"El 83,1% de las personas de 11 a más años a nivel nacional rural escuchan radio por lo menos una vez a la semana y lo hacen principalmente a través de emisoras locales de FM y AM, alcanzando estas emisoras al 69,6% de la población rural con 12 horas en promedio de escucha semanal, este mayor al
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cance es debido a las emisoras de centros poblados urbanos que llegan a los caseríos rurales. Las emisoras de transmisión nacional alcanzan al 38.2% de la población rural con 9 horas de escucha semanal." (Página 2)
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"With regards to professional role orientations, the vast majority of journalists in Mexico found it extremely or very important to report things as they are, followed in second place by the role of promoting tolerance and cultural diversity, and the role of advocating for social change in third pla
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ce. The fourth role to which Mexican journalist gave top importance in a most (5) to least (1) scale was to let people express their views, followed by the role of monitoring and scrutinizing political leaders in fifth place. The top roles show a rich mixture of adherence: from the classic Western roles of dissemination (reporting things as they are), to the roles more associated with mobilization and promotion of positive social outcomes (promoting tolerance or advocating for social change), followed by democratic roles such as serving as forum (let people express their views) and the watchdog function of the press (monitoring political leaders). There appears to be greater consensus around the ten most-popular roles, as shown by the relatively lower standard deviations, than in the bottom ten roles. This indicates the journalists who support those roles are unusual and the values they represent are a point of contention within the corps of journalists. For example, the least prioritized role was to convey a positive image of political leaders which however had a fairly high standard deviation, followed by the role of being an adversary to the government, which ranked in penultimate place in order of priority and had the second highest standard deviation of them all. This suggests some journalists consider both roles very important while others do not at all. The support of government policy was also the third least prioritized role, followed by that of providing entertainment and relaxation in fourth place and by the role of being a detached observer of events in fifth place of low priority, but which had the highest standard deviation of them all, suggesting very little agreement on how distant should journalists be from the stories they report on." (Journalistic roles, page 2)
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"This article examines the targets and activities of mobile app developers in two Latin American economies – Argentina and Bolivia – analysing the political, social and economic conditions that connect or disconnect app developers and the interests of local users. Findings suggest that app distr
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ibution platforms do not favour local markets and that app developers largely focus on custom-design projects for commercial firms." (Abstract)
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"This study examines how community radio operates transnationally through a media ethnography of the Latin American Association of Radio Education (ALER) executive secretariat in Quito, Ecuador. Findings show that ALER staff members share a common vision of their work based around 4 themes: collecti
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ve self-representations, unity, inclusion, and transformation. Having a shared collective conviction in the transformative function of radio shapes how ALER staff conceptualize its journalistic production. This research advances knowledge of how community radio scales-up to the transnational level and the shared values underlying this journalistic practice." (Abstract)
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"O fomento à produção cinematográfica em regime de coprodução tem sido uma saída para os países latinoamericanos que pressionados em sua cadeia produtiva pela hegemônica indústria cinematográfica norte americana têm dificuldades em desenvolver suas cinematografias. Desde da década de 19
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90, essa modalidade de realização fílmica tem sido sistematizada de forma mais consistente entre esses países, Portugal e Espanha através do Programa Ibermedia. Ao que pesem as controvérsias, este programa tem tentado cumprir o papel de promover um espaço de interação audiovisual na chamada Iberoamérica. Esse artigo tem por objetivo apresentar minha proposta de pesquisa de doutorado, que buscará avaliar a relação investimento/retorno das coproduções realizadas pelo Ibermedia nos seus últimos dez anos (2003-3013), tomando para estudo de caso 32 coproduções brasileiras realizadas com apoio do fundo, durante esse período." (Resumo)
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"This collection of essays and interviews offers perspectives on traumatic experience from the social and public side of the equation. Like other books in the Palgrave Macmillan Memory Studies Series, it is concerned with redressing the balance of public memory through a focus on what has been negle
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cted or excluded, but traumatic memory poses special problems in this regard. Andrew Hoskins and John Sutton, the series editors, suggest that the question of how we remember has become central to historical enquiry, but the question itself is fraught with complexity. Generational change and new technologies of memory are reshaping the ways in which memory works, and the influence of trauma narratives is a factor in this. They pose another question: ‘What is “memory” under such conditions?’ Here, we focus on the distance between traumatic narratives in the public domain, and the experience of traumatic recall in the mind of a person who has been directly affected by extreme events." (Introduction, page 1)
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"Esse Guia é decorrente de forte demanda do movimento social brasileiro, provocada pela proliferação de narrativas midiáticas que violam direitos elementares, previstos em lei. Capitaneada pela TV, a tendência espraia-se por outros meios e dilui as fronteiras entre jornalismo e entretenimento,
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afetando a credibilidade da imprensa e colocando em xeque as regras da democracia. [...] cidadãos, como o de terem a imagem e a privacidade respeitadas. No Volume II, são reunidos artigos que refletem o teor dos debates travados pela sociedade civil em relação às produções em foco. São reflexões de estudiosos, militantes e observadores em geral do campo, abrangendo diferentes perspectivas, a partir mesmo do perfil dos autores, oriundos da academia e de organizações que defendem a liberdade de expressão e o direito à comunicação." (Contracapa)
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"7 de cada 10 peruanos confía en la radio, siendo el medio de comunicación con mayor credibilidad, por encima de la televisión e incluso que amigos o familiares." (Slide 2)
"Seit jeher beuten Menschen andere Menschen aus. Die Geschichte der Sklaverei – lange Zeit als Eigentum an einer anderen Person definiert – endete jedoch nicht mit ihrer rechtlichen Abschaffung. Spätestens mit der Allgemeinen Erklärung der Menschenrechte von 1948 ist das Verbot von Sklaverei z
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war eine international akzeptierte Norm, faktisch aber werden Menschen noch immer versklavt und unter schlimmsten Bedingungen ausgebeutet. Da heute nicht mehr Eigentum, sondern die tatsächliche Verfügungsgewalt über eine Person als die entscheidende Kategorie gilt, werden Fälle von Menschenhandel, Zwangsarbeit, Leibeigenschaft oder Schuldknechtschaft oft auch als „moderne Sklaverei“ bezeichnet. Je nach Definition und Erhebungsmethode sind die Zahlen über das Ausmaß moderner Sklaverei sehr unterschiedlich. Die Internationale Arbeitsorganisation (ILO) schätzt, dass weltweit derzeit knapp 21 Millionen Menschen Zwangsarbeit leisten müssen, wozu auch Menschenhandel mit dem Ziel der Arbeits- oder sexuellen Ausbeutung zählt. Andere Schätzungen liegen deutlich höher. Zwar gibt es Formen moderner Sklaverei auch in reichen Ländern wie Deutschland. Das größte Risiko, in Versklavung zu geraten, stellt jedoch Armut dar, weshalb die regionalen Schwerpunkte vor allem außerhalb Europas liegen. Zudem sind Frauen häufiger betroffen als Männer. Dass Deutschland in vielfacher Hinsicht auch in die „alte Sklaverei“ verstrickt war, also in die Wirtschafts- und Plantagensklaverei sowie den transatlantischen „Dreieckshandel“ des 17. bis 19. Jahrhunderts, dringt erst langsam ins breitere öffentliche Bewusstsein." (Editorial)
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"Mediated Communities brings together a diverse, global cohort of academics and professional communicators to assess the current state of democratic mobilizing around the world and the ways in which protest movements are being transformed in the midst of a communication revolution. The volume’s co
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ntributors draw on a variety of international settings—from Greece to Lebanon, China to Argentina—to demonstrate the ways in which community organizing in the digital age relies increasingly on digital media to communicate, help participants find common ground, and fight for change. The contributors acknowledge the challenges that lie ahead for creating real and lasting democratic change but at the same time are able to draw attention to the potential that digital media hold for strengthening citizen voices around the globe." (Back cover)
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"Does online voting mobilize citizens who otherwise would not participate? During the annual participatory budgeting vote in the southern state of Rio Grande do Sul in Brazil—the world’s largest—Internet voters were asked whether they would have participated had there not been an online voting
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option (i-voting). The study documents an 8.2 percent increase in total turn-out with the introduction of i-voting. In support of the mobilization hypothesis, unique survey data show that i-voting is mainly used by new participants rather than just for convenience by those who were already mobilized. The study also finds that age, gender, income, education, and social media usage are significant predictors of being online-only voters. Technology appears more likely to engage people who are younger, male, of higher income and educational attainment, and more frequent social media users." (Abstract)
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"At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered t
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his sub-discipline and to experienced practitioners and academics. Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role. Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others." (Publisher description)
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