"This article aims at understanding the popularity and cultural and social significance of the highly prominent Chinese television show Super Girls’ Voice (the 2005 season), a talent contest largely modeled upon “reality shows” such as American Idol in the United States and Pop Idol in the Uni
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ted Kingdom. We focus particularly on whether the show, as some critics have claimed, has altered the power relationship between the media and the audience. Theoretically, we follow Couldry’s (2000) framework and consider the media’s construction of the symbolic boundary separating the “media world” and the “ordinary world” as crucial to the legitimization of media power. Based on an analysis of media discourses, review of publicized materials about the show’s organization, and a focus group study on young female audience members, we contend that the Super Girls’ Voice has involved a temporary suspension of the media/ordinary boundary. Yet the boundary was re-established toward the end of the show, thus relegitimizing media power. The audience members, meanwhile, were largely complicit throughout the process: they both enjoyed the temporary suspension and the ultimate re-establishment of the media/ordinary boundary." (Abstract)
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"This paper reviews, critically, the discourse of research publication policy and the directives of the regional and global organisations that advise African countries with respect to their relevance to African scholarly communication. What emerges is a readiness to use the concepts and language of
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the public good, making claims for the power of technology to resolve issues of African development. However, when it comes to implementing scholarly publication policies, this vision of technological power and development-focused scientific output is undermined by a reversion to a conservative research culture that relies on competitive systems for valuing and accrediting scholarship, predicated upon the systems and values managed by powerful global commercial publishing consortia. The result is that the policies put in place to advance African research effectively act as an impediment to ambitions for a revival of a form of scholarship that could drive continental growth. While open access publishing models offer solutions to the marginalisation of African research, the paper argues that what is also needed is a re-evaluation of the values that underpin the recognition of scholarly publishing, to better align with the continent’s articulated research goals." (Abstract)
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"This study provides a summary of the state of implementation of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions of 2005. Focusing on fields in which the EU is expected to provide leadership or coordination, it is intended to provide ideas and long-term
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guidance on implementing the Convention. For that purpose, it analyses the obligations set out by this treaty. It assesses various practices in implementing the UNESCO Convention from a legal and practical viewpoint, and identifies challenges and measures to help achieve the objectives of this instrument." (Abstract)
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"Multicultural Comics: From Zap to Blue Beetle is the first comprehensive look at comic books by and about race and ethnicity. The thirteen essays tease out for the general reader the nuances of how such multicultural comics skillfully combine visual and verbal elements to tell richly compelling sto
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ries that gravitate around issues of race, ethnicity, gender, and sexuality within and outside the U.S. comic book industry. Among the explorations of mainstream and independent comic books are discussions of the work of Adrian Tomine, Grant Morrison, and Jessica Abel as well as Marv Wolfman and Gene Colan's The Tomb of Dracula; Native American Anishinaabe-related comics; mixed-media forms such as Kerry James Marshall's comic-book/community performance; DJ Spooky's visual remix of classic film; the role of comics in India; and race in the early Underground Comix movement. The collection includes a "one-stop shop" for multicultural comic book resources, such as archives, websites, and scholarly books. Each of the essays shows in a systematic, clear, and precise way how multicultural comic books work in and of themselves and also how they are interconnected with a worldwide tradition of comic-book storytelling." (Publisher description)
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"New media are powerful but have mixed effects on political organizations. To identify these consequences, we need to continue devising new frameworks of analysis. Knowing more about how new media relate to each other and to traditional media is critical. Being sensitive to the differences between,
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and relationships among, the various kinds of new media is also important. Blogs are different from text messages, and both are different from social networking sites. Categorizing these media in terms of their form and likely consequences would help advance research and policy. The consequences of new media for political polarization are especially important. Understanding when new media can have the one or the other consequence is key to future research and policy. Better research tools are urgently needed. Although some highly promising tools exist, they need to be developed so that they can parse languages other than English. New tools that can identify the tone of communication would help greatly but would also require major technological advances. The disparity between publicly available data on new media and those held by private companies (or, in some cases, publicly owned companies in other countries) is considerable. Public-private partnerships, or initiatives sponsored by well-respected nongovernmental bodies, are needed to create frameworks that would allow research on the consequences of new media." (Summary)
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"This book is the result of several years of observation, analysis, consultation and synthesis of the adaptation of ict s to local languages in Africa. The goal of the Pan Africa Localization project led by Don Osborn was to closely track the progress of ict s in African languages and clearly identi
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fy the priorities that the Pan African Network for Localization (anloc) will pursue in its work plan. This book is a revised version of the project’s final report. By collecting and compiling all the data presented in this book, Don has helped establish anloc’s research network and has provided an accurate picture of ict localisation in Africa. This publication will thus be useful for decision-makers intending to develop a language policy, developers working on language processing, researchers in the area of languages and information technologies, donor agencies that fund projects to support local languages, and ict users wanting to use these technologies in their local language." (Foreword, page x)
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"The translation of films from languages such as English, Hindi/Urdu or Chinese into Swahili is a phenomenon that has quickly grown into a successful business in Tanzania in the last couple of years. The films are mainly products of the USA, of India and China, but also of countries such as Thailand
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, Malaysia or Nigeria. The pirate copies that reach Tanzania, however, seem to be primarily imported from China (Interview with DJ Mark, 2009). In Tanzania, the films are subject to a series of transformations that help to increase the appeal of these films to their predominantly youthful Tanzanian audience. This essay focuses on these transformation processes and aims to show how films are shaped by the work of the translators (“watafsiri”), but also by the people who work in the video parlours (“vibanda vya video”), the places where these films are usually consumed. It is based on research that was carried out in Masasi (Mtwara region) and Nachingwea (Lindi region) in February 2009 and in Dar es Salaam, Morogoro (Morogoro region) and Bagamoyo (Tanga region) in September 2009." (Pages 138-139)
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"Based on a wealth of primary data collected during five years, Reality Television and Arab Politics analyzes how reality television stirred an explosive mix of religion, politics, and sexuality, fueling heated polemics over cultural authenticity, gender relations, and political participation in the
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Arab world. The controversies, Marwan M. Kraidy argues, are best understood as a social laboratory in which actors experiment with various forms of modernity, continuing a long-standing Arab preoccupation with specifying terms of engagement with Western modernity. Women and youth take center stage in this process. Against the backdrop of dramatic upheaval in the Middle East, this book challenges the notion of a monolithic “Arab Street” and offers an original perspective on Arab media, shifting attention away from a narrow focus on al-Jazeera and toward a vibrant media sphere that compels broad popular engagement and contentious political performance." (Publisher description)
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"The media have the capacity to speak to policymakers, civil society and the general public, and therefore have an important role to play in keeping debate and awareness of particular issues in the public domain. Research that supports existing debates can also bring evidence and corroborated facts
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to a debate where they might otherwise be absent [...] In conclusion, the main activities that need to be supported to this effect are the following: support of relationship-building and strengthening of trust among researchers, journalists and civil society activists; creation of the conditions for stronger institutional linkages and networks to develop among researchers, civil society and policymakers; development of journalists’ capacity to report on research findings, and their capacity to work more closely with civil society who can act as mediators with policymakers and researchers; development of researchers’ capacity to work more closely with the media, and with civil society advocates who can promote their work to the media and to policymakers." (Final conclusions, page 16)
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"As ACCU decided to conclude its programmes in book development in the fiscal year of 2009, “ACCU Experts Meeting on Book Development and Reading promotion in Asia and the Pacific” was held from 8 to 10 December 2009 in Tokyo, Japan. 20 experts and officials from the field of book development an
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d reading promotion, who closely worked with ACCU participated from 18 countries in Asia and the Pacific. The participants shared the current situation of the book development and reading promotion in their countries and how ACCU’s such activities contributed to their countries and in the region. On the third day of the Meeting, Culture Division and Education Division together held the Symposium “Asia-Pacific Regional Cooperation for the Promotion of Culture and Education” inviting 63 experts and government officials in book development and non-formal education gathered from 24 countries." (ACCU website, 23/2/2011)
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"Jenseits von Kulturkritik und Rechtfertigungsrhetorik untersucht Joachim Michael die Telenovela als Ergebnis des medialen Umbruchs der lateinamerikanischen Kulturen. Er zeigt, dass die Telenovela mehr als nur ein Format ist – sie markiert eine spezifische Kultur, deren eigentümliche Faszination
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sich aus dem televisionären Blickregime des Genres speist. Zudem ist sie in der lateinamerikanischen Moderne und ihrem Begehren nach nationaler Emanzipation verwurzelt. Hierin finden sich die Voraussetzungen für die allabendliche ›Tele-ImagiNation‹ der Gattung." (Verlagsbeschreibung)
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