"The book was born out of the need to understand and convey the experience of journalists who testified before the International Criminal Tribunal for the Former Yugoslavia (ICTY). Aiming to shed light on the insufficiently researched role of journalists and newspaper material before the ICTY, Media
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centar Sarajevo’s research team gathered and analyzed 2,760 evidence items from the Hague Tribunal court records, while the experiences of 14 journalists who testified before the Hague Tribunal were recorded through in-depth interviews." (Publisher description)
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"In der vorliegenden Arbeit werden journalistische Arbeitsbedingungen während der Kriege im auseinanderbrechenden Jugoslawien untersucht. Anhand von Experteninterviews mit deutschsprachigen Journalistinnen und Journalisten, die in den 1990er Jahren in den Kriegsgebieten tätig waren, wird rückblic
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kend analysiert, wie sie den vielfältigen Herausforderungen begegneten. Wie waren die Arbeitsbedingungen während der Kriege? Welche Konsequenzen wurden daraus gezogen? Inwiefern haben die dramatischen Erfahrungen die weitere Arbeit geprägt? Darüber hinaus erfolgt eine Charakterisierung und Typisierung der Berichterstattenden auf dem Balkan. Mythen und Klischees, die sich um den Beruf reihen, werden auf den Prüfstand gestellt. Im Weiteren wird der Umgang mit der Komplexität vor Ort und der journalistischen Norm der Objektivität in der Berichterstattung untersucht. Die zeitliche Distanz ermöglicht es, die einstigen Erlebnisse zu reflektieren. Um diese Einsichten zu gewinnen, wurden zehn Journalistinnen und Journalisten aus Presse und Rundfunk interviewt." (Verlagsbeschreibung)
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"In den 1980er Jahren verstärkte sich das Unbehagen an der Gedenkkultur mit ihren Heldenerzählungen und nationalen Beschränkungen. Mit der größeren Komplexität des Gedenkens und der Hinwendung zu den sozialen Kosten historischer Ereignisse prägte sich eine neue Erinnerungskultur aus. Diese is
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t kein abgeschlossenes Modell. In diesem Prozess wandeln sich die Wahrnehmung der Vergangenheit sowie die zukunftsgerichteten Zwecke des Gedenkens." (Seite 17)
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"Das Thema Medien und Krieg wird in diesem Buch aus einer vierfachen Perspektive heraus behandelt. Es geht zum einen um die Frage nach der Berichterstattung über Kriege, zum zweiten um die Rolle von Medien im Krieg, drittens geht es darum, welche strukturellen Bedingungen von Krieg und Gesellschaft
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die Inhalte der Medien wie prägen und viertens um eine friedensstiftende Sicht auf diese Zusammenhänge. Das Fazit: Definitorisch gibt es kaum noch einen Unterschied zwischen medialer Kommunikation und Krieg." (Publisher description)
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"Recent history has proven that media propaganda can impact severely on human rights issues. This article aims at exploring what can be learnt from previous lessons in order to avoid the same mistakes happening again and/or to fight them more efficiently. It questions the experience of the former Yu
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goslavia in relation to the current developments in the Arab Spring countries. The propaganda theory is applied for an analysis of how the media were instrumentalized for political and nationalist goals under Milosevic’s regime. Through content discourse analysis, the techniques of media propaganda are described and analysed, and consequences are drawn. Although the situation varies from one case to another, widespread hate propaganda speeches in some Arab countries is a challenge to a successful political transition. This has been the case in Tunisia after the 2011 Revolution, where hatred messages have been widely spread by broadcast media and social networks. Propaganda theory has thus been applied to the specific case of broadcast television. The study shows that, contrary to some other countries, Tunisian society has its own peculiarities, and that it has succeeded in developing brakes that have reduced the scope and impact of propaganda messages of some extremist media. In view of past experiences, such as the former Yugoslavia or Rwanda, and in this context, this article also aims to demonstrate the full importance of the existence of quality public service media in the Tunisian case, and of an independent regulation of both traditional and social media. In its conclusion, this article also raises the question of social media regulation, which is all the more acute given that Tunisia is immersed in an environment where more and more hate content and stigmatization messages are developing." (Abstract)
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"This article develops a number of conceptual and methodological proposals aimed at furthering a firmer agenda for the field of socialist television studies. It opens by addressing the issue of relevance of the field, identifying three critical contributions the study of socialist television can mak
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e to media, communication and cultural studies. It then puts forward a number of proposals tied to three key issues: strategies of overcoming the Cold War framework that dominates much of existing literature; the importance of a multilayered analysis of socialist television that considers its cultural, political as well as economic aspects; and the ways in which we can challenge the prevalence of methodological nationalism in the field." (Abstract)
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"How do memories circulate transnationally and to what effect? How to understand the enduring role of national memories and their simultaneous reconfiguration under globalization? Challenging the methodological nationalism that has until recently dominated the study of memory and heritage, this book
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charts the rich production of memory across and beyond national borders. Arguing for the fruitfulness of a transnational as distinct from a global approach, it places the issues of circulation, articulation and the scales of remembrance at the centre of its inquiry. In the process, it sheds new light on the ways in which mediation, post-coloniality, migration and regional integration affect both the way we remember and the role of memory in contemporary societies. In this interdisciplinary collection, humanities and social science scholars examine a rich sample of cases from the nineteenth century on, stretching across the globe from Vietnam to Europe and the Middle East, to the USA and the Pacific, and involving a wide range of cultural practices from quilting to films, from photography to heritage sites and monuments. In the process, the volume develops a new theoretical framework while proposing new methodological tools and resources for studying collective remembrance beyond the nation-state." (Publisher description)
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"Coming to terms with a country’s political past is closely linked to the mass media, as they are the key to changing public opinion. It is only with their support that a general acceptance of democratic structures, not to mention a new perception of history, can be achieved. In South East Europe,
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this can be seen not only in the way the media deal with the Communist era, but also in their handling of the Yugoslav Wars of the 1990s. There is a need to improve both good quality reporting and critical self-reflection on the part of the media." (Pages 60-61)
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"With contributions from an international team of well-known experts, media activists, and promising young scholars, this comprehensive volume examines community-based media from theoretical, empirical, and practical perspectives. More than 30 original essays provide an incisive and timely analysis
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of the relationships between media and society, technology and culture, and communication and community. Key Features: provides vivid examples of community and alternative media initiatives from around the world; explores a wide range of media institutions, forms, and practices—community radio, participatory video, street newspapers, Independent Media Centers, and community informatics; offers cutting-edge analysis of community and alternative media with original essays from new, emerging, and established voices in the field; takes a multidimensional approach to community media studies by highlighting the social, economic, cultural, and political significance of alternative, independent, and community-oriented media organizations; enters the ongoing debates regarding the theory and practice of community media in a comprehensive and engaging fashion." (Publisher description)
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"Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated
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throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia." (Publisher description)
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