"The West German novel, radio play, and television series, Through the Night (Am grünen Strand der Spree, 1955-1960), which depicts the mass shootings of Jews in the occupied Soviet Union during World War II, has been gradually regaining popularity in recent years. Originally circulated in post-war
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West Germany, the cultural memories of the holocaust embedded within this multi-medium construction present different forms of historical conceptualization. Using numerous archival sources, Microhistories of Memory brings forward three comprehensive case studies on the impact, actors, and materiality of accounts surrounding questions of circulation of cultural memory, audience reception, production, and popularity of Through the Night in its different mediums since its first appearance." (Publisher description)
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"The study seeks to understand consumers’ and decisionmakers’ perspectives on how current entertainment media treats themes of faith, religion and spirituality in its narratives and characters, if there is a market for more accurate and diverse representation of faith, and what opportunities exi
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st for improving these portrayals. HarrisX surveyed nearly 10,000 entertainment consumers across 11 countries as well as 30 in-depth interviews with entertainment industry leaders. Consumers say they learn about other religions through entertainment and see the potential for faith-inclusive content to create understanding and dialogue in society. Yet, respondents share that when they see their religion or faith - and others - included in mainstream entertainment, they feel it’s often sensationalized or that the portrayal leans on stereotypes. Similarly, entertainment industry professionals also highlighted an opportunity to reach and connect with an underserved audience. They noted that producing this content not only represents a good business opportunity, but also provides the opportunity to demystify what consumers know about other faiths and create understanding between people of different belief systems." (Introduction)
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"Through an online field experiment, we test traditional and novel counter-misinformation strategies among fringe communities. Though generally effective, traditional strategies have not been tested in fringe communities, and do not address the online infrastructure of misinformation sources support
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ing such consumption. Instead, we propose to activate source criticism by exposing sources’ unreliability. Based on a snowball sampling of German fringe communities on Facebook, we test if debunking and source exposure reduce groups’ consumption levels of two popular misinformation sources. Results support a proactively engaging counter-misinformation approach to reduce consumption of misinformation sources." (Abstract)
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"We discuss how a capability approach to information technology in neighbourhoods with low social capital can create embedded and sustainable Community Technology Partnerships (CTPs) that connect residents and institutions together, reducing barriers to social participation and collaborative action.
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Current research indicates older people in deprived neighbourhoods have chronic problems with the effective sharing of community information, a key factor in the ‘digital divide’ (Niehaves and Plattfaut 2014). Manchester Age Friendly Neighbourhoods had 4,000 conversations in four ‘age-friendly’ resident-led neighbourhood partnerships in Manchester. This fieldwork demonstrated that the inability to create and share information within and across residents, communities and service providers is a key contributor to social isolation and barrier to local collaboration. MAFN developed a CTP to correlate perceptions that it was difficult to find out what was going on in the neighbourhood, with an exhaustive audit of actual activity. The result was collective surprise at finding out about dozens of events in each area that were previously either poorly communicated or which were not normally published at all, relying entirely on word of mouth. The CTP was developed using a capability model (Kleine 2013) to discover and overcome both the social and technical barriers preventing the hosts of neighbourhood activities collaboratively and sustainably self-publishing their event information. This resulted in the production of PlaceCal, an holistic social and technical toolkit that ensures groups and individuals have the technology, skills, infrastructure and support to publish information, creating a distributed network of community information." (Abstract)
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"Across markets, only around a fifth of respondents (22%) now say they prefer to start their news journeys with a website or app – that’s down 10 percentage points since 2018. Publishers in a few smaller Northern European markets have managed to buck this trend, but younger groups everywhere are
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showing a weaker connection with news brands’ own websites and apps than previous cohorts – preferring to access news via side-door routes such as social media, search, or mobile aggregators.
• Facebook remains one of the most-used social networks overall, but its influence on journalism is declining as it shifts its focus away from news. It also faces new challenges from established networks such as YouTube and vibrant youth-focused networks such as TikTok. The Chinese-owned social network reaches 44% of 18–24s across markets and 20% for news. It is growing fastest in parts of Asia-Pacific, Africa, and Latin America.
• When it comes to news, audiences say they pay more attention to celebrities, influencers, and social media personalities than journalists in networks like TikTok, Instagram, and Snapchat. This contrasts sharply with Facebook and Twitter, where news media and journalists are still central to the conversation.
• Much of the public is sceptical of the algorithms used to select what they see via search engines, social media, and other platforms. Less than a third (30%) say that having stories selected for me on the basis of previous consumption is a good way to get news, 6 percentage points lower than when we last asked the question in 2016. Despite this, on average, users still slightly prefer news selected this way to that chosen by editors or journalists (27%), suggesting that worries about algorithms are part of a wider concern about news and how it is selected.
• Despite hopes that the internet could widen democratic debate, we find fewer people are now participating in online news than in the recent past. Aggregated across markets, only around a fifth (22%) are now active participators, with around half (47%) not participating in news at all. In the UK and United States, the proportion of active participators has fallen by more than 10 percentage points since 2016. Across countries we find that this group tends to be male, better educated, and more partisan in their political vie ws.
• Trust in the news has fallen, across markets, by a further 2 percentage points in the last year, reversing in many countries the gains made at the height of the Coronavirus pandemic. On average, four in ten of our total sample (40%) say they trust most news most of the time. Finland remains the country with the highest levels of overall trust (69%), while Greece (19%) has the lowest after a year characterised by heated arguments about press freedom and the independence of the media." (Summary, page 10)
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"In many countries, especially outside Europe and the United States, we find a significant further decline in the use of Facebook for news and a growing reliance on a range of alternatives including private messaging apps and video networks. Facebook news consumption is down 4 percentage points, acr
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oss all countries, in the last year.
• News use across online platforms is fragmenting, with six networks now reaching at least 10% of our respondents, compared with just two a decade ago. YouTube is used for news by almost a third (31%) of our global sample each week, WhatsApp by around a fifth (21%), while TikTok (13%) has overtaken Twitter (10%), now rebranded X, for the first time.
• Linked to these shifts, video is becoming a more important source of online news, especially with younger groups. Short news videos are accessed by two-thirds (66%) of our sample each week, with longer formats attracting around half (51%). The main locus of news video consumption is online platforms (72%) rather than publisher websites (22%), increasing the challenges around monetisation and connection.
• Although the platform mix is shifting, the majority continue to identify platforms including social media, search, or aggregators as their main gateway to online news. Across markets, only around a fifth of respondents (22%) identify news websites or apps as their main source of online news – that’s down 10 percentage points on 2018. Publishers in a few Northern European markets have managed to buck this trend, but younger groups everywhere are showing a weaker connection with news brands than they did in the past.
• Turning to the sources that people pay most attention to when it comes to news on various platforms, we find an increasing focus on partisan commentators, influencers, and young news creators, especially on YouTube and TikTok. But in social networks such as Facebook and X, traditional news brands and journalists still tend to play a prominent role.
• Concern about what is real and what is fake on the internet when it comes to online news has risen by 3 percentage points in the last year with around six in ten (59%) saying they are concerned. The figure is considerably higher in South Africa (81%) and the United States (72%), both countries that have been holding elections this year.
• Worries about how to distinguish between trustworthy and untrustworthy content in online platforms is highest for TikTok and X when compared with other online networks. Both platforms have hosted misinformation or conspiracies around stories such as the war in Gaza, and the Princess of Wales’s health, as well as so-called ‘deep fake’ pictures and videos." (Executive summary, page 10)
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"Comprising 41 chapters by a team of international contributors, the companion is divided into three parts: histories; approaches; thematic considerations. The chapters offer wide-ranging explorations of how forms of mediation influence communication, social relationships, cultural practices, partic
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ipation, and social change, as well as production and access to information and knowledge. This volume considers new developments, and highlights the ways in which anthropology can contribute to the study of the human condition and the social processes in which media are entangled." (Publisher description)
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"Die DW Akademie will ihre Präsenz in Partnerländern mithilfe ihres vielfältigen Netzwerks aus Partnerorganisationen in nahezu allen Teilen der Welt weiter ausbauen. Gemeinsam fördern wir menschliche Entwicklung durch die Stärkung von Meinungsfreiheit, Qualitätsjournalismus, gleichberechtigter
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gesellschaftlicher Teilhabe, friedlicher Konfliktlösung und guter Regierungsführung. Der vorliegende Strategische Plan 2022-2025 der DW Akademie ist von der gesetzlich geforderten Aufgabenplanung 2022-2025 der Deutschen Welle abgeleitet, die der Rundfunkrat am 17. März 2023 mit Zustimmung des DW-Verwaltungsrats beschlossen hat." (Seite 4)
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"Neben großen Themen wie Beauty, Kochen und Katzen haben sich wachsende Nischen für religiöse Kommunikation im digitalen Raum etabliert. Instagram, das heißt heute auch: gelebte Religion, Bibel, Spiritualität, Kirchenpolitik, Seelsorge und Bildung. Der Band gibt Einblick in die Entwicklung von
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Instagramkanälen, zeigt neue Formen der Gemeinschaftsbildung und behandelt religiöse Influencer. Er beleuchtet, wie authentisch erklingende Instagram-Stimmen von religiös und kulturell interessierten Jugendlichen und jungen Erwachsenen wahrgenommen werden und zurückwirken auf die Wahrnehmung und Entwicklung von Kirchen und religiösen Gemeinschaften." (Verlagsbeschreibung)
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"Due to the nature of their jobs, journalists reporting from theaters of war, destruction, and violence are frequently exposed to potentially traumatizing experience. This study explores how journalists go about trauma exposure, how they deal with its emotional fallout, and what support they get in
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the process. In doing so, we use 35 qualitative interviews with conflict journalists working for news media in German-speaking countries, and draw on established theories of trauma exposure, its mental consequences, and ways to cope with them. Findings show that conflict journalists run a significant risk of experiencing trauma, either directly as targets of violence, or indirectly as eye-witnesses and as recipients of narrative accounts and vivid images of human suffering. Respondents noted a glaring lack of organizational support and prevention structure, which they connected to a problematic newsroom culture characterized by sexism, machoism, and a fierce competition." (Abstract)
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"The Bloomsbury Handbook of Radio presents exciting new research on radio and audio, including broadcasting and podcasting. Since the birth of radio studies as a distinct subject in the 1990s, it has matured into a second wave of inquiry and scholarship. As broadcast radio has partly given way to po
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dcasting and as community initiatives have pioneered more diverse and innovative approaches so scholars have embarked on new areas of inquiry. Divided into seven sections, the Handbook covers: communities; entertainment; democracy; emotions; listening; studying radio; futures." (Publisher description)
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"The book identifies and explains the unequal power relations in place that limit the possibilities of communication justice, the challenges and difficulties faced by activists and communities, the ways in which communities and movements have confronted power structures through discourse and materia
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l action, and their successes and limitations in creating new structures that promote the right to, and facilitate a future for, communicative justice. The volume features contributions based on experiences of resistance and transformation in the Global South—Bolivia, Ecuador, India, Malawi, and collaborations between the continents of Latin America and Africa—as well as notable studies from the Global North—Japan, Spain, and the United Kingdom—that defy hegemonic models." (Publisher description)
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"In den vergangenen Jahren wurde vermehrt darüber diskutiert, ob und in welchem Ausmaß das Vertrauen der Bürgerinnen und Bürger in mediale Berichterstattungen abgenommen hat. Begriffe wie „Lügenpresse“, grassierende Falschinformationen und die von vielen Beobachtern festgestellte gesellscha
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ftliche Polarisierung verleiten zu dem Schluss, dass das Vertrauen in die etablierten Medien gesunken sein müsse. Aber lässt sich dies auch empirisch feststellen? Die Mainzer Langzeitstudie zum Medienvertrauen hat über mehrere Jahre hinweg Daten erhoben und ausgewertet. Ihre Ergebnisse und Schlüsse zeichnen erstmals ein systematisches, auf repräsentativen Meinungsumfragen basierendes Stimmungsbild zur Einstellung der deutschen Bevölkerung zum Mediensystem und zur Berichterstattung für die Jahre 2015 bis 2020. Die Autorinnen und Autoren belassen es nicht bei der Darstellung der Forschungsergebnisse, sondern leiten daraus Vorschläge ab, wie das Medienvertrauen künftig gestärkt beziehungsweise zurückgewonnen werden kann." (Verlagsinformation)
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"This edited collection illuminates the scope with which identities and intimacies interact on a wide range of social media platforms. A varied range of international scholars examine the contexts of very different social media spaces, with topics ranging from whitewashing and memes, parental discou
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rses in online activities, Spotify as an intimate social media platform, neoliberalisation of feminist discourses, digital sex work, social media wars in trans debates and 'BimboTok'. The focus is on their acceleration and impact due to the specificities of social media in relation to identities, intimacies within the broad 'political' sphere. The geographic range of case study material reflects the global impact of social media, and includes data from Belgium, Canada, China, France, Germany, Greece, Italy, Portugal, Spain, Sweden and the USA." (Publisher description)
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"Das Fernsehen ist ein politisches Medium. Es ist in seiner institutionellen Gestalt geprägt durch Entscheidungen im politischen System und durch verfassungsgerichtliche Rechtsprechung. Politische Akteure versuchen immer wieder, Einfluss zu nehmen und das Medium für eigene Zwecke zu nutzen. Gleich
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zeitig ist das Fernsehen auch auf der inhaltlichen Ebene durch und durch politisch - und das nicht nur in der dezidierten Politikberichterstattung. So prägen Nachrichten, Sondersendungen, Talk-Shows, aber auch satirische oder fiktionale TV-Formate den Blick der Rezipientinnen und Rezipienten auf Politik und Gesellschaft. Der Medienwissenschaftler Andreas Dörner zeigt, wie das Fernsehen politisch konstruiert ist und wie es zugleich selbst die politische Welt konstruiert, Identitätsangebote macht und Interpretationsfolien für das Weltgeschehen anbietet. Er analysiert auch den Wandel des Mediums im Zuge der allgegenwärtigen Digitalisierung. Das sogenannte lineare Fernsehen ist auf dem Rückzug, Mediennutzung individualisiert sich weiter und TV-Sender, Streamingdienste und Videoplattformen verschmelzen zu einem vielfältigen Bewegtbildmarkt. Aber auch mit geänderten Formen und Vertriebswegen nimmt das Medium weiterhin eine zentrale Stellung in der politischen Öffentlichkeit Deutschlands ein." (Verlagsbeschreibung)
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"This topical volume illuminates ethical issues brought to the fore by the COVID-19 pandemic. Drawing on a broad range of case studies from different regions, it provides insights into the multiple and complex ways in which the pandemic has shaped media ethics. Chapters employ a wide range of innova
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tive theoretical and methodological approaches to dissect enduring and emerging ethical questions during the pandemic, providing lucid accounts of axiological dimensions in pandemic discourses, ethics of emotional mood, ethical challenges and dilemmas in news reporting, propaganda, misinformation, disinformation, and Othering. While the case studies in this book are unique, the authors have extrapolated common strands from their analysis of ethical issues applicable to any other country or region during the pandemic, contributing unique perspectives on how media ethics are circumscribed by global health pandemics." (Publisher description)
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"Die visuelle Kommunikation von Entwicklungsorganisationen ist geprägt von Spendenplakaten. Anhand einer eingängigen Bildsprache wird Aufmerksamkeit generiert. Mit einer postkolonialen Perspektive zeigt die Autorin auf, wie das vermittelte Afrikabild visuellen Stereotypen folgt, die bis in die Kol
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onialzeit zurückreichen. So werden Personen und Landschaften entsprechend tradierter Muster dargestellt und rassistisch geprägtes visuelles Wissen reproduziert. In der Analyse der Bildmaterialien wendet die Autorin die Methodologie der Diskursanalyse, und hierbei eine wissenssoziologische Perspektive an. Über das Zusammenspiel von Form und Inhalt arbeitet sie visuelle Repräsentationspraktiken und darin manifeste Wissensordnungen heraus." (Verlagsbeschreibung)
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"Journalists are regularly exposed to online hate speech their profession. Because discrimination often harms targets and can prompt self-censorship in journalistic content, undermining journalism’s public duty, it is essential to understand factors explaining why journalists become victims of onl
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ine hate speech. Using Routine Activity Theory, an online survey of journalists in Germany (N*=*497) revealed that conceptions of their roles as interpreters or adversaries were associated with more frequently being targets of online hate speech. Moreover, women journalists and journalists with migration background were additionally targeted by respectively sexist and racist online hate speech. Participation in active content moderation, a presumed destructive motivation, and audiences’ weak trust in media also raised journalists’ likelihood of being targets of hate speech online. Newsroom support, however, was positively related to such victimization, possibly as a result of sharing past experiences." (Abstract)
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