda apps. This book shows that 'political technology' is about much more than online disinformation: it is about whole new industries of political engineering." (Publisher description)
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"Das vorliegende Handbuch präsentiert erstmals den Stand der Zensurforschung aus einer interdisziplinären, transhistorischen und globalen Perspektive. Nach begrifflich-theoretischen Grundlagen werden zentrale Akteure und Handlungsfelder der Zensur behandelt: Politik, Religion, Wirtschaft, Kunst, M
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edien und Recht. Es folgt ein Überblick über die Zensurgeschichte von der Antike bis zum 21. Jahrhundert. In Beiträgen zu verschiedenen Weltregionen (Afrika, Asien, Australien, Nord-, Mittel- und Südamerika, West- und Osteuropa) werden die globalen Dimensionen von Zensur entfaltet. Abschließend geht es um aktuelle Kontroversen und Polemiken der Zensur, um Zensurnarrative und -debatten (z.B. über "Cancel Culture" und "Identitätspolitik")." (Verlagsbeschreibung)
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