"Without a doubt, the combined power of the public arena and broadcast media is a very efective social tool for collective action in Afghanistan. Yet there are serious limits to both the media’s self-advocacy and the public’s strong and unwavering support. Te media-related crimes and murders men
...
tioned in this chapter are a few of the many. Yet no arrests are made and no one is prosecuted in most of these cases. Zoorawarah can continue to censor media makers with impunity and without fears of retribution. Broadcasting the incidents of violence and censorship against media personnel and the media writ large, as well as the subsequent protests and production of investigative and expository programs is indeed generative in creating dialogue and raising awareness about media rights and the important role of a free media in a society, but it is clearly not enough. Tus far, we have seen examples of two types of potential cultural imperialism. By aggressively promoting and offering their own media products, programs, and formats, at little or no cost, the argument can be made that foreign countries are impeding the development of Afghanistan’s own media industry, artistry, and media crafts. Additionally, we have seen examples of censorship, both from endogenous and exogenous forces, ranging from pressuring the government to ban programming or directly pressuring producers to do so. In extreme cases, we have seen an egregious third form of censorship becoming prevalent in Afghanistan. High-level media personnel and wealthy media owners who are ofen prominent public fgures, such as politicians, warlords, drug lords, religious leaders, and businessmen, hire body guards and live behind gated fortress mansions, while low-level television personalities and reporters are subjected to threats, physical attacks, and death for providing people with programming they want to watch and which gives them a platform to raise their voices. Hence, it is the mid- and low-level media professionals, not the owners of the television stations they work for nor the foreign governments that are the patrons of the stations, who bear the ultimate burden of media freedom and reform in Afghanistan. Caught between warring ideologies that range from Islamist to commercial to “developmentalist,” as brave as these Afghan media personalities and journalists are, and despite their high media a profile, their low socioeconomic status leaves them vulnerable to abuse and possible death." (Conclusion, page 168-169)
more
"This study assesses the role and impact of this local radio station network as well as its sustainability prospects, focusing on four pillars of sustainability in particular: Financial sustainability: at a minimum, radio stations need to be able to support their activities, and ideally enjoy some s
...
urplus for innovation. Organizational sustainability: radio stations need to have access to a level of professionalism and resources that allow it to produce and present programs of reasonable quality. Political and cultural sustainability: radio stations need to be politically enabled to perform their activities, to do so in safety, and to enjoy the support of the communities within their broadcast area. Audience sustainability: radio stations need to be able to reach a sizeable audience, and to meet this audience’s information needs and expectations. To this end, in-depth interviews with key stakeholders in the Internews/Salam Watandar story as well as those involved in media operations at the central Kabul level were combined with 10 in-depth case studies from the research sample of 30 provincial Internews-established, full Salam Watandar-partner stations. 20 in-depth interviews by phone with the remaining sample stations were added to this." (Executive summary)
more
"Afghanistan has made great strides in establishing media and communications outlets. However, very little is known about the ways in which Afghans actually engage in information exchange. To inform work with the media and effectively enhance access to information in Afghanistan, Internews commissio
...
ned Sayara Research to map information ecosystems in three areas of Afghanistan. The information ecosystem in Afghanistan is vital to understand how Afghans make decisions about everything from personal security to health, migration, and livelihoods. Using a systems approach to analyzing information within and across communities is a powerful way to uncover deficiencies in current approaches and opportunities for future work." (Internews website)
more
"This article examines the sociohistorical role of radio broadcasting in Afghanistan and analyses the interplay between the radio choices of the audience, political change and conflict. Though never explicitly trusted as a credible information source, the popularity of national radio in Afghanistan
...
was critically weakened following the Communist revolution of 1978 and subsequent abuse of broadcasting under successive Afghan Communist regimes. Analysis highlights how the audience's thirst for unbiased information resulted in a substantial majority turning to the BBC World Service, this international service being perceived as a far more trustworthy and credible alternative. Discussion of the social history of Radio Afghanistan, the Taliban's Voice of Radio Shari'at and the BBC World Service serves to highlight the propagandist media machinery of the Communist era, the radical media policies of the Taliban regime and the value attributed to the BBC's current news reporting. In an example of the global becoming the local, the article concludes by examining how the BBC World Service has become the dominant radio broadcaster in Afghanistan and the extent to which this position is based on the quality of their outputs or their self-promotional discourses concerning impartiality." (Abstract)
more
"Afghan journalists face threats from all sides: government officials exploiting weak legal protections to intimidate reporters and editors to compel them not to cover controversial topics; the Taliban and other insurgent groups using threats and violence to compel reporting they consider favorable;
...
and police and justice officials letting threats, assaults, and even murders go uninvestigated and unprosecuted. Most of the threats come from individuals acting on behalf of powerful government officials or influential local actors, including militia leaders and so-called warlords. Violent attacks on journalists that go uninvestigated and unpunished reflect wider impunity and failure to establish the rule of law in Afghanistan. Afghan journalists often respond to the dangers with self-censorship. Many steer clear of reporting on sensitive issues—including corruption, land grabbing, violence against women, and human rights abuses—as a means to minimize safety risks. Kabul-based editors often avoid assigning stories that could put their reporters at significant risk. Editors and journalists told Human Rights Watch that self-censorship has become a survival mechanism for them. Those outside of the country’s main cities are especially vulnerable to reprisals from powerful individuals and groups because they are more exposed: they lack the protection provided by a larger Afghan media and international presence. The cultural and social conservatism of the provinces also contributes to the difficulty of reporting on controversial issues outside of the capital. The Taliban and other insurgent groups remain a potent source of intimidation and violence against journalists and media outlets. When the insurgency first emerged in 2002, journalists were among its early targets because the insurgents treated journalists as extensions of the Afghan government or Western military forces. However, in recent years, the Taliban and other insurgent groups have used the media as a propaganda platform, and actively court the press in their campaign against the government, including by pressuring reporters to cover their statements or not write articles deemed critical, sometimes with threats of violence. Female journalists in Afghanistan face particularly formidable challenges. In addition to the dangers facing all journalists, they must contend with social and cultural restrictions arising from being Afghan women in the workplace, which limit their mobility in urban as well as rural areas, and increase their vulnerability to sexual violence." (Summary, page 1-2)
more
"Over the last decade, Afghanistan has experienced the rise of a robust media sector. Programming fills the airwaves with everything from news to comedy, open debate to open audition, soap operas to police dramas to ABCs. Journalists, however, operate in a climate of fear and insecurity, under threa
...
ts of reprisal and violence, with insufficient state support for freedom of the press. The National Unity Government’s pledge to promote good governance and fight corruption cannot succeed absent a free and independent media. President Ghani and CEO Abdullah’s campaign pledges to support freedom of speech and press freedom must be backed up by actions, including passage of a mass media law that protects freedom of speech and the personal safety of journalists." (Summary)
more
"In 2014, competition in the Afghan media sector has increased in order to attract diminishing advertising revenue. This has led to increased professionalization and a certain degree of segmentation with the introduction of specialist, niche channels. The pace of development of new outlets has slowe
...
d, reflecting the challenging environment, and increasing competition: There is now an average of three TV channels created each year as opposed to the average of nine in 2010. The programming scene looks much like that of 2010, filled with news programming, drama series, entertainment programs and political debate, with the exception of the introduction of a significant level of sports programming. Production remains split between national production of a number of key genres, with a high level of internationally procured series, and movies, done so by a variety of means, largely illegal. Whilst there is an increasing desire for internal production, financial, social and political constraints continue to make this difficult. Among media users in the sample, 62% turn their TV on, and 32% turn their radio on at some point during the day, compared to 63% and 39% respectively last year." (Executive summary)
more
"Afghanistan once housed tourists from around the world intrigued by the Silk Road stories, the poetic and mystic culture, the majestic landscape and the hospitable people. Their experience in Afghanistan was frequently captured through journalism and photojournalism of the early 1900s. However, Afg
...
hanistan’s very own media culture was born during this same time with Seraj-ul-Akhbar being the country’s first newspaper, published on 11 January 1906." (Abstract)
more
"This dissertation is a study about the growth and development of media in Afghanistan and its role and contribution to national and international collective efforts to build a modern, stable and democratic Afghanistan in the last decade. In pursuing my dissertation, I have examined the Afghan media
...
landscape by focusing on the regulatory environment, the type and breadth of broadcast and print media, the role of donors and foreign aid and the extent to which media has a played a role in fostering democracy in the country. The dissertation concludes with analyzing the future of Afghan media and freedom of expression following the departure of foreign forces and international community at the end of 2014 and their impact on sustainability of media in light of support they have received from the outside world. The dissertation concludes that, while there are challenges ahead, Afghan media has benefited from a decade of foreign assistance, has contributed to fostering democracy in Afghanistan and can stand on its own with the decline of foreign aid to Afghanistan in the future." (Abstract)
more
"Der Fokus ist auf die angestrebte Umwandlung des Staatssenders Radio Television Afghanistan in einen öffentlichen Sender gerichtet. In Experteninterviews mit Vertretern dreier relevanter Akteursgruppen und einer schriftlichen Rezipientenbefragung wurde unter anderem herausgefunden, dass RTA eine h
...
erausgehobene Rolle im Nationbuilding-Prozess zugesprochen wird." (Klappentext)
more
"[...] Afghanistan is a fragile, fractured state and has one of the most fragile and fractured media, where almost anyone with sufficient funds and the opportunity to move quickly has been able to establish a media presence. This environment has enabled the flourishing of television, radio and other
...
media established and owned by powerful political and religious leaders, or by those with allegiance to them. Some fear a future of increased ethnic, sectarian and factional strife being played out through the airwaves. Though there are some very successful commercial television channels, there is no independent and widely trusted national media capable of transcending or creating communication across the fracture points in Afghan society. Most media is either localised or seen as serving political, religious or other agendas. The future of the national broadcaster, RTA, still the only broadcaster with a truly national presence, is uncertain. While journalism as a whole has expanded greatly, investigative journalism remains limited. The sustainability of the newly established commercial media is widely questioned. With the total annual advertising market in the country estimated by some at little more than $20 million, there are real concerns that if donor support declines much of the media will wither or fall prey to factional, religious or extreme forces. There is no shortage of such forces. A number of media outlets already play upon ethnic and sectarian tensions. The Taliban, notorious when in power for shutting down media and banning video tape, have embraced the web and run one of the most effective media strategies in the country. In 2012, the mood music is one of compromise with the Taliban. Concern in the country is growing that new found media freedoms may be the price of that compromise. The role of donors in media support in Afghanistan is probably greater than in any other country at any other time. Such support is largely responsible for the development of a substantial media sector, but it faces criticism that it is poorly coordinated, short term and not informed by aid effectiveness principles; that it focuses too heavily on advancing the agendas of the donors; and that in some sectors it is distorting the media market in ways that create dependency and inhibit the development of genuinely sustainable Afghan media ventures." (Executive summary)
more
"The exponential media growth in Afghanistan over the last decade is due to the enthusiasm of Afghan entrepreneurs and to support from the United States and other nations, states this report. According to the executive summary "support from the United States, the biggest donor, has waxed and waned.
...
From 2002 to 2005 USAID spend $23 million to launch news media outlets and train journalists, and from 2006 to 2010 funding totaled $20.64 million. That included a couple of lean years, 2007 and 2008, when spending was only $3.3 million each year. But with the Obama administration’s Afghan military surge of 2009 there also came a media spending surge. USAID funded a $22 million project called the Afghanistan Media Development and Empowerment Project (AMDEP) for 2011, and a separate $7 million project to put news on cellphones was put to bid. Meanwhile, $183 million was allocated to the U.S. embassy in Kabul for a wide array of media projects in 2010 and 2011. And the Defense Department budgeted $180 million for information operations in Iraq and Afghanistan for 2011 alone, some portion of which went to support Afghan media. The effectiveness of all this spending is difficult to gauge, but the smaller and more focused projects–such as creating new radio stations–tend to be seen as generally successful, while the value of the larger and broader projects–such as an anti-insurgency message campaign–is harder to judge." (Executive summary, page 4-5)
more
"The Afghan media have flourished since the Taliban were ousted from power in 2001. Under Taliban rule, television was banned and there was only one government-controlled radio station. Today Afghanistan boasts over 75 TV stations, 175 radio station and hundreds of newspapers and magazines. However,
...
according to pro-democracy groups, heavy handed government controls on radio, television and newspapers and the harassment and intimidation of journalists remain major problems. Radio is still the main channel for communicating news and information. But it is losing ground steadily to television, particularly in the towns and cities. As television ownership grows, the number of households with a radio set is declining. A media audience survey commissioned by USAID in 2010 found that 63% of all Afghans listen to radio regularly. The survey, conducted by Altai Consulting, found that only 48% of all Afghans watch television regularly. But it showed that once Afghans get a television in their home, they tend to abandon the radio. The Altai Consulting survey of 6,648 people in over 900 towns and villages indicated that 58% of households with a TV no longer possess a radio. Other recent audience surveys by BBC World Service Trust and the Asia Foundation indicate a slightly higher rate of radio listening than the Altai Consulting study. But all three point to a steady drift of broadcasting audiences from radio to television. It is therefore vital that humanitarian agencies communicate with the public through television as well as radio to ensure that they engage a wide audience." (Media overview, page 9)
more
"In 2004-2005, the United States Agency for International Development’s (USAID) Office of Transition Initiatives commissioned Altai Consulting to conduct the first comprehensive media evaluation of the Islamic Republic of Afghanistan, looking at the impact of the Afghan media on opinions and behav
...
iors three years after the beginning of the country’s reconstruction. The evaluation found, among other things: that Afghans were avid and sophisticated media users and that cultural barriers to media use were less significant than previously expected; that the radio played a predominant role throughout the country; and that media are instrumental in social progress and education. However, since publication of that report1, Afghanistan’s media sector has seen important changes. To inform future assistance from the international community to the Afghan media, it was deemed necessary to assess the current state of the Afghan media – by reflecting a full and accurate audience profile, to determine program preferences, to measure the impact of the Afghan media on local opinions and behaviors and to gauge Afghan expectations in terms of programming and messaging. A large-scale research project was thus planned and conducted from March to August 2010. This research included a deep probe into the media sector and the public’s behaviors and expectations. The methodology used to achieved this included a combination of: literature review; direct observations; key informant interviews with most relevant actors involved in the media sector; 6,648 close-ended interviews in more than 900 towns and villages of 106 districts, covering all 34 provinces of the country; an audience survey on more than 1,500 individuals run daily for a week; about 200 qualitative, open-ended interviews; and 10 community case studies. Such an effort guarantees that results presented here are fairly representative of the Afghan population at large. This document provides a comprehensive synthesis of data collected during the survey. A database of media actors, 16 priority district reports, 10 case study reports, a complete description of the methodology and the original datasets from the main quantitative research and the audience research are publicly available, allowing anyone interested to access more focused information as needed." (Introduction, page 8)
more
"[...] International donor support for Afghanistan's media has had two primary goals. The short-term goal has been to counteract the effects of insurgent communications in order to win the hearts and minds of the Afghan people. The long-term goal has been to create a free and independent media secto
...
r that will continue to function after donor support has ended. Although millions of dollars have been invested in the development of the Afghan media sector and the growth of private media since 2001 is considered one of Afghanistan's greatest success stories, neither of these donor goals is being met. Donor support for Afghan media has led to the growth of radio and television outlets that are almost entirely dependent on foreign funding - direct and indirect. Recent strategic communications policies have neither diminished nor adequately countered the presence of extremist voices in Afghanistan. Despite some examples to the contrary, Taliban communications continue to affect the lives of ordinary Afghans, whereas many communications by and from Western sources do not. Neither short- nor mid-term analysis of the Afghan economy - ranked the third poorest in the world by the United Nations Development Program (UNDP) - foresees the growth of a market able to sustain Afghanistan's domestic media sector without foreign financing. The limited impact of Western communications endeavors, in conjunction with the predicted continued weakness of the Afghan economy, reveals an urgent need for a dramatic shift in the media strategies and goals pursued by the United States and its allies. First and foremost, donors should invest primarily in the Afghan media's production and dissemination of socially constructive contents rather than in building media institutions or infrastructure that the Afghan economy cannot support. For these contents to be received as authentic and credible, they must reflect the vulnerabilities and priorities that Afghans themselves have identified as vital. Donors should make a multiyear funding commitment to the media in Afghanistan. Support should be allocated to both terrestrial and wireless media through a transparent and competitive process developed jointly by donors and Afghan media experts. Aggressively supporting the dissemination of socially constructive contents through new outlets will permit access to both geographic and demographic segments of the population not adequately served by current media outlets." (Summary, page 3)
more
"The international community entered Afghanistan in December 2001 to oust the Taliban. It promised reconstruction, development and democratisation. At the time, the trauma of 25 years of war had left civil society in Afghanistan shattered and the media had become mere tools in the hands of the dicta
...
torial rulers. If the pro-Communist Governments had totally monopolised the media for their own propaganda, the Taliban banned TV in all areas under their control and ordered women journalists to go home. They had for their propaganda Radio Shariat, which only broadcast religious debate and sermons. Five days after the fall of Taliban, the first image broadcast by the public television channel Kabul Television, after five years of silence, was the face of a woman, Maryam Shakiba, no longer covered with a veil. The face of a woman presenter on national TV was regarded as a symbol of hope for change." (Introduction)
more
"The development of media in post-Taliban Afghanistan has been relatively successful (compared with both the Taliban regime and other countries subject to international intervention) in establishing free and responsible expression despite the lack of electricity, harsh terrain, absence of viable med
...
ia outlets during the Taliban regime, and a conservative religious society that subordinates women. However, Afghanistan’s media development remains incomplete. Since it still faces many challenges, the international community must continue to assist and support it. Three main processes contributed to Afghanistan’s initial media success: the proliferation of local media, especially radio; the government’s increased capacity to communicate; and international media that filled gaps that otherwise might have become problematic. This three-pronged approach in Afghanistan may provide useful lessons for other societies emerging from conflict." (Summary)
more
"Independent media have expanded and diversified in Afghanistan, though the country remains a precarious and hazardous place for journalists and media organisations. Nine journalists have been killed between January 1, 2007 and the writing of these lines (though one case remains a little unclear), w
...
hile abductions, physical violence, threats and intimidation against journalists continue with worrying frequency. While the establishment of a number of print, broadcast and online media outlets creates an atmosphere of hope for the growth of free media in the country, attacks on journalists, death threats and intimidation from armed insurgency owing allegiance to the Taliban continue. Worryingly, there has also been an increasing trend of official and governmental sources, not to mention the various armed groups that continue to have immense influence in the national houses of parliament, to threaten and harass media and media workers. The threats are clearly intended to silence debate about the new Afghanistan, and to stifle the development of an independent and critical media through which such debate would be conducted.
Religious hardliners continue to apply pressure on the Government of President Hamid Karzai to impose or support harsh measures against individuals and institutions who do not bow to fundamentalist ideas about the direction of Afghan society. This is despite the clear guarantee in Afghanistan’s Constitution of the right of citizens to freedom of expression. The most prominent example is that of Sayed Parvez Kambakhsh, a young journalist with the Jahan-e-Naw weekly and a student at Balkh University, Mazar-e-Sharif, who was sentenced to death after a four-minute closed-door hearing in January 2008, on charges of blasphemy." (Page 3)
more
"Wie arbeiten Journalisten in einem Land wie Afghanistan? Wie sah und vor allem wie sieht die Medienlandschaft und die Pressefreiheit in dem vom Krieg geschundenen Land am Hindukusch aus? Die vorliegende Arbeit liefert Antworten zu diesen bisher von der Forschung komplett vernachlässigten Fragen. D
...
ie Autorin bietet eine erste Bestandsaufnahme des Journalismus in Afghanistan und verbindet aufschlussreich zeitgeschichtliche Hintergründe und den aktuellen Transformationsprozess des Mediensystems. Mit dem analysierenden Teil und der aufwändigen empirischen Untersuchung versteht sich diese Studie als ein Basiswerk in der Journalismus- und Medienforschung in Afghanistan." (Verlagsbeschreibung)
more
"Die Annahme, dass eine kontrollierte Presse das Ziel einer Förderung demokratischer Strukturen immer ad absurdum führe, darf vor dem Hintergrund einer politischen Ausnahmesituation nach einem bewaffneten Konflikt durchaus hinterfragt werden. Die in diesem Zusammenhang geführte Diskussion über M
...
edienfreiheit versus Konflikteindämmung verdeutlicht die grundsätzlich verschiedenen Zielsetzungen und Ansäze zwischen internationalen NGOs und IGOs beim Medienaufbau. IGOs, wie die OSZE, plädierten in Bosnien für den Aufbau neuer Medienorgane unter Kontrolle von IGOs. Die OSZE befürchtete zu Recht, dass bereits bestehende und etablierte Medienorgane oft unter dem Einfluss von Konfliktparteien stehen. Das galt auch für die Übergangsregierung in Afghanistan. Für die NGOs hingegen ist die Förderung bereits bestehender lokaler Medienorgane die Voraussetzung für einen nachhaltigen Medienaufbau, der zugleich auch den Aufbau der Zivilgesellschaft unterstützt. Das Auswärtige Amt hat in den Schwerpunktsetzungen grundsätzlich einen richtigen Ansatz verfolgt. Allerdings sind die gegenwärtigen Rahmenbedingungen wie das Haushaltsrecht und der Mangel an Evaluierungsmechanismen sowohl seitens der Geldgeber als auch der Implementierungspartner unzureichend. Darüber hinaus wiederholen sich in Afghanistan die Probleme mangelnder Koordinierung. Internews und die UNESCO waren beide in Bosnien aktiv und schon dort mit unzureichender Koordinierung der internationalen Maßnahmen und der Parteilichkeit von nationalen Medienorganen konfrontiert. In Afghanistan übernahm die UNESCO im Frühjahr 2002 die Koordinierung der afghanischen Medienlandschaft und der internationalen Hilfsleistungen in diesem Bereich. Die mangelnde Kohärenz der Aktivitäten konnte dennoch nicht behoben werden. Trotz der früheren Erfahrungen aus anderen Post-Konfliktstaaten wurden die Fehler im Umgang mit Medien wiederholt." (Fazit, Seite 37)
more