"The use of comics as a campaigning tool for grassroots organisations is a relatively new phenomenon and has been tested so far only in India, some other South Asian countries and in a few countries in Africa. This manual on the creation of comics as a medium for communication of development ideas s
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hares the experiences the authors gained in seven countries. It gives a number of examples of comics from these countries, photographs from workshops on grassroots comic creation, and manuals that demonstrate how to approach this communication medium with local non-governmental organisations (NGOs) or with community members. It explains how to make wall poster comics, booklet comics, strips, and accordion folded mini comics for local distribution - at meeting places, bus stops, shops, offices, schools, on notice-boards and electricity poles, etc. Reproduction methods include: photocopying for issues up to 30-40 copies, screen printing for issues from 100 copies upwards, and offset printing for issues from 200-300 copies upwards." (CAMECO Update 4-2008)
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"The first part sets out the four key concepts of literacy (as skills, tasks, social practices, and critical reflection), and describes associated approaches used throughout the world. The second half covers preparation and planning, offering practical guides for each key element of literacy-program
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me development. Using case studies from literacy programmes in many countries including Egypt, India, Indonesia, Mali, Nigeria, the Philippines, and Uganda, the authors demonstrate the importance of literacy and its power to improve lives. They also show that the role literacy plays in social and economic development is not a simple one, and literacy is never a quick-fix solution." (Oxfam website)
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"Als Partner des staatlichen Rundfunks Radio Television Afghanistan (RTA) leistet der Auslandssender Deutsche Welle (DW) einen wichtigen Beitrag zum Demokratisierungsprozess in Afganistan. Denn freie, unabhängige und verlässliche Medien sind in einer Demokratie unverzichtbar. Sie versorgen die Men
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schen im ganzen Land mit Informationen und tragen so zu aktiver Meinungsbildung bei." (Seite 5)
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"The symposium Measuring Change. Planning, Monitoring, Evaluation in Media Development focused on the utilisation aspect of evaluation1: The adding of “Planning” to “Monitoring and Evaluation” in the subtitle indicates that emphasis was laid on learning from monitoring and evaluation experie
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nces, to facilitate the improvement of existing projects and programmes at all levels, from planning to implementation and follow-up." (Executive Summary)
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"Wie arbeiten Journalisten in einem Land wie Afghanistan? Wie sah und vor allem wie sieht die Medienlandschaft und die Pressefreiheit in dem vom Krieg geschundenen Land am Hindukusch aus? Die vorliegende Arbeit liefert Antworten zu diesen bisher von der Forschung komplett vernachlässigten Fragen. D
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ie Autorin bietet eine erste Bestandsaufnahme des Journalismus in Afghanistan und verbindet aufschlussreich zeitgeschichtliche Hintergründe und den aktuellen Transformationsprozess des Mediensystems. Mit dem analysierenden Teil und der aufwändigen empirischen Untersuchung versteht sich diese Studie als ein Basiswerk in der Journalismus- und Medienforschung in Afghanistan." (Verlagsbeschreibung)
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"This study aims at facilitating cost determination and levels of support for local content production in developing countries. It is based on the collection of detailed production costs for feature films for theatrical or television release, television fictions and works of animation, documentaries
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, television magazine programmes and entertainment shows. The data collected relate to the entire production chain, including pre-production, production, post-production, royalties, duplication, dubbing, subtitling, distribution and promotional costs. The 10 countries covered are: Mexico, Colombia, Senegal, Burkina Faso, Nigeria, Egypt, Jordan, India, Cambodia and Latvia. This is a useful tool to independent filmmakers, producers, commissioners, broadcasters, donors and development institutions involved in audiovisual work." (CAMECO Update 1-2008)
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"Visual anthropology has proved to offer fruitful methods of research and representation to applied projects of social intervention. Through a series of case studies based on applied visual anthropological work in a range of contexts (health and medicine, tourism and heritage, social development, co
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nflict and disaster relief, community filmmaking and empowerment, and industry) this volume examines both the range contexts in which applied visual anthropology is engaged, and the methodological and theoretical issues it raises." (Publisher description)
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"Our 21 contributors -– most of them from Asia, and representing media, development or humanitarian sectors -- do not engage in mere theoretical discussions. In 19 chapters of this book, they draw on their rich and varied experience working in either preparing disaster resilient communities or res
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ponding to humanitarian emergencies triggered by specific disasters. Some are journalists who have reported on disasters from the 'ground zero'; others are aid workers, public information officials or development professionals who have been at the forefront in emergency responses or are engaged in disaster risk reduction. Diverse as their backgrounds and experiences are, our contributors share a belief in the central role that communication can play before, during and after disasters occur. Within this, they offer a kaleidoscope of perspectives as well as a great deal of practical advice on how to communicate hazards and disasters at inter-personal, inter-agency, inter-sector and public levels. The tools, technologies and methods may vary, but there is a broad consensus that to be effective, communication needs to be two-way, inclusive, participatory and sustained over time. It is not an 'add on' to other development interventions, but an integral component in its own right." (Page 3)
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"This thesis provides, firstly, an analysis of the interplay of transnational media corporations, particularly Rupert Murdoch's Star TV, in their pursuit of creating profitable national consumer markets, preferably in a democracy like India, with the anti-minority politics, modes of popular/populist
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mobilisation and discursive strategies of Hindu nationalism. It looks at the economic, technological, medial, political, social, visual/iconographic and legal aspects of this interplay and delineates their concrete manifestations in news as well as in entertainment programming of everyday television (particularly in very popular shows and channels at the time). These aspects are set into the larger framework of globalisation, privatisation, commercialisation and neo-liberal policies, the related thrusts of social upward mobility (especially in the new middle classes), ‘good governance’ (instead of socio-economic justice) and shifting class-, caste-, majority-minority and national-regional relations in the context of a re-formulation of nation and state that defines and legitimises new logics of inclusion and exclusion. Secondly, this work is a study of "Indianisation" and lingual/representational politics in the context of the growing precariousness of the liberal-secular discourse and of democratic, independent mass media in India. Especially English-language journalists, whose largely critical coverage of the anti-Muslim violence experienced an hitherto unknown rejection on the part of TV audiences (and consequently produced a slump in advertising revenues), turned with the Gujarat crisis out to epitomise the ambivalence of challenging the definitional power of a privileged postcolonial class: its rightful critique carries the danger of vindicating and naturalising anti-minority cultural nationalism. The study follows and examines, before the background of a normative construction of a Hindi-speaking, ‘authentic’ media consumer, the changing position of both English and Hindi-producing journalists and producers, their respective perceptions of alienation, speechlessness and empowerment, their unwanted role as activists in the context of shifting meanings of 'neutrality' and 'objectivity', their difficulties or agility in assessing their options and maintaining, changing or even developing their convictions, and the strategies they find or reject for adapting to the circumstances." (Abstract)
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"This report is one of the first studies comparing systematically different aspects of community radio practice in developing countries. Based on five country surveys - Colombia, Mali, Nepal, Peru and South Africa - it provides descriptions and analyses of: participatory processes and volunteerism;
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relationship with the community; exertion of rights; accountability and good governance; community radio networks; financing and financial sustainability; and community radio in conflict and post-conflict situations. The detailed country studies show that the practice of community radio broadcasting differs widely according to the national context, the legal environment and the specific role of national community radio associations and networks. In comparing the country studies, the main report stresses good practices, e.g. regarding the role of strong national networks, as well as some challenges like the need to accompany volunteers in a more systematic way and to address the precarious financial state of many community radio stations." (CAMECO Update 5-2008)
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"Media on the Move provides a critical analysis of the dynamics of the international flow of images and ideas. This comes at a time when the political, economic and technological contexts within which media organisations operate are becoming increasingly global. The surge in transnational traffic in
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media products has primarily benefited the major corporations such as Disney, AOL, Time Warner and News Corporation. However, as this book argues, new networks have emerged which buck this trend: Brazilian TV is watched in China, Indian films have a huge following in the Arab world and Al Jazeera has become a household name in the West. Combining a theoretical perspective on contra-flow of media with grounded case studies into one up-to-date and accessible volume, Media on the Move provides a much-needed guide to the globalization of media, going beyond the standard Anglo-American view of this evolving phenomenon." (Publisher description)
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"This book is the result of a research project covering eight countries in South and South East Asia examining the role and impact of alternative media. The definition of alternative media depends very much on the political, social, cultural and economic environment you live in. Thus, this book give
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s the reader an idea of the diversity of alternative media sources available across Asia, which is very much a result of the different media regulatory regimes in the countries we have included in this study. While Bangladesh has had alternative media, in the form of community theatre and other artistic expressions for a long time, yet, community radio, which is fast becoming one of the most effective forms of alternative media in Asia, is slow to take off, because the regulations still do not allow it. Meanwhile in Indonesia and Thailand, community radio has taken off rapidly, with regulators struggling to come up with a formula to help regulate the sector while not shutting it down. In the Philippine community radio has existed legally for many years and is thriving, thus, there may be lessons others can learn from this experience. In Malaysia, where legislation tightly controls the establishment of media outlets, there are yet, some interesting examples of how alternative media could be effectively operated via the Internet. Sri Lanka, offers an interesting model where elements of community broadcasting could exist within a public service broadcaster. Thus, this book, gives you interesting examples from Bangladesh, India, Indonesia, Malaysia, Nepal, Philippines, Sri Lanka and Thailand of how people are getting their voices heard - or are struggling to make that happen - using a variety of media and methods of expression." (Publisher description)
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