"The book goes beyond critiques of the marginality of African approaches in media and communication studies to offer scholars the theoretical and empirical toolkit needed to start building critical corpora of African scholarship and theory that places the everyday worlds, needs and uses of Africans
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first. Decoloniality demands new epistemological interventions in African media, culture and communication, and this book is an important interlocutor in this space. In a globally interconnected world, changing patterns of authority and power pose new challenges to the ways in which media institutions are constituted and managed, as well as how communication and media policy is negotiated and the manner in which citizens engage with increasing media opportunities. The handbook focuses on the interrelationships of the local and the global and the concomitant consequences for media practice, education and citizen engagement in today’s Africa." (Publisher description)
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"La elección de la temática de esta convocatoria fue incitada por la conmemoración de los 70 años de la primera transmisión televisiva en el país realizada el 17 de octubre de 1951 por Canal 7 de Buenos Aires que era dependiente de LR3 Radio Belgrano, de propiedad del Estado nacional y que est
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aba a cargo del presidente Juan Domingo Perón. Pero el acontecimiento resulta una excusa para recoger las reflexiones que se están dando en el campo académico en torno a un objeto de estudio que había hegemonizado la producción intelectual durante las últimas décadas del siglo XX en las que la televisión asumía un papel relevante como articulador de la vida social, cultural y política de nuestro país. Partíamos de la presunción que en el presente ese rol hegemónico se diluía en un ecosistema medial más diverso y que los estudios de los medios de comunicación habían reconducido gran parte de su atención para comprender las dinámicas, afectaciones y apropiaciones de los medios digitales, y la televisión (como forma tecnológica y cultural) parecería transitar un proceso de envejecimiento y disolución que no la hacía merecedora de los esfuerzos intelectuales. Sin embargo lo que se advierte es que el abordaje del medio televisivo se ha reinventado ampliando sus límites, instalando la problematización en la diversidad de dispositivos y formas narrativas que configuran lo audiovisual transmedia." (Página 7)
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"Este libro constituye un estudio desde el Diseño y la Enunciación sobre la fotorreportería del periódico El tiempo 2002-2006, su propósito es indagar acerca del conflicto armado colombiano y revelar cuáles fueron los principales antecedentes que le dieron origen. De esta manera, la imagen fot
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ográfica toma lugar como la principal fuente de indagación y el recurso que establece las características y procederes del reportaje de guerra. El fenómeno del conflicto, a efectos de esta investigación, está delimitado entre los años 2002-2006, a fin de precisar las circunstancias identitarias del conflicto armado en Colombia que no se dan en otra temporalidad, probablemente porque las dimensiones de esta realidad fijaron modos de una narrativa de guerra significativa." (Descripción de la casa editorial)
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"Em seis pequenos capítulos, com mais de 40 ilustrações, é traçado um percurso pelos meandros do Discurso Mediático desde a definição de Texto e Discurso, passando pela caracterização do Discurso Mediático, pelos princípios intertextual e multimodal de construção discursiva, pelos resu
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ltados das pesquisas lusófonas que têm sido feitas nesta área (em especial sobre o discurso publicitário e o discurso jornalístico) e pela proposta de grelha de Análise especialmente dedicada à especificidade dos textos dos Media." (labcom.ubi.pt)
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"Jorge de Buen desarrolla en estas reflexiones una inteligente crítica a algunos de los usos habituales en la composición de textos y el diseño de libros, a la vez que revaloriza conceptos y procesos de la tipografía tradicional para destacar su importancia y utilidad en la edición actual, desm
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ontando otras prácticas cuestionables que se mantienen «porque siempre se ha hecho así». Porque, para que un libro llegue al lector con su apariencia de contundente sencillez, editores, diseñadores y correctores vuelcan en su trabajo amplios conocimientos y siglos de tradición. Pero, ¿todas estas tradiciones tienen una justificación lógica? ¿responden los programas informáticos que utilizamos hoy día a las necesidades de un buen diseño editorial? Conciso, contundente y no exento de humor, el autor analiza en este libro aspectos claves en la tipografía y ofrece soluciones lógicas a problemas comunes: la medida del tipo, la división de palbaras, la distribución de blancos, las formas de las citas, el uso de cifras [...]; así como critica algunos aspectos del software manifestamente mejorables." (Contratapa)
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"A diverse range of international and interdisciplinary scholars take a closer look at how gender and sexuality have been essential in the evolution of comics, and how gender and sexuality in comics demand that we re-frame and re-view comics history. Essays cover a wide array of intersectional topic
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s including Queer Underground and Alternative comics, Feminist Autobiography, Re-drawing disability, Latina testimony, and re-evaluating the critical whiteness and masculinity of superheroes in this first truly global reference text to gender and sexuality in comics." (Publisher description)
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"Africa's history of publishing is long and multilayered and within these layers is Heinemann's African Writers Series founded in 1962 to nurture indigenous creative writing. This research addresses the contemporary relevance of Heinemann's African Writers Series (AWS) in Nigeria. It examines the cu
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rrent value of the AWS for secondary school students, teachers and retailers, as the examination board in Nigeria continues to recommend the AWS among the prescribed texts for the study and assessment of literature in English. This study is important because these classics represent more than a set of prescribed texts of an academic program for the present-day audience. In fact the AWS is important not only for the history of publishing in Africa but also for teaching African literature. The research approach adopted in this dissertation is qualitative combined with empirical research which was obtained from questionnaires and semi-structured interviews. The findings from the research identified how the AWS shifted its focus from a general readership market to providing texts for school; it also critically analysed its general relevance on the African literary scene and focused on its enduring significance for secondary school students and teachers of literature in English. In addition, it provides insight into the role of school book retailers as agents of distribution for the authorised AWS texts. The principal conclusions drawn from this study are: the AWS has an enduring legacy. It epitomises historical, cultural, literary and symbolic value for students and teachers and is a pivotal point in the discussions on the culture of publishing in Africa. However, there is need to study the challenges of traditional adherence to canonical lists, to add contemporary voices who address current issues to the prescribed list and resolve the imbalance between demand and supply which affects availability of core texts and encourages piracy." (Abstract)
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"This paper presents the participatory video methodology as an effective tool to establish a two-way communication channel between researchers and marginalized communities. The discussion begins by describing the transition from one- to two-way communication in the research for development field, fo
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llowed by how participatory video opens a two-way communication process that contributes to research for development objectives. This is illustrated through a participatory video experience conducted within an agricultural research for development program in Nicaragua, where the methodology was linked to the program’s learning, innovation, and gender and youth empowerment objectives while supporting its productive, economic, and environmental objectives. The paper concludes with an analysis of the effectiveness of participatory video in establishing a two-way communication channel, considering its limitations and its possible applications in various research fields." (Abstract)
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"Dieser Bericht besteht aus drei Teilen. Im ersten Teil finden sich Informationen über den chinesischen Bucheinzelhandel im Jahr 2020, auf Basis einer im Januar 2021 veröffentlichten Marktanalyse von Open Book. Der zweite Teil enthält Branchenstatistiken der chinesischen Regierungsbehörden, die
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von der National Press and Publication Administration im Oktober 2020 veröffentlicht wurden. Diese Statistiken beschreiben die Entwicklung des chinesischen Verlagswesens in 2019. Die Zeitspanne und Schwerpunkte unterscheiden sich von der Analyse im ersten Teil. Der dritte Teil stellt einige wichtige Themen der Branche aus dem Jahr 2020 vor. Der Bericht Buchmarkt China 2020 wurde im April 2021 verfasst." (Seite 1)
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"Taking a broadly global approach, Harriet Earle discusses the history and development of the form internationally, as well as how to navigate comics as a new way of reading. Earle also pushes beyond the book to lay out the ways that fans engage with their comics of choice – and how this can impac
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t the industry. She also analyses how Comics can work for social change and political comment. Discussing journalism and life writing, she examines how the coming together of word and image gives us new ways to discuss our world and ourselves." (Publisher description)
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"This document was developed as an instrument to support civil society organizations (CSOs) in Colombia in the development of oral archives and in the organization of their archival collections. It draws from the experience of GIJTR partners International Coalition of Sites of Conscience (ICSC) and
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Public International Law & Policy Group (PILPG), and ICSC members Memoria Abierta (Argentina), Parque por la Paz Villa Grimaldi (Chile) and Centro de Memoria Monseñor Juan Gerardi (Guatemala), combined with lessons learned in supporting Colombian CSOs in preparing documentation for the Comisión para el Esclarecimiento de la Verdad) Truth Commission. This practical guide highlights basic principles in developing oral archives based on interviews, and in organizing human rights documentation archives. Section 1 focuses on the development of oral archives, and Section 2 offers basic advice on the first steps to help CSOs organize their archives." (About this toolkit)
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"As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed
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and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The second one is related to Agency and Politics and explores global governance, datafication, fake news, echo chambers, digital media activism. The last one, Users and Practices, is finally devoted to telepresence, digital loneliness, amateurism, user generated content, fandom and authenticity. The book aims to shed light on how concepts emerge and are co-shaped, circulated, used and reappropriated in different contexts." (Publisher description)
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"El retroceso económico causado por la pandemia no define a la región, sino simplemente acentúa sus características. En otras palabras, en América Latina se han robustecido las razones por las cuales sus pueblos han estado en las calles de sus ciudades, como refleja esta medición 2020 de Latin
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obarómetro, realizada en plena pandemia. Los resultados muestran que no hay ilusión, no se ha disipado el malestar anterior, sino que parece reafirmarse la decisión de no ceder en la demanda de una vida mejor. En este escenario, todas las demandas se vuelven más inelásticas. La pandemia puso en el celular de cada persona, las redes sociales y a través de las pantallas de la televisión, la imagen del mundo, como viven y son tratados los ciudadanos en otras partes del planeta. Se universalizó la demanda de “¡Dignidad Ya!”. El aumento de la conexión de Internet produce una revolución social al enseñarle al más analfabeto de los ciudadanos de la región, que lo tratan mal, que es discriminado, que tiene derechos y que puede reclamarlos. En ese sentido, la pandemia termina siendo una lección de humanidad y de democracia, del derecho a ser tratado como igual, toda vez que cada persona observa cómo funcionan las sociedades en otras latitudes. Por primera vez masivamente, el ciudadano toma consciencia de su condición y aprende qué hacer con ella." (Página 5-6)
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"Cultural heritage organizations face at least three main challenges. First, the volume of digital archives makes it extremely difficult for archivists to assess records. Applying Artificial Intelligence (AI) and machine learning (ML) to archives is still at an experimental stage, but AI/ ML could b
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ecome an integral part of archival processes. To manage the sheer bulk and potential sensitivity of records, archivists will also rely on creators to help them make appraisal and selection decisions at the point of deposit. Second, most born-digital collections are currently closed due to a wide range of reasons (including technical issues, copyright, and data protection). Regardless of whether archives are digital or not, archivists need to balance individual rights and the public interest in the context of the General Data Protection Regulation (GDPR) in Europe. Nobody would reasonably claim that all born-digital data should be unlocked and openly accessible. Yet, it is important to recognize that “dark” archives contain vast amounts of data essential to scholars – including email correspondence, drafts of manuscripts, digital photos and videos. Within current legal frameworks, making born-digital archives more accessible is an urgent priority to fully make sense of our cultural heritage. Third, data science and AI are becoming essential tools, but very few scholars (particularly in the humanities) have been trained to master these research methods, a skills gap which in turn has an impact on the training we offer to students." (Introduction, page 7-8)
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"The book covers the definitions and uses of six philosophies, analytical methods, cultural awareness, visual reporting, documentary, citizen journalists, advertising, public relations, typography, graphic design, data visualizations, cartoons, motion pictures, television, computers and the web, aug
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mented and virtual reality, social media, the editing process, and the need for empathy. At the end of each are case studies for further analysis and interviews with thoughtful practitioners in each field of study, including Steven Heller and Nigel Holmes. This second edition has also been fully revised and updated throughout to reflect on the impact of new and emerging technologies." (Publisher description)
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