"India, unlike the USA, has multiple centers of production just as its languages and cultures still maintain their identities in India instead of being amalgamated into a singlular overarching popular culture as appears in the Los Angeles-dominated film industry of the United States. Even with produ
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ction taking place outside of Hollywood, the dominance of Hollywood still reamins a force throughout the U.S. film and television industry. The other surprise in the article is the author’s assertion that television is still subordinate to film in its popularity with audiences, despite the fact that the Tamil Nadu government gave a color television set to all poor people in the state. Film, he reminds us, has a solid place in the lives and hospitality of the people of south India. Jesudoss also points out that all of the major political parties (many more than the two the United States is used to) own their own TV stations and use them to great effect. Adding to the importance of film in everyday life, the author also states that all of last five governors of the state have emerged from the film industry." (Editor's introduction, page 3)
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"CINEDUC is an innovative educational method which uses cinema and participative discussion methods to facilitate access to information about topics associated with development. The method was developed as part of a project implemented by the German Development Service (DED) and its partners in Rwan
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da from 2004. The general objective of CINEDUC is to inform, educate and raise a target group’s awareness of a concrete social topic with a view to contributing to improving the lives of the people in question within their communities. CINEDUC aims to activate both individual capacities and community support in finding viable and suitable solutions to social problems." (Introduction)
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"En el libro que ofrecemos al lector se realiza un análisis detenido de la situación actual de las industrias culturales, sobre todo en la perspectiva de su influencia en los procesos de desarrollo, y se analiza lo que esta agencia se ha propuesto al definir a las relaciones entre cultura y desarr
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ollo como una de sus estrategias fundamentales de cooperación. Lo hace mostrando las posibilidades que tienen los países de fortalecer y redistribuir sus ingresos, incentivando, a través de políticas públicas y planes concretos, las industrias culturales. Éstas generan rentabilidad y empleo, resaltan la creatividad local y encuentran fortalezas en las culturas locales. Pero también este libro advierte claramente que la cultura no se reduce a su versión industrial, ni es solamente un asunto comercial y del mercado. Los productos culturales son mucho más que mercancías. Son soporte de la cohesión social y la democracia." (Prólogo, página 11)
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"This Historical Dictionary of Journalism shows both sides of the picture. The dictionary presents entries on some of the finest newspapers as well as those of lesser repute, many exceptional journalists as well as others the profession would rather forget, major advances such as investigative repor
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ting and more questionable practices such as yellow journalism, and important topics like censorship and the continuing struggle for freedom of the press. It covers a long period of time, from the very first practitioners whose news was often sung to the most recent whose news appears in a computerized format. Last but not least, it traces the history of journalism in a large number of countries in a lengthy chronology and then an introduction, which analyzes individual developments thematically, showing how the discursive practices of journalism have evolved within a larger political, economic, and cultural context." (Editor's foreword)
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"A community research partnership is ideally part of a larger collaboration that includes the interests of each partner and spans a wide range of activities. Often a neglected afterthought in busy research schedules, the dissemination of key findings upon project completion is a crucial step in comm
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unity-based research. In fact, we believe that researchers have an ethical obligation to ensure that research findings are disseminated to research participants, as well as other individuals and institutions in the communities in which we work. In an effort to increase ease and efficiency, this document provides key strategies for dissemination, including practical advice and specific templates you can adapt for your use. Through this strategic dissemination approach, CARE (Community Alliance for Research and Engagement) intends to distribute salient findings to affected communities, participant agencies, health departments, researchers, policy makers, and health advocacy groups." (Page 1)
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"This is a book about radio and the relatively new subject of radio studies. In fact, it is the first book to have the words ‘radio studies’ in its title. Radio itself has been the subject of research and writing since it was invented at the beginning of the last century. Much of that published
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work concerns the technical dimension of radio, but there is also a significant body of work on, for example, radio history, on the nature of speech on radio, on radio drama and so on. This body of writing is fairly puny in comparison with the literature on film and television but it is important nonetheless. Turning to the slightly more introspective aspect of this book, the consideration of radio studies itself, the published literature is almost non-existent. Very few writers have turned their attention to the nature of this subdivision of media or communication studies and I hope that what follows will take a step in that direction [...] The concepts chosen here are derived from two sources. The first source is the business of producing radio itself; this includes the genres and styles of programming (the phone-in, news, comedy and so on) and other central ideas and practices of the radio industry (for example the radio format, the audience, radio journalism). These are terms which are used in the radio industry itself and so have a professional currency. The second source for my list comes from writing about radio from within the academic field of media studies, including radio studies. So, for example, the idea that radio is an ‘intimate’ medium is a recurrent theme in the radio studies literature, as is the ‘liveness’ of radio and the idea of the radio DJ’s ‘persona’. These are not terms, however, often used in the radio industry but belong to the critical discourse about the medium which tries to make sense of it from the outside. In addition there are a few concepts here which are not radio specific; the concept of the ‘imagined community’ was not developed with radio in mind but appears in a number of books on the subject. Other examples in this category are public service broadcasting, propaganda and development [...] (Introduction, page 1-2)
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"This book examines US foreign policy toward the so-called 'rogue states' and the products of the Hollywood film industry in relation to these states, which promises to make a significant contribution to our understanding of the 'soft power' that is popular culture." (Publisher description)
"Este artículo presenta los resultados para el año 2008 del capítulo chileno del tercer informe Obitel (Observatorio Iberoamericano de la Ficción televisiva). Estos informes buscan dar cuenta de la producción y exhibición de ficción en la televisión abierta en un formato que permita comparar
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tendencias en los diez países de Iberoamérica que participan del proyecto. Los resultados que aquí se presentan se obtuvieron de un análisis cuantitativo, considerando variables relativas a la producción, exhibición y formato/género de programas ficcionales difundidos por la televisión abierta chilena durante 2008. Este informe cuantifica la producción y exhibición de ficción chilena, latinoamericana y de Estados Unidos con la finalidad de constituirse en una herramienta para dimensionar adecuadamente el desarrollo de la industria nacional así como para detectar tendencias de mediano plazo." (Resumo)
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