"In den letzten Jahren hat die Verbreitung der neuen Informationsund Kommunikationstechnologien weltweit zu tief greifenden Veränderungen in Gesellschaft, Wirtschaft und Politik geführt, die inzwischen auch den Bereich der Entwicklungszusammenarbeit erreicht haben. Welche Chancen und Gefahren vor
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allem aber welche Herausforderungen sind mit diesen neuen Kulturtechniken verbunden? Was bedeuten diese, insbesondere für die Sozialisation von Kindern, auch und gerade in den Ländern des Südens? Wie ist das Problem der Gefährdung durch Gewaltdarstellungen in Neuen Medien und deren zunehmende Einbeziehung in Gewalthandlungen und Kriegsstrategienzu bewerten? In dieser Broschüre werden – vor dem Hintergrund der Entwicklungszusammenarbeit – neben zentralen Entwicklungen der Neuen Medien und deren Herausforderungen wichtige Strategien des Umgangs im Kontext der Medienpädagogik diskutiert." (Verlagsbeschreibung)
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"This Nationwide Media Audience Survey 2006 is the most comprehensive and representative media survey carried out in Papua New Guinea to date. Regular media surveys for commercial purposes have been carried out, concentrating on urban and peri-urban samples in the five most-developed major centres.
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Whilst their design is well suited to their objectives, the results are by no means representative of the population at large and the findings of this NMAS are obviously at considerable variance with such urban-centred surveys. This NMAS was designed to provide a more accurate ‘warts and all’ model of media reception, perceptions and attitudes across the nation. The sampling system catered for the majority rural population and less-developed provinces and districts. This NMAS clearly reveals the patterns of media gradients and the extent to which the majority rural populations are disadvantaged in receiving mass-media communications (and in interacting with the media)." (Executive summary, page 9)
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"Presents the baseline data of quantitative research undertaken into the reading, book reading, and book buying habits of South Africans from the age of 16. The survey was commissioned by the South African Department of Arts and Culture through the Print Industries Cluster Council (PICC), now part o
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f the South African Book Development Council. The survey, supported by a massive amount of statistical analysis in the form of charts and tables, is presented under five sectors: Reading and the research in context; South African leisure life; Reading in South Africa; Book reading in South Africa-segmenting the market, and Strategic interpretations and the way forward." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1077)
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"This thesis provides, firstly, an analysis of the interplay of transnational media corporations, particularly Rupert Murdoch's Star TV, in their pursuit of creating profitable national consumer markets, preferably in a democracy like India, with the anti-minority politics, modes of popular/populist
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mobilisation and discursive strategies of Hindu nationalism. It looks at the economic, technological, medial, political, social, visual/iconographic and legal aspects of this interplay and delineates their concrete manifestations in news as well as in entertainment programming of everyday television (particularly in very popular shows and channels at the time). These aspects are set into the larger framework of globalisation, privatisation, commercialisation and neo-liberal policies, the related thrusts of social upward mobility (especially in the new middle classes), ‘good governance’ (instead of socio-economic justice) and shifting class-, caste-, majority-minority and national-regional relations in the context of a re-formulation of nation and state that defines and legitimises new logics of inclusion and exclusion. Secondly, this work is a study of "Indianisation" and lingual/representational politics in the context of the growing precariousness of the liberal-secular discourse and of democratic, independent mass media in India. Especially English-language journalists, whose largely critical coverage of the anti-Muslim violence experienced an hitherto unknown rejection on the part of TV audiences (and consequently produced a slump in advertising revenues), turned with the Gujarat crisis out to epitomise the ambivalence of challenging the definitional power of a privileged postcolonial class: its rightful critique carries the danger of vindicating and naturalising anti-minority cultural nationalism. The study follows and examines, before the background of a normative construction of a Hindi-speaking, ‘authentic’ media consumer, the changing position of both English and Hindi-producing journalists and producers, their respective perceptions of alienation, speechlessness and empowerment, their unwanted role as activists in the context of shifting meanings of 'neutrality' and 'objectivity', their difficulties or agility in assessing their options and maintaining, changing or even developing their convictions, and the strategies they find or reject for adapting to the circumstances." (Abstract)
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"The first six chapters of this book give you the background information you need to understand how to do an audience survey to a high standard. The explanation is based on the standard face-to-face survey method, where trained interviewers speak directly to audience members. You can use the informa
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tion in Part I in several ways: to organize your own survey, or to commission an expert to do a survey for you, and understand most of the decisions that they and you will face, or to help decide whether you need a survey, or some other type of research. If you are interested doing your own research, but after reading these six chapters you realize that it may be too difficult, slow, or expensive to complete a face-to-face survey, try Part II of the book, which describes some other types of survey, and several methods of qualitative research." (Page 5)
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"Für Studenten sollte nachvollziehbar sein, wie man von bestehenden Ergebnissen zu einer Forschungsidee, von dieser zu theoriengestützten Untersuchungsstrategien und durch diese über die Interpretation der Ergebnisse zu einem mehr oder weniger konsistenten Erkl/irungsmodell kommt. Aus diesem Grun
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d beginnt der Text mit der Darstellung von Ergebnissen aus einem spezifischen Forschungsbereich, nämlich der "Vielseherforschung". Diese Ergebnisse werden mit Theorien und Konstrukten aus einem bisher damit nicht in Verbindung gebrachten Forschungsgebiet der Sozialpsychologie verglichen und die dabei aufgedeckten Übereinstimmungen zur Grundlage neuer Forschungsstrategien gemacht. Die immer wieder "eingestreuten" (insgesamt sechs) empirischen Untersuchungen haben die Aufgabe, den roten Faden einer Forschungsstrategie zu demonstrieren und die theoretischen und methodischen Schwierigkeiten exakter empirischer Forschung auf diesem Gebiet darzustellen. Von Untersuchung zu Untersuchung wird - unter Einbeziehung weiterführender, theoretischer Ansätze - das Forschungskonzept erweitert, bis hin zum Versuch der Konstruktion eines erklärenden, interaktiven Modells. Ausgangspunkt der dargestellten Gedankengänge ist ein kommunikationstheoretisches Paradoxon. Während die miniaturisierende Elektronik und die Satellitentechnologie es ermöglicht, mobil und von jedem Ort der Welt aus Informationen in unser Wohnzimmer zu senden, betreiben immer mehr Rezipienten Informationsabwehr und ziehen sich auf klischeehafte und stereotype Unterhaltungsformen -dieses Mediums- zurück. Selbst die Information wird zum "Infotainment" und übernimmt die formalen Strukturen der Unterhaltungssendungen. Im vorliegenden Text wird der Versuch gemacht nachzuweisen, dass Fernsehkonsum nur ein spezifischer Aspekt der generellen Auseinandersetzung eines Individuums mit seiner Umwelt ist. Der Stil und die Strategie dieser Auseinandersetzung wird durch die Sozialisation des Individuums bestimmend geprägt. Kompliziert wird die Angelegenheit durch die Tatsache der Mutation des Fernsehens selbst (neben Eltern, Schule und Gleichaltrigen) zum Sozialisationsfaktor." (Vorbemerkung, Seite 11-12)
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"Trauma is at the heart of news — and of the human condition. How it’s reported gives those who weren’t there their first understanding of what a traumatic event means. Personally. For their families and loved-ones. For their community and their nation. Indeed, for the world as a whole. The jo
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urnalism of trauma matters, and journalists have a profound responsibility to tell the story well. Their work can reflect, reinforce, and calm — or exacerbate — the grief and distress that ripples out from death and injury. Covering trauma, whether major international stories or events much closer to home, can also have an impact on those who do the reporting. Like the police, the fire and medical services, like military personnel and rescue workers, journalists are professional first responders to crisis and disaster. But they’re among the last of those groups to recognise the psychological implications of that responsibility. Just as sports reporters and financial journalists don’t open a notebook without a professional knowledge of their field, neither should those who report violence and tragedy. This handbook is the fruit of a Dart Centre consultation with journalists across the world, and it distils the expertise of the best international trauma experts." (Introduction)
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"Welcome to this module on children‘s rights for journalists. The objective of the module is to provide you, the trainee journalist, with the concepts and the information that will help you to develop responsible news reporting skills that appreciate and respect children's rights [...] The module
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is organised into two main units. Unit 1, Introducing Children‘s Rights, provides the background to why understanding rights is so important and will look at good practice as well as the problems and challenges that arise in reporting news concerning children. Unit 2, Children‘s Rights and Professional Journalism Practice, deals with professional journalism practice from a children's rights perspective and looks at the policies and the contexts in which we need to think about how to improve our work as journalists. The material presented here should be read alongside the many supporting references and recommendations for further reading. We hope that what you learn in the module will provide a foundation and a reference point for all forms of news reporting but particularly so when children are central to the story." (Pages 5-7)
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"Long before the descriptor “citizen journalism” became a topic of research interest in academia, Indonesia’s Radio Elshinta (www.elshinta.com) in Jakarta had already opened its airwaves for listeners, most with no formal journalism training, to call in their stories. This paper contextualises
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Elshinta’s experience with Asia’s top online citizen media portal Ohmynews (english.ohmynews.com) in South Korea to identify their common and divergent characteristics. The case study is complemented by interviews with journalists from Elshinta and Ohmynews. The study concludes that despite relatively unreliable access to Internet facilities in Indonesia, the main catalysts for Elshinta’s engagement with its listeners are (a) the predominantly oral culture in Indonesia; (b) low literacy, thus their reliance on radio as the primary source of information and entertainment; and (d) the popularity of mobile phones for formal and informal communication. Indonesian television and newspapers, however, have been slow in catching up with people-initiated journalism because of (a) fear of losing its reputation and credibility, and thus its commercial base; and (b) conflict between unedited reports by untrained reporters with the professional practice standards and the Press Law. Other obstacles to people-initiated journalism in television and newspapers are the slow uptake of amateur handycam images by TV stations, poor Internet access, lack of writing skills and lack of interactivity in existing online news sites." (Abstract)
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