"This paper explores the spillover of protests across countries using data on nonviolent and spontaneous demonstrations for 200 countries from 2000 to 2020. Using an autoregressive spatial model, the analysis finds strong evidence of “contagious protests,” with a catalyzing role of social media.
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In particular, social media penetration in the source and destination of protests leads to protest spillovers between countries. There is evidence of parallel learning between streets of nations alongside the already documented learning between governments." (Abstract)
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"Ammann hat den Aufstieg der sozialen Medien von Anfang an begleitet und zieht Bilanz: Sie bieten auf der einen Seite große Chancen für die Demokratie. Die effektive Nachbarschaftshilfe während der Pandemie oder der immense Erfolg von #fridaysforfuture und #blacklivesmatter basieren auf der Reich
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weite von Social Media. Auf der anderen Seite unterminieren sie aber zugleich die demokratischen Grundlagen: durch die Verbreitung von Fake News und Verschwörungstheorien, vor allem aber auch, weil die global agierenden Betreiber sich nur an ihre eigenen Regeln halten. Was dem Einzelnen Freiheit verspricht, begünstigt eine manipulative Gegenöffentlichkeit, die Falschmeldungen und Hass verbreitet. Ammann hat zahllose Beispiele und Fakten zusammengetragen, die deutlich machen: Der Kampf um unser politisches System hat bereits begonnen – aber die Machtprobe ist noch lange nicht entschieden." (Buchrücken)
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"Searching for a New Kenya analyses public discussion in urban Kenya, focusing on the gatherings of citizens, both in-person and online, where people discuss issues of common concern to shed light on the role public discussion plays in politics and how social media affects political movements. Throu
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gh rich ethnographic study of politics on the ground and online in Mombasa, Stephanie Diepeveen brings a fresh perspective on the wider challenges and dynamics of negotiating political narratives across protracted historical debates and changing digital media. Based on a critical revision of Hannah Arendt's ideas about action and power, this study explores the different dynamics of public talk in practice. It contributes to wider debates about the place and limitations of the Western canon in relation to the study of politics elsewhere, while also offering a nuanced view of why and how certain terms of debate persist in Kenya, and where the potential for change lies for public talk across changing media." (Publisher description)
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"In one of the first cultural acts to follow independence in 1975, Frelimo's new socialist government of Mozambique set up a National Institute of Cinema (the INC). In a country where many people had little previous experience of cinema, the INC was tasked to "deliver to the people an image of the p
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eople". This book explores how this unique culture of revolutionary filmmaking began during the armed struggle against Portuguese colonialism. Following independence, the INC began the task of decolonising the film industry, building on networks of solidarity with other socialist and non-aligned struggles. Mozambique became an epicentre for militant filmmakers from around the world and cinema played an essential role in building the new nation. Crucially, the book examines how filmmaking became a resource for resistance against Apartheid as the Cold War played out across Southern Africa during the late 1970s and 1980s. Drawing on detailed film analysis, production histories and testimonies of key participants, Cinemas of the Mozambican Revolution provides a compelling account of this radical experiment in harnessing cinema to social change." (Publisher description)
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"This paper brings together 7 case studies on closing democratic space by experts from countries in Latin America, Eastern Europe and sub-Saharan Africa as well as examples from Europe. The paper concludes with actionable recommendations for preventing and reacting to closing democratic space. Three
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broad tactics to close democratic space were identified in the research that we suggest as a framework of analysis for understanding closing democratic space. These are: 1. Restricting civic space (particularly freedom of expression, assembly and association) with various legal, administrative, extra-legal and political measures, and thereby inhibiting the proper functioning of media outlets, emerging political (opposition) forces, and civil society organisations (CSOs); 2. Changing the rules of the game so as to create an uneven playing field for political contestation. This includes the abuse of state resources by the incumbent, skewed reforms in political party and electoral legislation, and one-sided private and illicit financing in campaigning; 3. Undermining the separation of powers, notably the independence of the judiciary, and thereby politicising legal processes, and allowing impunity and violence to shape the activities of citizens, media actors and CSOs." (Executive summary, page 4-5)
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"There is a strong consensus within the governance space that citizen engagement is integral in supporting social accountability and strengthening democracy. The impact of the modalities through which citizens make demands on the degree to which citizens feel empowered to trigger recognition and act
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ion from the duty holders remains an open question, more so in the Kenyan context where citizen engagement and social accountability align to the Constitution’s provisions on “public participation”. To this end, Africa’s Voices bridges this gap by deploying its innovative approach to civic engagement through the ‘Common Social Accountability Platform’ (CSAP) which uses interactive radio shows to achieve meaningful spaces of mediated public discussion between citizens and authorities that are valued by both and strengthens relations between them. The approach also provides evidence of citizen opinions in a form that supports policy action by authorities. In the Strengthening Public Accountability and Integrity Systems (SPAIS) pilot project, AVF focused the intervention on the urban poor settlements of Nairobi through a series of weekly interactive radio shows in three popular radio stations over a period of 2 months (8 shows per station for a total of 24 broadcasts over 8 weeks). While the shows explored a range of issues relevant to corruption, transparency, public participation and accountability, in the wake of the COVID-19 pandemic, the content of the discussions was largely focused on health governance and healthcare service delivery. The topics of discussion included overall citizen experience and satisfaction in healthcare service provision; appropriate utilisation of resources allocated to healthcare for COVID-19; and citizen perceptions of their role in ensuring and monitoring appropriate resource allocation for healthcare. The intervention also served as a mechanism for citizens to air concerns and grievances related to potential corruption incidents in the healthcare sector and beyond. This SPAIS project convenes large-scale, plural and inclusive accountability dialogues between authorities and citizens in urban poor settlements of Nairobi with a view to promote and uphold public accountability and the role that citizens can play in countering corruption, to enhance citizen perceptions of voice and efficacy, government recognition of and engagement with citizens, and ultimately the forging of trust between citizens and authorities. Moreover, this project aims to strengthen citizen engagement in the monitoring of healthcare service delivery in the context of the COVID-19 pandemic and to provide trusted spaces for an exchange on matters related to the provision and quality of healthcare services. It envisions to draw rich insights from citizen voices and recommend programme options for UNDP and SPAIS partners to adapt future programming to the needs and opinions of citizens regarding tackling corruption in the health sector." (Introduction, page 7-8)
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"This article examines what drives audience participation in interactive broadcast shows, with implications for the democratic potential of these shows as spaces of citizen engagement and public discussion. It makes three contributions, the first two to audience and media studies and the last to pol
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itical communication. First, it provides evidence to fill a gap in empirical knowledge on what drives audience participation in interactive broadcasts in Africa. “Mediated sociability”—the ways in which audience members are socialized into thinking about interactive broadcast shows as a space in which people like them have a voice— emerges as a strong determinant of audience participation. Second, it then uses this evidence from a non-Western perspective to reinforce the importance of conceptualizing the interactive broadcast show as a convened social space that can enable active citizenship. Third, by advancing scholarship on audiences and publics, the article deepens our understanding on the democratic significance of interactive broadcast in Africa and beyond." (Abstract)
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"Lange Zeit gab es wenig Kritik an dem, was die großen Digitalkonzerne mit den Daten ihrer Kunden machten. Doch die Diskussion um »Manipulations-Kapitalismus « und »Datenökonomie«, um zwei Begriffe zu nennen, die in der Diskussion über Vor- und Nachteile sozialer Medien oft zu hören sind, ni
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mmt zunehmend Fahrt auf – nicht zuletzt im Blick auf politische Wahlkämpfe. Vielfältige Einblicke in diesen Problemkomplex ermöglicht die Themen-DVD Afrika_Digital.2 – Start-ups und Künstler-Träume. Sie greift darüber hinaus Fragen der Menschenrechte im Verlauf der Produktions- und Gebrauchszyklen von Mobiltelefonen auf – und ist damit auch als Fortsetzung der Kompilations-DVD Digital – mobil – und Fair? zu verstehen. Und nicht zuletzt gilt es hier auch, den anderen, weitgehend positiv grundierten Blick auf Afrika hervorzuheben. Dies betrifft sowohl die hierzulande wenig bekannte Start-up-Szene, als auch die beiden ästhetisch innovativen Kurzfilme Algo-Rhythm und Zombies, die Bestandteil dieser DVD sind und bereits mehrfach mit Preisen ausgezeichnet wurden. In der dokumentarischen Kurzfilmreihe 10 von 199 kleinen Helden nehmen uns vier Mädchen und sechs Jungen mit auf ihren Weg zur Schule. Die Kinder sind mit dem Boot, zu Fuß oder über schwankende Hängebrücken unterwegs, während sie uns an ihren Gedanken über ihren Platz in der Welt teilhaben lassen. Der dreiteilige Dokumentarfilm The Food Challenge – Wie die Ernährung sichern beschreibt, analysiert und problematisiert die Geschäftspraktiken der großen Internationalen Chemiekonzerne in Kenia, die dort weiterhin Agrarpestizide vermarkten, die wegen ihrer Schädlichkeit in Europa und den USA oft schon lange verboten sind.
Gleich drei Filme thematisieren unterschiedliche Facetten des Themas Migration. Der niederländische Jugendfilm Rafaël erzählt eine dramatische Liebesgeschichte vor dem Hintergrund des Arabischen Frühlings und der Bootsflüchtlinge auf der Mittelmeerroute. Auf das organisierte Durcheinander europäischer Migrationspolitik blicken wir dabei aus der Perspektive einer jungen Europäerin, die selbst existentiell davon betroffen ist. Der Dokumentarfilm Die neuen Kinder von Golzow begleitet im Mikrokosmos dieser kleinen, legendär gewordenen Ortschaft die Aufnahme einer syrischen Flüchtlingsfamilie und ihre Bemühungen, sich zu integrieren. Yves’ Versprechen erzählt die mehrjährige Migrationsgeschichte eines jungen Kameruners, deren Vielschichtigkeit gerade auch deshalb spannend ist, weil sie die Perspektive der zuhause gebliebenen Familie und Freunde klug mit einzubinden weiß." (Editorial, Seite 1)
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"To advance interdisciplinary understanding, Shifting Dynamics of Contention in the Digital Age outlines a communication-centered framework that articulates the intricate relationship between technology, communication, and contention. It systematically explores the influence of mobile technology on
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political contention in China, the country with the world's largest number of mobile and internet users. Using first-hand in-depth interview and fieldwork data, Shifting Dynamics of Contention in the Digital Age tracks the strategic choice of mobile phones as repertoires of contention, illustrates the effective mobilization of mobile communication on the basis of its strong and reciprocal social ties, and identifies the communicative practice of forwarding officially alleged "rumors" as a form of everyday resistance. Through this groundbreaking study, Shifting Dynamics of Contention in the Digital Age presents a nuanced portrayal of an emerging dynamics of contention--both its strengths and limitations- through the embedding of mobile communication into Chinese society and politics." (Publisher description)
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"WhatsApp is a key medium for the spread of news and rumors, often shared as images. We study a large collection of politically-oriented WhatsApp groups in India, focusing on the period leading up to the 2019 Indian national elections. By labeling samples of random and popular images, we find that a
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round 10% of shared images are known misinformation and most fall into three types of images. Machine learning methods can be used to predict whether a viral image is misinformation, but are brittle to shifts in content over time." (Abstract)
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"This book explores in detail new protest organisation and mobilisation strategies of young activists in the digital age with the aim to identify the tactics that worked well against those creating high risks in the context of digitally supported protests. Focusing on Egyptian protests as well as pe
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aceful protests in Syria, the book offers rich and unique data as it brings together the experiences and voices of the key figures involved in the protests, both on the ground and online. It challenges perspectives that defined the Arab uprisings as leaderless movements formed through the non-hierarchical communication of digital technologies. The author presents three kinds of leaders that shape the political communication environment in digitally supported protests and highlights the significance of their leadership skills to the movements' capacities." (Publisher description)
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"This book explores the struggles over the mediated construction and projection of the image of the nation at times of social unrest. Focusing on the June 2013 protests in Brazil, it examines how different actors -authorities, activists, the national media, foreign correspondents- disseminated compe
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ting versions of 'what Brazil was' during that pivotal episode. The book offers a fresh conceptual approach, supported by media coverage analysis and original interviews, that demonstrates the potential of digital media to challenge power structures and establish new ways of representing the nation. It also highlights the vulnerability of both 'old' and 'new' media to forms of inequality and disruption due to political interferences, technological constraints, and continuing commercial pressures." (Publisher description)
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"The Sage Handbook of Propaganda unpacks the ever-present and exciting topic of propaganda to explain how it invades the human psyche, in what ways it does so, and in what contexts. As a beguiling tool of political persuasion in times of war, peace, and uncertainty, propaganda incites people to take
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, often violent, action, consciously or unconsciously. This pervasive influence is particularly prevalent in world politics and international relations today. In this interdisciplinary Handbook, the editors have gathered together a group of world-class scholars from Europe, America, Asia, and the Middle East, to discuss leadership propaganda, war propaganda, propaganda for peace marketing, propaganda as a psychological tool, terror-enhanced propaganda, and the contemporary topics of internet-mediated propaganda. Unlike previous publications on the subject, this book brings to the forefront current manifestations and processes of propaganda such as Islamist, and Far Right propaganda, from interdisciplinary perspectives. In its four parts, the Handbook offers researchers and academics of propaganda studies, peace and conflict studies, media and communication studies, political science and governance marketing, as well as intelligence and law enforcement communities, a comprehensive overview of the tools and context of the development and evolution of propaganda from the twentieth century to the present." (Publisher description)
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