"Personal account of the manifold problems faced by the author in converting state broadcasting in Kosovo into a public service broadcaster. The author was foreign relations coordinator of the German public boradcaster ARD from 1965 to 1996." (commbox)
"This article examines public perceptions of the news and information sector in Bosnia-Herzegovina. Since the signing of the Dayton Peace Accord in late 1995, the international community has donated millions of dollars to foster free and fair media. This research explores the media transition in Bos
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nia through a four-year longitudinal study. The research design measured public perceptions (N = 1689) of the realism, importance and credibility of news outlets in the two major media centers: Banja Luka and Sarajevo. The findings suggest that over time Bosnians are relying less on politically motivated news outlets. Moreover, some independent media have emerged as both important and credible sources for news and information." (Abstract)
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"Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated
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throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia." (Publisher description)
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"There is currently a great deal of discussion in the humanities and social sciences about collective memory, but there is very little agreement on what it is. The first goal of this volume is to review various understandings of this term to bring some coherence to the discussion. Drawing on this re
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view, James V. Wertsch goes on to outline a particular version of collective remembering grounded in the use of 'textual resources', especially narratives. This takes him into the special properties of narrative that shape this process and into the issues of how these textual resources are produced and consumed. Wertsch brings these general ideas to life by examining the rapid, massive transformation of collective memory during the transition from Soviet to post-Soviet Russia." (Publisher description)
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"The bloody conflicts of the past decade have focused international attention on the strategic role of the media in promoting war and perpetuating chaos. Written against this backdrop, Forging Peace brings together case studies and legal analysis of the steps that the United Nations, NATO, and other
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organizations have taken to build pluralist and independent media in the wake of massive human rights violations. It examines current thinking on the legality of unilateral humanitarian intervention, and analyzes in graphic detail the pioneering use of information intervention techniques in conflict zones, ranging from full-scale bombardment and confiscation of transmitters to the establishment of new laws and regulatory regimes. With its focus on the role of media in preventing human rights violations, Forging Peace will influence policy and debate for years to come." (Publisher description)
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"In order to promote a mass media that is both professional and supportive of democratic culture, funders should give special attention to distinguishing opposition media from independent media, integrating media support with other efforts at civil society and democratic development, and ensuring di
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versity within the mass media." (Page 117)
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"The press in transition" chronicles and evaluates the experiences of six press institutions in four markedly different media systems. The book adopts a comparative framing to explore press functioning worldwide, and to draw preliminary conclusions about the press in transition. At the heart of the
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study, however, is an up-close portrait of institutions and individuals. Adam Jones is a professor of International Studies at the Center for Research and Teaching in Economics (CIDE) in Mexico City. He holds a Ph.D. in Political Science from the University of British Columbia." (Catalogue Deutsches Übersee Institut 2002)
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"Clearly as important providers of information, the media are more likely to promote better economic performance when they are more likely to satisfy three conditions: the media are independent, provide good-quality information, and have a broad reach. That is, when they reduce the natural asymmetry
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of information, as Joseph Stiglitz puts it in chapter 2, between those who govern and those whom they are supposed to serve, and when they reduce information asymmetries between private agents. Such a media industry can increase the accountability of both businesses and government through monitoring and reputational penalties while also allowing consumers to make more informed decisions.
This book cites many examples that demonstrate the value of information provided by the media. Alexander Dyck and Luigi Zingales (chapter 7) discuss how the media can pressure corporate managers and directors to behave in ways that are socially acceptable, thereby avoiding actions that will result in censure and consumer boycotts. They also report that in Malaysia, a recent survey of institutional investors and equity analysts asked which factors were most important to them in considering corporate governance and the decision to invest in publicly listed corporations. Those surveyed gave more importance to the frequency and nature of public and press comments about companies than to a host of other factors considered key in the academic debate. However, the dissemination of credible information in a timely manner depends critically on how the media business is managed and regulated. The chapters in this book document evidence on media performance and regulations in countries around the world and highlight what type of public policies and economic conditions might hinder the media in supporting economic development in poor countries." (Pages 1-2)
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"Taking 14 radio serial dramas from around the world shows that many aspects of the way they are organised are not replicable: what works in one context would just not work in another. This is because of the very nature of pro-social media projects: they depend so much on the personal contacts of th
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e producers, and the specific needs and tastes of the target audience. A successful model for one country may well not work in another, simply because there are so many variables. Having presented this caveat, the following is a list of replicable features gleaned from the 14 projects studied. More detail about how these features work in practice can be found in each case-study. The features have been selected because they either show up strongly across all projects, have been singled out by project-holders as the key to their success, or because they seem to have the potential for translating across countries and sectors." (Recommendations, page 21)
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"In this study Sandra B. Hrvatin analyzes the public institution RTV Slovenia and the main problems related to it - funding, public control and fulfilment of the public role - and draws comparisons with other public broadcasters across the world. She concludes that RTV Slovenia is in crisis and sugg
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ests that it cannot be successfully resolved unless certain questions relating to the role and significance of contemporary public service broadcasters are answered first. "To support PSB today means to support the option of an open communication space in which all citizens, no matter what their material wealth or communication competence, will have access to communication channels and a chance to influence programming and content." (Summary, page 6)
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