"In 2014, Mexico, Brazil, Portugal, Colombia and Argentina, in that order, were the top five countries in the production of national fiction hours. Once again, Brazil and Mexico, despite the drop suffered by the latter, continued to be the largest producers of fiction in the Ibero-American region. I
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n contrast, Peru and Ecuador had the lowest offer of national fiction hours, while Uruguay did not produce hours of national fiction during 2014." (Page 39)
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"Este livro reúne experiências e reflexões de académicos e não académicos sobre as potencialidades dos media para envolver e capacitar comunidades. Ao longo destas páginas, encontram-se textos que documentam propostas educativas e cívicas em torno dos media ou refletem sobre as capacidades d
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os media para trabalhar no seio das comunidades, incluindo as esferas da infância/juventude e/ou dos adultos e seniores. As metodologias participativas têm uma grande tradição em países da América Latina, de África e da Ásia e estão agora a ser mais usadas na Europa, particularmente, em Portugal. Esta inspiração reflete-se nas diferentes geografias que podem ser encontradas nesta obra, desde Reino Unido, Alemanha ou Brasil, até ao Quénia. Este livro está dividido em quatro partes. Uma primeira foca-se no projeto que deu mote ao livro, o RadioActive Europe, dando conta das suas práticas em Portugal e noutros países europeus. De seguida, juntamos experiências comunitárias e participativas nacionais e internacionais e, por fim, expomos vários caminhos de reflexão em torno da literacia e dos media." (Sinopse)
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"Das Phänomen Handyfilm wird in diesem Buch auf der Grundlage eines mit Jugendlichen in der Schweiz durchgeführten Forschungsprojektes untersucht. Im Mittelpunkt stehen jugendliche Akteure, die ihr medienkulturelles Handeln zur Bewältigung und Konstruktion ihres Alltags sowie zur Identitätsarbei
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t einsetzen. Ute Holfelder und Christian Ritter vermitteln erstmals systematisches Wissen zu Handyfilmen und den damit verbundenen Praktiken. Sie stellen Handyfilme von jugendlichen Amateuren vor und analysieren sie hinsichtlich ihrer medialen und ästhetischen Eigenschaften. Darüber hinaus geben sie Empfehlungen, wie Handyfilme in der Schule und in der offenen Jugendarbeit eingesetzt werden können und wie das kreative Potenzial von Handyfilmen genutzt werden kann." (Klappentext)
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"Our media advisory service was set up to provide advice and support on mental health storylines and documentaries. We inputted into 75 soap opera storylines, as well as mental health seasons for BBC 3 and Channel 4. We also developed an online resource for media professionals, and supported media o
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rganisations, including the Sunday Mirror, Channel 4 and Top Santé, to make a pledge to tackle mental health stigma and discrimination. We organised 12 meet the media events, mostly aimed at professionals working in specific sectors, including sports journalism, documentaries, and entertainment and reality TV. Our Get the Picture campaign, launched at an event for picture editors, encouraged media agencies to stop using stigmatising images to illustrate stories about mental health. What we achieved: Input into 75 soap opera and drama storylines; 12 events attended by 594 media professionals; 77% used their learning within two months of the event; 54,450 visits to our media online resource; nine media organisations signed a Time to Change pledge." (Page 2)
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"Contemporary anthropology is done in a world where social and digital media are playing an increasingly significant role, where anthropological and arts practices are often intertwined in museum and public intervention contexts, and where anthropologists are encouraged to engage with mass media. Be
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cause anthropologists are often expected and inspired to ensure their work engages with public issues, these opportunities to disseminate work in new ways and to new publics simultaneously create challenges as anthropologists move their practice into unfamiliar collaborative domains and expose their research to new forms of scrutiny. In this volume, contributors question whether a fresh public anthropology is emerging through these new practices." (Publisher description)
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"Ethnographische Methoden haben heute in alle kultur- und sozialwissenschaftlichen Disziplinen Eingang gefunden. Auch in der Medienforschung spielen sie eine zentrale Rolle. Dieses Handbuch trägt die Methodendiskussion in der Medienethnologie zusammen und entwickelt sie am Beispiel konkreter Feldfo
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rschungsberichte weiter: Die dichte Beschreibung von Medienpraktiken, eine kritische Verortung der Subjektivität im Feld und der Fokus auch auf die Methoden der Beforschten sind zentrale Elemente der Beiträge." (Verlagsbeschreibung)
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"Prison radio is a particularly valuable contribution to the investigation of opportunities for social activism and the potential of radio for social change, able to support prisoners through their sentences and contribute to reducing re-offending. This study is the first to document the growth of U
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K prison radio, focusing on the accounts of the people involved in the formation of the Prison Radio Association (PRA). Established in 2006, the PRA was the first organisation of its kind internationally. Initially set up to network and support individual prison radio projects, it has now grown to the extent of creating and managing the world's first National Prison Radio service. This research outlines the process through which relatively small-scale media activism, based on prisoners' rights, came to be an intrinsic part of prison culture, playing a central role in institutional operations. It considers prison radio growth within the context of the economic reworking of broadcasting, prisons, and social activism in post-Thatcher Britain, acknowledging the emergence of the PRA as both a product of New Labour technologies of governance and of the counter-discursive opportunities they p6roduced. Against a backdrop of public service privatisation and media commercialisation, the development of the PRA illustrates the complex processes of working in partnership with institutions and agencies to develop a prisoner-led service. It is a story which highlights the enduring importance of social values in broadcasting, represents new opportunities for social activism, and presents radio as a powerful force for social change." (Abstract)
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"Seit jeher beuten Menschen andere Menschen aus. Die Geschichte der Sklaverei – lange Zeit als Eigentum an einer anderen Person definiert – endete jedoch nicht mit ihrer rechtlichen Abschaffung. Spätestens mit der Allgemeinen Erklärung der Menschenrechte von 1948 ist das Verbot von Sklaverei z
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war eine international akzeptierte Norm, faktisch aber werden Menschen noch immer versklavt und unter schlimmsten Bedingungen ausgebeutet. Da heute nicht mehr Eigentum, sondern die tatsächliche Verfügungsgewalt über eine Person als die entscheidende Kategorie gilt, werden Fälle von Menschenhandel, Zwangsarbeit, Leibeigenschaft oder Schuldknechtschaft oft auch als „moderne Sklaverei“ bezeichnet. Je nach Definition und Erhebungsmethode sind die Zahlen über das Ausmaß moderner Sklaverei sehr unterschiedlich. Die Internationale Arbeitsorganisation (ILO) schätzt, dass weltweit derzeit knapp 21 Millionen Menschen Zwangsarbeit leisten müssen, wozu auch Menschenhandel mit dem Ziel der Arbeits- oder sexuellen Ausbeutung zählt. Andere Schätzungen liegen deutlich höher. Zwar gibt es Formen moderner Sklaverei auch in reichen Ländern wie Deutschland. Das größte Risiko, in Versklavung zu geraten, stellt jedoch Armut dar, weshalb die regionalen Schwerpunkte vor allem außerhalb Europas liegen. Zudem sind Frauen häufiger betroffen als Männer. Dass Deutschland in vielfacher Hinsicht auch in die „alte Sklaverei“ verstrickt war, also in die Wirtschafts- und Plantagensklaverei sowie den transatlantischen „Dreieckshandel“ des 17. bis 19. Jahrhunderts, dringt erst langsam ins breitere öffentliche Bewusstsein." (Editorial)
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"The internet is often celebrated for the abundant opportunities it appears to offer citizens to become more informed about and inspired to act on issues related to international development and distant suffering. But to what extent do users actually make use of such opportunities? And what social p
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rocesses are such decisions governed by? This article begins to answer these questions by analysing the results of a two-month study of UK internet users’ online behaviour. The results reveal, not just a general resistance to using the internet to develop a cosmopolitan consciousness, but also the dominant modes of avoidance that participants used to justify their inactivity. I conclude that the potential for digital cosmopolitanism appears to be primarily governed, not by the peculiarities of individual texts or even the properties of the technology, but by the nature and acceptability of pre-existing discursive resources and how they are deployed by users." (Abstract)
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"This volume explores the way governments endeavoured to build and maintain public support for the war in Afghanistan, combining new insights on the effects of strategic narratives with an exhaustive series of case studies. In contemporary wars, with public opinion impacting heavily on outcomes, str
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ategic narratives provide a grid for interpreting the why, what and how of the conflict. This book asks how public support for the deployment of military troops to Afghanistan was garnered, sustained or lost in thirteen contributing nations. Public attitudes in the US, Canada, Australia and Europe towards the use of military force were greatly shaped by the cohesiveness and content of the strategic narratives employed by national policy-makers. Assessing the ability of countries to craft a successful strategic narrative, the book addresses the following key areas: 1) how governments employ strategic narratives to gain public support; 2) how strategic narratives develop during the course of the conflict; 3) how these narratives are disseminated, framed and perceived through various media outlets; 4) how domestic audiences respond to strategic narratives; 5) how this interplay is conditioned by both events on the ground, in Afghanistan, and by structural elements of the domestic political systems." (Publisher description)
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"Video games have become a global industry, and their history spans dozens of national industries where foreign imports compete with domestic productions, legitimate industry contends with piracy, and national identity faces the global marketplace. This volume describes video game history and cultur
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e across every continent, with essays covering areas as disparate and far-flung as Argentina and Thailand, Hungary and Indonesia, Iran and Ireland. Most of the essays are written by natives of the countries they discuss, many of them game designers and founders of game companies, offering distinctively firsthand perspectives. Some of these national histories appear for the first time in English, and some for the first time in any language." (Back cover)
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"There are more than 400 active hyperlocal websites in the UK, compared with 1,045 local papers. New sites are being uncovered by researchers on a daily basis. One in ten say they use local community websites or apps at least weekly (7 per cent in 2013). 17 per cent of UK internet users use websites
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or apps each week for news about their local area or community; a further 31 per cent do so quarterly. Consumption of this content online is increasing. The most common topic covered by hyperlocal media is community activities e.g. festivals, clubs and societies, local councils and the services they provide. Functional information about community events, services, local weather and traffic, are the most popular content types with hyperlocal audiences. Investigative reporting, which has helped uncover controversial new information about local civic issues or events, has been produced by almost half of the UK’s online hyperlocal publishers in the last two years." (Pages 4-5)
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"The five reports that make up this collection are variously concerned with humanitarian aid, social and cultural evolution, crisis response, the mitigation of cultural divides, and political unrest. The themes that bind them are an international movement towards public safety; a trust-based relatio
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nship between states and citizens; community led social development; and the capacity of social media and big data to make use of, and amplify, the thoughts and voices of under-represented elements of society. Importantly, the reports also begin to question the inluence these violent contexts are having on the development of social media, where communities in crises utilise and shape these new technologies though real-time engagement. The potential of these media is being maximised to such an extent that these platforms are under strain, and developers are increasingly learning how to adapt to the needs of a variety of audiences in volatile contexts." (Introduction, page 6)
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"We see the smartphone more clearly as the defining device for digital news with a disruptive impact on consumption, formats, and business models. Our data suggest it provides an environment dominated by a few successful brands, with others struggling to reach a wider audience, both via apps and bro
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wsers. The move to online video, new visual formats, and social media coincides in many countries with a fall in audiences for traditional TV bulletins. The trend is most pronounced amongst the under 35s. We see a strengthening in the role played by Facebook in finding, discussing and sharing news. Facebook-owned Instagram and WhatsApp are playing a big role amongst younger groups." (Executive summary)
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"Die spanische und lateinamerikanische Literatur und ihre institutionelle und mediale Vermittlung in den deutschen Buchmarkt sind Gegenstand des vorliegenden Bandes. Die Interferenzen zwischen dem spanisch- und dem deutschsprachigen Literaturbetrieb werden von ausgewiesenen Experten aus Wissenschaft
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und Praxis anhand von Fallstudien dokumentiert und kartographiert." (Verlagsbeschreibung)
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"Radio und Fernsehen sind unverändert die Leitmedien in allen Lebenswelten. Sie bleiben die meistgenutzten Medien in allen Milieus. Das Internet hat in den avantgardistischen Milieus der Performer und des expeditiven Milieus die höchste Reichweite. Tageszeitungen erreichen diese Milieus nur noch i
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n geringem Maße und werden vor allem von den konservativen und traditionellen Milieus gelesen. Die Gesamtnutzungsdauer der Medien unterscheidet sich zwischen den Milieus nur wenig und liegt netto bei ca. 8,5 Stunden täglich. Fernsehen und Radio haben wie in der Reichweite die größten Anteile an der Nutzungsdauer. Das Internet kann im expeditiven Milieu die Werte von Fernsehen und Radio übertreffen, bleibt aber vor allem in den traditionellen Milieus deutlich dahinter. Die Tageszeitung spielt mit einer täglichen Nutzungsdauer von 23 Minuten hier nur eine geringe Rolle. Die Nutzungsmotive für die einzelnen Medien sind in allen Milieus ähnlich. Information ist für alle tagesaktuellen Medien außer Radio das am häufigsten genannte Nutzungsmotiv, bei Radio steht der Spaß noch vor dem Informationsbedürfnis. Spaß steht für das Internet und das Fernsehen an zweiter, für die Tageszeitung erst an vierter Stelle. Beim Direktvergleich der Medien belegt Fernsehen in der Gesamtbevölkerung für alle Motive die erste Stelle („trifft am meisten/an zweiter Stelle zu auf...“). Die modernen Milieus erfüllen ihre Informationsbedürfnisse (Denkanstöße, Information und nützliche Alltagsdinge) aber immer mehr im Internet. Radio kann sich in fast allen Milieus bei Entspannung und Spaß an die zweite Stelle setzen." (Fazit, Seite 440-441)
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"This report, which has been produced by a group of distinguished journalists and their supporters, examines the broad scope of the crisis. It covers countries where media are on the frontline of tough political battles, such as Egypt and Turkey. In Ukraine, for instance, the practice of paid-for jo
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urnalism is a tool routinely used by politicians at election time. The same is true in India. In other countries, including Nigeria, Philippines, and Colombia the precarious working conditions of news staff provide fertile conditions for corruption and “brown envelopes” or under-the-table cash payments to reporters and editors which are a routine feature of journalistic work. The struggles facing journalists in settled democracies, such as the United Kingdom and Denmark, are less brazen, but no less challenging and in a range of countries across the Western Balkans with a shared and painful history, media corruption hinders aspirations to break free from the legacy of war, censorship and political control during decades of communist rule. The story is of an uphill struggle. Everywhere there is a crisis of confidence inside newsrooms caused by crumbling levels of commitment to ethics, a lowering of the status of journalistic work and a pervasive lack of transparency over advertising, ownership and corporate and political affiliations. Government control over lucrative state advertising, which is often allocated to media according to their political bias, remains widespread. At the same time, the elimination in most countries of the invisible wall separating editorial and advertising has created a surge of so-called “native advertising,” hidden advertorials and paid-for journalism. It was this conflict of interest that plunged the crisis-prone UK press into a new bout of handwringing in February 2015 when Peter Oborne, a leading political journalist, quit his job at the Daily Telegraph accusing the management of censoring stories about HSBC bank, a leading advertiser caught up in a tax scandal. These reports tell essentially the same story of deep cuts in editorial investment, undue pressure on newsrooms, and media increasingly dependent upon atypical models of ownership in which media have become the trophy possessions of powerful figures and institutions in pursuit of wider corporate and political objectives." (Introduction, page iii-iv)
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