"Of the 939 identified main media literacy stakeholders, over a third were categorised as “civil society” (305), followed by “public authorities” (175) and “academia” (161). Over two-thirds of them do not have a statutory responsibility in this area and base their involvement on a differ
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ent motivation. 189 networks were identified and the vast majority of them (135) are operating at national level. Since the level of activity differs a lot between countries, of the maximum of 580 projects (20 possible projects for each of the 29 respondents, but not all of them were able to detect 20), only 547 were identified. The most common project type is “resources” (173); the second is “end-user engagement” (107). These two together account for more than half of all analysed projects, showing that providing frontline support to citizens is a priority. As to the a ddressed media literacy skills, “critical thinking” was the clear winner, being dealt with by 403 of the 547 projects, followed by “media use” (385). This trend is also confirmed by the case study analysis of the most significant 145 projects, which also feature projects on “intercultural dialogue” (46 of 145), including skills around challenging radicalisation and hate speech online." (Executive summary, page 3-4)
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"This study provides a snapshot of refugees’ experiences regarding communication and information at different points on their journey. It examines the communication behaviours and priority information needs of refugees in three areas: on their journey, in “transit” camps in Greece, and in Germ
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any, for those who have reached this key destination country for refugees. The research consists of interviews with refugees and with humanitarian agency officials in Greece and Germany. The study examines how refugees access and use information, and presents the concerns and challenges faced by humanitarian agencies in addressing their needs. A total of 66 refugees from Syria, Afghanistan and Iraq participated in the qualitative study in formal and informal camps in Greece. An additional 13 interviews took place in Germany – capturing the voices of those who had completed their journey. A total of 16 focus group discussions were also conducted. Participants were asked to tell the story of their journey so far, focusing particularly on the information and communication they needed and used at different stages. In-depth interviews with 41 humanitarian actors in Greece and four in Germany captured their understanding of refugees’ communication needs." (Executive summary)
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"This year we have evidence of the growth of distributed (offsite) news consumption, a sharpening move to mobile and we can reveal the full extent of ad-blocking worldwide. These three trends in combination are putting further severe pressure on the business models of both traditional publishers and
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new digital-born players – as well as changing the way in which news is packaged and distributed." (Overview & key findings)
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"Small Cinemas in Global Markets addresses aspects such as identity, revisiting the past, internationalized genres, new forms of experimental cinema, markets and production, as well as technological developments of alternative small screens that open new perspectives into small cinema possibilities.
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Small and big markets for small industries reveal an unimagined diversification of the cultural product and consequently the need to analyze the impact at local, regional, and global levels. Much needed to continue and expand the existing scholarship in the field, this volume is based on research by authors who approach their subject from Western theoretical perspectives with a professional (mostly native) knowledge of the language, cultural realities, and film industry practices. It covers aspects from fifteen different countries, including Bolivia, Brazil, China (Hong Kong), Croatia, East Africa (Kenya, Tanzania, and Uganda), Greece, Indonesia, Lithuania, Bulgaria, Poland, Romania, Morocco, and the United States. Since both film and documentary distribution from certain areas of the globe on international markets remains problematic, it is important for the academic field to discuss and circulate them as much as possible, and to create the basis for further exploration." (Publisher description)
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"Mediated Communities brings together a diverse, global cohort of academics and professional communicators to assess the current state of democratic mobilizing around the world and the ways in which protest movements are being transformed in the midst of a communication revolution. The volume’s co
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ntributors draw on a variety of international settings—from Greece to Lebanon, China to Argentina—to demonstrate the ways in which community organizing in the digital age relies increasingly on digital media to communicate, help participants find common ground, and fight for change. The contributors acknowledge the challenges that lie ahead for creating real and lasting democratic change but at the same time are able to draw attention to the potential that digital media hold for strengthening citizen voices around the globe." (Back cover)
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"With essays on audiences in ancient Greece, early modern Germany, Soviet and post-Soviet Russia, Zimbabwe, contemporary Egypt, Bengali India, China, Taiwan, and immigrant diaspora in Belgium, each chapter examines the ways in which audiences are embedded in discourses of power, representation, and
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regulation in different yet overlapping ways according to specific socio-historical contexts." (Publisher description)
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"This book discusses the extent to which the theoretical relevance and analytical rigor of the concept of the public sphere is affected (or undermined) by current processes of transnationalization. The contributions address fundamental questions concerning the viability of a socially and politically
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effective public sphere in a post-Westphalian world. To what degree are the theoretical presuppositions regarding the critical function and democratic quality of public deliberation still valid in contemporary societies that adhere decreasingly to the Westphalian logic of closed national political communities and modes of communication? Under what conditions is the critical impetus of the public sphere still applicable in a world that, in Europe and beyond, is increasingly responding to processes of trans-border interaction and communication?" (Publisher description)
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"Premiering in 2006, Ugly Betty, the award-winning US hit show about unglamorous but kind-hearted Betty Suarez (America Ferrera), is the latest incarnation of a worldwide phenomenon that started life as a Colombian telenovela, Yo soy Betty, la fea, back in 1999. The tale of the ugly duckling has sin
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ce taken an extraordinary global journey and become the most successful telenovela to date. This groundbreaking book asks what the Yo soy Betty, la fea / Ugly Betty phenomenon can tell us about the international circulation of locally produced TV fictions as the Latin American telenovela is sold to, and/or re-made-officially and unofficially-for different national contexts. The contributors explore what Betty has to say about the tensions between the commercial demands of multimedia conglomerates and the regulatory forces of national broadcasters as well as the international ambitions of national TV industries and their struggle in competitive markets. They also investigate what this international trade tells us about cultural storytelling and audience experience, as well as ideologies of feminine beauty and myths of female desire and aspiration. TV's Betty Goes Global features original interviews with buyers and schedulers, writers, story editors and directors, including the creator of Yo soy Betty, la fea, Fernando Gaitan." (Publisher description)
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"While the empirical emphasis of this book is on diasporic groups and their experiences with mainly new communication technologies, the topic is embedded in a broader set of questions that inform social sciences today. The book speaks to and analyses convergence cultures, community building, transna
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tional connections and processes of identity formation in the midst of these processes and relations. One of the overriding premises for the book seems to be the development within media and communication technologies and the exploration of their influence upon the increasingly mediatized social and cultural practices. New media geographies, growing virtual spaces, mediated social networks and processes of mass self-communication are all part and parcel of the contexts in which identity formation - diasporic or not - is taking place." (Foreword, page 9)
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"This study brings journalists back to the centre of inquiry about the media’s role in covering ethnicity and religion. It asks: What professional norms guide editors and journalists when reporting on ethnicity and religion? What news gathering tools are most commonly used? What are the institutio
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nal constraints in producing reports? What could have been done better? What makes excellent coverage? What type of journalistic work fuels intolerance instead of providing information that supports intercultural understanding? Based on extensive interviews with 117 journalists and editors in nine EU countries and analysis of 299 news stories, it offers a review of reporting practices as related to the coverage of ethnic and religious issues. The study finds that the main obstacles to good reporting are the poor financial state of the media, overloading of reporters, lack of time, lack of knowledge, and lack of in-house training." (Executive summary, page 2)
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"Medien und Religionen: ein brisantes Thema, das bisher nur unzureichend bearbeitet ist. Dabei ist spätestens seit dem 11. September 2001, seit den heftigen Auseinandersetzungen um die Mohammed-Karikaturen und dem Streit um das provokante Buch von Thilo Sarrazin deutlich, wie sehr Bilder und Videos
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in Fernsehen und Internet, Zeitungsnachrichten und nicht zuletzt sensationell aufgemachte Bücher die Vorstellungen der Religionen und Kulturen voneinander mitbestimmen. Es ist häufig ein sehr problematisches und einseitiges Bild, das da medial vermittelt wird. Zum anderen haben die Religionen von jeher mit Medien, mit Bildern, Klängen, Schriften und Symbolen zu tun. Sie haben lange und reiche Traditionen im Ringen um einen menschenfreundlichen, lebensförderlichen Umgang mit Medien in einem weiten Sinn. Insofern lassen sich von den Religionen auch Impulse für die Humanisierung unserer Medienkultur erwarten. Beide Perspektiven wurden auf dem X. Nürnberger Forum verfolgt und in ihren Konsequenzen für religiöse und kulturelle Bildung bedacht. Expertinnen und Experten aus Theologie und Religionswissenschaft, Human- und Sozialwissenschaften, allgemeiner Pädagogik, Medienpädagogik und Religionspädagogik, aus Politik und öffentlichen Medien, aus Europa, Amerika, Afrika und Asien und aus allen großen Religionstraditionen referierten und diskutierten zu den vier Themenbereichen - Die Darstellung der Religionen in den öffentlichen Medien - Bilderverbot/Bilderkult: Das Bild und andere Medien in ihrer Bedeutung für die Religionen - Medienethik im Kontext religiöser Pluralität - Medien und interreligiöses / interkulturelles Lernen. In einem ergänzenden Symposium wurden – basierend auf dem Nürnberg-Rostocker Forschungsprojekt „Die Darstellung des Christentums in Schulbüchern islamisch geprägter Länder“ – Standards für interreligiöse Schulbuchforschung und -entwicklung erarbeitet, die Autorenteams, Verlagen und Kultusbehörden weitergegeben werden." (Verlagsbeschreibung)
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Souvent considéré comme une activité des plus nuisibles, le piratage des contenus audiovisuels n’en constitue pas moins, depuis des décennies, pour de nombreuses populations aux quatre coins du monde, un moyen majeur d’accéder aux produits des industries culturelles. Nourri d’enquêtes de
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terrain, cet ouvrage explore les enjeux que recèle ce phénomène complexe. Le point de vue adopté est multiple et international. Alors que le piratage est généralement pensé exclusivement à partir de la question du téléchargement sans paiement des droits en Amérique du Nord ou en Europe occidentale, il est ici appréhendé dans toute la variété de ses manifestations, en privilégiant les pays du Sud et de l’Est : des marchands de CDs et DVDs contrefaits de Bogotá ou Alger, jusqu’aux politiques de défense des droits de propriété artistique de Washington ou Séoul, en passant par les pratiques des adeptes moscovites des réseaux peer-to-peer.
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"This collective report examines the principal dimensions of media policy in 14 European countries (Belgium, Bulgaria, Croatia, Denmark, Estonia, Finland, Germany, Greece, Italy, Romania, Slovakia, Spain, Turkey and the UK), probing into the historical forces, national traditions and distinct politi
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cal and socio-economic contexts in which media policies have emerged and developed. The analysis explores the main instruments for media regulation in the countries under study, and assesses the implications of the established media policy strategies for democratic politics. The country chapters follow a similar structure. Following a brief introduction, the analysis focuses on the media landscape of the countries under review, offering an overview of the national media market (the press, broadcast media, online media and news agencies), as well as a discussion of the status of the journalistic profession and media literacy. The third section presents the major actors involved in media policymaking and proceeds with a succinct presentation and explanation of the national regulatory framework for the media, focusing mainly on structural and content regulation. The final section provides a critical assessment of the principal issues and trends that characterise the media policies of the countries under study, together with an assessment of the degree to which they enable the media to feed the democratic process. The report also contains a chapter discussing the media-related initiatives of the European Union and the Council of Europe, focusing on the interventions that are of relevance and importance to the protection and promotion of media freedom and independence." (Introductory note, page 10)
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