"In Tschechien ist die Qualitätspresse in einer schwierigen Lage. Der Markt ist klein, die Kosten sind hoch und die Erträge bescheiden. Zeitungen und Nachrichtenmagazine werden ihrem Anspruch, seriöse Berichterstattung zu bieten, oft nicht gerecht. Die Verantwortung für die Boulevardisierung war
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lange den ausländischen, überwiegend deutschen Medienhäusern zugeschrieben worden, die in den 1990er Jahren in Tschechien investiert und den Pressemarkt dominiert hatten. Seit der Weltwirtschaftskrise 2008 haben sich diese Investoren zurückgezogen, die neuen Eigentümer sind meist tschechische Großunternehmer. Doch die Qualität der Berichterstattung ist nicht zwangsläufig besser geworden. Die Frage, wie frei die Presse ist, stellt sich vielmehr noch dringlicher. Dies gilt insbesondere für die Erzeugnisse aus dem Hause MAFRA, das dem Agrofert-Konzern des Großunternehmers und Finanzministers Andrej Babiš gehört." (Abstract)
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"The three countries that this year experienced a decrease in overall score—Belarus, Azerbaijan, and Kazakhstan—were ones last year that had showed small but unexpected increases. Last year’s Executive Summary indicated that such increases were unlikely to be part of a larger upward trend; pan
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elists’ scores this year for all three ended up placing the three more or less where they stood in 2014. A similar phenomenon occurred this year with Tajikistan. Panelists there gave scores that increase the overall score in the country by 0.18 despite the fact that many serious threats to the media sector exist, including government pressure and harassment of critical voices, concentration of media control, poor quality reporting, and difficulty for independent media in raising revenue. Except for Objective 3, Plurality of News, all objectives received higher scores. Reading the chapter text, however, one does not get the impression that much positive is happening to improve the ability of Tajik media to serve as the Fourth Estate." (Executive summary)
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"Das Internet war in Russland lange ein Zufluchtsort der kritischen Öffentlichkeit. Hier gab es unabhängige Berichterstattung, als Zeitungen und Fernsehsender schon weitgehend auf Linie gebracht waren. Der Arabische Frühling und die Protestbewegung in Russland 2011/12 änderten dies. Das Putin-Re
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gime geht immer rigider gegen die Pressefreiheit im Internet vor. Es hat die Eingriffsmöglichkeiten der Aufsichtsbehörde Roskomnadzor erheblich ausgeweitet und Druck auf die großen Internetunternehmen ausgeübt, so dass sie der Installation von Überwachungs- und Sperrtechnik zustimmten. Mit dem System SORM wird seit 2015 nahezu der gesamte Datenverkehr überwacht. Um auch die freie Verbreitung von Informationen und Meinungen in den sozialen Netzwerken zu unterbinden, setzt der Kreml mittlerweile auf die direkte Einschüchterung." (Abstract)
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"Welche Bilder prägen unser Gedächtnis? Bilder nehmen im „visuellen Zeitalter“ eine herausragende Bedeutung für europäische Identität, Geschichtsbewusstsein und Geschichtskultur ein. 14 Bildquellen – Gemälde und Fotografien –, die in den aktuellen Schulgeschichtsbüchern europäischer
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Staaten am häufigsten abgebildet werden und sich über dieses Medium europaweit im visuellen Gedächtnis von Kindern und Jugendlichen verankert haben, werden in diesem Band vorgestellt. Die Bildwerke werden gemäß den Standards der fachspezifischen „visual literacy“ von Expertinnen und Experten erschlossen und aufbereitet. Viele der Bilder, wie beispielsweise die fotografische Darstellung der Konferenz von Jalta, waren bislang nie Gegenstand von Analysen. Auch die Grundlagen zur „visual literacy“-Kompetenz im Umgang mit Bildikonen und dem kulturwissenschaftlichen Zugang zum Bild kommen in dem neuen Band nicht zu kurz. Sie werden in drei grundlegenden Beiträgen zugänglich gemacht. Das Buch ist ein Gewinn für alle, die den Beitrag der Schule zur Bildung einer europäischen Identität ernst nehmen und ihn weiterentwickeln wollen." (Verlagsbeschreibung)
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"Das Fazit der Beiträge in diesem Heft bringt Snežana Milivojevic nüchtern auf den Punkt: „Der Glaube, dass ein freier Markt gleichbedeutend mit freien Medien ist, hat sich in den Transformationsländern als Illusion erwiesen.“ Die größte Gefahr für unabhängigen Journalismus liegt dort ni
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cht vor allem darin – wie es derzeit laut Olga Tokariuk in der Ukraine der Fall ist –, Gewalt, Entführung und Morddrohungen ausgesetzt zu sein, sondern vor allem in der Abhängigkeit von Finanzquellen: Zwar entsprechen die gesetzlichen Rahmenbedingungen für Medien mittlerweile internationalen Standards, doch als viel schädlicher, so schreibt Sanela Hodžic im Fall Bosnien-Herzegowinas, gilt der Zugriff geschäftlicher Netzwerke und politischer Interessengruppen auf die Medien. Besonders deutlich wird das auch in den Beiträgen zu Bulgarien, Serbien, Albanien und Ungarn. Zudem stellen Péter Techet in Ungarn wie auch Remzi Lani in Albanien fest, dass Journalisten meist schreiben können, was sie wollen, aber niemand darauf regiert: „Gleichgültigkeit gegenüber Kritik führt zur Abwertung des freien Wortes.“ Deshalb warnt auch Christian Mihr von „Reporter ohne Grenzen“: „Freiheit, um die nicht gerungen wird, stirbt.“ Es gibt aber auch Lichtblicke: In der Ukraine legen mehrere unabhängige Sender Wert auf professionellen Journalismus und finanzieren sich durch Crowdfunding. Die Slowakei findet sich auf der Rangliste von „Reporter ohne Grenzen“ auf Platz 14 (Deutschland steht auf Platz 12, die Schweiz auf Platz 20). Nicht zuletzt zeugen auch die Autoren und Autorinnen dieser Ausgabe von den bestehenden Oasen für qualitätsbewussten Journalismus in Osteuropa." (Editorial)
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"Small Cinemas in Global Markets addresses aspects such as identity, revisiting the past, internationalized genres, new forms of experimental cinema, markets and production, as well as technological developments of alternative small screens that open new perspectives into small cinema possibilities.
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Small and big markets for small industries reveal an unimagined diversification of the cultural product and consequently the need to analyze the impact at local, regional, and global levels. Much needed to continue and expand the existing scholarship in the field, this volume is based on research by authors who approach their subject from Western theoretical perspectives with a professional (mostly native) knowledge of the language, cultural realities, and film industry practices. It covers aspects from fifteen different countries, including Bolivia, Brazil, China (Hong Kong), Croatia, East Africa (Kenya, Tanzania, and Uganda), Greece, Indonesia, Lithuania, Bulgaria, Poland, Romania, Morocco, and the United States. Since both film and documentary distribution from certain areas of the globe on international markets remains problematic, it is important for the academic field to discuss and circulate them as much as possible, and to create the basis for further exploration." (Publisher description)
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"The three case studies depict a range of repressive efforts that are calibrated to achieve particular ends. Sometimes, the authorities choose to co-opt independent voices. In other instances, the regime may create new government-backed versions of media initiatives or civic organizations which mimi
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c the form but not the substance of their authentic counterparts. Some techniques emphasize regulatory controls, while others utilize economic or financial pressure. All three regimes rely on broadly worded laws to punish critics and encourage self-censorship. State-run media remain dominant sources of information for most of the population in each country, and are used by the authorities as a weapon to tarnish and subvert the work of civil society activists and independent journalists." (Introduction, page 8)
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"The rapid development of the information society has accentuated the importance of digital divides, which refer to economic and social inequalities among populations due to differences in access to, use of, or knowledge of information and communication technologies (ICT). This book discusses the cu
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rrent state of digital divides, ranging from global." (Publisher description)
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"International radio broadcasters took on a centrally important role during the Cold War. Founded at the beginning of the 1950s, Radio Free Europe (RFE) was to become both a political instrument for influencing public opinion and one of the few alternative sources of information for many people livi
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ng to the east of the Iron Curtain. The contributions in this publication illustrate the political, social, and cultural context within which RFE operated at the time; they explore the journalistic practices used in RFE; and they analyze the content of the broadcasts and the responses of RFE’s listeners." (Back cover)
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"Almost half (49%) of all Russians believe that information on the Internet needs to be censored; a plurality (42%) of Russians believe foreign countries are using the Internet against Russia and its interests. About one-quarter of Russians think the Internet threatens political stability (24%); abo
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ut four out of five Russians (81%) stated a negative feeling toward calls to protest against the government and change political leadership; the Russian government and the Russian security service were virtually tied in the percentage of Russians (42% and 41% respectively) that cited these organizations as trusted regulators of the Internet; 51% of Russian believe the primary motivation of government legislation creating a blacklist of websites is the maintenance of political stability versus 13% who believe the primarily motivation was limiting democratic freedoms." (Website CGCS)
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"This report examines self-regulation in challenging times. Journalism is increasingly a single stream of information disseminated simultaneously across different platforms of media, but its regulation remains dominated by old-fashioned notions of how media work. Usually there are two ways of regula
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ting journalism at national level: a voluntary system for the press and legal controls over broadcasting. These structures were created for yesterday’s media landscape and are increasingly out of date. Today’s digital journalists work on video, print and audio simultaneously. That’s why it makes sense to have only one national regulator, and one that covers all platforms of journalism. Another testing issue is the question of funding. Ideally, journalists and media should pay the bills for press councils, but in these cash-strapped days can media continue to afford it? Increasingly, the answer is no. So who will pay in future? Perhaps we should think about using public funds, after all, independent regulation of media is a public interest activity. But if we use taxpayers’ money how do we ensure it won’t compromise editorial independence? Finally, as this report shows, making self-regulation work at enterprise level is perhaps what counts most. Building trust with the audience should be an issue in every newsroom and the growth in the number of in-house ombudsmen or readers’ editors is a welcome sign that more media are taking the issue seriously. However, in the face of editorial cuts some managements still question money being channelled into cleaning up the mistakes of the newsroom. But as this report illustrates, keeping journalism honest is money well spent for media and, for the public at large, it’s a good investment in democracy." (Introduction, page v)
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"Results of the 2015 MSI study for Europe & Eurasia (E&E) at first glance show encouraging results: the average of 21 overall country scores increased by 0.04 compared with last year, representing the highest average of overall scores so far this decade. Out of 21 countries studied, seven increased
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by more than one-tenth of a point. Eleven country scores remained about the same and only three decreased by more than a tenth. Indeed there are some encouraging developments, described in more detail below. However, in other cases what appear to be improvements in scores are likely to be only short-term blips on an otherwise downward or flat trend. Belarus (+0.16), Azerbaijan (+0.15), and Kazakhstan (+0.16) all showed small increases in overall score, but in all of these cases several factors indicate that this is not part of a new trend.." (Executive summary)
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"Adopting a truly global, theoretical and multidisciplinary perspective, Media Pluralism and Diversity intends to advance our understanding of media pluralism across the globe. It compares metrics that have been developed in different parts of the world to assess levels of, or threats to, media plur
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alism." (Publisher description)
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"This report gives forecasts for online video spend and consumption, where available, for 40 markets in which online video is at varying stages of development. From markets such as Singapore, where 85% of the population claims to access online video (according to GlobalWebIndex, 2014), to countries
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where online video is still in its early stages of growth, what we see is that online video consumption has risen sharply over the past few years and has begun to attract budget-switching from TV advertising. TV remains, of course, the world’s most popular advertising channel, and will be so for some years yet. Nevertheless, networks and studios are having to adapt to the new importance of digital." (Introduction, page 1)
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"TV remains the main news source for the majority of population – 85% of respondents say they have watched TV news during last 30 days. For the last year TV audience has slightly decreased (-8%), and, though in general other sources of information are much less popular, for people under age of 35
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webresources (especially social nets) are already comparable with TV by the share of users. Share of press readers (31%) is practically immutable (-2%), however the perspective of this media is rather negative: the younger the audience is, the less relevant this source is. A tendency of shrinkage of the printed media audience is observed in many regions. There is relatively more current press readers in Dnepropetrovsk and L’vov regions, but least of them – in Lugansk, Poltava, Sumy, Nikolayev regions. Growth of internet penetration slightly slows down (actual share of users – 71%, +3% since last year), apparently because more than 90% of the most active part of population, up to 35 y.o., already use it." (Key results, 1)
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