"This paper attempts to measure the impact of naturally occurring media frames on public support for a policy. Content analysis of network nightly news during late October of 2001 reveals that U.S. media framed the events of September 11 in terms of both war and crime. A concurrent survey of 328 Ten
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nesseans reveals that rather than adopting either a war frame or a crime frame, audiences combined elements of these media frames in various ways and that their subsequent understanding of the events of September 11 had an impact on their support for the war in Afghanistan. The results reveal the complexity of the framing phenomenon in natural environments and suggest the need for better measures of how audiences perceive media frames as well as further investigation into framing as a means of coalition building." (Abstract)
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"Discussions on how to support sustainability of independent media generally focus on the political conditions, the legal framework and – especially in German development cooperation – on the quality of journalistic coverage. Nevertheless, economic factors are of equal importance, not only for p
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ure survival but also with respect to editorial independence and the resources available to enhance or guarantee the quality of media outlets. The German Forum Medien und Entwicklung (Media and Development) highlighted in its annual international Symposium, “Money Matters – How independent media manage to survive”, two dimensions marking economic sustainability: factors constituting a restricting or enabling media environment; factors supporting the business management of media in their endeavour to become self-sustainable." (Executive summary, page 5)
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"Die Transformation des wissenschaftlichen Publikationswesens von der Gutenberg-Galaxie in den Cyberspace verlangt allen Beteiligten eine Neudefinition ihrer Rolle in dem System ab. Bei den anstehenden Veränderungen ist eine Fülle technischer, rechtlicher und wirtschaftlicher Gegebenheiten zu ber
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cksichtigen. In der Definition ihrer neuen Rolle sind alle aufeinander angewiesen. In den nachfolgenden Kapiteln werden die Chancen und Risiken der möglichen Entwicklungspfade aus den unterschiedlichen Perspektiven der Akteure beleuchtet. Dieses Handbuch will damit einen Beitrag zur Bewältigung der Herausforderung leisten. Es ist in fünf Kapitel gegliedert: Nach einer Erläuterung des Begriffs und des Ursprungs von Open Access in Kapitel 1 stellen sich in Kapitel 2 drei innovative Publikationsmodelle vor. Das Kapitel 3 beschäftigt sich mit den Fragen, die die Umsetzung von Open Access aufwirft: Welche Herausforderungen stellen sich bei der Archivierung im Netz? Wie wird Qualität sichergestellt, wenn das traditionelle Begutachtungsverfahren an Bedeutung verliert? Wer trägt die Kosten des Publikationsprozesses, wenn der Zugang für den Nutzer kostenlos ist? In welcher Weise wird das Urheberrecht durch Open Access berührt? Wie verändert Open Access die Struktur der Wissenschaftskommunikation? Das Kapitel 4 präsentiert Stellungnahmen von Institutionen, die Open Access aus ihrer Sicht bewerten, und Kapitel 5 gibt einen Überblick zu den internationalen Aktivitäten." (Einleitung, Seite 16)
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"Sex-selective abortion is an increasing problem in India. Previous awareness-raising efforts on the issue have focused largely on the act of abortion, without substantively addressing the context that creates a demand for sex selection. The BBC World Service Trust conducted a research study on how
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best to use the media to address the issue, and concluded that a fictional television drama would be a suitable medium, as it would be able to unravel the reasons for son preference, demonstrate ways in which social pressure can be challenged, and depict women in a variety of roles that would serve to increase their value within the family and society." (Abstract)
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"This collection of writing on community media describes attempts at local media development and case studies of functioning projects. It presents a range of perspectives on grassroots media originating from community groups; research representing participant observation; hands-on community involvem
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ent; service on international boards of directors; content analysis; and ethical inquiries. The book draws on both theoretical and practical examples from Australia, Bangladesh, Belgium, Brazil, Canada, Germany, Ghana, India, Israel, Kazakhstan, Latin America, Native Americans, Singapore, Spain, Thailand, Turkey, and includes perspectives ranging from cyberdating to ethics and policy-making. Sections include Aboriginal/Indigenous Experiences, Current Case Studies, and Virtual Community Visions. It intends to appeal to a range of academic disciplines, community media groups, and people who work in their local cable television centres in order to provide an alternative voice to mainstream media." (https://www.comminit.com)
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"Indian books have increasingly begun to find a market in Africa and Indian publishers now find it both lucrative and important to attend book fairs in different African countries. One of the advantages that Indian publishers have is in terms of prices. They are able to produce good quality books at
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a fraction of the prices that are charged by publishers from the West. Similarly, African publishers are beginning to find a market in India." (GIZ library Bonn)
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"Un panorama du « cinéma engagé » sous deux de ses aspects : en première partie, onze auteurs examinent la façon dont le cinéma, dans différents pays et à différents moments de son histoire, aborde le plus chargé de tous les thèmes sociaux, celui de la guerre. La seconde partie entrepren
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d une tâche précieuse d’information à l’intention du cinéphile en faisant état de l’engagement tous azimuts qui caractériserait aujourd’hui tant de cinémas nationaux à travers le monde – à l’exception notable de la France." (Description de la maison d'édition)
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"This study critically evaluates international democratization assistance in postconflict societies to discern what has worked, what has not, and how aid programs can be designed to have a more positive impact. The authors offer a unique recipient perspective as they explore three dimensions of demo
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cracy promotion: elections, free media, and human rights. Drawing on the experiences of Afghanistan, Cambodia, El Salvador, Ethiopia, Guatemala, Mozambique, Rwanda, Sierra Leone, and Uganda, they suggest concrete ways in which the international community can better foster democratization in the wake of conflict." (Publisher description)
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"At a stay in Afghanistan in May 2006 my father-in-law Mohammed Faried Parvanta in a laborious effort acquired Persian lists of newspapers, magazines and radio and television stations from the Ministry of Information and Youth. These lists give an excellent quantitative overview on the current lands
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cape of mass media in the country and I soon came to the conclusion that they are a source in itself, documenting a status which will have already changed considerably at the moment this article appears. My wish to publish them was limited by the question of how to make them accessible in a useful way. While speaking about it to my friend Eckart Schiewek who is since nine years a member of the United Nations Special Mission to Afghanistan (UNSMA) he mentioned another list that had been produced in February 2001 by UNSMA under his direction and thus reflects the media situation in the time of the Taliban (a time where very little is known about the publishing landscape). Eckart’s generosity to freely use the 2001 list made it clear that both lists should be published thus giving a comparison which to my knowledge hasn’t been tried yet. I decided to create a certain frame for the data in providing a short historical overview and adding some comments at certain points in the lists although I am in no way qualified for a critical historical study of the situation of Afghan mass media or periodicals. Instead this small article intends to make these two valuable lists available to the interested specialists. Despite my few comments both of the lists are basically reproduced as they were. I quickly gave up initial thoughts to translate the Persian lists because of the sheer size of these lists." (Preliminary remarks)
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"From the Taino Indians of the Caribbean, the U’wa of the Amazon rainforest, and the Tunomans and Assyrians of Iraq, to the Tingas and Zapatistas, Native on the Net is a lively and intriguing exploration of how new technologies have enabled these previously isolated peoples to reach new levels of
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communication and community: creating new communities online, confronting global corporations, or even challenging their own native traditions. Featuring case studies ranging from the Artic to the Australian outback, this book addresses important recurrent themes, such as the relationship between identity and place, community, traditional cultures and the nature of the ‘indigenous’." (Publisher description)
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"Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India'
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s other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film." (Publisher description)
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"'The only true history of a country', wrote Thomas Macaulay, 'is to be found in its newspapers'. This book explores how the media shaped and defined the economic, social, political and cultural dynamics of the British Empire by viewing it from the perspective of the colonised as well as the colonis
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ers." (Publisher description)
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