"A estrutura de oligopólio na televisão brasileira consolidou-se nos anos 80 e pouco variou até os dias de hoje, sendo marcada basicamente pelo estabelecimento de um sistema central de poucas redes nacionais privadas (Globo, SBT, Bandeirantes e Manchete, depois substituída pela RedeTV!) e tendo
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tido apenas a chegada da Record e da EBC como mudança representativa .. podemos concluir que um passo fundamental para a democratização da comunicação seria dado caso o Estado assumisse seu papel de regulador e garantidor de direitos. Existem leis e propostas que apontam no sentido da desconcentração, como a da regionalização da produção e do funcionamento efetivo de um Conselho Nacional de Comunicação, como lócus privilegiado de diálogo com os diferentes grupos sociais. Tais medidas, entretanto, não têm sido colocadas em prática." (Conclusão, página 20)
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"Vor dem Hintergrund der wirtschaftlichen Transformationsstrategie der VAE - Stichworte Emiratisierung und Diversifizierung - erscheint Dubais Medienpolitik in erster Linie als Medienwirtschaftspolitik, die dazu dient, den eigenen Standort im regionalen und globalen Wettbewerb um Investitionen zu st
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ärken. Die Media Cities sind weniger ein kulturpolitisches Projekt als ein Instrument in der wirtschaftlichen Transformationsstrategie des Emirats hin zu einer modernen kapitalistischen Produktionsweise." (Fazit, Seite 59)
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"Since the mid-2000s, an ever-increasing number of Turkish dramas have been exported to several markets and commanded high prices and ratings. To explain the transnationalization of Turkish dramas, this article explores the political economic imperatives as opposed to the commonly cited cultural pro
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ximity thesis. Based on in-depth interviews with television producers, distributors and executives, it analyses the burgeoning of the Turkish production sector, the search for additional revenue streams in foreign markets by Turkish producers, their integration into global networks of television trade, governmental support and the converging local and global dynamics that created favourable export conditions for Turkish dramas." (Abstract)
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"Consideramos que la adquisición en propiedad del grupo “Epensa” por parte del grupo empresarial “El Comercio”, en virtud de la cual este último grupo concentra ahora el 78% de la lectoría (tiraje) de los medios de comunicación escritos en el Perú, afecta seriamente la libertad de expre
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sión –en especial en el ámbito colectivo y en el aspecto de la indispensable pluralidad y diversidad de la información pública- consagrada en el artículo 13° de la Convención Americana sobre Derechos Humanos (CADH)." (Conclusiones, página 51)
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"Despite the importance of media ownership transparency for both the individual and the state, only two of the surveyed countries—Italy and Romania—address media transparency directly in their constitutions but in both cases the focus is on transparency of fi nancial sources not ownership. In th
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e Turkish Constitution the state is empowered to require information as a precondition to publication. None of these constitutions therefore impose an express positive obligation on the state to ensure that the public has access to information on media ownership. Although the Constitution of Norway does not expressly refer to media ownership transparency, Norwegian media ownership rules, which do provide for ownership transparency, refer back to the provisions on freedom of expression in article 100 of the Constitution. These impose on the state a positive duty to create conditions that “facilitate open and enlightened public discourse”, thus underlining the link between freedom of expression and media ownership transparency." (Key findings, page 3)
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"The newspaper market in China, India and Indonesia is booming. In their euphoria, many media representatives, however, overlook the fact that the Internet revolution has yet to come to this part of the world. In places where people have good access to the Internet, such as Japan and Singapore, Asia
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n newspapers are also battling falling circulation figures. Publishers should make a start now to adjust to the new era." (KAS website, 21.5.2014)
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"La cultura es la riqueza de los pueblos que defienden su identidad y que tratan de reinventarse en un mundoglobalizado, multicultural y diverso. Es imprescindible, pues, impulsar la reflexión sobre el papel de la cultura en su desarrollo. Esta segunda edición del estudios "Cultura y desarrollo ec
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onómico en Iberoamérica" aborda el efecto de la cultura en el desarrollo económico de nuestros paíse, y llega a una conclusión impactante: los aportes de la cultura al desarrollo económico de los países son muy superiores a los presupuestos que los mismos países beneficiados invierten en el desarrollo de la cultura. Finalmente, el estudio pon en relieve que aún falta mucho camino por recorrer para que todos los países lleguen a destinar al menos el 1% de su presupuesto a la inversión cultural, tal como se aprobó en la Conferencia de Ministros de Cultura celebrada en Chile, en Julio de 2007." (Tapa posterior)
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"The transformation of the U. S. Hispanic and Latin American television industrial landscape is slowly reshaping the composition of interregional programming flows, with an increasing presence of transnational corporations competing in different modalities in national markets. While long-standing do
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minant Latin American media corporations still hold a disproportionately hegemonic position in their domestic markets, the production of culturally proximate products is no longer the prerogative of national networks. The transnational invites us to reflect on the new sets of collaborations and transnational industrial structures of production, distribution, exhibition, and consumption resulting from the interrelated institutional relationships among television corporations across the region." (Abstract)
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"Since the turn of the 21st century, the Caribbean news industry has experienced an economic phase of growth, a trend that contradicts the experience in the United States and Europe, and rapid changes brought on by technological innovations. However, Caribbean journalism is constrained by political,
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economic, and social forces that limit its effectiveness in upholding the ideals of democracy. This article examines journalism and the news industry in the English-speaking Caribbean. The analysis focuses mainly on the newspaper industry but also includes broadcast media. Media economic theories are used to explain the key forces that are influencing the growth of Caribbean media and the impact on the practice and profession of journalism in the region." (Abstract)
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"Grounded in the critical political economy of the media tradition, it is argued in the article that, in the highly commercialized media environment in Kenya today, market forces pose the greatest threat to media freedom and responsibility. Through in-depth qualitative interviews of twenty journalis
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ts from the Nation Media Group (NMG), the article shows how the expectation of private media to be purveyors of public interest while trying to maximize profits for shareholders leads to a clash of journalistic and capitalist values. The article answers the following questions: how do advertisers meddle in journalists’ ethical decisions at the Nation Media? How do journalists respond to advertisers’ influence? How does their response compromise their professional ethics? The findings show that there is a clash of journalistic values and capitalist values as journalists strive to meet shareholders’ expectations and maximize profits for owners." (Abstract)
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"This article essentially shows how the development of commercial television in Indonesia has conflicted with the country’s media democratization, as illustrated by the growth of local media in the past 15 years. Compared to print media and radio, which are decentralized, Indonesia’s television
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industry is dominated by five large media corporations that are all based in the capital city of Jakarta. As a consequence, this fails to leave much growing space to television stations at a local level, which would be needed to strengthen Indonesia’s democratization. Media owners have successfully influenced the government in establishing a set of policies that sustain their dominance of the industry. Players within the television industry have even successfully swayed the direction of the broadcasting decentralization mandated by the Broadcasting Bill during Indonesia’s early political Reform period. The influence of these ‘Jakarta television stations’ stunted the development of television stations outside of Jakarta. Not only it deprives local actors of the economic value of developing their own television industry would bring, it also has resulted in the the loss of television's potential in functioning as a public sphere facilitating social control over democratic processes. Although the Reform era promised a new age of media democratization, the centralization of commercial television actually worsened media monopolies that were thought to have been done away with in post-Suharto Indonesia." (Abstract)
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