"This article explores the use of sound in the context of two BBC World Service development-focused social realist radio drama productions in Afghanistan (New Home, New Life) and Nepal (Sweet Tales of the Sarangi). It examines the various ‘sound strategies' employed to enhance the realist aspirati
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ons of the productions, while examining the ‘creative labour’ employed in crafting discrete ‘acoustic environments' or ‘soundscapes'. It argues that sound helps to index narrative, but in doing so suggests that too specific a rendering of sound environment may confound the abilities of listeners to construct a satisfying sense of place and therein affect any sense of social realism derived." (Abstract)
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"Is it conceivable that there may be an autonomous evolution of digital publications in developing countries, entirely independent of the richest nations? What support policies could be implemented to promote the growth of this new industry and accompany traditional actors in the process of adapting
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to the changes involved? The digital experiences undertaken in the South suggest that new technologies represent a great opportunity for developing countries - particularly in terms of diffusion -, but on the condition that local entrepreneurs seek out original models adapted to the concrete needs of their communities." (Back cover)
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"The Afghan media have flourished since the Taliban were ousted from power in 2001. Under Taliban rule, television was banned and there was only one government-controlled radio station. Today Afghanistan boasts over 75 TV stations, 175 radio station and hundreds of newspapers and magazines. However,
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according to pro-democracy groups, heavy handed government controls on radio, television and newspapers and the harassment and intimidation of journalists remain major problems. Radio is still the main channel for communicating news and information. But it is losing ground steadily to television, particularly in the towns and cities. As television ownership grows, the number of households with a radio set is declining. A media audience survey commissioned by USAID in 2010 found that 63% of all Afghans listen to radio regularly. The survey, conducted by Altai Consulting, found that only 48% of all Afghans watch television regularly. But it showed that once Afghans get a television in their home, they tend to abandon the radio. The Altai Consulting survey of 6,648 people in over 900 towns and villages indicated that 58% of households with a TV no longer possess a radio. Other recent audience surveys by BBC World Service Trust and the Asia Foundation indicate a slightly higher rate of radio listening than the Altai Consulting study. But all three point to a steady drift of broadcasting audiences from radio to television. It is therefore vital that humanitarian agencies communicate with the public through television as well as radio to ensure that they engage a wide audience." (Media overview, page 9)
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"In the year of the Arab uprisings Global Information Society Watch 2011 investigates how governments and internet and mobile phone companies are trying to restrict freedom online – and how citizens are responding to this using the very same technologies. Everyone is familiar with the stories of E
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gypt and Tunisia. GISWatch authors tell these and other lesser-known stories from more than 60 countries. Stories about: Prison conditions in Argentina - prisoners are using the internet to protest living conditions and demand respect for their rights; Torture in Indonesia - the torture of two West Papuan farmers was recorded on a mobile phone and leaked to the internet, the video spread to well-known human rights sites sparking public outrage and a formal investigation by the authorities; The tsunami in Japan - citizens used social media to share actionable information during the devastating tsunami, and in the aftermath online discussions contradicted misleading reports coming from state authorities. GISWatch also includes thematic reports and an introduction from Frank La Rue, Un special rapporteur." (Back cover)
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"Based on CommGAP’s interactions with the global anticorruption community as well as earlier research, we were able to collate 18 representative instances (case studies) from around the world, with real-life examples of citizens coming together to speak up against corruption and social norms vis-
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-vis corruption or to change public services affected by corrupt practices. This report is a “one-step-up” analysis of the collated case studies, which is intended to shed light on practical approaches, tools, and techniques that have been successful in bringing citizens together to stand against the daunting phenomenon of corruption." (Page 1)
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"Die Freiheit der Arbeit von Journalisten ist immer auch ein wichtiger Indikator für den Grad der Demokratisierung eines Staates. Kirgistan ist diesbezüglich ein zerrissenes Land, welches sich zwischen Fortschritten und Rückfällen hin und her bewegt und auch in dieser Hinsicht stark von den Nach
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wirkungen der Unruhen in Osch im Juni 2010 gekennzeichnet ist. Eine wichtige Richtungsentscheidung wird vermutlich die Präsidentschaftswahl im Oktober sein." (Zusammenfassung)
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"There is abundant evidence of underrepresentation of women as subjects of coverage, but until now there were no reliable, comprehensive data on which to make a clear determination about where women currently fit into the news-making operation or in the decision-making or ownership structure of thei
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r companies. The IWMF Global Report on the Status of Women in the News Media seeks to fill this gap by presenting for the first time sound data on gender positions in news organizations around the world [...] The findings presented in this report, conducted over a two-year period, offer the most complete picture to date of women’s status globally in news media ownership, publishing, governance, reporting, editing, photojournalism, broadcast production and other media jobs. More than 150 researchers interviewed executives at more than 500 companies in 59 nations using a 12-page questionnaire." (Introduction)
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"All journalists in Balochistan should undergo conflict sensitive journalism (CSJ) trainings. All journalists should undergo media law clinics to be educated on rights and responsibilities. A Safety Fund for Balochistan should be set up to provide resources on safety and security and address their l
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egal, psychological and, where needed needed most, financial needs. The court order should be used to forge a united stand against threats from militant organisations. Journalists should be hired on basis of merit. Those with a degree in journalism should be given preference or at least those with a master’s degree [...]." (Mission recommendations, page 12)
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"This essay analyses the role of audience research as a change agent in media development interventions in Afghanistan. It analyses how audience research in transnational contexts involves a complex set of intercultural negotiations and translations that contribute to the enduring relevance and sust
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ainability of the highly popular Afghan radio soap opera New Home, New Life. This is a ‘development drama’ that has been broadcast across Afghanistan since 1993. It is based on BBC Radio 4’s The Archers and produced by BBC Afghan Education Projects (BBC AEP). Audience research has been vital to forging a dynamic relationship between the creative teams who make the drama, the donors who pay for it, and the audiences who consume it. The article addresses three broad themes. First, we outline how data gathered in formative audience research, prior to the creation of the drama, provides the creative team with the dramatic raw material for the radio serial. The extensive qualitative data gathered by Afghan researchers in local milieux is translated so as to enable culturally diverse teams of writers and producers to ground the serial narratives in the lived experiences of its audiences, and to introduce multiple local perspectives on development issues. Second, we show how evaluative audience research, data gathered in the postproduction phase, plays a key role in providing critical audience interpretations of New Home, New Life’s dramatic themes. In so doing, it creates feedback loops that allow audiences to become active participants in the ongoing creation of the drama. The research designs and devices, developed over the last two decades to document the changing life-worlds of Afghan citizens-cum-audiences, are part of an ongoing set of transcultural encounters that contribute to strengthening the social realist appeal of the drama and to calibrating how far any given storyline can be pushed in terms of cultural propriety. Third, we examine how during periods of military conflict, when routine audience research becomes dangerous or impossible and audience feedback loops are disrupted, the writers and producers have to rely on their own personal and political experiences, often with unpredictable ideological consequences. We draw attention to the limitations and challenges of making dramas for development in highly charged politicised and postcolonial contexts. While, development dramas may be a cheap and effective way of dealing with certain informational needs, such as landmine awareness, they cannot redress social and structural inequalities or, as Western donors wish, eradicate opium cultivation." (Abstract)
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Examines the impact that the rise of digital communications is having on the media, and on human rights activism. The report goes on to explore the main policy issues which must be addressed at the national and international levels to shape an enabling environment. The report combines global level a
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nalysis with a specific focus on eight countries: Argentina, Brazil, Egypt, Kenya, India, Indonesia, South Africa and the United States of America.
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"The report focuses on Crisis Communication during the most devastating floods of 2010 ever witnessed in the history of Pakistan in which the death toll of human beings exceeded 2,000 [...] According to the views of various media reporters and natural calamity analysts, unfortunately crisis communic
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ation could not play any effective role in this most crucial time of Pakistan. Interviews carried out with the victims, studies, facts and figures indicate that international response to this natural calamity has been slow and inadequate. Pakistan government’s inability to sustain its grip in tackling this natural calamity is also responsible for the insufficient international reaction. The need of the time is to chalk out immediate rehabilitation programs and long-term planning in order to confront this crisis in the shortest possible time and to counter any similar calamity in future and to prevent it from turning into a long term mishap." (Abstract)
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"Turkey has made important reforms over the past decade and the military’s influence on the media is now much less. Genuine progress has been made but a legislative straitjacket continues to stifle journalists. Reporting of some topics is still routinely punished by the courts. Journalists are arr
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ested and tried for doing their job or expressing an opinion, their documents seized and their sources tracked down. This is especially happening in the present fierce struggle for control of all state institutions." (Conclusions, page 18)
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"ICTs and Development in India' is a unique attempt to study the nature and consequences of the growing presence of Information Technology in development projects in India." (Publisher description)
"This essay brings together four key elements of Bollywood cinema: 1. the lure of the mythological; 2. the allure of the Muslim courtesan, and Urdu, Bollywood's language of love; 3. the hegemony of melodrama; and 4. the persistence of song and dance." (Page 577)