"Contemporary Latin American Cinema investigates the ways in which neoliberal measures of privatization, de-regularization and austerity introduced in Latin America during the 1990s have impacted film production and film narratives. The collection examines the relationship between economic policies
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and the films that depict recent transformations in many Latin American countries, demonstrating how contemporary Latin American film has not only criticized and resisted, but also benefitted from neoliberal advancements. Based on films produced in Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico and Peru since 2010, the fourteen case studies illustrate neoliberalism's effects, from big industries to small national cinemas. It also shows the new types of producers that have emerged, and the novel patterns of distribution, exhibition and consumption that shape and influence the Latin American filmscape." (Publisher description)
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"El libro recopila los reportajes de la serie “Innovadores en el Periodismo Latinoamericano”, publicada en el blog del Centro Knight entre los meses de diciembre de 2017 y abril de 2018. Además, ofrece consejos prácticos sobre innovación periodística digital sobre distintos temas." (Página
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"This book was presented in April 2018 at the 11th Iberian American Colloquium on Digital Journalism, organized by the Knight Center for Journalism in the Americas at the University of Texas at Austin. The book compiles reports from the series “Innovators in Latin American Journalism,” published
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on the Knight Center’s blog from December 2017 to April 2018. Additionally, it offers practical advice from Latin American journalists on themes including crowdfunding, design thinking, revenue and transnational collaboration." (Title page)
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"Mexico’s booming media industry is controlled by some of the richest businessmen on earth. While the sector grows at a rate three times that of the overall economy, an alarming concentration of media ownership goes hand in hand with the well-known lack of safety for Mexico’s journalists, many o
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f whom cannot even make a living from their precarious salaries, increasing their vulnerability to pressures of all kinds. The almost traditional concentration of a lot of power in the hands of very few media magnates and politicians also comes as a result of blatant regulatory flaws." (http://www.mom-rsf.org/en/countries/Mexico)
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"These are the background case notes complied for MEMO 2018.1: Challenging Truth and Trust: A Global Inventory of Organized Social Media Manipulation. For details on the methods behind this content analysis please see the methodology section of the report. This document contains data from over 500 s
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ources organized by country. The sources include high quality news articles, academic papers, white papers, and a range of other grey literature. As an annotated bibliography, the country cases here make use of significant passages from these secondary sources, and every effort has been made to preserve full citation details for future researchers. The full list of references can be found in our public Zotero folder, with each reference tagged with a country name." (Page 3)
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"Publics around the world overwhelmingly agree that the news media should be unbiased in their coverage of political issues, according to a new Pew Research Center survey of 38 countries. Yet, when asked how their news media are doing on reporting different political issues fairly, people are far mo
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re mixed in their sentiments, with many saying their media do not deliver. And, in many countries, there are sharp political differences in views of the media – with the largest gap among Americans. To build off Pew Research Center’s earlier findings about U.S. news media habits and attitudes, this new cross-national survey begins to study these dynamics globally. The survey finds that a median of 75% across 38 countries say it is never acceptable for a news organization to favor one political party over others when reporting the news. Just 20% say this is sometimes okay. People in Europe show the greatest opposition to political bias in their news." (Page 3)
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"This Yearbook is divided into three parts. The first is an introduction chapter, containing a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view, which makes possible to observe the development of fiction in each count
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ry, highlighting their main productions, as well as the theme of the year. The second part consists in 11 chapters, one for each country, with an internal structure of fixed topics, but with new additions every year. The sections that compound each chapter are the following: 1) Country’s audiovisual context: this section presents general information about the audiovisual sector regarding the production of television fiction, such as history, trends and relevant events. 2) Analysis of premiere fictions: it is made through quantitative tables that show specific data about national and Ibero-American TV fictions released in each country. In this section the ten most watched titles of the year are highlighted. Since 2017, the Yearbook also brings the five most watched national productions of the year in an effort to enhance and deepen the issue of national identities in each country. 3) Transmedia reception: this section presents and exemplifies what channels offer to the audience fiction on the internet, as well the description of the audience’s behavior when watching, consuming and interacting with their fictions through websites, social networks and other platforms. 4) Highlights of the year: the most important productions not only in terms of audience (rating), but also for their sociocultural impact and for generating innovation in television fiction production or reception. 5) Theme of the year, which this year is Ibero-American TV fiction on video on demand platforms. This theme converges with the interests of Obitel, which for years has been following the trajectory of Ibero-American television fiction by rapidly changing scenarios. Multiple screens, transmissions, new formats, pay TV, UGC, among other topics, have been monitored and analyzed theoretically by each Obitel country research group. In this Yearbook, the proposal is to discuss production on video on demand platforms (VoD), addressing new forms of distribution and consumption. The objective was to verify the panorama of VoD production and consumption in the Obitel countries and the presence of national fiction on these platforms. In order to do so, we attempted to identify the reconfigurations that are occurring in the television scenario of each country in the face of new platforms of production, distribution and audiovisual consumption. Such reconfigurations take place from production to reception, from narrative forms to business models, to debates on legislation and regulation." (Pages 21-22)
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"Con el presente volumen quisimos reunir trabajos que presentan diversos aspectos tanto de la producción historietística en la América hispanohablante, como de la representación de la Historia en este medio. Tan diversos como los países son los cómics aquí analizados, lo cual demuestra a nues
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tro parecer la diversidad de la producción cultural en el continente." (Página 15)
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"The 43 country reports included in this year’s Global Information Society Watch (GISWatch) capture the different experiences and approaches in setting up community networks across the globe. They show that key ideas, such as participatory governance systems, community ownership and skills transfe
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r, as well as the “do-it-yourself” spirit that drives community networks in many different contexts, are characteristics that lend them a shared purpose and approach. The country reports are framed by eight thematic reports that deal with critical issues such as the regulatory framework necessary to support community networks, sustainability, local content, feminist infrastructure and community networks, and the importance of being aware of “community stories” and the power structures embedded in those stories." (Back cover)
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"This reports examines the situation of freedom of expression of indigenous journalists in four countries and analyzes data, where available, of Indigenous Peoples’ access to mechanisms charged with ensuring their safety. We present grassroots information from Nepal in English, and from Guatemala,
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Honduras, and Mexico in Spanish, along with general recommendations for improving the specific experience of Indigenous journalists and community communicators. Please note this information is far from exhaustive and represents only situations that were brought to this organization’s attention." (Introduction, page 1)
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"Ciudadanía digital y democracia participativa trata de describir experiencias concretas y procesos de apropiación y rebelión frente al actual statu quo tecnocrático a través de dos ejes conceptuales claramente definidos:--Propuestas teóricas y analíticas para el estudio de la Ciudadanía Dig
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ital manifestada a través de prácticas de Democracia Participativa.--Estudios de caso que abarcan desde la apropiación y transformación de las tecnologías digitales por parte de comunidades indígenes; pasando por las prácticas de ingeniería social comunicativa como Comunitlán (Puebla, México); hasta los usos tecnopolíticos que entran en juego en la arena de la disputa política a lo largo de la región, desde Bolivia a México o Venezuela." (Cubierta del libro)
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"This volume explores the recent 'adolescent turn' in contemporary Latin American cinema, challenging many of the underlying assumptions about the nature of youth and distinguishing adolescence as a distinct and vital area of study. Its contributors examine the narrative and political potential of t
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eenage protagonists in a range of recent films from the region, acknowledging the distinct emotional registers that are at play throughout adolescence and releasing teenage subjectivities from restrictive critical and theoretical emphases on theories of childhood. As the first academic study to examine the figure of the adolescent in contemporary Latin American film, New Visions of Adolescence in Contemporary Latin American Cinema thus presents a timely and innovative analysis of issues of sexuality and gender, political and domestic violence and social class." (Publisher description)
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"This unique transdisciplinary publication is the result of collaboration between UNESCO’s Local and Indigenous Knowledge Systems (LINKS) programme, the United Nations University’s Traditional Knowledge Initiative, the Intergovernmental Panel on Climate Change (IPCC), and other organizations. Ch
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apters written by indigenous peoples, scientists and development experts provide insight into how diverse societies observe and adapt to changing environments. A broad range of case studies illustrate how these societies, building upon traditional knowledge handed down through generations, are already developing their own solutions for dealing with a rapidly changing climate and how this might be useful on a global scale." (Back cover)
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"This chapter investigates the relationship between civic networking coalitions and public interest communication, and an opportunity to explore how the coalitions produce 'public interest-forming practices'. It examines the ability of civic networking coalitions to act and, next, to investigate whi
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ch elements need to be in place in order for them to succeed. The chapter provides a theoretical foundation for our analytical framework. It examines the safety of journalists within the Mexican context and presents an examination of two civic networking coalitions, developed in response to the position of journalists in Mexico. The chapter draws some conclusions about the relationship between these civic forming coalitions, journalism and public interest-forming practices. It shows how media movements in the form of civic networking coalitions can successfully use public interest-forming practices, such as campaigning, community-advocacy journalism and media activism, both off- and online in order to disrupt the public space, set the agenda and enhance civic collaborative efforts." (Abstract)
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