"This paper will examine American efforts to create a vibrant free press in Iraq and Afghanistan. A $200 million project in Iraq was the largest attempt ever by the United States, or any country, to help create independent media in another nation. Run by the Pentagon, it was a near total failure in
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its first year, with Iraqi journalists, American trainers and U.S. government officials assailing it as wasteful, amateurish and counterproductiv. A far smaller, $15 million State Department effort in Afghanistan, by comparison, appears to have been more effective. In both countries, many local journalists have performed well, particularly when given proper resources and training. But in Iraq and Afghanistan, as well as around the world, murder and violence is now the single largest threat to the creation of an independent news media. Government officials, criminals and terrorists are increasingly using assault and murder to silence the media. Supporting, respecting and, most of all, securing local journalists may be the most critical way the United States can foster the creation of a vibrant free press in Iraq and Afghanistan." (Abstract)
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"This collection of essays explores current issues surrounding the media and conflict in the Twenty-first Century. Essays will look at the role of evolving media technologies, the globalization of television and communications, public diplomacy, gender and war coverage, terrorism, and other issues."
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(Publisher description)
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"This is a brief overview of international assistance to media development in Iraq from the time of the invasion in 2003 to the formation of the Iraqi government and first weeks of the constitutional process in April-May 2005. This paper does not claim to give an exhaustive picture. It is meant as a
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n introduction to the main foreign actors and to some of their initiatives and plans. It is written with the clear premise that media development in Iraq has been, is and should of course continue to be led and inspired by the Iraqis themselves." (Introduction)
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"Since September 11, 2001, and the wars in Afghanistan and Iraq, many television viewers in the United States have become familiar with Al Jazeera as offering an alternative take on events from that presented by mainstream U.S. media, as well as disseminating anti-American invective. Westerners have
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tended toward simplistic views of Arab newspapers, radio, and television, assuming that they are all under government control and that freedom of press is non-existent. William A. Rugh, a long time observer of the Arab mass media, offers a more nuanced picture of the Arab press as it relates to the political situation in the Arab world today. Although governmental influence over the media is stronger in the Middle East than in Europe or the United States, Rugh argues that there is more diversity in the Arab media than most people in the West realize. In reality, the Arab media are coming to reflect the diversity and wide range of opinions of those within the Arab world itself. In particular, the advent of privately owned Arab satellite television in the 1990s has led to significant liberalization of the media throughout the region. Rugh concludes that a democracy of ideas and voices is slowly growing in the Arab world, and he remains guardedly optimistic about the positive role the Arab media can play in processes of democratization and nation-building." (Publisher description)
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"International media coverage of the war in Iraq provoked public scrutiny as well debate amongst journalists themselves. Media at War offers a critical overview of the coverage in the context of other preceding wars, including the first Gulf War, and opens up the debate on the key questions that eme
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rged during the crisis. For example, - What did we actually gain from 'live, on the spot' reporting? - Were journalists adequately trained and protected? - How compromised were the so-called 'embedded' journalists? Tumber and Palmer's analysis covers both the pre-war and post war phase, as well as public reaction to these events, and as such provides an invaluable framework for understanding how the media and news organisations operated during the Iraq Crisis." (Publisher description)
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"The International Media Support (IMS) Conference, entitled ‘Friends or Foes? - Peacekeeping Forces, Humanitarian Aid and Media Development’ was held in Copenhagen on 26 and 27 November 2004. The theme of the Conference was the dilemma facing media development in the wake of peacekeeping and hum
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anitarian aid operations in conflict-affected areas. The need for rapid and effective dissemination of information from aid organisations and peacekeeping forces sometimes collides with the development of an independent media sector. The conference therefore sought to examine cases from post-conflict situations, including amongst others Liberia, Iraq, Kosovo and Afghanistan. The speakers included representative from peacekeeping forces, humanitarian aid agencies, media organisations and freedom of expression organisations." (Page 3)
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"Kriegsrealität und Kriegberichterstattung sind zwei diskrepante Seiten ein und derselben Medaille und waren noch zu keiner Kriegszeit deckungsgleich. Sie driften aber um so mehr auseinander, je perfekter es den Politikern und Militärs gelingt, die Medien über die Journalisten in ihrem Sinn zu be
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einflussen. Versuche der Einflussnahme von Politik und Militär auf die Kriegsberichterstattung werden immer rigoroser und haben im Irakkrieg 2003 etwa mit dem »Embedding-System« ganz neue Dimensionen erreicht. Deshalb stand auch die Kriegsberichterstattung noch nie so stark im kritischen Fokus der öffentlichen und medienwissenschaftlichen Diskussion wie die über den US-Angriff auf den Irak im letzten Jahr. Können Journalisten erkennen, wo sie Manipulationsversuchen von Politik und Militär unterworfen sind, wann sie gefilterte Informationen erhalten oder gezielt fehl informiert werden? In wie weit versuchen sie, den Verdacht oder die Kenntnis darüber als Korrekturfaktor in ihre Berichterstattung einfließen zu lassen? Wie unterscheidet sich das Selbstverständnis berichterstattender Journalisten aus kriegsführenden und neutralen Ländern? Die Klärung dieser Fragen ist Gegenstand dieser Studie, die aus einer medienpädagogischen Diplomarbeit an der Universität der Bundeswehr München hervorgegangen ist. Die beiden Autoren haben dafür 42 Journalisten zwölf verschiedener Nationalitäten mit leitfadenorientierten Intensivinterviews befragt." (Verlagsbeschreibung)
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"Reporting War explores the social responsibilities of the journalist during times of military conflict. News media treatments of international crises, especially the one underway in Iraq, are increasingly becoming the subject of public controversy, and discussion is urgently needed. Each of this bo
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ok's contributors challenges familiar assumptions about war reporting from a distinctive perspective. An array of pressing issues associated with conflicts over recent years are identified and critiqued, always with an eye to what they can tell us about improving journalism today. Special attention is devoted to recent changes in journalistic forms and practices, and the ways in which they are shaping the visual culture of war, and issues discussed, amongst many, include: "the influence of censorship and propaganda, 'us' and 'them' news narratives, access to sources, '24/7 rolling news' and the 'CNN effect', military jargon (such as 'friendly fire' and 'collateral damage'), 'embedded' and 'unilateral' reporters, tensions between objectivity and patriotism." (Publisher description)
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"Viele autoritäre Regime fürchten den unkontrollierten Informationsfluss, gerade weil er gemeinsames Handeln ermöglicht und ihre Herrschaft gefährden könnte. Auch manche Kulturkritiker würden gerne Informationen kanalisieren, um einen Kulturimperialismus abzuwehren, bei dem sich ihrer Ansicht
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nach die stärksten Vermarkter im internationalen Mediengeschäft mit ihrer Weltsicht durchsetzen oder die mächtigen Kolonialsprachen die lokalen Sprachen verdrängen würden. Die meisten Menschen wollen sich nicht bevormunden lassen, auch nicht in wohlmeinender Absicht. Bei importierten Seifenopern im Fernsehen zeigen sie sich zum Beispiel durchaus in der Lage, sich ihren eigenen Reim auf das Angebot zu machen und es für ihr Umfeld zu interpretieren. Das bedeutet umgekehrt, dass wer eine bestimmte Botschaft über Grenzen hinweg in die Köpfe bekommen will, mit ganz anderen als den beabsichtigten Ergebnissen rechnen muss." (Editorial)
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"La 'guerre préventive' contre l'Irak, dans le sillage des attentats du 11 septembre 2001, est sans conteste l'un des faits les plus médiatisés de l'histoire de l'humanité. Jamais les préparatifs d'une guerre n'ont été aussi abondamment décrits et jamais son déroulement n'a été ainsi tran
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smis en direct par le truchement de cohortes de journalistes. Partout, les médias se sont ingéniés à relater dans ses moindres rebondissements le faux suspense diplomatique d'avant le 20 mars 2003, à spéculer longuement sur la probabilité et la date de déclenchement de l'intervention, à mobiliser une armada d'experts capables de disserter avec aplomb sur les armes de destruction massives irakiennes et les bunkers de Saddam tout en n'en sachant rien ou presque [...] C'est pourquoi cette guerre offre un matériau inédit pour une analyse critique du comportement des médias dominants. Les contestations de rue que la perspective puis le déclenchement de la guerre ont provoquées, les doutes et le déficit de légitimité entourant l'aventure états-unienne, le malaise des régimes arabes craignant une extension de l'ingérence des Etats-Unis dans leurs propres territoires, les critiques émanant de certains gouvernements européens ont placé le champ médiatique face à un conflit qui résiste fortement à la simplification. A travers six contributions, où les auteurs décrivent en fait six guerres différentes vues de six postes d'observation distincts (les Etats-Unis, la France, Israël, la Turquie, l'Irak lui-même et la chaîne panarabe Al Jazira), le livre explore les modes de restitution des mots et des images de la guerre. Il tente de resituer les médias dans le cadre des enjeux de pouvoir nationaux. Il explicite leur rôle dans la mobilisation du consentement ou de l'opposition à la guerre." (https://www.actes-sud.fr)
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"The Companion Encyclopedia of Middle Eastern and North African Film is a unique, one volume work which illuminates a fascinating variety of cinema which is little known outside its own area. The Encyclopedia is divided into nine chapters, each written by a leading scholar in the field. Each chapter
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covers the history and major issues of film within that area, as well as providing bibliographies of the leading films, directors and actors. The areas covered are: Central Asia, Egypt, Iran, Lebanon, Syria, Iraq, Kuwait, Libya, The Magreb, Palestine, Turkey. It contains more than 60 black and white photographs of featured films, includes references and suggestions for further reading at the end of each chapter, and the volume concludes with comprehensive name, film and general indexes." (Publisher description)
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"From outbreaks of the flesh eating viruses Ebola and Strep A, to death camps in Bosnia and massacres in Rwanda, the media seem to careen from one trauma to another, in a breathless tour of poverty, disease and death. First we're horrified, but each time they turn up the pitch, show us one image mor
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e hideous than the next, it gets harder and harder to feel. Meet compassion fatigue--a modern syndrome, Susan Moeller argues, that results from formulaic media coverage, sensationalized language and overly Americanized metaphors. In her impassioned new book, Compassion Fatigue, Moeller warns that the American media threatens our ability to understand the world around us. Why do the media cover the world in the way that they do? Are they simply following the marketplace demand for tabloid-style international news? Or are they creating an audience that as seen too much--or too little--to care? Through a series of case studies of the Four Horsemen of the Apocalypse--disease, famine, death and war--Moeller investigates how newspapers, newsmagazines and television have covered international crises over the last two decades, identifying the ruts into which the media have fallen and revealing why. Throughout, we hear from industry insiders who tell of the chilling effect of the mega- media mergers, the tyranny of the bottom-line hunt for profits, and the decline of the American attention span as they struggle to both tell and sell a story. But Moeller is insistent that the media need not, and should not, be run like any other business. The media have a special responsibility to the public, and when they abdicate this responsibility and the public lapses into a compassion fatigue stupor, we become a public at great danger to ourselves." (Publisher description)
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