"Este estudo é realizado dentro da estrutura do Programa de Pesquisa do ifa „Cultura e Política Externa“, no qual especialistas analisam tópicos atuais das relações culturais internacionais e desenvolvem recomendações para futuras medidas de política cultural externa. Ele discute o poten
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cial e os desafios de uma abordagem mais decolonial da cooperação internacional no campo do meio ambiente e das mudanças climáticas, tendo a educação e a cultura como bases e ferramentas para essa cooperação. Este estudo trata especificamente da Política Externa Climática Alemã em relação à região da Amazônia Legal Brasileira. Uma revisão da literatura, entrevistas semiestruturadas e mesas redondas foram realizadas como parte da pesquisa para levar em conta uma visão geral das percepções de diferentes partes interessadas ligadas ao tópico da pesquisa." (Contracapa)
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"This report explores the state of evidence in participatory grantmaking (PGM). It investigates the benefits and challenges of PGM and provides recommendations for the sector on advancing practice and understanding in this emerging area." (Page 4)
"Mediating Violence from Africa explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras
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, included the use of child soldiers facilitated by the Soviet Union’s castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a “post–Cold War” framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars." (Publisher description)
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"This contributed volume explores theories of media and communication and focuses on providing African perspectives on global conversations. Using broad cases relating to media and communication theories, this book explores socio-cultural issues affecting most modern African societies, providing a c
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onceptual and empirical framework for explicating the potential place of media techniques and structures in Africa." (Publisher description)
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"The book contributes to the sparse academic literature on African and minority language media research. It serves as a compendium of experiences, activities and case studies on the use of native language media. Chapters in this book make theoretical, methodical and empirical contributions about ind
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igenous African language media that are affected by structural factors of politics, technology, culture and economy and how they are creatively produced and appropriated by their audiences across African cultures and contexts. This book explores indigenous African language media about media representations, media texts and contents, practice-based activities, audience reception and participation, television, popular culture and cinema, peace and conflict resolution, health and environmental crisis communication, citizen journalism, ethnic and identity formation, beat analysis and investigative journalism, and corporate communication. There are hardly any similar works that focus on the various issues relating to this body of knowledge." (Publisher description)
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"Providing a concise toolbox for publishing professionals and students of publishing, this book explores the skills needed to master the key elements of social media marketing and therefore stay relevant in this ever-competitive industry. Taking a hands-on, practical approach, Social Media Marketing
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for Book Publishers covers topics including researching and identifying actionable insights, developing a strategy, producing content, promotion types, community building, working with influencers, and how to measure success. Pulling from years of industry experience, the authors’ main focus is on adult fiction publishing, but they also address other areas of the industry including children’s, young adult (YA), academic, and non-fiction. The book additionally brings in valuable voices from the wider digital marketing industries, featuring excerpts from interviews with experts across search engine optimisation (SEO), AdWords, social platforms, community management, influencer management, and content strategists." (Publisher description)
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"Die Rezeption von Filmen und Fernsehsendungen ist sowohl vom Wissen und den Emotionen der Zuschauer:innen als auch von sozialen Kontexten abhängig. Es reicht daher nicht aus, die "Sprache" von Film und Fernsehen zu analysieren, sondern es müssen auch die Form, die Gestaltung, die Dramaturgie und
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der Inhalt auf die Kontexte der Rezeption bezogen werden. Dieses Standardwerk von Lothar Mikos ist eine erprobte Anleitung zur Durchführung von Film- und Fernsehanalysen. In der 4. Auflage neu hinzugekommen sind u. a. eine Beispielanalyse zum transmedialen Storytelling in der Echtzeiterzählung "DRUCK" sowie ein Vergleich zur transatlantischen Narration in den Serien "Borgia" und "Die Borgias". (Verlagsbeschreibung)
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"La representación de la mujer en el cine de Colombia ha tendido a estar asociada a nociones de sumisión, victimización o sexualización, sugiriendo una cierta uniformidad, invisibilidad y repetición acerca de su existencia social y cinematográfica. A pesar de esta complejidad cultural e histó
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rica, existe una serie de producciones colombianas hechas en el nuevo milenio que trascienden los sesgos de género patriarcales y las dicotomías morales sobre la mujer en la pantalla grande. Teniendo en cuenta la sanción de la Ley de Cine 814 de 2003, la cual ha tenido un impacto positivo en el sector cinematográfico colombiano, este libro propone examinar de forma inédita, conjunta y crítica, diversas maneras en que las mujeres son representadas en un grupo de películas de ficción colombianas del siglo XXI. Bajo un prisma interdisciplinario de estudios de cine, feministas, poscoloniales y subalternos, este trabajo ofrece un enfoque temático y un análisis textual de un total de doce películas en el que se analizan imágenes de la mujer en el cine de Colombia, reconociendo sus raíces en las normas que ha establecido el patriarcado, y sus eventuales transgresiones. De este modo, este libro explora e invita a celebrar representaciones diversas y emergentes de la mujer entendiendo el silencio y la sumisión como factores subversivos, los tipos de emancipación de la mujer dentro de grupos al margen de la ley, y la sexualidad y el deseo de las mujeres como agentes de cambio al hablar de la feminidad. Esta obra argumenta que la Ley de Cine creó un espacio para que los y las cineastas representaran los límites de las normas de género hegemónicas en la sociedad colombiana y los esfuerzos que se vienen haciendo para desafiarlas a través de su cine." (Resumen)
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"Journalisme et science peuvent-ils s'entendre ? Leurs rythmes sont différents, comme leur rapport à la vérité. Quel est le rôle des journalistes, comment parlent-ils de la science, quelle image se font-ils de la science et de ceux qui la produisent ? La science pour le journaliste, c'est aussi
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le discours que les scientifiques adressent aux médias quand ils espèrent que leurs recherches seront partagées. Ce livre explore le journalisme scientifique dans sa diversité, la manière de produire l'information et de rendre compte de l'actualité scientifique. Il dresse un panorama des enjeux récents soulevés par l'intérêt grandissant des médias pour la science, à l'heure des crises sanitaires et du réchauffement climatique." (Description de la maison d'édition)
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"This book examines the nexus of East Asian media, culture, and digital technologies in the early 21st century from a Global South perspective. Providing an empirically rich analysis of the emergence of Asian culture, histories, texts, and state policies as they relate to both Asian media and global
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media, the author discusses relevant theoretical frameworks as East Asian popular culture and media have shifted the contours of globalization. After overviewing Western media/cultural theories and histories, the book explores the ways in which East Asia-focused analytical frameworks are able to shift people’s understanding of globalization and media, drawing upon examples from different East Asian countries to illustrate how current cultural flows have influenced and have been influenced by a handful of dimensions." (Publisher description)
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"Developed with expert advice from market research agency Patternmakers and digital agency Thirst, together with considerable input from several small arts organisations who were involved throughout the design process, the Audience Research Toolkit is a free online resource for anyone who’s new to
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the world of research as well as for experienced marketers and researchers. More than 200 art workers from Victoria’s small to medium sector contributed to the development of the Toolkit, according to Patternmakers’ Managing Director, Tandi Palmer Williams, and their needs and issues directly shaped its content." (www.artshub.com.au)
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"This edited collection brings together voices from the margins in underrepresented regions of the Global South, within the context of scholarship focusing on indigenous languages and development communication. Contributors bring together research from often-overlooked parts of the world to engage i
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n dialogue towards an understanding of the similarities and differences between issues of language and development in the Global South, presenting cases as a starting point for further research and discussions about indigenous language and development communication in Latin America, Africa, and Asia." (Publisher description)
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"This study aims to examine the impact of Internet development on the urban-rural income gap in China. By using a provincial level panel dataset comprising 31 of China’s provinces, it analyzes and compares the effects of the eastern, central, and western regions over the period of 2005–2016. The
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results show that Internet development aggravates the gap in the central region much more than that in the eastern and western regions. The trade openness expands the urban-rural income gap only in the eastern region. Urbanization reduces the urban-rural income gap in the western region more than that in the eastern and central regions. Additionally, the regional economic development level also reduces the urban-rural income gap in central region more than that in the eastern region. FDI reduces the urban-rural income gap only in the central region. Additionally, while the urban-rural income gap can widen further by Internet development with trade openness, it can be decreased if Internet development is combined with FDI and urbanization. To reduce urban-rural income gap, the government should accelerate the construction of Internet according to regional differences." (Abstract)
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"Em popularidade, as telenovelas são o equivalente, na cultura brasileira, aos blockbusters de Hollywood, aos livros best-sellers mundiais, às músicas ouvidas por milhões ao redor do planeta e aos megashows que lotam estádios. Mas, com a consolidação do streaming e das novas mídias digitais,
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qual será o futuro da telenovela e da indústria televisiva brasileira como um todo? Em A telenovela e o futuro da televisão brasileira, Rosane Svartman, cineasta, escritora, diretora, produtora, pesquisadora e autora de novelas da TV Globo como Vai na fé (2023), Bom sucesso (2019) e Totalmente demais (2015), avalia que a resposta está na convergência midiática e na participação dos espectadores. Retomando a história do formato e sua transformação ao longo de mais de meio século, o livro oferece uma imersão no universo dos folhetins televisivos. A autora analisa a estrutura das telenovelas – tanto narrativa quanto de negócios – para entender sua relação com o público e sua consequente modificação a partir da popularização das plataformas de streaming, da diversificação das telas e das demandas e desejos da audiência. Para Rosane Svartman, a telenovela, enquanto se mantiver como parte da cultura do Brasil, não perderá seu lugar como produto de massa – podendo, dessa forma, ser consumida em qualquer plataforma, mídia ou tela sem perder sua essência e relevância. “O futuro da telenovela está nas mãos do telespectador e o futuro da televisão brasileira está nas mãos da telenovela”, escreve. A telenovela e o futuro da televisão brasileira é leitura essencial não só para quem estuda e se interessa por cultura e mídia, mas para todos aqueles que desejam se aprofundar nos caminhos da cultura e da sociedade brasileiras." (Descrição da editora de livros)
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