"The Oral History Manual is designed to help anyone interested in doing oral history research to think like an oral historian. Recognizing that oral history is a research methodology, the authors define oral history and then discuss the methodology in the context of the oral history life cycle – t
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he guiding steps that take a practitioner from idea through access/use. They examine how to articulate the purpose of an interview, determine legal and ethical parameters, identify narrators and interviewers, choose equipment, develop budgets and record-keeping systems, prepare for and record interviews, care for interview materials, and use the interview information." (Publisher description)
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"This book analyses the online presence of African language media. The chapters in the book focus on the speed, structure, content, navigation and interactivity, operations and performance, and audience of the online media. They also pay particular attention to how social media such as Facebook, Twi
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tter and WhatsApp have been appropriated by African language media. Using a wide range of case studies, the contributors assess the challenges of adopting digital technologies by the media, and how the technologies have impacted journalistic practice and media operations." (Publisher description)
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"The overall aim of the workshop was to promote discussion among the archives on their respective practices, to reflect on the practice of interviewing with the involved historians and, last but not least, to find ways to make better use of the interviews available in the archives [...] The first pa
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rt of this reader contains the self-portrayals of the archives involved in the network and presentations of their contemporary witness projects, while the second part features reports from the historians on their practice, including reflections on their approaches. The appendix contains detailed overviews of the archived interviews of contemporary witnesses. Together with the texts, they are intended to give an impression of the interesting interviews that can already be found in the Ecology Archives and to arouse curiosity about their scientific use." (Editorial, page 4)
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"Escuchar a los pueblos indígenas y a todas las comunidades que viven en la Amazonía, como los primeros interlocutores de este Sínodo, es de vital importancia también para la Iglesia universal. Para ello necesitamos una mayor cercanía. Queremos saber ¿Cómo imaginan su “futuro sereno” y el
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“buen vivir” de las futuras generaciones? ¿Cómo podemos colaborar en la construcción de un mundo que debe romper con las estructuras que quitan vida y con las mentalidades de colonización para construir redes de solidaridad e interculturalidad? y, sobre todo, ¿Cuál es la misión particular de la Iglesia hoy ante esta realidad? Este Documento Preparatorio está dividido en tres partes correspondientes al método “ver, juzgar (discernir) y actuar”. Al final del texto se presentan preguntas que permitan un diálogo y una progresiva aproximación a la realidad y expectativa regional de una «cultura del encuentro» (EG 220). Los nuevos caminos para la evangelización y el plasmar una Iglesia con rostro amazónico pasan por las veredas de esa «cultura del encuentro» en la vida cotidiana, «en una armonía pluriforme» (EG 220) y «feliz sobriedad» (LS 224-225), como contribuciones para la construcción del Reino." (Preámbulo, página 2-3)
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"En virtud de sus derechos de autonomía y autodeterminación consagrados en la Constitución Política de Colombia, los Pueblos Indígenas, en un hecho sin precedentes por iniciativa propia, al final como parte de uno de los acuerdos del Plan Nacional de Desarrollo (2010 – 2014), formularon este
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documento y desarrollaron los componentes fundamentales para que el Estado colombiano cuente con un marco orientador de acciones que garanticen las formas propias de la comunicación indígena y la comunicación con medios apropiados [...] El documento de la PPCPI está estructurado en 11 capítulos, basados en conjunto por juiciosos análisis diagnósticos y por la voluntad de priorizar unas líneas de acción que hagan viable la ejecución de la política; ellos son: fundamentos de una Política Pública de Comunicación Indígena en Colombia; antecedentes que condujeron e hicieron posible la construcción de la Política; definición de los principios y conceptos que guiarán la implementación de la Política; metodología para la formulación de la PPCPI; marco conceptual para establecer las diferencias entre la comunicación propia y la apropiada; diagnóstico con problemáticas priorizadas; formulación del Plan Estratégico de Acción; desarrollos jurídicos y retos legislativos para superar los obstáculos del ordenamiento normativo vigente; descripción del esquema mixto e interinstitucional para la operación y gestión de la PPCI; mecanismos financieros para la implementación; y Plan de seguimiento." (Presentación, página 8-10)
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"Este libro es resultado del proyecto "Acercandonos a las realidades socioculturales, luchas y resistencias de las comunidades indigenas de America Latina", realizado por el InCom-UAB durante el curso 2015-2016 gracias a la financiacion de la Fundacio Autonoma Solidaria (FAS-UAB) y el apoyo de la Ca
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tedra Unesco de Comunicacion (InCom-UAB). El principal objetivo de esta iniciativa fue dar a conocer a la comunidad universitaria las realidades y cosmovisiones de los pueblos originarios desde una perspectiva critica, asi como crear espacios de debate e interaccion entre equipos de investigacion especializados. Las desigualdades globales, los derechos humanos, el genero, el medio ambiente y las aportaciones a la sociedad mayoritaria fueron los principales ejes de discusion." (Prólogo)
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"This reports examines the situation of freedom of expression of indigenous journalists in four countries and analyzes data, where available, of Indigenous Peoples’ access to mechanisms charged with ensuring their safety. We present grassroots information from Nepal in English, and from Guatemala,
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Honduras, and Mexico in Spanish, along with general recommendations for improving the specific experience of Indigenous journalists and community communicators. Please note this information is far from exhaustive and represents only situations that were brought to this organization’s attention." (Introduction, page 1)
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"This unique transdisciplinary publication is the result of collaboration between UNESCO’s Local and Indigenous Knowledge Systems (LINKS) programme, the United Nations University’s Traditional Knowledge Initiative, the Intergovernmental Panel on Climate Change (IPCC), and other organizations. Ch
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apters written by indigenous peoples, scientists and development experts provide insight into how diverse societies observe and adapt to changing environments. A broad range of case studies illustrate how these societies, building upon traditional knowledge handed down through generations, are already developing their own solutions for dealing with a rapidly changing climate and how this might be useful on a global scale." (Back cover)
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"This article attempts to examine the efficacy of indigenous-language newspapers published in South Africa during the colonial era. In doing so, the article is particularly interested to see how the success achieved by those publications could be replicated to boost post-apartheid indigenous-languag
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e media in their encounter with the hegemonic onslaught of the mainstream media whose scope and hegemony continue to expand at an alarming rate. The article embraces the notion of the public sphere and the theory of hegemony to make sense of how indigenous media permeated the language and political discourse and emerged as a strong voice for the oppressed, reinforcing at once what Herman and Chomsky (2002) refer to as ‘class consciousness’. The notion of the public sphere is found to be particularly profitable in highlighting the exclusion/inclusion of wide-ranging voices in the public affairs while the robustness of the theory of hegemony lies in its strengths to unravel the political imperatives and the ideological contest that characterized the colonial era. The article argues that indigenous publications succeeded in becoming viable platforms for the indigenous communities who had been pushed beyond the margins of citizenship. The article concludes that indigenous-language media were particularly important for their political mobilization and contribution to media diversity through the range of voices that they orchestrated." (Abstract)
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"The UNESCO Policy on engaging with indigenous peoples guides the Organization’s work, in all areas of its mandate, that involve or are relevant for indigenous peoples and of potential benefit or risk to them. It ensures that the Organization’s policies, planning, programming and implementation
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uphold the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP)." (Background, page 4)
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"IsiZulu is one of South Africa’s Lingua francas and has two successful news publications, iLanga and iSolezwe, both written in isiZulu but vastly different in how they convey, craft and package news. This article aims to examine how iSolezwe, an isiZulu-language tabloid, used two editorials to sh
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ape its stance on the May 2008 xenophobic riots. Through the editorials agenda-setting execution, we are able to analyse the tabloids ideology; even when the news reports, and photo-journalistic pieces offered ‘impartially full’ accounts, but, metaphors stray from headline to headline, photographs that are meaningless in themselves become significant when juxtaposed to a piece of text (Fowler 1991: 225) [...] ISolezwe’s coverage began with ambivalence, exhibiting sympathy towards the frustrated South African perpetrators, but was shocked at the level of violence. The news reports were more ‘balanced’ in their coverage, without assuming a position in contrast to the editorials. Examining the entire coverage, a theme is evident, from ambivalent editorials, to news reports that were more balanced. The second editorial dovetailed from the then president of the African National Congress (ANC) Jacob Zuma’s condemnation of the violence but the tabloid did not condemn the xenophobic riots outright, and its reporting ends with a repatriation theme and the tabloid never explored notions of integration." (Abstract)
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"This article synthesizes the theoretical developments concerning Latin American indigenous communication formulated in the last decade (2005–2015). By conducting a review of the main theoretical frameworks that have deepened the issue, we observe a gradual progression from the dominance of extern
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al views to the emergence of indigenous people’s own perspectives. We propose four analytical theoretical approaches that depict continuities (media and information and communication technology [ICT] appropriation; policies and regulation) and discontinuities (indigenous media; communication from Buen Vivir) regarding traditional Latin American frameworks. We also discuss the limitations of the original literature on this topic, and we provide a set of conclusions and recommendations for further studies." (Abstract)
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"In this article, we posit that Maori radio as it is structured in Aotearoa/New Zealand is at the same time national, international and transnational. Based on a research project that we carried out with the radio station Tautoko FM, we show that this station caters for national Ngapuhi audiences, t
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hat it engages in international networking with other iwi-based radio stations and that it has invested in transnational connections with diasporic audiences. As a result, it has constructed a public sphere for both national and transnational indigenous audiences. This is facilitated by the changing nature of radio as a medium, which is evolving into a multimedia experience incorporating broadcasting, live streaming, websites and social media. Maori radio in Aotearoa/New Zealand is one example of a global trend in which indigenous communities have adapted new media technologies to re-centre notions of national identity. The digital media landscape allows them to form indigenous media networks, to narrate indigenous experiences in new ways and to acquire attention for indigenous struggles." (Abstract)
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"This literature survey is an attempt to bring together some of the literature on an important and challenging, and one could well say neglected aspect of the African book sector, that of publishing in African languages, an area that greatly impacts literary production in many ways. It aims to make
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a small contribution to the ongoing debate about publishing of indigenous language materials, how the profile of indigenous language publishing might be enhanced—and how publishing in African languages could be conducted as a societally beneficial, sustainable, and profitable commercial activity. Following an introductory overview of current publishing in African languages – and a discussion of its many barriers to success – it lists a total of 170 records, covering the literature (in English) published since the 1970s and through to early 2018. Fully annotated and/or with abstracts, it includes books, chapters in books and edited collections, reports, journal articles, Internet documents, theses and dissertations, as well as a number of blog postings. As is evident from the literature survey, the topic of publishing in African languages still amounts to a relatively modest body of literature, although it has been growing in recent years. There have been a good number of significant, indeed even ground-breaking studies and investigations about multilingual publishing in Africa, but the literature review also demonstrates that many African countries are still poorly served in terms of research on publishing in indigenous languages." (https://www.academia.edu)
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"Las expresiones de música y danza afrobolivianas trascienden la folclorización, al son de las “Cajas” (tambores), dónde el “Ganyingo” es el más pequeño y más agudo, y junto al “reque reque” de la Guancha, cargados de cadencia y espiritualidad el pueblo afroboliviano con “La Saya
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” ha logrado un eje articulador del “Movimiento Afroboliviano” que les ha valido para visibilizar su cultura en un país denominado plurinacional y diverso, pero que resulta esencialista en lo indígena respecto a los discursos constitucionales y la praxis del diario vivir. Existe una indivisibilidad entre la música, el baile, la historia, las vivencias, la lucha por el desarrollo integral, y la reivindicación política del pueblo afroboliviano que cada vez cobra mayor fuerza, y una necesidad aguda de preservar y revitalizar las otras expresiones músico-dancistas; por medio de la investigación y recuperación de la memoria viva del pueblo Afroboliviano, presente en “los tíos y tías” “abuelos abuelas.” [...] El libro fue desarrollado por el Fundación Intercultural Martín Luther King de Bolivia, ganador del “Fondo del Embajador para la Preservación Cultural” de la Embajada de Americana en Bolivia, y que desde el año 2006 promueve el reconocimiento a la lógica cultural afroboliviana y su participación activa dentro del territorio de Bolivia. Abordamos la historiografía de la afrodescendencia en Bolivia, a través de su música, danza y espiritualidad, desde una perspectiva crítica documentada, basada en investigaciones e inquietudes emprendidas desde la lógica “Casa adentro” (desde y para el pueblo Afroboliviano). Esta publicación tiene como finalidad rescatar y revitalizar las músicas y bailes tradicionales afrobolivianos (Saya, Zemba, Huayño negro, Mauchi y la Chihuanita) y busca contrarrestar el peligroso silencio académico y político. Es parte de una estrategia comunicacional que incluyó acciones de reivindicación y empoderamiento del pueblo afroboliviano como: conferencias, simposios, talleres, publicaciones e incidencia en medios masivos de comunicación desarrollados en el periodo del 2015-2017, que culmina con la producción de un video documental." (Presentación, página 21-22)
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"Elements of Indigenous Style provides guidelines to help writers, editors, and publishers produce material that reflects indigenous people in an appropriate and respectful manner. Gregory Younging, a member of the Opaskwayak Cree Nation in Northern Manitoba, has been the managing editor of Theytus
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Books, the first Aboriginal-owned publishing house in Canada, for over 13 years. Elements of Indigenous Style evolved from the house style guide Gregory developed at Theytus in order to ensure content was consistent and respectful. This guide contains: a historical overview of the portrayal of Indigenous peoples in literature; common errors and how to avoid them when writing about Indigenous peoples; guidance on working in a culturally sensitive way; a discussion of problematic and preferred terminology; suggestions for editorial guidelines." (Publisher description)
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"This article offers a critique of widely disseminated portrayals of northern Malian Tuareg by outside media, which tend to portray all Tuareg as warriors and criminals and to project pseudo-scientific concepts of “race” onto relationships between Tuareg and other Malians, recalling the now disc
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redited colonial “Hamitic Myth” in Rwanda. It also analyzes local oral historical accounts that present themes of Mali as both a protected fortress and welcoming crossroads, a country that both resists and absorbs intruders, and that also express concepts of identity based on language, culture, and flexible social affiliation. The article is based partly on interviews with internationally known local musicians who function as mediating “third voices,” and concludes with a discussion of wider implications of these findings for notions of voice, authority, and the mutual construction of ideas of Africa." (Abstract)
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"The trade publishing sector in South Africa produces books primarily in English and Afrikaans, which is not representative of the spread of languages spoken in the country. In particular, there are very few books published for general readers in the local African languages. The Indigenous Language
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Publishing Programme (ILPP) is a government-sponsored initiative that aims to improve this situation. This article assesses the impact and sustainability of the ILPP as an attempt to represent the official languages more equally in the publishing industry. Our study, based on an analysis of documents and interviews, found that the national language and book policies have not been well implemented, which is a failure in terms of reaching constitutional ideals. Moreover, despite the ILPP being an attempt at creating language equality, the initiative seems not to be sustainable because it is reliant on external funding. The Department of Arts and Culture (DAC) is not willing to fund such a project on an ongoing basis, which puts the programme’s longevity at risk. As a result, the ILPP’s influence remains limited. The minority languages remain under-represented and this raises questions about whether there is in fact a viable market for books in all of the South African languages." (Abstract)
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