"Emphasizing post-independent films released since the 1950s and the burgeoning commercial film production of the last decade, Focus on African Films provides unique and pluralistic perspectives on filmmaking throughout Africa. As a whole, the collection highlights the distinct thematic, stylistic,
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and socioeconomic circumstances of African filmmaking. Individual essays show how conditions in Africa have generated a broad range of views and techniques, from the stylistically innovative documentaries of Jean-Marie Teno and Abderrahmane Sissako and the "documentary fiction" of Mahamat-Saleh Haroun to the vibrant art films of Jean-Pierre Bekolo and the new films from South Africa. Contributors also outline the direction of increasingly popular, less didactic sub-Saharan filmmaking in films such as Daniel Kamwa's Pousse-Pousse, Ngangura Mweze's La vie est belle, and Imungu Ivanga's Dôlé." (Publisher description)
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"Viele autoritäre Regime fürchten den unkontrollierten Informationsfluss, gerade weil er gemeinsames Handeln ermöglicht und ihre Herrschaft gefährden könnte. Auch manche Kulturkritiker würden gerne Informationen kanalisieren, um einen Kulturimperialismus abzuwehren, bei dem sich ihrer Ansicht
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nach die stärksten Vermarkter im internationalen Mediengeschäft mit ihrer Weltsicht durchsetzen oder die mächtigen Kolonialsprachen die lokalen Sprachen verdrängen würden. Die meisten Menschen wollen sich nicht bevormunden lassen, auch nicht in wohlmeinender Absicht. Bei importierten Seifenopern im Fernsehen zeigen sie sich zum Beispiel durchaus in der Lage, sich ihren eigenen Reim auf das Angebot zu machen und es für ihr Umfeld zu interpretieren. Das bedeutet umgekehrt, dass wer eine bestimmte Botschaft über Grenzen hinweg in die Köpfe bekommen will, mit ganz anderen als den beabsichtigten Ergebnissen rechnen muss." (Editorial)
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"The cases presented in this book are among the first examples of the convergence of radio and new ICTs for development, and the book underscores the significant potential of the combination. In this convergence, radio promises to take on even greater significance and value. For this reason, we beli
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eve that radio is the one to watch." (https://comunica.org/1-2-watch)
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"The first section provides summary information on 69 UNDP supported projects and initiatives as of 2002/03. These initiatives were identified primarily by desk research from three main sources: (i) direct feedback from the Sub-Regional Resource Facilities (SURFs)2), the COs and Regional Bureaux, (i
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i) scanning of UNDP intranet databases and internal reporting systems especially the data contained in the ROAR3), and (iii) scanning of the internet including CO, SURF and Regional Bureaux websites and general Internet searches [...] The second section provides information on more than 100 international organizations actively working on Access to Information issues. The majority of these organizations work with developing countries to promote freedom of expression and information. They were identified through (i) internet and literature searches (ii) direct feedback from country offices, regional bureaux and SURFs and (iii) referrals from within and outside UNDP." (Page 6)
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"USAID media-related assistance to Russia totaled over $44 million during the June 1992-September 2002 period. Television-focused funding absorbed $22.4 million; projects focused mainly on the print media accounted for just over $7 million; and funding for the media sector as a whole was over $14.5
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million. In addition to direct institutionbuilding activities, USAID provided assistance for using media for special purposes, such as holding elections and preventing domestic violence. While these two projects may have increased local media skills and capabilities, it was not their primary intention. USAID Russia's major partner in the broadcast media was Internews, which received $18.1 million. Although undertaking various activities to promote independent media in Russia, Internews's primary focus was to assist emerging, independent regional television stations. With dynamic leadership and innovative program strategies, Internews has become one of the most prominent media NGOs in the Russian Federation." (Executive summary)
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"This comparative study questions whether the transformation of state television into public service television was successful in Bulgaria, the Czech Republic, Hungary, Poland and Romania. It analyzes the context in which public service televisions operate, as well as their professional identity and
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mission in the dual broadcasting markets. The study also evaluates the editorial independence of public service television in the region, and puts forward policy proposals to improve its performance." (Abstract)
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"The objective of this document is to outline a framework for a communication policy (content regulation) that can tackle portrayal and representation issues. The main obstacle in the way to do sensible content regulation concerning stereotyped representations is that these portrayals perform their
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effect in a longitudinal and cumulative way – features that make these phenomena as social facts easy to analyze for social scientists, but make it rather difficult to be addressed by media regulators, because content restrictions –on human dignity, privacy, and professional standards– seek to address content issues through the portrayed individual’s right to appropriate media treatment. This discrepancy results in serious moral and justice-related concerns especially in the case of the portrayal of economically disadvantaged groups by television factual entertainment programs, such as current affair entertainment and human interest magazines, confessional chat shows, police magazines, crime buster shows, docusoaps, ambulance and hospital reality programs, etc; programs which have occupied solid positions in commercial stations’ prime time program." (Results of content and production analysis, page 3)
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