"This collection considers how digital images and social media reconfigure the way conflicts are played out, represented and perceived around the globe. Devoted to developing original theoretical frameworks and empirical insights, the volume addresses the role of user images and social media in rela
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tion to urgent subjects such as public opinion and emotion, solidarity, evidence and verification, censorship and fake news, which are all central to the ways current conflicts are represented and unfold. Essays include a unique range of case studies from different regional and political contexts (Middle East, Europe, Asia, North America) and in connection with different conflict types (war, terror, riots, everyday resistance, etc.). They also consider performative genres such as memes, selfies and appropriations as well as images conforming to the realism and authenticity of conventional photojournalism. In this way, the collection responds to the challenges of swiftly evolving image genres as well as to the continually shifting policies and algorithms of commercial digital platforms." (Publisher description)
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"Moving beyond a common visual concern within Religious Studies with art, aesthetic value, and perceptions of beauty or coherence, this volume shows how, when, and why images dare, shock, terrorize, confront, challenge, mock, shame, taunt, or offend, either intentionally or unintentionally, and as s
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uch lead to both confrontation and affective religious engagement. Exploring and experimenting with the relationship between text and image, the contributions draw attention simultaneously to the messiness of everyday life and to highly targeted, disruptive interventions that mark religious contestation in an era of escalating mobility and digital multiplicity. The volume thus illuminates an insight that has received little attention so far: provocation is among religion’s most significant mediations." (Publisher description)
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"Die Mediennutzung Jugendlicher kehrt teilweise zu dem Vor- Corona-Niveau zurück, das belegen die Ergebnisse der neuesten JIM-Studie „Jugend, Information, Medien“. Die Nutzung von Videoangeboten und digitalen Spielen bleibt dagegen auf dem hohen Niveau der Corona-Zeit. Für Jugendliche sind hie
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rbei vor allem Netflix und YouTube relevant. 78 Prozent nutzen aber auch Fernsehangebote regelmäßig. Um Musik zu hören werden am häufigsten Spotify und die Angebote von Radiosendern genutzt, die Radionutzung bleibt stabil." (Kurz und knapp, Seite 1)
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"Die KiKA-Landkartenstudie untersuchte die Mediennutzung von Drei- bis 13-Jährigen. Hierfür wurden die Kinder selbst sowie deren Erziehungsberechtigte befragt. Das lineare Fernsehen ist für diese Altersgruppe die wichtigste Nutzungsform für Bewegtbild, vor YouTube und Streamingdiensten. Als Lieb
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lingsformate werden solche genannt, die die Kinder aus dem Fernsehen kennen. Der Anteil der Kinder, die ausschließlich digitale Bewegtbildinhalte nutzen, liegt unter 1 Prozent. Das lineare Fernsehen gehört also nach wie vor in das breite Portfolio der Mediennutzung von Kindern. Im Hinblick auf die Nutzungsfrequenz und die Ausspielwege (linear, digital und hybrid) wurden fünf KiKA-Nutzungstypen segmentiert. Diese ermöglichen weitere Analysen und Distributionsentscheidungen." (Kurz und knapp, Seite 1)
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"Despite increased academic attention’s focus on conspiracy theories on Telegram, existing research has two major limitations: (1) a lack of combined examination of the distribution and reception of conspiracy theories, and (2) insufficient understanding of the relationship between the reception o
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f conspiracy messages and political attitudes, conspiracy beliefs, or political engagement. To address these gaps, our study adopts a two-pronged approach, linking the distribution and reception of conspiracy theories and mobilization calls on Telegram while exploring the implications for recipients’ conspiracy beliefs and protest behavior. Our research design includes a manual content analysis of 3,162 Telegram posts from German conspiracy-related channels (Study 1), and a survey of 318 Telegram users in these channels and 320 traditional media users (Study 2). Our results reveal characteristics of Telegram fringe group users that make them susceptible to conspiratorial and mobilizing content, such as anti-system attitudes and a readiness for protest behavior. These findings have broader implications for understanding the role of digital media in the spread of conspiracy theories and the mobilization of resistance during crises, as well as the importance of continued research on the relationship between digital media use, political attitudes, and engagement to mitigate the negative impacts of conspiracy theories and preserve democratic values." (Abstract)
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"This edited book based on a collective effort of researchers and professionals dedicated to compile the stories of children's television around the world. With 12 national chapters, the book includes historical accounts of children's television from the following countries: Australia, Brazil, Canad
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a, China, Ecuador, Germany, India, Israel, Italy, Kenia, Netherlands and USA. It provides an exploration of each individual country, revealing striking similarities and differences, discussed in depth in the final chapter. Looking at the global field through local eyes--its main texts and active players (broadcasters, producers and creators, as well as regulators and policy makers), their ideologies, financial prospects and perceptions of childhood--offers a macro-level evaluation of an entire cultural field." (Publisher description)
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"Wie werden Gesellschaften in Zeitschriften betrachtet und welche Übersetzungsleistungen bieten jene in unterschiedlichen gesellschaftlichen Kontexten? Um diesen Fragen nachzugehen, analysieren die Beiträger*innen des Bandes das Zusammenspiel von Textgestaltung, Design, Inhalten, Infrastrukturen u
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nd Zielgruppen von Zeitschriften. Sie erweitern den Blick im Rahmen einer differenzierungstheoretischen Forschungsagenda und betrachten Zeitschriften als materialisierte Zeichensysteme und kommunikative Artefakte innerhalb der materiellen Kultur der Gesellschaft." (Verlagsbeschreibung)
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"Ein Überblick über die russische Medienlandschaft und wie sie sich seit dem Beginn des russischenAngriffskriegs auf die gesamte Ukraine verändert hat – in zehn Fragen und Antworten." (Einführung)
"Can residents of Ukraine discern between pro-Kremlin disinformation and true statements? Moreover, which pro-Kremlin disinformation claims are more likely to be believed, and by which audiences? We present the results from two surveys carried out in 2019—one online and the other face-to-face—th
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at address these questions in Ukraine, where the Russian government and its supporters have heavily targeted disinformation campaigns. We find that, on average, respondents can distinguish between true stories and disinformation. However, many Ukrainians remain uncertain about a variety of disinformation claims’ truthfulness. We show that the topic of the disinformation claim matters. Disinformation about the economy is more likely to be believed than disinformation about politics, historical experience, or the military. Additionally, Ukrainians with partisan and ethnolinguistic ties to Russia are more likely to believe pro-Kremlin disinformation across topics. Our findings underscore the importance of evaluating multiple types of disinformation claims present in a country and examining these claims’ target audiences." (Abstract)
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"Using a multimodal discourse analysis approach, this dynamic collection examines various discourses, modes and media in circulation during the early stages of the pandemic, and how these have impacted our daily lives in terms of the various meanings they express. Examples include how national and i
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nternational news organisations communicate important information about the virus and the crisis, the public’s reactions to such communications, the resultant (counter- )discourses as manifested in social media posts and memes, as well as the impact social distancing policies and mobility restrictions have had on people’s communication and interaction practices. The book offers a synoptic view of how the pandemic was communicated, represented and (re- )contextualised across different spheres, and ultimately hopes to help account for the significant changes we are continuing to witness in our everyday lives as the pandemic unfolds." (Publisher description)
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"The existing literature presents several studies which show that the levels of press freedom can affect the state of the economy. What has not thus far been investigated is whether the economy can affect the levels of press freedom, the specific economic conditions that mainly affect it and the dif
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ferences among various countries. This study attempts to analyze the impact of economic conditions on the degree of press freedom, in 18 countries of the western world based on a quantitative analysis for the period 2002–2019, and advance our understanding of this relationship. We find that the state of the economy within a country can affect the level of press freedom while the effects of economic conditions on the degree of press freedom seem to vary among different media systems of the western world." (Abstract)
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"Since the beginning of 2020, media around the world have started and intensified their TikTok activity to gain notoriety and reach young people, their main user group. However, as with other previously popularized social media, such as Facebook or Twitter, the platform’s logic is different from t
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hat traditionally employed by the media system when developing information products. The objective of this paper is to analyze the degree of adaptation to the logic of this network for the activity developed on it by the Spanish media. For this purpose, a combined methodology of quantitative and content analysis was applied to 446 videos posted by the official user accounts of 20 Minutos, Antena 3 Noticias, El Diario, El Mundo, and El País –the five media outlets with the largest online audience in that period –from the time the accounts were created until January 31, 2022. Specifically, we studied the activity developed, the notoriety achieved, and the interaction obtained, as well as the most common formats, topics, protagonists, and brand identity elements. The results show that the main Spanish media have tried to adapt to the entertainment logic of the platform both with the use of native editing resources as well as through the creation of original materials, predominantly soft news, about entertainment, celebrities, and lifestyle. The videos that gain more notoriety are those that are more adapted to this logic. However, the Spanish media analyzed post less frequently than international media, obtain fewer views, and register lower engagement levels; in addition, they do not use their presence on this social network to promote their other editorial products." (Abstract)
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"In light of the controversial relationship and blurred lines between information and entertainment media, the current study’s goal aimed at qualitatively exploring media entertainment’s role in emerging adults’ political identity formation and engagement. By analyzing 55 semistructured interv
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iews from Germany, Croatia, Turkey, South Korea, and the Philippines, we examined how emerging adults in 5 countries—differing in tightness-looseness, political culture, and media freedom—explore alternative political identities (identity exploration) and commit to a set of political values (identity commitment). Across countries, notable similarities supported the notion of traditional and new forms of entertainment as universal drivers of political identity formation and engagement (e.g., informational source, broadening one’s horizon). However, idiosyncrasies of countries reflected unique cultural values, beliefs, and norms, and the benefits of media entertainment pathways to political identity development appeared to depend on political freedom and democracy." (Abstract)
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"This article analyzes how patronage crowdfunding is becoming a central part of the model for building a radio station. Implementing this model requires mobilizing listeners to engage in the direct, long-term financial support of a station. The analysis conducted in this article is based on a case s
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tudy of Radio 357—an Internet radio station in Poland funded through digital patronage since 2020. The success of this station suggests that the development of crowdfunding has created a space for new types of participatory engagement by audiences. Not only are we experiencing a reduction in the distance between presenters and listeners alongside increased connectivity between members of the audience but we are also seeing the intervention of patrons in shaping the station in terms of how, what, and when it broadcasts." (Abstract)
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"We selected ten post-communist countries for this research. Eight of them are located on the Balkan Peninsula, from a geographical point of view. We added Romania and Slovenia for historical reasons. The main aim of research is to provide a model of the media system in each of them. We are interest
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ed in the political, societal, economic and technological situation, journalistic standards and media accountability. The important thing is to know how media systems evolve in each country, under the influence of political institutions and external stakeholders. We examined how political, media, economic and social systems co-work or influence each other and how they affect each other." (Publisher description)
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"In this article, we revisit some of the debates about changing journalistic labour that have first emerged when digital technologies became widely available in newsrooms. The terms multiskilling, deskilling, up-skilling and re-skilling have been applied in a variety of contexts and in a range of st
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udies, but explorations of journalistic labour have tended to focus on core (news) workers. The de-skilling debate that originated in Braverman’s work continues to be relevant but we need a more nuanced approach to journalistic labour. Our case study addresses skills and changing work conditions in a regional Czech public service television newsroom and takes into account the experience of core as well as peripheral news workers. We conclude that camera reporters—those at the periphery of journalistic work—have faced the most detrimental loss of professional autonomy. We argue that a holistic approach to the core and the periphery of a newsroom helps us overcome some of the shortcomings of the conceptual variety of understandings of the journalistic field and the journalistic profession as well as the divergent definitions of skills involved in journalistic labour. Our case study is also important because it centres on underresearched public service media." (Abstract)
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"Every year, the NGO »Initiative Nachrichtenaufklärung« (INA) partners with the Deutschlandfunk editorial office to present a list of ten topics that have been neglected by the media. The objective is to make journalists aware of gaps in media coverage. For journalists, picking up such topics mig
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ht even be an opportunity to land an exclusive scoop. Since major issues, such as the Covid-19 pandemic and Russia’s war of aggression against Ukraine have been dominating news coverage for some time now, it is more important than ever to seek out »forgotten news«." (Abstract)
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"As a communicative space, the Russian public sphere is dramatically prosecuted, and it suffers from pathologic efforts to have it systematically shut down. This article looks back into the history of the new restrictive media laws and their framing in the state media. The analysis is disclosing how
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, or through which instruments and conditions, the state enabled, justified, and legitimized the act of securitization. It seeks to answer if there is a space left for dissident voices to be heard and for digital activism and resistance to exist or if the Russian media system has become a place solely defined by constant manipulation, censorship, and restrictions." (Abstract)
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