"The 45 country reports gathered here illustrate the link between the internet and economic, social and cultural rights (ESCRs). Some of the topics will be familiar to information and communications technology for development (ICT4D) activists: the right to health, education and culture; the socioec
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onomic empowerment of women using the internet; the inclusion of rural and indigenous communities in the information society; and the use of ICT to combat the marginalisation of local languages. Others deal with relatively new areas of exploration, such as using 3D printing technology to preserve cultural heritage, creating participatory community networks to capture an “inventory of things” that enables socioeconomic rights, crowdfunding rights, or the negative impact of algorithms on calculating social benefits. Workers’ rights receive some attention, as does the use of the internet during natural disasters. Ten thematic reports frame the country reports. These deal both with overarching concerns when it comes to ESCRs and the internet – such as institutional frameworks and policy considerations – as well as more specific issues that impact on our rights: the legal justification for online education resources, the plight of migrant domestic workers, the use of digital databases to protect traditional knowledge from biopiracy, digital archiving, and the impact of multilateral trade deals on the international human rights framework. The reports highlight the institutional and country-level possibilities and challenges that civil society faces in using the internet to enable ESCRs. They also suggest that in a number of instances, individuals, groups and communities are using the internet to enact their socioeconomic and cultural rights in the face of disinterest, inaction or censure by the state." (Back cover)
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"Kathrin Nieder-Steinheuer hat ein Modell entwickelt, mit dem sich die kommunikative Verfasstheit der Kategorie des Christlichen im Unterhaltungsformat analysieren lässt. Grundlegend dafür ist der in den untersuchten Formaten festgestellte Zusammenhang zwischen kirchlichen Räumen und geographisch
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en Konzepten einerseits und religiöser Normativität und statistisch-normalistischen Konzepten andererseits. Die bisherige theologisch dominierte Religiotainment-Forschung wird somit durch ein nicht normatives Analyseinstrument für die kulturelle Gegenwart des Christlichen im Unterhaltungsformat ergänzt." (Verlagsbeschreibung)
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"Es lässt sich ein ausgesprochen breites Themenspektrum und eine hohe Kontinuität innerhalb der Berichterstattung feststellen. Dabei ist die journalistische Haltung keinesfalls einseitig negativ — vielmehr wird häufig ein ausgewogenes Chinabild vermittelt, das besonders dort kritisch ist, wo si
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ch Missstände nicht nur aus deutscher Sicht kommentieren lassen. Setzt man diese Berichterstattung in Beziehung zu dem hohen Stellenwert, der den Zeitungen in Bezug auf Glaubwürdigkeit und Seriosität in allen Bevölkerungsschichten zugewiesen wird haben, selbst in der jungen Generation, so ist der Einfluss solcher Berichterstattungsformen hoch einzuschätzen. Deutlich weniger als die negative Berichterstattung fällt jedoch die quantitativ dominierende neutral-sachliche Bewertung auf — gerade diese jedoch hat sich den letzen Jahren verstärkt." (Fazit, Seite 202-3)
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"O fomento à produção cinematográfica em regime de coprodução tem sido uma saída para os países latinoamericanos que pressionados em sua cadeia produtiva pela hegemônica indústria cinematográfica norte americana têm dificuldades em desenvolver suas cinematografias. Desde da década de 19
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90, essa modalidade de realização fílmica tem sido sistematizada de forma mais consistente entre esses países, Portugal e Espanha através do Programa Ibermedia. Ao que pesem as controvérsias, este programa tem tentado cumprir o papel de promover um espaço de interação audiovisual na chamada Iberoamérica. Esse artigo tem por objetivo apresentar minha proposta de pesquisa de doutorado, que buscará avaliar a relação investimento/retorno das coproduções realizadas pelo Ibermedia nos seus últimos dez anos (2003-3013), tomando para estudo de caso 32 coproduções brasileiras realizadas com apoio do fundo, durante esse período." (Resumo)
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"Mediated Communities brings together a diverse, global cohort of academics and professional communicators to assess the current state of democratic mobilizing around the world and the ways in which protest movements are being transformed in the midst of a communication revolution. The volume’s co
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ntributors draw on a variety of international settings—from Greece to Lebanon, China to Argentina—to demonstrate the ways in which community organizing in the digital age relies increasingly on digital media to communicate, help participants find common ground, and fight for change. The contributors acknowledge the challenges that lie ahead for creating real and lasting democratic change but at the same time are able to draw attention to the potential that digital media hold for strengthening citizen voices around the globe." (Back cover)
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"At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered t
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his sub-discipline and to experienced practitioners and academics. Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role. Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others." (Publisher description)
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"This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don't conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Ro
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mania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the "other," anthropomorphism, and colonialism." (Publisher description)
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"Internet freedom around the world has declined for the fifth consecutive year, with more governments censoring information of public interest and placing greater demands on the private sector to take down offending content. State authorities have also jailed more users for their online writings, wh
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ile criminal and terrorist groups have made public examples of those who dared to expose their activities online. This was especially evident in the Middle East, where the public flogging of liberal bloggers, life sentences for online critics, and beheadings of internet-based journalists provided a powerful deterrent to the sort of digital organizing that contributed to the Arab Spring. In a new trend, many governments have sought to shift the burden of censorship to private companies and individuals by pressing them to remove content, often resorting to direct blocking only when those measures fail. Local companies are especially vulnerable to the whims of law enforcement agencies and a recent proliferation of repressive laws. But large, international companies like Google, Facebook, and Twitter have faced similar demands due to their significant popularity and reach." (Page 1)
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"This report examines self-regulation in challenging times. Journalism is increasingly a single stream of information disseminated simultaneously across different platforms of media, but its regulation remains dominated by old-fashioned notions of how media work. Usually there are two ways of regula
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ting journalism at national level: a voluntary system for the press and legal controls over broadcasting. These structures were created for yesterday’s media landscape and are increasingly out of date. Today’s digital journalists work on video, print and audio simultaneously. That’s why it makes sense to have only one national regulator, and one that covers all platforms of journalism. Another testing issue is the question of funding. Ideally, journalists and media should pay the bills for press councils, but in these cash-strapped days can media continue to afford it? Increasingly, the answer is no. So who will pay in future? Perhaps we should think about using public funds, after all, independent regulation of media is a public interest activity. But if we use taxpayers’ money how do we ensure it won’t compromise editorial independence? Finally, as this report shows, making self-regulation work at enterprise level is perhaps what counts most. Building trust with the audience should be an issue in every newsroom and the growth in the number of in-house ombudsmen or readers’ editors is a welcome sign that more media are taking the issue seriously. However, in the face of editorial cuts some managements still question money being channelled into cleaning up the mistakes of the newsroom. But as this report illustrates, keeping journalism honest is money well spent for media and, for the public at large, it’s a good investment in democracy." (Introduction, page v)
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"Der Beitrag analysiert die Kommunikation der römisch-katholischen (Erz-)Bistümer und der evangelisch-lutherischen Landeskirchen in Deutschland im Social Web. Empirische Untersuchungen der „Facebook“-, „Twitter“- und „Youtube“-Aktivitäten der beiden Großkirchen verdeutlichen, dass di
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e Bistümer den Katholikentag 2014 positiv für ihre Social-Web-Auftritte nutzen konnten. Dennoch war keine konsistente Kommunikationsstrategie zur Verknüpfung von Regel- und Veranstaltungskommunikation ersichtlich. Insgesamt werden partizipative Plattformen noch sehr zurückhaltend genutzt, wie wohl es einzelne Leuchttürme gibt, die in einen aktiven Dialog mit Mitgliedern und anderen Bezugsgruppen treten. Die katholischen Institutionen scheinen den Landeskirchen bereits einige Schritte voraus zu sein – was aber auch als Zeichen der unterschiedlichen Ekklesiologie gedeutet werden kann. Zukünftige Social-Web-Studien könnten sich daher gezielt auf die Ebene der Kirchenkreise und Dekanate sowie der lokalen Ortsgemeinden konzentrieren." (Abstract)
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"This book considers how Moroccan-Dutch youth, mostly born in the Netherlands, navigate digital spaces to articulate their politicized identities in a time when claims over the failure of multiculturalism, anti-immigration sentiments and Islamophobia sweep across Europe. Digital Passages: Migrant Yo
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uth 2.0 addresses not only to how these mostly second-generation migrant youth navigate across digital spaces, but also considers the digitization of key identity-formation processes, such as coming of age, rites of passage and the negotiation of offline/online gender, diaspora, religious and youth cultural expectations." (Introduction, page 14)
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