"Does online voting mobilize citizens who otherwise would not participate? During the annual participatory budgeting vote in the southern state of Rio Grande do Sul in Brazil—the world’s largest—Internet voters were asked whether they would have participated had there not been an online voting
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option (i-voting). The study documents an 8.2 percent increase in total turn-out with the introduction of i-voting. In support of the mobilization hypothesis, unique survey data show that i-voting is mainly used by new participants rather than just for convenience by those who were already mobilized. The study also finds that age, gender, income, education, and social media usage are significant predictors of being online-only voters. Technology appears more likely to engage people who are younger, male, of higher income and educational attainment, and more frequent social media users." (Abstract)
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"At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered t
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his sub-discipline and to experienced practitioners and academics. Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role. Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others." (Publisher description)
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"A estrutura de oligopólio na televisão brasileira consolidou-se nos anos 80 e pouco variou até os dias de hoje, sendo marcada basicamente pelo estabelecimento de um sistema central de poucas redes nacionais privadas (Globo, SBT, Bandeirantes e Manchete, depois substituída pela RedeTV!) e tendo
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tido apenas a chegada da Record e da EBC como mudança representativa .. podemos concluir que um passo fundamental para a democratização da comunicação seria dado caso o Estado assumisse seu papel de regulador e garantidor de direitos. Existem leis e propostas que apontam no sentido da desconcentração, como a da regionalização da produção e do funcionamento efetivo de um Conselho Nacional de Comunicação, como lócus privilegiado de diálogo com os diferentes grupos sociais. Tais medidas, entretanto, não têm sido colocadas em prática." (Conclusão, página 20)
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"The rapid development of the information society has accentuated the importance of digital divides, which refer to economic and social inequalities among populations due to differences in access to, use of, or knowledge of information and communication technologies (ICT). This book discusses the cu
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rrent state of digital divides, ranging from global." (Publisher description)
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"This report examines self-regulation in challenging times. Journalism is increasingly a single stream of information disseminated simultaneously across different platforms of media, but its regulation remains dominated by old-fashioned notions of how media work. Usually there are two ways of regula
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ting journalism at national level: a voluntary system for the press and legal controls over broadcasting. These structures were created for yesterday’s media landscape and are increasingly out of date. Today’s digital journalists work on video, print and audio simultaneously. That’s why it makes sense to have only one national regulator, and one that covers all platforms of journalism. Another testing issue is the question of funding. Ideally, journalists and media should pay the bills for press councils, but in these cash-strapped days can media continue to afford it? Increasingly, the answer is no. So who will pay in future? Perhaps we should think about using public funds, after all, independent regulation of media is a public interest activity. But if we use taxpayers’ money how do we ensure it won’t compromise editorial independence? Finally, as this report shows, making self-regulation work at enterprise level is perhaps what counts most. Building trust with the audience should be an issue in every newsroom and the growth in the number of in-house ombudsmen or readers’ editors is a welcome sign that more media are taking the issue seriously. However, in the face of editorial cuts some managements still question money being channelled into cleaning up the mistakes of the newsroom. But as this report illustrates, keeping journalism honest is money well spent for media and, for the public at large, it’s a good investment in democracy." (Introduction, page v)
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"Nesta tese procurou-se comprovar que o Serviço à Pastoral da Comunicação (SEPAC), um projeto iniciado em 1982, que se dedica à formação de lideranças pastorais e culturais mediante cursos livres, sistemáticos e publicações, foi decisivo para a emergência da teoria e prática educomunica
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tiva e sua consolidação junto ao segmento da Pastoral da Comunicação no Brasil. O objetivo geral foi pesquisar a Educomunicação na formação para a comunicação de agentes pastorais e educativos a partir do espaço não formal. Há que se destacar que o diálogo da Educomunicação e da formação pastoral se dá no contexto da cultura midiática, em que pela introdução das diferentes tecnologias, novas linguagens são incorporadas ao cotidiano das pessoas no ambiente pastoral, influenciando e desafiando as práticas na evangelização. Os referenciais que serviram de arcabouço teórico para a tese apoiam-se em pesquisadores da Educomunicação, dos Estudos Culturais e da Igreja Católica na abordagem da Pastoral da Comunicação. A pesquisa empírica realizou-se no SEPAC por meio do exame de publicações, monografias elaboradas pelos cursistas de Especialização e por meio de questionários enviados aos mesmos com o objetivo de verificar a experiência realizada, a metodologia e a continuidade em projetos de intervenção, uma vez que a formação integrada compreende reflexão e ação no campo da Educomunicação Pastoral." (Resumo)
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"How are marginalized peoples and places framed in their dominant national media? Framing theory applied through a comparative narrative analysis of 313 news articles, 291 photos and 1051 telenovela scenes allowed Brazilian media representations of a marginalized people, favelados, and marginalized,
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contested spaces, favelas, to be juxtapositioned. ‘Organizing principles’ communicated through media reports and stories of these marginalized groups operated to shape a certain social reality within the nation-state of Brazil. The salient latent frames 'Abandoned favelas and favelados' and 'Favela life is ideal father-led life' percolated from news and novela reports, respectively. That the timing of news reports and photos with telenovela production were concurrent, yet the manifest media framing of these people and places proved so radically different, makes this study interesting. More importantly, while the telenovela initially appeared as the more progressive storyteller, latent framing across media platforms harmonized hegemonically, retrogressing Brazilian storytelling to its paternalistic past." (Abstract)
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"Internet freedom around the world has declined for the fifth consecutive year, with more governments censoring information of public interest and placing greater demands on the private sector to take down offending content. State authorities have also jailed more users for their online writings, wh
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ile criminal and terrorist groups have made public examples of those who dared to expose their activities online. This was especially evident in the Middle East, where the public flogging of liberal bloggers, life sentences for online critics, and beheadings of internet-based journalists provided a powerful deterrent to the sort of digital organizing that contributed to the Arab Spring. In a new trend, many governments have sought to shift the burden of censorship to private companies and individuals by pressing them to remove content, often resorting to direct blocking only when those measures fail. Local companies are especially vulnerable to the whims of law enforcement agencies and a recent proliferation of repressive laws. But large, international companies like Google, Facebook, and Twitter have faced similar demands due to their significant popularity and reach." (Page 1)
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"Esse Guia é decorrente de forte demanda do movimento social brasileiro, provocada pela proliferação de narrativas midiáticas que violam direitos elementares, previstos em lei. Capitaneada pela TV, a tendência espraia-se por outros meios e dilui as fronteiras entre jornalismo e entretenimento,
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afetando a credibilidade da imprensa e colocando em xeque as regras da democracia [...] No Volume I, o leitor encontra um guia prático para identificar violações de direitos no campo da comunicação de massa, com exemplos extraídos de programas de rádio e TV de todas as regiões do País, e um apanhado inédito dos dispositivos legais que buscam harmonizar o direito à liberdade de expressão com outros direitos dos cidadãos, como o de terem a imagem e a privacidade respeitadas." (Contracapa)
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"Esse Guia é decorrente de forte demanda do movimento social brasileiro, provocada pela proliferação de narrativas midiáticas que violam direitos elementares, previstos em lei. Capitaneada pela TV, a tendência espraia-se por outros meios e dilui as fronteiras entre jornalismo e entretenimento,
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afetando a credibilidade da imprensa e colocando em xeque as regras da democracia. [...] cidadãos, como o de terem a imagem e a privacidade respeitadas. No Volume II, são reunidos artigos que refletem o teor dos debates travados pela sociedade civil em relação às produções em foco. São reflexões de estudiosos, militantes e observadores em geral do campo, abrangendo diferentes perspectivas, a partir mesmo do perfil dos autores, oriundos da academia e de organizações que defendem a liberdade de expressão e o direito à comunicação." (Contracapa)
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