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Collective Memory & Media, Media Representation of History
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13
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Conflict Prevention, Mediation & Reconciliation: Role of Media
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Facebook
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Apartheid
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Language
Document type
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Media focus
Publication Years
Methods applied
Journals
Output Type
Transmitted Wounds: Media and the Mediation of Trauma
New York: Oxford University Press (2019), vii, 186 pp.
"Transmitted Wounds explores the ways media shape the social life of trauma both clinically and culturally. Through a series of case studies - from the radiocasts of the Eichmann trial to virtual reality therapy for PTSD - Pinchevski offers a bold thesis about the deep association of media and traum
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Vergeben und vergessen? Erinnerungskultur
iz3w, issue 373 (2019), pp. 16-37
"In den 1980er Jahren verstärkte sich das Unbehagen an der Gedenkkultur mit ihren Heldenerzählungen und nationalen Beschränkungen. Mit der größeren Komplexität des Gedenkens und der Hinwendung zu den sozialen Kosten historischer Ereignisse prägte sich eine neue Erinnerungskultur aus. Diese is
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Nosotros, Colombia ... Comunicación, paz y (pos)conflicto
Chía: Universidad de La Sabana;Editorial EAFIT (2019), 279 pp.
"La paz parece haber sido esquiva en la historia de Colombia. Los vaivenes en los procesos de negociación, las promesas incumplidas y la polarización política han hecho de Colombia una nación en un estado de continua crisis y que, a pesar de sí misma —retomando la vieja frase de Bushnell— h
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El arte desde el pasado fracturado peruano
Lima: IEP Ediciones (2018), 343 pp.
"La Comisión de Verdad y Reconciliación no solo documentó la violencia política de las décadas del ochenta y noventa, sino que también le dio a los peruanos una oportunidad única para examinar las causas y la naturaleza de esa violencia. En El arte después de un pasado fracturado peruano, ac
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Formen des Vergessens
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2018), 224 pp.
Filmische Zeugenschaft im Abseits: Kulturelle Dekolonisierungsprozesse und Dokumentarfilme zwischen Mosambik und Portugal
Bielefeld: transcript (2018), 284 pp.
"Wie wird koloniale Gewalt historisch thematisiert? Wie gehen dokumentarische Filme und geschichtspolitische Diskurse mit ihr um? Robert Stock nähert sich diesen Fragen mit kritischem Blick auf den Kolonialkrieg Portugals in Afrika und den nationalen Befreiungskampf Mosambiks. Dabei fokussiert er s
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Digital Asia
Berlin: Heinrich Böll Stiftung (2018), 40 pp.
Illustrated (Hi)stories
Bonn: Bundeszentrale für politische Bildung (bpb) (2018), 207 pp.
"Das Gedenken an den Ersten Weltkrieg in Deutschland und Europa ist nach wie vor sehr auf die europäische Perspektive beschränkt. Tatsächlich war der Krieg ein globaler: Millionen Soldaten aus kolonisierten Gebieten nahmen an den Kämpfen teil. Die Kolonialtruppen bildeten ein wesentliches Elemen
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Digital Memory Studies: Media Pasts in Transition
New York; London: Routledge (2018), xii, 313 pp.
"Digital media, networks and archives reimagine and revitalize individual, social and cultural memory but they also ensnare it, bringing it under new forms of control. Understanding these paradoxical conditions of remembering and forgetting through today’s technologies needs bold interdisciplinary
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Trauma, Memory and Religion
Journal for Religion, Film and Media (JRFM), volume 4, issue 1 (2018), pp. 7-77
Memorias: 12 historias periodísticas
Bogotá: Consejo de Redacción;Konrad-Adenauer-Stiftung (KAS) (2017), 249 pp.
"La publicación “Memorias: 12 historias que nos deja la guerra” es una apuesta y un acercamiento a los diversos acontecimientos que se entretejen en las regiones colombianas, a las memorias que víctimas, excombatientes, comunidades indígenas, afrodescendientes, líderes sociales y el país en
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The Asaba Massacre: Trauma, Memory, and the Nigerian Civil War
Cambridge: Cambridge University Press (2017), xvii, 239 pp.
"In October 1967, early in the Nigerian Civil War, government troops entered Asaba in pursuit of the retreating Biafran army, slaughtering thousands of civilians and leaving the town in ruins. News of the atrocity was suppressed by the Nigerian government, with the complicity of Britain, and its sig
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O Holocausto no cinema
Revista do Instituto Humanitas Unisinos, issue 501 (2017), pp. 14-49
Holocaust memory in a globalizing world
Göttingen: Wallstein Verlag (2017), 278 pp.
"Remembering the Holocaust is a central part of historical awareness and political culture in reunified Germany, Israel, and the United States. But can the same be said for other parts of the world? How have societies that were not affected by occupation and extermination measures under the Nazi reg
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Pistas para narrar la memoria: Periodismo que reconstruye las verdades
Bogotá: Consejo de Redacción;Konrad-Adenauer-Stiftung (KAS) (2016), 204 pp.
Disaster Drawn: Visual Witness, Comics, and Documentary Form
Cambridge, Mass.; London: Belknap Press;Harvard University Press (2016), 359 pp.
"In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by d
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Memory in a Mediated World: Remembrance and Reconstruction
Houndmills, Basingstoke; New York: Palgrave Macmillan (2016), 307 pp.
"Considering both retrospective memories and the prospective employment of memories, Memory in a Mediated World examines troubled times that demand resolution, recovery and restoration. Its contributions provide empirically grounded analyses of how media are employed by individuals and social groups
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Der Film Hara Harwaa Reihaby von Emma Chodzaa als Instrument der staatlichen Beeinflussung des kollektiven Gedächtnisses in Abchasien
Frankfurt, Oder: Europa-Universität Vidriana, Bachelor Thesis (2016), 53 pp.
"Die Fallanalyse hat gezeigt, dass eine Erzählung vom Krieg 1992-93 propagiert wird, die einer abchasischen Version des Narrationsschemas 'Die Vertreibung von fremden Feinden' entspricht. Ein zentrales Element der Erzählung ist zudem, so ergab die Interpretation, eine betont positive Darstellung d
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Disputed Memory: Emotions and Memory Politics in Central, Eastern and South-Eastern Europe
Berlin; Boston: De Gruyter (2016), vi, 383 pp.
"The world wars, genocides and extremist ideologies of the 20th century are remembered very differently across Central, Eastern and Southeastern Europe, resulting sometimes in fierce memory disputes. This book investigates the complexity and contention of the layers of memory of the troubled 20th ce
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Zimbabwe’s State-Controlled Public Media and the Mediation of the 1980s Genocide 30 Years On
Journal of African Media Studies, volume 8, issue 2 (2016), pp. 145-165
"Since the end of genocide in 1987 Zimbabwe has remained a zone of ‘conflicts’, and the enduring debates surrounding this genocide, especially in public-owned but state-Controlled media, call for critical attention. Three years after independence, in 1980, Zimbabwe was plunged into a genocide na
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