"La investigación que se presenta en estas páginas tuvo un doble objetivo: por un lado, estudiar la cooperación española, bilateral y multilateral, con un seleccionado conjunto de países de iberoamericanos en materia de patrimonio y cultura clásica (artes plásticas, espectáculos en vivo) y d
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e industrias culturales (incluyendo a los medios de comunicación y a las nuevas redes digitales) durante el periodo 1997-2007. Por otro, conocer las opiniones de destacados expertos (gestores, creadores, académicos) sobre los futuros lineamientos de las políticas y las estrategias de cooperación en cultura y comunicación en Iberoamérica." (Página 15)
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"With the rise of Spanish language media around the world, The Handbook of Spanish Language Media provides an overview of the field and its emerging issues. This Handbook will serve as the definitive source for scholars interested in this emerging field of study; not only to provide background knowl
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edge of the various issues and topics relevant to Spanish language media, but also to establish directions for future research in this rapidly growing area. This volume draws on the expertise of authors and collaborators across the globe." (Publisher description)
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"The book is organised into three sections. The first addresses the link between indigenous knowledge and indigenous language, and explores the opportunities this interconnection provides for understanding and countering declines in both. The second section examines how the loss of indigenous knowle
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dge due to insensitive school programmes may be countered by integrating indigenous knowledge and languages into school curricula. The third section explores the need for the revitalisation of indigenous ways of learning, generally outside of a classroom environment, and how this may be practically viable in modern contexts." (Structure of the book, page 6-7)
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"Writing National Cinema traces the twenty-year history of the Peruvian film journal Hablemos de cine alongside that of Peruvian filmmaking and film culture. Similar to the influential French journal Cahiers du cinéma, Hablemos de cine began with a group of young critics interested in claiming the
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director’s use of mise-en-scène as the exclusive method of film analysis rather than thematic or star-oriented topics - hence, the title of the publication, derived from their battle cry at post-screening discussions: “Let’s talk about film.” Their critical authority grew with the rise of local filmmaking and the nationalist fervor of the late 1960s and early 1970s. When government sponsorship spurred feature filmmaking in the mid-1970s, their perspective eschewed the politically militant readings that characterized most writing and film from the rest of Latin America at the time. By the 1980s, the critics at Hablemos de cine had helped to engender a commercial, Hollywood-influenced cinematic vision-best exemplified by Peruvian auteur Francisco Lombardi-and stimulated a unique, if isolating, national identity through film." (Publisher description)
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"El objeto del presente estudio son las industrias llamadas "infocomunicacionales", que incluyen medios de comunicación, industrias de telecomunicaciones, internet y otras industrias culturales (editorial gráfica, fonografía y cinematografía). La investigación se ha realizado en Sudamérica y M
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éxico. También se relevaron datos de España. Se muestra en este texto cómo muy pocos grupos infocomunicacionales concentran la mayor parte de la producción, edición y distribución de los contenidos (información y entretenimiento) que circulan en las sociedades latinoamericanas, condicionando de este modo la diversidad de voces a escala masiva." (Descripción de la casa editorial)
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"1. The media development community should work within individual media houses to create in-house, publicly reported complaint systems rather than relying solely on outside press councils to do the job. 2. Funding groups should encourage media criticism, in forms such as local journalism reviews. 3.
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Press councils and ombudsmen should be adequately funded from a variety of sources (NGOs, media organizations, international donors) while safe-guarding their independence. 4. In the establishment of a press council, there must be an effective mechanism to avoid, or greatly reduce, the possibility that complainants will take advantage of defamation laws and take their issues to court rather than to the council. 5. To be effective, press councils and ombudsmen should focus on journalistic standards: ethical behavior (such as not accepting payment for stories), fairness, balance, and using appropriate and varied sources for information." (Summary of recommendations, page 7)
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"While there exists a wide range of material covering violence against women, very little scholarly attention has been paid to international media treatments of gendered violence. This volume addresses the gap by providing a broad overview of contemporary representations of gendered violence, enabli
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ng comparison and contrast in forms of violence and constructions of gender across a wide range of political and geographic contexts. From nonfictional accounts of the mass rapes during the Rwandan genocide to the sexual objectification of women in Serbian media and depictions of prostitute murders in the Chinese media, this book provides an overview of media representations of gendered violence around the globe. In addition to documenting specific challenges and shortcomings of mainstream representations, chapters present insight into the various forms of resistance and hope that exist in each particular area, and analytical essays open up new lines of inquiry by offering an assessment of the uneven changes that feminist activism has enabled around the world." (Publisher description)
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"El artículo presenta un conjunto de reflexiones sobre la actuación de radios educativas y comunitarias en contextos de conflicto social principalmente entre empresas mineras y comunidades en el Perú. Parte de una aproximación a la problemática de los conflictos sociambientales, cuyo número e
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intensidad se ha incrementado significativamente en los últimos años. Propone una descripción de los principales escenarios y actores, incluidos medios de comunicación, así como los problemas de carácter estructural que se ubican a la base de las relaciones de conflictividad social. Presenta una definición general de las radios comunitarias y educativas y sus proyectos de comunicación; propone y analiza los principales ejes de tensión y los desafíos que afrontan estas emisoras en situaciones de conflictividad, tensiones que tienen que ver con las nociones de objetividad y pluralismo informativo en el marco de relaciones asimétricas de poder y comunicación entre empresas, Estado y comunidades; así como la ubicación y el rol de las emisoras frente al tejido social en situaciones de conflictividad, entre otros campos del quehacer comunicativo." (Resumen)
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